Late October 2020 bopping fortnight’s favorites

There was NO early October entry: too much work on other things.

Clay & Christine The Kentcky Sweethearts: « These Tears » Sun-Ray 118. Very good mid-paced ballad (main male vocal) duet, nice steel.
B-side : « They say », same formula. A good « provincial country record » from Lexington, Ky., 1967.

Tony Douglas « Baby, When The Sun Goes Down » issued on D 1005 (Houston, Tx). Energetic bopper. Nice vocal and interplay between steel and fiddle, plus piano – really a Starday “feel” (1958), the first of a long career.

Gene Snowden on Hi-Fidelity OP-121/122 « Quit Your Triflin’ On Me » : good guitar. A favorite song for Ray Campi. B-side « Angel Darling » less fast, a good honky tonker in its style.OP- serie was a 4 Star outlet for “Other People”.

Arizona hillbilly Jimmy Spellman « Give Me Some Of Yours » released on Viv 3000 : a fast bopper with steel solo (1955). On Viv Spellman also released “It’s You, You,You” (1002) and the great rockabilly “(She Wants A) Lover Man” (# 1005) with Al Casey on lead guitar. Later he went on Dot, Vik and Redstart, all teen rockers.

Cash Box, April 11, 1953

Out of Knoxville, Tn. label Valley mostly known for Darrell Glenn (pop country) and Reese Shipley (« Catfish boogie » #106) or Shorty Long. (# 108, « I Got Nine Little Kisses »). Here’s the first record of the label : # 101 Joe Stuart « Shoot Again, Mr. Cupid « : a fast, average hillbilly – strong fiddle.

A short note from Ronald Keppner mnentioned a Valley 100 by Archie Campbell (unheard). Yhanks Ron!

Arlie Duff : Decca 29987 « Alligator Come Across » recorded May 15, 1956.
The best open space between hillbilly and rockabilly. Both styles present, great although short rockabilly solo (certainly Grady Martin). Duff was on the birth of Starday too (1953).

Vancie Flowers on Pike 5921 (1959) with « Six Days In Waiting » – does remind of « Six Days On The Road ».Tough guitar, weird instrumentation.

Joe Franklin (1929-2001) & the Mimosa Boys – « Hillbilly boy » b/w « Hitch-hikin’ blues » MGM 11612 (1953). North Carolina artist. Here’s the ultimate in Hillbilly piano bop (Darryl Petty). Urgent vocal, and strong, way too short fiddle too. Joe Franklin’s story is to be found in this site.

Sources : as usual, soundfiles from Youtube or compilations. Vital research by Yours Truly. 45cat useful for many a label scan.

The Sun-Ray label: Kentucky ’60s Country-rock (1967-69)

A man by the name of James T. Price was responsible for creating the Sun-Ray record company ; in fact, the vast majority of the songs put out on the label was published through Jimmy Price Music Pub. In 1961, Price issued a modern Hawaiian steel guitar course with tablatures: he had at least one release on the label. Bud Chowning, who would later record for Sun-Ray, says that Price had converted his garage into a recording studio and printing space with printing equipment : ‘He had a piano in there and a lot of mikes. The recording room was sound proof’. (more…)

late August 2010 fortnight

Howdy, folks! Here we go with 6 “new” Hillbilly Bop goodies from various sources, spanning nearly 20 years from 1949 to 1967. Let’s begin with Indiana’s BLANKENSHIP Brothers. They were a group doing Bluegrass and Rockabilly, as late as 1960. I’ve chosen “I Just Got One heart“, the B-side to their most famous and best tune “That’s Why I’m Blue” (Skyline 106). Way up North in the Detroit, Michigan area. Hillbilly was concentrated on Fortune Records (Jack & Devorah Brown), and the label saw many, many fine releases by Southerners who did entertain the Ford car workers. Many good Fortune sides are to be found in the excellent NL Collector serie “Boppin’ Hillbilly“(“Detroit in the 50’s“, 3 volumes), and here we have one of the earliest sides (Fortune 141, 1949) by EARL SONGER, “Mother-In-Law Boogie“. Songer himself was from West Va. and came to Detroit in the late 30’s; being a fan of Bill Cox, he was a one-man band (vocal/guitar/harmonica), before teaming with Joyce (born in Tennessee). Together they recorded many songs on Fortune: 7 disks within 2 years. Immense success.Earl Songer

Next we have TOMMY JACKSON and “Flat Top Box” from Lexington, KY (Sun-Ray 131) as late as…1967. Great guitar, very modern in style, altho’ the Hillbilly spirit remains untouched. Back to Indiana with the prolific Hodges Brothers Band, fronted by RALPH HODGES for a little classic on Whispering Pines 201, “HONEY TALK” with the buzzing guitar and swirling fiddle. That’s a crossover between Hillbilly and Rock’n’Roll, what they call sometimes Hillbilly Rock.Whispering honey They had a good amount of albums recorded by Chris Strachwitz for Arhoolie in the 1970’s.

And then we have a woman – and God knows they were THAT uncommon in Hillbilly! JEANIE CHRISTIE on the Blue Sky label out of St. Cloud, FLA from 1958: “Flying High“. Great and firm vocal, a solid steel-guitar throughout. A nice record!blue-sky christie

Finally in Virginia for the tiny Liberty label (no connection with the California concern), HENDER SAUL, “I Ain’t Gonna Rock-Tonite“, one of my all-time faves in Hillbilly Rock. Forceful vocal, nice lyrics, great interplay between guitar and fiddle.liberty  saul rock

I really  hope you will enjoy the selections, and you will comment after a listen or two. You can download everything, of course!

Lâche pas la patate” (Don’t loosen the potatoe) to quote Cajun Jimmy C. Newman, and keep on Bopping!

Sources: various CDs. Pictures as usual from the excellent Terry Gordon’s site “Rocking Country Style”. Take a look at it!

late August 2010 fortnight

Howdy, folks! Here we go with 6 “new” Hillbilly Bop goodies from various sources, spanning nearly 20 years from 1949 to 1967. Let’s begin with Indiana’s BLANKENSHIP Brothers. They were a group doing Bluegrass and Rockabilly, as late as 1960. I’ve chosen “I Just Got One heart“, the B-side to their most famous and best tune “That’s Why I’m Blue” (Skyline 106). Way up North in the Detroit, Michigan area. Hillbilly was concentrated on Fortune Records (Jack & Devorah Brown), and the label saw many, many fine releases by Southerners who did entertain the Ford car workers. Many good Fortune sides are to be found in the excellent NL Collector serie “Boppin’ Hillbilly“(“Detroit in the 50’s“, 3 volumes), and here we have one of the earliest sides (Fortune 141, 1949) by EARL SONGER, “Mother-In-Law Boogie“. Songer himself was from West Va. and came to Detroit in the late 30’s; being a fan of Bill Cox, he was a one-man band (vocal/guitar/harmonica), before teaming with Joyce (born in Tennessee). Together they recorded many songs on Fortune: 7 disks within 2 years. Immense success.Earl Songer

Next we have TOMMY JACKSON and “Flat Top Box” from Lexington, KY (Sun-Ray 131) as late as…1967. Great guitar, very modern in style, altho’ the Hillbilly spirit remains untouched. Back to Indiana with the prolific Hodges Brothers Band, fronted by RALPH HODGES for a little classic on Whispering Pines 201, “HONEY TALK” with the buzzing guitar and swirling fiddle. That’s a crossover between Hillbilly and Rock’n’Roll, what they call sometimes Hillbilly Rock.Whispering pines 201 They had a good amount of albums recorded by Chris Strachwitz for Arhoolie in the 1970’s.

And then we have a woman – and God knows they were THAT uncommon in Hillbilly! JEANIE CHRISTIE on the Blue Sky label out of St. Cloud, FLA from 1958: “Flying High“. Great and firm vocal, a solid steel-guitar throughout. A nice record!jeanie christie blue sky

Finally in Virginia for the tiny Liberty label (no connection with the California concern), HENDER SAUL, “I Ain’t Gonna Rock-Tonite“, one of my all-time faves in Hillbilly Rock. Forceful vocal, nice lyrics, great interplay between guitar and fiddle.hender saul liberty 104

I really  hope you will enjoy the selections, and you will comment after a listen or two. You can download everything, of course!

Lâche pas la patate” (Don’t loosen the potatoe) to quote Cajun Jimmy C. Newman, and keep on Bopping!

Sources: various CDs. Pictures as usual from the excellent Terry Gordon’s site “Rocking Country Style”. Take a look at it!