Hello, this is the late October 2019 favorites’ selection, and very different things this time.
These are two tracks of the nearest JIMMY MURPHY ever bordered to Rockabilly. A veteran (his 1951 sides on RCA-Victor) of Country bluesy sides, with an appeal to religious ones, like « Electricity ».(RCA 21-0447), and his two-sided November 1955 « Here Kitty Kitty »/ »I’m Looking For A Mustard Patch » (Columbia 21486) sounded (with Onie Wheeler on harmonica) as if they had been recorded in..1945. That was the main problem for Jimmy Murphy, always behind the times. Nevertheless great acoustic guitar and assured,vocal. A must for Rockabilly fans.
Next HANK CADWELL and the Saddle Kings on the West coast D’Oro label (# 103) do come with a Western swing tinged opus, « Alibi » from late ’40s : accordion solo, fiddle solo, lovely assured vocal and chorus.
Then ABE LINK, or A. BLINK (he went under both names) on the Ohio Canton label. « Skeleton Bookie », « and the Western Spotlighters » (S.T.R.C Canton 106) has beautiful steel effects for a Halloween (?) disc, while « Yodelin’ Blues » (Canton 107) is very different. A classic shuffling bopper from 1955. Lot of yodel of course, and a lot less steel.
We jump to 1961 for a male duet. A nice country-rocker by PHIL BEASLEY and CHARLEY BROWN on the Briar (# 111) label, from unknown location. « Good Gosh Gal » has loud drums, and a nice guitar throughout (a fine solo).
On the B.W. label (location unknown), here’s KENNY BIGGS (B.W. 615) for a nice Country-rocker « There’s No Excuse » (early ’60s). One expects in this very melodic tune some chorus (very unobstrusive if ever present).
Col. Tom Parker paid the Norfolk, Va. and Jacksonville, Fl. radio stations not to play PHIL GRAY’s disc on Rhythm 101, and even gathered the copies to destroy from a too Elvisy (Sun style) Rockabilly. He even had done to prevent Gene Vincent to be unplayed in vain. Gray was 15 years old when he cut « Pepper Hot Baby » and « Bluest Boy In Town ». Great guitar, Elvis-style hiccups (the song is like « Baby Let’s Play House »), a real success. This disc is so rare that a copy, when it comes on auction, may get as high as $ 3000 !
Howdy folks ! This is the last post on bopping duets. As surely you did notice it, my English is far from fluent ; actually I don’t dream neither think « in English », because it is not my natural language. I really hope you can understand it, and excuse me for writing such intricate phrases yet very common. But I LOVE this bopping music, and let’s keep it first ! My aim is to figure the music posted with record labels and odds and ends on the artists.
The McCORMICK BROTHERS were a Tennessee/Kentucky family affair. Lloyd and Kelly held the guitars, younger Haskel was on banjo, Hayden Clark on bass and Charlie Nixon on dobro. They cut for Hickory in Nashville between 1954 and 58 a fine line of Bluegrass and Rockabilly boppers, among them this « Big eyes » (1958, Hickory 1080). Strong strumming boogie electric guitar and vocals in unison. They even had a full album, « Songs for home folks » on Hickory 102 (1961) and still are playing today.
Chester and Lester, the BUCHANAN BROTHERS were another duet group. They hit big in August 1946 with the pioneering « Atomic power » on RCA, and revived a similar theme in November 1947 with « (When you see) Those flying saucers ». (RCA-Victor 20-2385) « You’d better pray to the Lord when you see those flying saucers, it may be the coming of the Judgement Day ». Good vocal and guitar duet. The song was used in 2009 in the animated release of « Monsters VS. Aliens ».
PAL (or Palford) BRADY (1922-1988) was a native of Tennessee ; himself relocated too in Michigan, where he had records on Lucky 013 (Cincinnati), Clix (Troy, MI), Bragg, among others (late ’50s to mid-60s). His « More lovin ‘ » (Conteste 45-2) from 1961 has two voices for a good « city hillbilly bopper ».
Charlie & Wallace, the MERCER BROTHERS came from Metter, GA and began a professional career during the late ’30s. After the WWII they had their own radio show on WMAZ before joining in 1948 the prestigious « Louisiana Hayride ». From 1951 to 1954 they cut a dozen sides for Columbia in Dallas, with their Blue Ridge Boys (Clyde Baum on mandolin and Doyle Strickland (fiddle) + Wayne Raney (harmonica). I chose from their equally constant in quality output « No place to hang my hat » (Columbia 20927, 1952-53), very Delmore Brothers styled. After 1954 they settled in Macon, GA, and WIBB radio station before completely disappear.
JOHNNIE (Wright) and JACK (Anglin) were regulars on the ’50s charts, before Anglin was killed in a car crash in 1963. Their «Oh boy ! I love her » (RCA 47-6932) from ’57 is an enjoyable jumping little opus. Earlier on they had cut the C&W classic « Ashes of love » (revived during the ’80s by the Desert Rose Band), and « Cryin’ heart blues » in 1951, supposed to have been recorded (but lost) by Elvis Presley on Sun Records.
“Oh boy, I love her”
On the Kentucky Dixiana label # 105 from 1954, CLIFF GROSS offer a sort of fast talking blues (with the band chanting in unison) with « Hog pen hop », probably recorded in Dallas. Gross was a mountain type fiddler, and Dixiana emanated from Bowling Green, Wayne County.
PAUL & ROY, The Tennessee River Boys, already discussed in another « Duet » feature (they had a two-sider on Nashville Pace label), have recorded for Mercury in 1953 « Spring of love » (# 6374) : it’s a fast Bluegrass influenced ditty – lead vocal & backing vocal.
Next track GOLDEN STATE BOYS‘« Always dreaming » was already posted here in April 2013. But I like very much this tune with its urgent vocal, the dobro part of Leon Poindexter, the vocal/mandolin of Herb Rice, and the energetic banjo of Don Parmley [personnel given by a visitor]. Date : early to mid-62, Shamrock 717, Artesia, California.
A solid rocker (with drums), « Good gosh gal » on the Nashville Briar label # 111 by PHIL BEASLEY & CHARLIE BROWN. Nice guitar and steel solo, 1961.
It’s useless to present the YORK BROTHERS (their story is on this site). Here is one of their rarest issues on their own York Bros. Records # 600Y-100, from 1963, and the great « Monday morning blues ».
We are going to the end with FRANKIE SHORT & DEE GUNTER on the Balto, MD Wango label (# 201) : again a solid version of Don Reno‘s « Country boy rock’n’roll » . Remember L.C. Smith and « Radio boogie » (2nd version) on this label.