Late January 2016 fortnight’s favorites

This fortnight begins with a heck of wildness: MICHAEL RAYE & Judy Shaye (“two voices and four hands” on the label) do offer the storming “Rockin’ Jamboree” on Arcade (Philly) # 112. Boogie woogie pano, trombone and guitar combine for this from 1953.

Rockin’ jamboree

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sandy foster - locked JOHNNY FOSTER (announced a month ago) from Alabama offers the perfect rock-a-ballad “Locked away from your heart” on the Sandy label (# 1028). Good steel and sincere vocal. 1958. He had an earlier issue (# 1014) on the same label, which sounds promising (alas untraced): “It’s a hard life/You gotta be good“. I don’t know if he’s the same artist who appeared later on Capa and Carma during the early ’60s. Anyone can confirm, or deny?

Locked away from your heart

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Cope McDaniel and the Cimarron Valley Boys are backing EDDE LEE for a fine melodic ballad, “I can’t believe you mean it” on Indianapolis Sunset label # F70W-2603 (1955).

I can’t believe you mean it

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Sunset lee believe

jfkl

Ain’t got a nickel

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Little Tom

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waterfall 502 max lowe - ain't got a nickel

 

 

 

 

 

 

 

 

 

 

MAX LOWE enters for two issues, both came out from Morristown, TN. First “Ain’t got a nickel, ain’t got a dime”, a banjo led bluesy ballad, is to be found on Waterfall 502. More of the same on J-F-K-L 701 and “Little Lou”, from 1961 (thanx to Youtube Cheesebrew Wax Archive chain).

Ozark glenn danceOzark billy glenn cry

 

I left the dance

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I’ll never cry again

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That’s 1960 when BILLY GLENN issued on (California) Ozark label L30W-1236 a lovely mid-paced bopper with “I left the dance” (nice steel). The flipside is an uptempo ballad, “I’ll never cry again”. Curiously for a West coast label, the publishing house is “Mississipi Valley”. Glenn also appeared on Yucca 208 (“Bakersfield town”).

 

 

The “REAVES WHITE COUNTY RAMBLERS” go back to the late ‘20s on Vocalion 5218 for the romping “Ten cent piece”. It’s a fast raw hillbilly, showing prominent fiddle and a strong vocal. Courtesy 53jaybop on Youtube.

Ten cent piece

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vocalion reaves- white- cty- ramblers piece

From Wichita, KS, emanate the Kanwic label on which OWEN McCARTY & His Troubadours cut “Key to my heart” (# 145), an uptempo ballad with nice steel, in 1968. McCarty was to have two other known records: on Show Land (produced by Benny Hess) and Air Cap.

kanwick McCarty - key

Key to my heart

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AL URBAN doesn’t need introduction. He cut the great Hillbilly bopper (1957) “Looking for money” (Sarg 148), and the fabulous twin-sider Rockabilly “Gonna be better times/Won’t tell you her name” (Sarg 158), without forgetting his two issues on Fang 1001 and 1003 (untraced). Here he appears on a “manufactured by Tanner ‘n’ Texas [T.N.T.]” A.P.U. 201, which shows two addresses: Gonzales (hometown to Urban) and San Antonio, TX. His “Run away” is similar to his Sarg sides, with a heavy Starday sound: a piano player sounding like Doc Lewis, a fiddle sounding like Red Hayes. Could it be that this record has actually been recorded in Houston?

al urbanapu arban - run  “Run away

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Late December 2015 fortnight’s favorites: a merry bopping Xmas (thirteen selections, 1950-1963), y’all!

For this Xmas 2015, as a gift, you faithful visitors of bopping.org will get 13 (yes, thirteen) selections, instead of the usual only 6 ; although for several months I gradually posted more and more tunes. Merry bopping Xmas to y’all !

 

 

« Deep Elem blues » was first recorded by the SHELTON BROTHERS (Bob & Joe on vocals and mandolin/guitar) in February 1935 in Chicago (Decca 5422), before the Prairie Ramblers gave their own version in August of the same year. The song refers to the black quarter in Dallas, where you need 50 $ because of the red headed women there. It was an immediate success, revived by others over the years, namely by JERRY LEE LEWIS, whose 1957 version remained unissued in the Sun archives for 40 years ! Same year saw the WILBURN BROTHERS‘ version (Decca 29887) : Doyle & Ted do a fine job on this song. Later on Jerry Garcia (Grateful Dead) and Levon Helm had their versions too, outside the scope of this blog, as they say.

decca  shelton-brothers  deep

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Shelton BrothersDeep Elem blues

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Jerry Lee LewisDeep Elem blues

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Wilburn Brothers (Teddy & Doyle)”Deep Elem blues

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Late October 2014 fortnight’s favorites

Here it is, a new selection of hillbilly bop goodies, mostly from the early to mid-60s.

RED MANSEL is the earliest, from 1957, on a very early All Star label issue (# 7160) . This is hillbilly rock at its best, topical lyrics.

allstar  mansel spot
Red ManselJohnny on the spot

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RED LEWIS on the Kasko label (# 1643), from 1965. « I’ll move along » sounds well 7 or 8 years earlier. Great slapping bass, guitar all along. A discrete steel takes a fine solo.

Red LewisI’ll move along

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kasko lewis along
dixie  zolton cats

 

 

 

 

 

From Michigan and 1963 on a Starday custom Dixie label (#1056) comes FRANK ZOLTON and « Cats eyes ». A medium ditty with an unusual for the era accordion solo.

Frank ZoltonCats eyes

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Valparaiso, Florida. HAL ANDREWS offers « Brown-eyed girl », a medium opus, on the Choctaw label (# 6001).
choctaw andrews grl

Hal AndrewsBrown-eyed girl”

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arcade zario fault
Rex ZarioIt’s nobody’s fault but your own

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REX ZARIO even had a full album on Arcade. Here he delivers the fine « It’s nobody’s fault but your own » from 1959-60 (# 163). Indeed in 1956 he had had « Go man gone ».

Finally a wonderful rural duet by the VANDERGRIFT BROS. On the Cozy label from W.Va., « Sitting here a-crying » (# 447).
Vandergrift Bros. “Sitting here a-crying

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All selections taken from the net.

cozy vandegrift sittin'

late June 2013 fortnight’s favorites

Howdy folks! Let’s begin in Ohio with a native (Portsmouth, 1919), HOWARD PERKINS, early in 1960 on the Shawnee label (# 102) for the fine fast, energetic “It’s A Cryin’ Shame” – nice rhythm, welcome short guitar & steel solos. Shawnee 101 was Lucky Boggs‘ “Drillin’ Rig Boogie“. Later in 1964, “It’s A Cryin’ Shame” reappeared (re-recorded with a lovely fiddle well to the fore – long guitar solo) on Bob Mooney’s Rem (# 346) Lexington, Ky. label. Finally PERKINS had another goodie with “Under control” on the Indianapolis Juke label (# 2012, 1969).

howard perkins

shawnee perkins cryin'

juke perkins control

 

 

 

 

 

 

 

 

 

 

 

rem perkins cryin'

Now a real stomper perfectly sung and played: that’s how a real honky tonk should sound in 1956. WYNN STEWART, fronting the Skeets McDonald Orchestra with the solid “Slowly But Surely” (Capitol 3515).

capitol stewart slowly

Very near to Rock’n’Roll, the Rockabilly tinged “I won’t be able to make it” by GLENN CANYON on the Cincinnati Adco label (# 781) from 1965. Stinging guitar, haunting riff.

Back to early ’50s with JACKIE DOLL and the topical “When They Drop The Atomic Bomb“. A fast classic honky tonk: piano, guirar, steel, even a landolin solo. It’s on the Mercury label # 6322 (1952)

Now an excellent fast atmospheric Hillbilly Rockaballad “Courtin’ Under The Moon” by RONDELL BARKER (Excellent 804). Great steel & guitar.

Finally on Philly’s Arcade 163, “It’s Nobody’s Fault But Your Own” by REX ZARIO. A medium steady rhythm over a firm baritone vocal. Zario deserves to be researched.

adco canyon ablemercury doll bomb

excellent barker courtin'arcade zario faultP.S. Thanks Drunken Hobo for sending me the second version (Rem) of Howard Perkins’ “It’s A Cryin’ Shame”.

Cat music: the roots of rockabilly – What does mean “cat” ?

‘Cat’ has been used as a term in popular music since the Jazz years of the 1920’s. Revered by the ancient Egyptians, cats have a mystique and grace all over their own – no wonder these independent and mysterious animals became such a byword for ‘Cool’ in music from Hep Cats, jazz be-boppers of the ‘40s, and right through into 1950’s Rock’n’Roll.

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