This time a nice percentage will be made of records issued on major labels, beginning with Decca and the WILBURN BROTHERS (Ted &Doyle). They offer a nice version of the old ’30s Shelton Brothers’ standard “Deep Elem Blues“, recorded in Nashville (no doubt usual crew) in January 1956. (Decca 29887)
The second major will be Capitol and the uncommon in Bopping (because he’s too well-known) MERLE TRAVIS. Billy Liebert, an accomplished West coast session pianist, pounds the ivories for “Louisiana Boogie” from December 1952. Same evening session that produced “Bayou Baby“. (Capitol 2902). Happy hillbilly boogie!
We jump on a very smal label from Richmond, KY. Actually Burdette land had only two releases in 1960 and here it is the first by HUBERT BARNARD, “Boy She Has Gone“. Nice bopper.
Back to majors, on a subsidiary of Columbia. OKeh was maybe devoted to newcomers on the main label, although no one knows exactly why Columbia launched this short-lived serie (only 59 records issued) in 1953. In April of that year, recently signed JOE MAPHIS and his wife ROSE LEE (they were married 1952) recorded the future classic “Dim Lights, Thick Smoke (and Loud, Loud Music)” (OKeh 18013). This is what Honky tonk is all about!
TOMMY BOYLES had been cutting in 1959 “We’re Bugging Out” on the Murco label of Shreveport, La. Hear him with the “artist” button on the upper left. Here in 1960 he does another self-penned “Don’t Be Somebody Else’s Baby” on the N.J. Granite label (# 552). His story in his own words can be found on the Rockabilly Hall of Fame site.
Finally, from 1967 or 68, on the prolific Adco label (maybe a property of Hobo Jack Adkins) from Cincinnati, OH – mainly Bluegrass, Garage or Sacred tunes between 1960 and 1975, CUDDLES C. NEWSOME (rn. Corbet Newsome), born 1928, for both sides of his solitary ever 45 “So Long Baby/One Little Kiss” – nice guitar. This is Country-rock at its best.