Howdy folks ! Over here in France, it’s the final run for Soccer’s Europ Cup – that’s not really Hillbilly !
First a mostly known artist for his Rock & roll and Pop records. He went with 2 aliases to pursue 2 careers at least. Originally from Canton, OH, DICK GLASSER first fronted for one record the Pee Wee King band in 1956, and sang on two tracks full of energy and dynamism (without noise, all is fluid and lowdown although uptempo) : « Catty town » and « Hoot scoot », to be found on the RCA-Victor 47-6584 label. A cross between Hillbilly bop and Western swing. Later Glasser renamed himself Dick Lory on the Liberty label.
Next four tracks were cut in 1959-60 and issued on the Demorest, GA.Country Jubilee label. The city is at the upper north limit of the State, very near of Virginia and Tennessee frontiers.
# 517 is done by BILL ALEX and the Dixie Drifters : « I‘m just a nobody » is a typical late ’50s medium uptempo country-rocker. It’s flipside, « I’ll remember you » was untraced by me, but issued along with the A-side on Top Rank EP 2055 in 1960.
BILL WATSON on # 525 has here two selections, « I’m dying darling » is a soft uptempo country-rocker, while the reverse side « You’re the onefor me» is a bit bluesy, with a sort of hypnotic guitar throughout.
Finally for the Country Jubilee label, we jump to # 539 by BILL LEATHERWOOD and « My foolish heart », a slow uptempo ; nothing exceptional, although the man has a sort of treble in his voice. Steel present. I’ve added as a bonus his « Hillbilly blues » issued by Peach (# 756), also in Georgia, well into 1961-62, a good country rocker with lotsa steel and a fiddle solo.
Last record I review this fortnight is done by MASON GAY on the Country Music label, from Forest, MS (# 501). Confident vocal for a country rocker (no drums), « I never have the blues », while the flipside is catchy (« The girl I met at the bar ») which is part-spoken. Has a Rite number, dating the record from 1960.
Hello, folks. This fortnight’s favorites selection will be very various and pointing in different directions.
First artist whom a virtually nothing is known about, and not more on his band. DON HAGER & the Hot Tots had in Autumn 1957 several sides cut for the Oak label out of the very small (ca. 800 souls) town of Whitakers, N.C. These guys had a tendency to Calypso rhythm, fact is obvious with « Bebop boogie » (Oak 0357), and it brings a lot of freshness to their composition. Fine rinky-dink piano, an hopping drum and a good (although discreet) steel make it a very fine Rockabilly, yet different..That very same song had been cut by Mustard & Gravy in 1950 and issued on Gotham 403, a sign of its later popularity. I already posted their fine version in the early June 2011 fortnight’s favorites selection And even earlier back, it had been recorded by Harry Gay, and published on…Oak 1000 [untraced, but according to the notes to « Long gone daddy », a compilation on Collectables 6335]. Hager had also « Calypso boogie », same style, on a ’70s Rockin’ Stars issue and « I love you dear forever », from a 1990 compilation (Oldies 5374) – this is an alternate take – with the steel much more to the fore. Finally « Liza Jane bop » (Oak 0358), also strange in its rhythm, yet is a more conventional Rockabilly. Nobody knows what happened to Hager and his group afterwards.
From Alabama comes the second artist : NORRIS MIMS [not to be confused with the Texan of similar name Morris Mills] in 1959 on the custom pressed (CP-1987) Birmingham, AL, Arlington label (# 101B) for « Sweet sweet baby ». It has an urgent vocal over a very fast backing, a fine guitar and a piano break. It is stunning such a good record is not worth an entry in Tom Lincoln’s book, as I am sure it’s very highly treasured. Incidentally the tune had been first cut in 1956 by Buddy Hanes [according to « 50sRock’n’roll » Youtube chain], but had remained unissued until our era (I didn’t find on which support).
The third record is not by a newcomer. The song « Chili dippin baby » was issued twice : on Blue Hen and on Raymor by its composer, Raymond McColister with different singers. Here is the Raymor version (# 6004A) with vocal by Mz. Melody Mack.
JIMMY HEATH & the Rhythm Rollers did record « Little darlin’ » for the Modesto, Ca. Mega label (# 2261) . It’s a typical late ’50s bopper. Lot of steel (a solo which reminds a bit of Ralph Mooney), a jumping little tune with a good expressive vocal and a fine Rockabilly guitar.
Now on to Texas, in the apply named town of Center, with REGGIE WARD & his Sons of Texas. They do offer a fast bopper « Juke box baby » from early 1951 with vocal by Jack Ford. Could the latter be the same man who cut « No not now », backed by Curley Williams (Columbia 20633, January 1950), or the Hayrider who recorded the fine hillbilly bop « That’s all you gotta do » (Chess 4858) in 1954 ? A final detail on Nemo Records (owned by Mrss. Jack McLendon and Leon Sanders) : the Wilburn Brothers [Theodore & Doyle] (later on Decca) apparently cut their first sides for this label.
BILL WATSON on the Demorest, GA Country Jubilee label (# 525) recorded a fine double-sider reviewed by Billboard in February 1960. The songs are similar in structure : over a strong guitar, a very melodic vocal partially sung in unison, they are very enjoyable and catchy « You’re the one for me » and «I’m dying darling ».