Howdy folks ! This is the last post on bopping duets. As surely you did notice it, my English is far from fluent ; actually I don’t dream neither think « in English », because it is not my natural language. I really hope you can understand it, and excuse me for writing such intricate phrases yet very common. But I LOVE this bopping music, and let’s keep it first ! My aim is to figure the music posted with record labels and odds and ends on the artists.
The McCORMICK BROTHERS were a Tennessee/Kentucky family affair. Lloyd and Kelly held the guitars, younger Haskel was on banjo, Hayden Clark on bass and Charlie Nixon on dobro. They cut for Hickory in Nashville between 1954 and 58 a fine line of Bluegrass and Rockabilly boppers, among them this « Big eyes » (1958, Hickory 1080). Strong strumming boogie electric guitar and vocals in unison. They even had a full album, « Songs for home folks » on Hickory 102 (1961) and still are playing today.
Chester and Lester, the BUCHANAN BROTHERS were another duet group. They hit big in August 1946 with the pioneering « Atomic power » on RCA, and revived a similar theme in November 1947 with « (When you see) Those flying saucers ». (RCA-Victor 20-2385) « You’d better pray to the Lord when you see those flying saucers, it may be the coming of the Judgement Day ». Good vocal and guitar duet. The song was used in 2009 in the animated release of « Monsters VS. Aliens ».
PAL (or Palford) BRADY (1922-1988) was a native of Tennessee ; himself relocated too in Michigan, where he had records on Lucky 013 (Cincinnati), Clix (Troy, MI), Bragg, among others (late ’50s to mid-60s). His « More lovin ‘ » (Conteste 45-2) from 1961 has two voices for a good « city hillbilly bopper ».
Charlie & Wallace, the MERCER BROTHERS came from Metter, GA and began a professional career during the late ’30s. After the WWII they had their own radio show on WMAZ before joining in 1948 the prestigious « Louisiana Hayride ». From 1951 to 1954 they cut a dozen sides for Columbia in Dallas, with their Blue Ridge Boys (Clyde Baum on mandolin and Doyle Strickland (fiddle) + Wayne Raney (harmonica). I chose from their equally constant in quality output « No place to hang my hat » (Columbia 20927, 1952-53), very Delmore Brothers styled. After 1954 they settled in Macon, GA, and WIBB radio station before completely disappear.
JOHNNIE (Wright) and JACK (Anglin) were regulars on the ’50s charts, before Anglin was killed in a car crash in 1963. Their «Oh boy ! I love her » (RCA 47-6932) from ’57 is an enjoyable jumping little opus. Earlier on they had cut the C&W classic « Ashes of love » (revived during the ’80s by the Desert Rose Band), and « Cryin’ heart blues » in 1951, supposed to have been recorded (but lost) by Elvis Presley on Sun Records.
“Oh boy, I love her”
On the Kentucky Dixiana label # 105 from 1954, CLIFF GROSS offer a sort of fast talking blues (with the band chanting in unison) with « Hog pen hop », probably recorded in Dallas. Gross was a mountain type fiddler, and Dixiana emanated from Bowling Green, Wayne County.
PAUL & ROY, The Tennessee River Boys, already discussed in another « Duet » feature (they had a two-sider on Nashville Pace label), have recorded for Mercury in 1953 « Spring of love » (# 6374) : it’s a fast Bluegrass influenced ditty – lead vocal & backing vocal.
Next track GOLDEN STATE BOYS‘« Always dreaming » was already posted here in April 2013. But I like very much this tune with its urgent vocal, the dobro part of Leon Poindexter, the vocal/mandolin of Herb Rice, and the energetic banjo of Don Parmley [personnel given by a visitor]. Date : early to mid-62, Shamrock 717, Artesia, California.
A solid rocker (with drums), « Good gosh gal » on the Nashville Briar label # 111 by PHIL BEASLEY & CHARLIE BROWN. Nice guitar and steel solo, 1961.
It’s useless to present the YORK BROTHERS (their story is on this site). Here is one of their rarest issues on their own York Bros. Records # 600Y-100, from 1963, and the great « Monday morning blues ».
We are going to the end with FRANKIE SHORT & DEE GUNTER on the Balto, MD Wango label (# 201) : again a solid version of Don Reno‘s « Country boy rock’n’roll » . Remember L.C. Smith and « Radio boogie » (2nd version) on this label.
For this third feature specialized in bopping duets, we begin with the aptly named HARMONY BROTHERS. Their « Baby, tonight » fom 1959 was cut for St-Louis, MO label Bobbin 109, and it’s a very solid backed Everly Brothers styled opus. They had another one « Saturday night bop » on Bobbin 116 which sounds good (alas, untraced). March 22nd, 2018: I tracked both tunes of Bobbin 116. They are below: “Saturday Night Bop” and “Don’t Be Cold“. Very good Everlyish rockers!
On the Minneapolis, MN Circle Dot label (# 1012) , again from the late ’50s, we chose « Dream night » by the HOULE BROTHERS. Again Everly Bros. influenced, it fetches up to $ 250-300. Mike & Bob, the Houle Brothers, had another record on Bangar 642 in 1965, « I heard the bluebird sing ».
Jimmy Lee & Wayne Walker “Love me”
download Now a great wild thing with the classic « Love me » (Chess 4863) from Spring 1955, cut at KWKH studio in Shreveport, La. by JIMMY LEE & WAYNE WALKER. It has urgent vocals and a ferocious steel (Sonny Harville), all propelled by the thuding bass of Tillman Franks and the jumping drums of D. J. Fontana.
Let’s go west with the FARMER BOYS, and the very special Western rockabilly style from the Capitol studio on « My baby done left me » (# 3476). The staff is composed by Bobby Adamson and Woody Murray (vocals), Roy Nichols on lead guitar, Fuzzy Owen on steel and Cliffie Stone on bass, and the tune was out May 31, 1956.. The story of the Farmer Boys is on this site.
An unusual duet of uncle and nephew were the JACOBY BROTHERS on TNT 1004, from San Antonio, TX. Great harmonies and backing (guitar and mandolin) for « Warmed over love ».
From N. Wilkesboro (S.C.) we turn now on the CHURCH BROTHERS and « Broken vows and a broken heart » (Blue Ridge 209), a typical 1953 bluegrass bopper: nice vocal and chorus in unison. I’ve read that the lead was Buffalo Johnson, an important figure not so well known today. Research goes on him.
From N. Charleston, (S.C.) and July 1954 BILLIE AND GORDON HAMRICK, a sacred tune on Rangeland 504 (one of the very first Starday customs). « He’s gonna take his children out » has a lead vocal male) and a chorus, plus a good banjo solo.
Billie & Gordon Hamrick “He’s gonna take his children out”
PAUL (Boswell) & ROY (Pryor) out of Nashville on the Pace label (# 1004) had previously cut a dozen sides for Mercury. The Pace issue date from late ’50s, and offer two medium tunes, « Free, twenty one and ambitious » and « I wish you’d be a country girl ». Good, a bit above average boppers.
Finally the terrific sacred « I’m a millionaire » by the Tennessee Harmony Boys (Dillard Anderson & Solon Maynard) on the Fortune label out of Detroit (# 209). A great, great mandolin solo, and a lot of excitement.. They had previously cut on their own « The Tennessee Harmony Boys » label, and even had an E.P. on Fortune (# 1334).
Hello, folks! This is the latest batch of Hillbilly bops/rockabillies I’d like to help you discover. Only unknown names, and microscopic record labels!
The exception being a 1951 Mercury recording by PAUL & ROY, the Tennessee Valley Boys. They had 4 sessions for the label, and I chose the moving, bluegrass flavored (even a mandolin) “Spring Of Love” (# 6374). From Texas probably, because “Bluebonnet Pub” appears on the label, on BOB WHITFIELD. He does a nice medium paced Rockabilly, “What Can A Man Do” on Spotlight 5018. Fine strong lead guitar (echo), an haunting steel. A fine record which grows on you everytime you listen to it.
On the Karl label (# 3022), and from I don’t know where, a cross between hillbilly bop and Rockabilly, with LACY KIRK doing the fast ” This Is Saturday Night“. Strong bass, a short fiddle solo. A good record.
From Louisville, KY. do come JIMMY SETTLE& the Blue Grass Rangers for the next song, “Admitting Defeat” on the Pier-Wats label # 1301. There is nothing pertaining to Bluegrass here, because the song is a nice Hillbilly bop dominated by steel.
On the Tycer label # 1304 we come now to JMMY BANKSTON and the “I Come From Louisiana“. No concession Rockabilly, with unobstrusive drums and fine guitar.
Finally from around 1960, one of the earliest Nashville label releases (see the story in the site) with DAVE STEWART for “Thinking About You” (# 5006). The song has fiddle and bass, and reminds me somehow of early George Jones on Starday.