Early January 2022 bopping fortnight’s favorites

Howdee Folks! This is the first fortnight for 2022. With many thanks to them visitors who sent very sympathetic messages, inquiring for my health problem Now everything is working fine: thank you Mrrs. George (Edmonson), Ken (Hippler), Willem Van Putten (aka Zandaas), Rob (Kopp). My best personal wishes to you.

EDDIE MILLER 4* 1693 « You Walked Away » 1956. intro : discreet el. Guitar on the first verses, over a piano. Then excellent bluesy guitar solo by none other than Eddie Cochran, backed by his faithfull stand-up bass player Connie « Guybo » Smith. A fine little record !

The CLOVERS : Hey, Miss Fannie. Doo-wopping black Rock’n’Roll (Atlantic 977, 1956)

BENNY LEADERS « Hey Miss Fannie » Ok’ed 1060
Uptempo bopper close to Rock’n’Roll. Lovely drums. Steel, fiddle and el. guitar solos b+ piano solo. A disc not to be missed.

BLACKIE CRAWFORD & His Western Cherokees « Jump, Jack, Jump » (Coral 64138)
Crawford and his crew backed any of the early Starday label issues. It’s a jumping bopper. A long steel solo, a piano and an agile guitar solos.The tune has nothing to do with the same Cecil Gant (1947), or ’30’s Andy Kirk’s 5 Clouds of Joy, neither Wynona Carr on Specialty (1956), all three Black artists.

DON FOWLER « Oklahoma Baby » on Oakridge ORM 121, 1966. excellent slapped bass (rare in a ’60’s recording) ; a good rhythmic thing, nice euxuberant vocal. Steel and fiddle solos.

WHITEY KNIGHT « From Angel To A Devil «  ( Nielsen 5-1, 1957)
A medium uptempo very rhytmic and steel. Typical West coast sounding bopper. Alas, afterwards Knight turned pop-rock on Dot Records :« Teenage Blues » is almost awful.

LANIE WALKER « Drop In » Blue Hen 219. (1957). Reverse of A-side « Why Baby Why ».
A bluesy number with steel to the fore. Great disappointed vocal. One of Walker best efforts among his whole product at Blue Hen.

« Tell Me Baby », a Louisiana Rocking Blues number by one of the best Chicago singers/piano players (backed Howlin’ Wolf from 1957 to 1961) HENRY GRAY, although mainly a backing musician. He made very fine sides on his own (e.g. On Parrot records, 1953, or Chess, 1954). Here fabulous piano + harmonica. A solid rocker (1988) on Sun Land 106.

Late September 2013 fortnight’s favorites

Howdy folks! Well it’s been quite some time since I last posted. Lot of work this Summer, down in Marseille (south of France) where I’d set my younger daughter as student in her flat up. Last post (today): an important article on the JACOBY Brothers (TNT and Columbia recordings). Nearly all their output is posted in a new presentation. I hope it will please you. Let me know. By now, for this fortnight, we begin with the guitar player of the Miller Brothers, EDDIE MILLER. He lets his bass player Jim McGraw take the lead on this April 1956 4 Star 1693 issue, “Patty cake man“, a typical 4 Star pano led honky tonker.

4 star miller patty

Another important artist on the West coast was ROCKY BILL FORD, mostly known for his 1951 “Beer drinking blues”, easily found on many compilations. Lesser known is his “Willie Dum Dee” on Gilt-Edge 9 from 1951: typical baritone voice for this fine shuffler.

Rocky Bill Ford: Willie Dum Dee

gilt-edge ford dee

From Joliet, Illinois, 1957, comes JIMMIE LAUDERDALE for a joyful, hopping “Right away, quick! quick!” country-rocker on the Jopz label. Nice guitar.   Right away, quick quick

Download jopz  lauderdale rght   Now BEN BAKER for two tracks on the Cool label from Harrison, NJ. Atmospheric hillbilly bop (one waltz tempo). Lots of echo on the steel and fiddle. Nice tunes: “Tomorrow your leaving“(sic) and “Too late now“. strong>Tommow you_re leaving/span>

Download

Too late now

cool  baker  leavingcool baker now

Finally a R&B romper with CECIL GANT and “Nashville jumps“, one of the early sides on Bullet out of Nashville. Enjoy the selections! Bye. Nashville jumps  

bullet gant  nashville