EARL MONTGOMERY (backed by Shorty Underwood) delivers first « You played me for a fool » on the Slim Willet owned Edmoral label (# 954). It’s an uptempo hillbilly bop, with assured vocal. Backing consist of piano, steel and fiddle, each one having a short solo.
On the microscopic Marshall label (no #) probably from Atlanta, Ga. we find now PERCY MARSHALL and the double-sider « Leaving town/Give me my guitar and traveling shoes ». A GREAT lazy vocal Country-blues from the late ’50s or early ’60s. It reminds me of Harmonica Frank Floyd, and even has words to the traditional « Matchbox ». The faithful Drunken Hobo adds this: “rite pressing 16481/2 = 1966 Marshall 45- #”. So now we have a probable date of issue.
In a previous Fortnight I had posted HAL ANDREWS and his famous « Brown-eyed girl » on Choctaw. Now here is, with a nice mid-paced shuffler (steel, piano), « For wrongs you done » on the Escambia label ( 0502) from 1959. Indeed he had had earlier at least one record on Rich-R’Tone.
Next artist is not familiar, although he offers a fine bopper (complete with sound effects) with « No parkin’ here » on Columbia 21259 (not apparently to be confused with the Bobby Grove song on King – posted early in this site). JIMMY LITTLEJOHN had another (maybe for a future fortnight) great «Haunted blues » (# 21320).
On JIMMY AVANTS (A-B-S label # 118), « Devil or an angel » (some crackings, sorry), I could find nothing, even a location for the label. A fast bopper with a nice steel solo. Value: $ 50-60. You can find many informations on the A-B-S label on: http://anorakrockabilly45rpm.blogspot.co.uk/2014/06/a-b-s-de-45rpm-american-best-sellers.html (Dean C. Morris site)
From Kalamazoo, Michigan comes WAYNE ROBERTS on the Key label (# 15305) for the fine « Do blonds have more fun ? » : great interplay between steel and lead guitar. A short rockabilly solo. A nice awesome find.
Finally from Tampa, Fla. « My world keeps rolling on and on » by CLYDE GUTHRIE on the Nugget label (# 1005). A fast number, an husky voice and a short steel solo.
Born Bobby Musgrove in 1932. No biographical data have been gathered except those skin-deep, D.J.s only biographical facts on the “not for sale” King issues.
His career began under his real name on the Kentucky label with with “Dollar sign heart” (#584) in 1954, when he returned from U.S. Army. It’s a very nice hillbilly bopper, pushed by a fine guitar. A very rare issue on the Audio Lab label, seemingly a part of the Carl Burkhardt’s empire of Kentucky/Gateway/4 Big hits cheap labels: Grove had an EP (thanks to Allan Turner to have unearthed and shared this scarce issue) of 4 tracks, one being penned by Walter Scott of “I’m walking out” (Ruby 100) fame. In 1956, he dropped his name to “Grove” on the King label, where he cut 4 records, all of whom are good hillbillies, the best are “No parking here” (# 4946), and the echoey (fast, almost rockabilly) “Whistle of the gravy train” (# 5007). Also worth of hearing: “I saw here first” (# 5027). He’d redone his Kentucky tune as “Dollar sign“. During the latter part of 1957 he had his last single on the Cincinnati new label Lucky, # 003 “Jealous dreams/Be still, my heart“. Again two fine bopping sides.
Bobby Grove reappeared later in 1962 as minister and cut many religious albums with much success (several shots on YouTube). That’s all I know about him.
1963 issue of a 1956 track
With thanks to Allan Turner and John Burton for the loan of rare label scans and mp3, the others taken from the web.
Howdy folks! I am moving on June 11th. So, before my entire library/computer is set up, I may be out ’till this end of June. I’ll do my best to give you some more music in the meantime.
We begin with JAMES O’ GWYNN, Star of the Louisiana Hayride, here in 1955 (Azalea label) with the fine, amusing “Ready for Freddy”. Great hillbilly phrasing. Go ahead with Cincinnati, Ohio, KING’s recording artist BOBBY GROVE. Fine “No parking Here” (double-entendre lyrics!) with the cream of Ohio musicians backing. Then down South. You are for a treat…BADEAUX & LOUISIANA ACES, 1962 (Swallow label) and the classic “The Back Door” – even for me, French speaker, the words aren’t easy to understand. Honky tonk life…Back to Texas with GLEN REEVES and “That’ll be love” (Decca), good Hillbilly bop/Honky Tonk from 1956. 1936, Dallas, LEON SELPH and “Swing Baby Swing” (Decca)(proto-Hillbilly Bop!). A real phenomenon: ROD MORRIS. Although he had had a recording career (Capitol among other labels – he came originally from Missouri), he was a songwriter. Here he is singing a song taken from Americana tradition about trains and drivers, “The Ghost of Casey Jones”, a mix-up of Rockabilly/Rock’n’Roll (Ludwig label, 1958).
Leon Selph & Blue Ridge Playboys, 1936
Amos Milburn & Chickenshakers, 1956
As a bonus, a great wildie, AMOS MIBURN pounds the 88-keys on “Amo’s Boogie” (Aladdin, September 1946) – on the West Coast. Enjoy the music, comments welcome. Bye…
The Lucky label was formed by the late Elmer « El » Rader, probably in early 1957, together with Countryfied music, the publishing house on nearly all issues. The label was located at 2252, Wheeler Street, in Cincinnati, Ohio. (more…)