Hello everyone ! In those times of confinement, it’s good to hear fresh bopping music. Because my hard-disk is out of service and that the repair shop is still closed, I chose ancient items, previously released in old Fortnight’s favorites selections. So they won’t ring too familiar.
T. Texas Tyler
The first selection is done by T. TEXAS TYLER : a fast « Sratch and Itch » done in 1953 on 4Star, leased to Decca. 28760. Obviously there is not much growls from Tyler in this one. The backing is suoperb.
Scratch And Itch
Boogie Woogie Cowboy
The veteran TEX RITTER (1906-1974) did also some Hillbilly bop songs. Here he releaes « Boogie Woogie Cowboy » on Capitol 928 (from early 1950). The backing provided is excellent too : the Capitol nucleus band, Eddie Kirk and Merle Travis on guitars, Speedy West on steel, Cliffie Stone on bass, Billy Liebert on piano and Harold Hensley on fiddle.
CHUCK WELLS (1922-1997) was a native of Birmingham, Alabama. He found his musical success in Texas, working at several night spots throughout the Fort Worth area. He was also appearing over radio stations KCNC and KCUL in Fort Worth, too. Here he sings (1953) the great shuffler « The Marryin’ Preacher Man » on Columbia 23212.
The Marryin' Preacher Man
What's The Use
From Texas comes TONY FARR. He had two discs on Enterprise, among them the second is the better. : « There’s No Sense In Marrying Me ».
This artist, billed “And His Swinging Guitar”, based in Beaumont, Texas. “What’s The Use” has a nice guitar, but the fiddle is prominent (# 1208) on this 1958 issue, while “There’s No else In Marrying Me” (# 1211) is a jumping tune with a similar instrumentation.
There's No Sense In Marrying Me
Then in Louisiana’s West Monroe. Jiffy was a short-lived affair, however important by the quality of its issues, and the celebrity of some names, Jimmy Pickard, Tommy Spurlin or Jimmy Simpson. Here is the least known ED RAYBORN & his Southern Hillbillies, and the good medium paced « I’ll go on hurting » (# 208). Nice fiddle/steel and sincere vocal.
I'll Go On Hurting You
Losin' The Blues
A couple of years later or so, a man led a typical Hillbilly combo : JERRY DOVE (instrument unknown). He had already put a minor rockabilly classic in 1956, « Pink bow tie » on T.N.T. Label (# 144), but he was more a producer and musician than a singer. Here he gathers the duet (male/female) of Ray Stone and Dove’s wife, Peggy. The side is bluesy, and very atmospheric : « Losin’ the blues » (# 173)
On Dixie 1068 (1961) by GUY GARDNER & his Country Four, here’s «High Society», an uptempo ballad : jumping vocal and instrumentation (piano and steel). Madison, TN label (sublabel to Starday).
All By Myself
With « All by myself » by DOUG DAVIS on the Texan Nite star label (# 007, from ca. 1963), we touch the real thing ! Already posted in 2010, this time with a nice label scan. It has haunting steel, perfect ballad vocal and confident backing (steel, rhythm only). My prefered all-time ballad. Davis had another record on Malinda 113 (untraced)
Sources: mainly from past Fortnight’s issues. See through “Artists” for details given before.
As an add and to continue with my homage to the late
, here are some more tracks from his long career.
First, a short instrumental, “Cavalcade” cut at the very last session for Specialty (October 1957) which gave éShe Knows How To Rock”, “Whole Lotta Shakin’ Goin’ On” and “Hound Dog”.
From his Gospel days, I chose the loud, brassy, rollicking “He Got What He Wanted”, cut in 1962 for Mercury records.
From July 1964 and his real comeback album on Vee-Jay, here’s a real blues – so rare in his entire career. « Going Home Tomorrow» is sung with a lot of spirit. Richard is backed by an old friend on electric fiddle, Don « Sugarcane » Harris – who was also there for « Bama Lama Bama Lou » in April of the same year (last Specialty cut). The guitar player may also be Dewey Terry.
From 1965, a small hit (climbing in the lower parts of the R&B charts), “I Don’t Know What You’ve Got, But It’s Got Me”, released by Vee-Jay. The organ is played by a young Billy Preston) and the guitar player is a certain Maurice James, who was about to change his name at his arrival on the British shoreJimi Hendrix, after having been fired by Richard.I
In 1969, during a T.V. show, here’s a frenetic live version of “True Fine Mama”.
From 1971, as a backing piano player for Delaney Bramlett (of Delaney & Bonnie duet), Richard pounds the piano on “Miss Ann”, released by Atco Records.
Finally, from unknown sources, a berserk wildie version of “Good Golly Mss Molly”, maybe cut for a film, while Richard is duetting in 1992 with Tanya Tucker for a great interpretation of the classic Eddie Cochran’s song “Something Else”.