Never read such a poorly informed biography as this, taken from the back of the Hank the Drifter Crypto album. Alas, I cannot add anything to it, and the music will speak for itself.
HANK THE DRIFTER (real name Daniel Raye Andrade) was born September 2, 1929, 72 Plain Street, Taunton, Massachussetts. As a small boy he loved country and wetsern music and he was given a small guitar to learn on by his now deceased Dad. Soon he was playing and singing up a storm and people everywhere loved his true country songs and the feeling he put into every song. Songs came pouring out of Dan and he wrote songs on every inspired moment.
Many who have puchased his records say it is like Hank Williams back from the grave. In this album you will hear the songs which Daniel Andrade, « Hank the Drifter » composed, during inspired moments. Many have called Daniel Andrade, « Hank The Drifter », the greatest living song writer and country singer in the country and western field.
Dan Andrade thrilled many, with his double tribute (on New England release n° 1012), « Hank Williams is singing again » backed with « Hank, you’re gone but not forgotten », dedicated to the memory of Dan Andrade’s idol, the late great Hank Williams, considered by many to be the gteatest living song writer in the world, and the greatest living singer as well.
Hank the Drifter, « Hank Williams is singing again »
Hank the Drifter, « Hank, you’re gone but not forgotten » http://www.bopping.org/wp-content/uploads/2013/11/01-Hank-Youre-Gone-But-Not-Forgotten.mp3download
This is Dan Andrade’s first country and western album recorded at Gold Star Recording Studio – Houston, Texas. At this writing Dan Andrade is hard at work on a second album which will feature 12 more songs composed by Daniel Andrade. This 2nd album will feature his Martin guitar used on his first album. The Martin guitar is one of the two models the Martin Company made, of which two were made a year, Hank Williams puchased one and Hank The Drifter the other, both guitars are identical.
Hank the Drifter, « It is honky tonk music » http://www.bopping.org/wp-content/uploads/2013/11/A2-It-Is-Honky-Tonk-Music.mp3<a ref= »http://www.bopping.org/wp-content/uploads/2013/11/A2-It-Is-Honky-Tonk-Music.mp3″ target= »_blank »>download
On January 1, 1968, Music City News, the leading trade magazine in the Country and <Western music field, did a full page story with pictures of Daniel Andrade. He resides in a lovely $ 20,000.00 home at 12606 Carlsbad, Houston, Texas.
Hank the Drifter, « I’m gonna spin my wheels » http://www.bopping.org/wp-content/uploads/2013/11/B6-Im-Gonna-Spin-My-Wheels.mp3download
Hank the Drifter was chosen January 1, 1963, in « Who’s Who, Inc. » on the merits of his song writing, singing and other accomplishments. This honor is bestowed on fifteen in each ten thousand of the country’s population who come under selective standards. Country Song Roundup and « Billboard », trade magazines, have featured Hank.
Sparton and Quality Records of Toronto, Canada, have featured many of Dan Andrade’s 45′s, namely « Cheaters never win », « Don’t you lock your daddy out », « I’m crying my heart out for you », « Cold river blues » and « Painted doll », etc. all sung and written by Daniel Andrade.
Hank the Drifter, « Cheaters never win » http://www.bopping.org/wp-content/uploads/2013/11/21-Cheaters-Never-Win.mp3download
Hank the Drifter, « Don’t you lock my daddy out » http://www.bopping.org/wp-content/uploads/2013/11/19-Dont-You-Lock-Your-Daddy-Out.mp3download
Hank the Drifter, « Cold river blues » http://www.bopping.org/wp-content/uploads/2013/11/22-Cold-River-Blues.mp3download
Hank the Drifter, « Painted doll » http://www.bopping.org/wp-content/uploads/2013/11/Painted-Doll-Hank-The-Drifter.mp3download
« God writes all my songs and being blessed with a lovely wife, Odessa Andrade ; what more could a man ask in life », says Dan. The gifted Dan Andrade has appeared on WPEP, Taunton, Massachusetts with his own show ; on WNBH radio, New Bedford, Massachusetts on the New Bedford Times weekly. He has appeared on KTRH and KNUZ radio stations, plus Big « D » Jamboree, Dallas, Texas, « Cowtown Hoedown », Fort Worth, Texas – « Gulf Coast Jamboree » Television – « Houston Hoedown », Houston, Texas and such.
« Hank The Drifter » records are in numerous libraries on radio stations in the United States, Canada and overseas. Hank says, « I’m very homely, I know, but, look for the inner beauty and we are all pretty people ». My sincere appreciation to Fred Voelker and daughter, Sonya, of Houston, Texas, two fine musicians whom without their help, this album could not have been possible.
Andrade had his first record way back in 1955, as HANK THE DRIFTER: « Hank Williams is singing again » on his own label New England; in 1956, as « Joe Lombardie and the Cats« , he cut « Let’s all rock’n'roll« , then again the same year, as Hank the Drifter, « The Bill Collector’s blues« . 1957, a further more issue, « Don’t you lock your daddy out ».
Joe Lombardie & the Cats, « Let’s all rock’n'roll » http://www.bopping.org/wp-content/uploads/2013/11/Joe-Lombardie-Lets-All-Rock-And-Roll-.mp3download
Hank the Drifter, « The Bill Collector’s blues » http://www.bopping.org/wp-content/uploads/2013/11/B5-The-Bill-Collectors-Blues.mp3<a ref= »http://www.bopping.org/wp-content/uploads/2013/11/B5-The-Bill-Collectors-Blues.mp3″ target= »_blank »>download
In 1961, after several years, he revived his label and nom de plume, and reissued masters of the ’50s era. Between March 1961 and 1964, he had this way 9 New England records.
The Burdette Land label out of Richmond, KY, must have been one of the scarcest to the day: it issued only two discs in 1960, although one was even reviewed (Pratt Bros.) in the August 29th, 1960 C&W edition of Billboard. So the promotion has surely have been correctly made, since NYC critics did get the record.
First issue was by HUBERT BARNARD (# 3000-1/2-A/B) and coupled one country side, « The man of the road » (partly written by Burdette Land), an unheard tune, and a more interesting side, « Boy She has gone« , rockabilly/rocker, which even found its way on a European compilation (« Hillbilly jukebox »).
Hubert Barnard, « Boy she has gone » http://www.bopping.org/wp-content/uploads/2013/11/17-Hubert-Barnard-Boy-She-Has-Gone.mp3download
Second and last issue for the label was by the PRATT BROS. apparently Eugene (writer of both sides) and vocalist Vernis, backed for the rockabilly side by « The Rocking 5″. I didn’t hear « Go find your love« , apparently a rocker, thus « The wind told me so » was average rural rockabilly. Hear them. And that was it. A really short affair in time.
Pratt Bros. & the Rocking 5, « The wind told me so » http://www.bopping.org/wp-content/uploads/2013/11/burdette-30002-Pratt-Brothers-The-Wind-told-Me-So-Rockabilly.mp3download
Source: 45rpm.com, the Dan DeClark site for Ohio Valley records. Also RCS.
Howdy, folks! En route for the new cartload of bopping Hillbillies/Rockabillies and white rockers (this time), plus the usual R&B rocker. First two tunes are by WEBB FOLEY, from Fort Wayne, Indiana it seems. He had « Bee bop baby » on Emerald 2013 in 1957 (flip side is « You ought make records« , listed as « C&W », alas I didn’t trace it). Rockabilly and that’s all, topical lyrics, good rhythm. Next year he was to have a white rocker « Little bitty mama » (Emerald EP 750), a good one. BUT, beware of his sides on the M label (« Strange little girl/One by one » and « Little town Xmas »), they’re awful! More on Emerald next fortnight.
Webb Foley « Bee bop baby » http://www.bopping.org/wp-content/uploads/2013/11/Webb-Foley-Bee-Bop-Baby.mp3download
Webb Foley « Little bitty mama » http://www.bopping.org/wp-content/uploads/2013/11/Webb-Foley-Little-Bitty-Mama.mp3download
Next artist must have been a local one, as his label: Royal 100, for COUSIN KEITH LOYD (sic). He cut « Dangerous crossing » (1955?) certainly having in mind Billy Strange’s « Diesel smoke » from a pair of years earlier. Cousin Keith Loyd « Dangerous crossing » http://www.bopping.org/wp-content/uploads/2013/11/Cousin-Keith-Loyd-Dangerous-Crossing-1955.mp3download
I return to MARVIN RAINWATER. I did celebrate his death last month with one of his most known tracks, « Mr. Blues« . Now I’ve chosen « So you think you’ve got troubles » (MGM 12420), cut a coupe of years later, and a fast good side of its own.
Marvin Rainwater « So you think you’ve got troubles » http://www.bopping.org/wp-content/uploads/2013/11/Marvin-Rainwater-So-You-Think-Youve-Got-Trouble.mp3download
BILL LOWE was from West Coast, and cut for the interesting small label Sundown. There he had at least two issues, the one here (# 117), « You set my heart on fire« , a very nice late ’50s hillbilly. Lowe had a duet with TOMMY GUESS, also on Sundown, « Foolish heart » (# 106 – I include it in the podcasts, having copied it from an old Tom Sims’ cassette).
Bill Lowe « You set my heart on fire » http://www.bopping.org/wp-content/uploads/2013/11/sundown-117-Bill-Lowe-You-Set-My-Heart-On-Fire-1959.mp3download
Tommy Guess & Bill Lowe « Foolish heart » http://www.bopping.org/wp-content/uploads/2013/11/tommy-guess-foolish-heart3.mp3download
courtesy Udo Frank
inspired by John Burton
Finally a great R&B Rocker by FLASH TERRY, « She’s my baby » on the Southbay label (# 500), obviously a S.F. issue. Just take a look at the logo: Southbay must have been inspired by Starday (3 stars). Flash Terry « She’s my baby » http://www.bopping.org/wp-content/uploads/2013/11/southbay-500-Flash-Terry-Shes-My-Baby.mp3download
Enjoy the selections. Any comment or addition/correction welcome!
Hello folks. The link between the 8 songs this time would be either the BREWSTER Brothers, either the WEBSTER Bros, either Knoxville, TN, and would last from 1954 to 1962/63.
In Manchester, KY, circa 1957-59, there were the BREWSTER Brothers. Originally from Tennessee, the elder Willie G. (mandolin and vocal) had begun late ’40s as sideman for the Bailey Bros. He even replaced Dan Bailey when the latter was gone to service duties. In 1953, the Brewster Bros. and the Smokey Mountain Hillbillies found much success on Scottsboro, AL. WROS radio. Not so long after that, joined by younger Franklin « Bud » Brewster (guitar and banjo, plus vocal), the brothers backed in 1957/58 Carl Story for recording sessions on Mercury, Starday, or small companies like Wayne Raney’s Rimrock label. Willie estimates they cut three hundred songs with Story! Around the same time, they went to perform on a regular basis for the Cas Walker radio & T.V. show in Knoxville, TN. They backed Red Rector among others. That’s when they recorded for Acme Records 1776, out of Manchester, KY. two sacred songs in bluegrass style, among them « I’ll Be Happy In My Home« . They were joined by the FOUR BROTHERS QUARTET, which was composed of Audie (mandolin and tenor voice) and Earl (guitar and lead vocal) WEBSTER. More on them below.
The BREWSTER Brothers, as the Jaguar’s (sic), went on to record Rock’n'roll in 1959 on Janet, in Manchester, KY, too, which was simply Acme revived after being sold. Bud Brewster had the fine « I Coud If I Would (But I Ain’t) », on Janet 201, along with the vocalist Harold Harper on the average White rock (insistant guitar riff) flipside « The Big Noise ». After that I lost their trail.
The WEBSTER Brothers, Earl and Audie, started in Philadelphia, TN., playing in schools and churches. They joined WNOX in Knoxville, TN and made 6 sides for Columbia/Okeh in 1954, all great boppers. Let’s begin with the earliest « Till The End Of The World Rolls ‘Round » and « It’s All Left Up To You », issued in January 1954 on Okeh 18056. Fast, fiddle-led (a short steel solo), with Earl on guitar and lead vocal being joined by Audie on harmony duetting chorus.
In October 1954, they joined in Nashville Carl Butler for a long Columbia recording session, and that’s when they cut their best tune ever, the great « Road Of Broken Hearts » – urgent vocal, fine fiddle by Dale Potter, a barely audible Don Helms on steel (Columbia 21421). The same session saw them cut the fine flipside « Seven Year Blues ». Later on (November 1955) they joined Carl Butler (leader) for two religious sides, « Looking Through The Windows Of Heaven » and « Walkin’ In God’s Sunshine » (Columbia 21473). Very nice fast sacred hillbilly.
We found them much, much later (1962/63) on the Nashville Do-Ra-Me label for a far less interesting « My Heart Won’t Let Me Forget », almost pop-country (# 1439).
As usual, comments welcome. You know, these sides are thrown as the best I know today. Indeed they can be rare (they come from my collection or from the net), but it’s the quality that matters !
From the notes to Old Timey LP 126 « Classic Country Duets » and « Early Days Of Bluegrass, vol. 2 » (Rounder 1014, 1976).
Founded at 1354, Wright Street, LA, California, in 1954. It is believed by Hillbilly Researcher Al Turner that the label was possibly owned by George Wilson, who wrote or co-wrote most of the material used by both Excel and Rodeo. He would have made a small fortune in royalties from writing « Hot Rod Race » for Arkie Shibley in 1951 (see elsewhere in the site for his story), certainly enough to put into a small record company. Read the rest of this entry »
A popular artist with country and western fans, Jim Flaherty performed often and helped organize and promote country music in New England with his concerts as well as through his position as manager of the successful Belmont Record Shop in Hartford. Jim recorded a country-ish cover of Elvis Presley’s hit « Are You Lonesome Tonight » (vocals by Howie Stange) / « My Foolish Heart » with vocals by Morey Dubois on Frankie Records FR-7. He cut more on Frankie, the forgettable double-sider « My Darling Rosie »/I’ll Never Be The Same » by Lou Dee. Jim also recorded two fine rockabilly/rockers tunes on a rare single on Jenn Records (J-101), « Real Gone Daddy« / »This Old Bomb of Mine » with vocals by Howie Stange. Finally Connecticut born Stange recorded on the New York Mell label (# 120) the fine double-sider ballad « Baby I’m Sorry/You Never Had It So Good« .
Howdy, folks. It’s hot over there (South of France), nevertheless I am determined to offer you once more your bi-weekly dose of Hillbilly bop! This time I will give you mostly Bluegrass oriented Hillbilly, and banjo woll be prominently used. Let’s begin on the famous Dixie label (although quite uncommon one to find), with Malcolm Nash and the good « I Guess I’m Wise » (# 833). We go on further with Pinky Pinkston, an artist already surveyed in a recent fortnight. Here he cut a marvelous Bluegrass version of « Blue Moon Of Kentucky » (Fine-R-Tone # 6). The Wilburn Brothers are already a well-known successful brother duet: here I offer their fine rendition of another brothers duet, the Shelton Brothers‘ ’30s classic »Deep Elem Blues« . Well, I know, this version date from 1956, and is very main country-Nashville sounding. Nevertheless, it’s a good version to be heard while playing
On to West Coast and for a very interesting artist: Black Jack Wayne. I am gathering information on Mister Wayne for a planned feature. I post today his very nice « Shallow Water Blues« , cut with Cal Maddox (of the Maddoxes) on his own Black Jack label (# 104). We return to another recently covered artist, Dennis Goodrich, for a ballad - actually the flipside to « All Alone« , « My Love for You » on the Debute label (# 500).
Let’s go further in Bluegrass style with a Bryant Wilson and the Kentucky Ramblers issue, « A Use To Be » on Adair 620, a small label from Edinburg, Indiana..
And we come to and end with the fabulous piano-led « Slow Down Baby » by Bob Gaddy on the Harlem label. The guitar player is none other than Larry Dale for this NYC 1953 issue.
Since 1955, Central City’s WMTA radio showcased every Saturday night a live show named « The Saturday Jamboree« . Among the performers Royce Morgan can be found ; also Eddie Gaines from White Plains, Billy Harlan (the « I wanna bop » cat) on double-bass – in the late 50′s he also worked as disc-jockey on WMTA and WNES. Also Tag and Effie Willoughby, and Jimmy Piper. Read the rest of this entry »
There are very few things known about Jimmie Dawson. He was born in 1924 in Haynesville, La ., and died in 1992. Real name Tommy Latham, legally changed to Jimmy Dawson in 1956. He never hit it big, although having written and cut great songs, which he « recycled », sometimes years after, on other labels or under different names. Even specialized press like Billboard did mention him very little. So nearly all I know do come from his records. His story may be a bit intricated, so let’s begin once by the end. Read the rest of this entry »
Howdy, folks! Back from holydays on Italian Ligurian Riviera. Believe me, it’s hot over there, nice small towns beyond the sea but not bopping music at all, aaargh! A nice not-feeling-at-home anyhow, that’s the most important. Hope you all had good holydays too, and ready to embark for more work, more trouble – world do seem to go head-over-heels. Fortunately we have the music!
Let’s begin this favourites’ return with a strange item: a fair Hillbilly on a Boston, East Coast label. Al Hawkes had launched his Event label in Feb. ’56, recording first only Country, thus KEN FAIRLIE (# 4264) for « The Table’s Turned » – nice fiddle, and smooth vocal for a very short (1’42) tune. Later on, Hawkes would have on his stable Rockabillies/Rockers Curtis Johnson, Ricky Coyne, even young Dick Curless. Recently I posted the LLOYD McCOLLOUGH story, and repeat here one of his finest songs on the Nashville/Los Angeles EKKO label (which published in its short existence very important discs by the likes of Jess Willard, The Cochran Brothers or Johnny Tyler): « Until I Love Again » (# 1023). Entire output of McCollough can be found on a U.K. Stompertime CD. Next record he had was Rockabilly on the Nashville Republic label. This Ekko release is from ’55.
From Raymondville, Texas comes FLETCHER HANNA, with Joe « Red » Hainer and the Ozark Playboys, for the nice shuffling « Hepcat Boogie » – topical lyrics, references to « Heartbreak Hotel » and « Blue Suede Shoes« , and a very short slap bass solo – on the Valley 101 label (not to be confused with the Tennessee label of the same name – remember Reece Shipley or Darrell Glenn). Very good atmospheric (steel guitar) record. Must be from ’56.
From California on the Happy Hearts label (a very rich and interesting one), JIMMY HAYES with the Coney Ridge Ramblers for « Tom Cat Boogie » (# 141) from as late as 1961. Another shuffler with a good guitar player, who makes some nice licks.
Now on the legendary Dixie label. BILL WILLIS had Starday custom releases, such as « Boogie Woogie All Night » or « Goin’ Down To Sal’s House » (Dixie 502) (respectively on Ace or Collector CDs). Here, he is vocal duetted (Goldie Norris?) on a rattlesnake-drummed « Where Is My Baby« . Nothing spectacular, just an ordinary ’57 Southern record.
Finally a real R&B blaster! YOUNG JESSIE in a New York session with Mickey Baker on guitar and Sam « The Man » Taylor on tenor saxophone – added by (unknown) baritone sax, bass and drummer, for the fantastic « Hit, Git And Split » for the Modern label. Why this was not a hit is a mystery: without doubt, the barrier of racism in ’56 and the savagery of the record, which must have been banned by radio stations, even in the Alan Freed’s territory. One of the real all-time R&B rockers classics!
Hope you enjoy the selections! Comments welcome. Bye
Next fortnight early October – I will be out of town by mid-September.