Howdy folks ! Over here in France, it’s the final run for Soccer’s Europ Cup – that’s not really Hillbilly !
First a mostly known artist for his Rock & roll and Pop records. He went with 2 aliases to pursue 2 careers at least. Originally from Canton, OH, DICK GLASSER first fronted for one record the Pee Wee King band in 1956, and sang on two tracks full of energy and dynamism (without noise, all is fluid and lowdown although uptempo) : « Catty town » and « Hoot scoot », to be found on the RCA-Victor 47-6584 label. A cross between Hillbilly bop and Western swing. Later Glasser renamed himself Dick Lory on the Liberty label.
« Catty town«
« Hoot scoot« http://www.bopping.org/wp-content/uploads/2016/06/B3.-Hoot-scoot-v-Dick-Glasser.mp3download
Next four tracks were cut in 1959-60 and issued on the Demorest, GA. Country Jubilee label. The city is at the upper north limit of the State, very near of Virginia and Tennessee frontiers.
# 517 is done by BILL ALEX and the Dixie Drifters : « I‘m just a nobody » is a typical late ’50s medium uptempo country-rocker. It’s flipside, « I’ll remember you » was untraced by me, but issued along with the A-side on Top Rank EP 2055 in 1960.
« I’m just a nobody« http://www.bopping.org/wp-content/uploads/2016/06/02-Bill-Alex-The-Dixie-Drifters-Im-Just-A-Nobody.mp3download
BILL WATSON on # 525 has here two selections, « I’m dying darling » is a soft uptempo country-rocker, while the reverse side « You’re the one for me» is a bit bluesy, with a sort of hypnotic guitar throughout.
« I‘m dying darling« http://www.bopping.org/wp-content/uploads/2016/06/country-jubilee-525-Bill-Watson-Im-Dying-Darling.mp3download
« You’re the one for me« http://www.bopping.org/wp-content/uploads/2016/06/country-jubilee-525-Bill-Watson-Youre-The-One-For-Me.mp3download
On # 529 we find JIM PARKER and « Did I do alright». Same average vocal, with good guitar and steel. The thing is listenable.
« Did I do alright« http://www.bopping.org/wp-content/uploads/2016/06/country-jubilee-529-Jim-Parker-Did-I-Do-Alright.mp3download
Finally for the Country Jubilee label, we jump to # 539 by BILL LEATHERWOOD and « My foolish heart », a slow uptempo ; nothing exceptional, although the man has a sort of treble in his voice. Steel present. I’ve added as a bonus his « Hillbilly blues » issued by Peach (# 756), also in Georgia, well into 1961-62, a good country rocker with lotsa steel and a fiddle solo.
« My foolish heart« http://www.bopping.org/wp-content/uploads/2016/06/country-jubilee-539-My-Foolish-Heart-Bill-Leatherwood.mp3download
« Hillbilly blues« http://www.bopping.org/wp-content/uploads/2016/06/peach-bill-leatherwood-hillbilly-blues.mp3download
Last record I review this fortnight is done by MASON GAY on the Country Music label, from Forest, MS (# 501). Confident vocal for a country rocker (no drums), « I never have the blues », while the flipside is catchy (« The girl I met at the bar ») which is part-spoken. Has a Rite number, dating the record from 1960.
« I never have the blues« http://www.bopping.org/wp-content/uploads/2016/06/Mason-Gay-I-Never-Have-The-Blues.mp3download
« The girl I met at the bar« http://www.bopping.org/wp-content/uploads/2016/06/Mason-Gay-The-Girl-I-Met-At-The-Bar-2.mp3download
As usual, main source is Youtube, with forays into 45rpm-site and my own archives. Current research goes on Merle ‘Red’ Taylor, Bill Morgan (of Bill & Carroll), Redd Stewart and Dub Dickerson, among other less important irons-on-the-gentle heat.
‘One of the newest members of the King country and
western roster is eighteen year old Bobby Roberts.
Young Bobby was born in Chattanooga, Tennessee on
September 12, 1937. Bobby always dreamed of becoming a
recording artist and he started getting his experience
young. He appeared in a musical show when only nine.
Both his mother and father encouraged Bobby in his
chosen career. Young Bobby Roberts did part time work
to help him through high school. He was graduated in
June 1953 and began going about the task of gaining
experience in the music world. His biggest thrill was
when over three thousand persons attended one of his
personal appearances. Roberts has worked as a grocery
clerk, car hop, shined shoes, polished cars and washed
dishes, always dreaming of becoming a professional
musician‘.(as written on the DJ bio copy of King 4868)
At least some factual data can now be gleaned on
Roberts’ origins. He recorded one session for King in August
1955 and I’m assuming that it is the same Bobby
Roberts that recorded for the Memphis based Hut label
in 1958. However, I’m not entirely convinced that the
Roberts on Sky is the same person. I base this
assumption on aural evidence (the vocalists on both
records contrast distinctly) and the fact that Sky was
based in Mississippi. Having said that, from a logical
point of view it most likely is the same Roberts on
all three labels, as Joe Griffith, a high school
friend of Roberts, covered both of Roberts’ Sky
recordings and both were apparently based in Memphis
at the time. Further, considering Roberts Tennessee
origins, it possibly is the same Roberts on all four
My query here is, can anyone confirm that the Bobby
Roberts on King, Sky and Hut is the same person? Or
can anyone else shed any light at all on this? It has to
be noted Roberts wrote all his material.
Using a number of different sources, I managed to
compile the following Bobby Roberts discography,
19 August 1955. Cincinnati, Ohio
Bobby Roberts And The Ozark Drifters.
Bobby Roberts – vcl, other personnel unknown : steel, fiddle,st-bass.
K3995 ‘Her And My Best Friend’ King 4868
K3996 ‘I’m Gonna Comb You Outta My Hair’ King 4837
« Her and my best friend« http://www.bopping.org/wp-content/uploads/2015/04/Her-And-My-Best-Friend-Bobby-Roberts-King-45-4868-1956.mp3download
« I’m gonna comb you outta my hair« http://www.bopping.org/wp-content/uploads/2015/04/31-Im-Gonna-Comb-You-Outta-My-Hair-Bobby-Roberts.mp3download
billboard Nov. 5, 1955
« My undecided heart« http://www.bopping.org/wp-content/uploads/2015/04/Bobby-Roberts-And-The-Ozark-Drifters-My-Undecided-Heart-King-4837.mp3download
« I’m pulllin’ stakes and leavin’ you« http://www.bopping.org/wp-content/uploads/2015/04/08-Im-Pulling-Stakes-And-Leaving-You-Bobby-Roberts.mp3download
billboard Jan. 21, 1956
K3997 ‘My Undecided Heart’ King 4837
K3998 ‘I’m Pullin’ Stakes And Leavin’ You’ King 4868
Bobby Roberts with Highpockets Delta Rockets. Mississippi label
Bobby Roberts – vcl, other personnel unknown : ld-g, b, d .
45-S-34 ‘Big Sandy’ Sky 56-101
45-S-33 ‘She’s My Woman’ Sky 56-101
« Big Sandy« http://www.bopping.org/wp-content/uploads/2015/04/Bobby-Roberts-Big-Sandy.mp3download
« She’s my woman« http://www.bopping.org/wp-content/uploads/2015/04/Bobby-Roberts-Shes-My-Woman.mp3download
Bobby Roberts with Bad Habits. Memphis, TN, label.
Bobby Roberts – vcl, other personnel unknown : ld-g,b,d.
« Hop, skip and jump« http://www.bopping.org/wp-content/uploads/2015/04/Bobby-Roberts-Hop-Skip-And-Jump.mp3download
« Cravin« http://www.bopping.org/wp-content/uploads/2015/04/Bobby-Roberts-Cravin.mp3download
4706 ‘Hop Skip And Jump’ Hut 881
4707 ‘Cravin » Hut 881
from the notes of Shane Hughes, « Yahoo » « rockin’ records» group.
This Roberts has obviously nothing to do with the one on U.S.A. label and the other on Cameo, who came later early ’60s, and drastically change in style.
Bobby Roberts’ music, from editor’s point of view.
It is hard to imagine such a change in so little time in style between the King session and the Sky one.
All 4 sides cut at King (« with the Ozark Drifters ») are pure dreamed hillbilly a la Hank Williams. All medium paced tracks, they feature a strong string-bass, and a weird steel-guitar, both propelled by a crisp fiddle. Vocal is a dream, Roberts has a firm voice, even some semi-yodelling vocalizing over nice lyrics.
In complete contrast, the Sky sides are out-and-out rockers. « Big Sandy » is a screamer, and the whole thing is a gas. « She’s my woman », a bit slower, fetches to Rockabilly. Note on the reissue the presence of the Jennings Brothers.
« Cravin’ » is a routinely rocker, while « Hop skip and jump » (not the Collins Kids’ number, neither the York Brothers’ on Bullet ) is an average rocker – even a sax – which Billy Riley could have cut this style. Actually it bears a little similarity with « Pearly Lee »..
The son to Bobby Roberts once posted in « bopping » that his father was the same man on King, Sky and Hut ; so I asked for some details and a picture, if available – no answer..
With thanks to Uncle Gil (King 4868 sound file) and Dave Cruse (King 4868 label scan). Internet research.
Joe Griffith « Big Sandy » (Reelfoot unissued)http://www.bopping.org/wp-content/uploads/2015/04/Joe-Griffith-Big-Sandy.mp3download
Joe Griffith « She’s my woman« (Reelfoot unissued)http://www.bopping.org/wp-content/uploads/2015/04/08-Im-Pulling-Stakes-And-Leaving-You-Bobby-Roberts.mp3download
Lannis Trahan, born in 1923, hailed from Louisiana, hence his artist name « Louisiana Lannis », and was also a songwriter: he wrote his 6 sides. He had three singles in 1956 before disappearing. The one on Starday is pure hillbilly rock : « Muscadine eyes » is a fast ditty opus, with a furious fiddle, apparently cut at Goldstar in Houston, Texas while its flipside « Much too much » (Starday 268, actually A-side) has more than a Latin appeal with its hopping rhythm. « Muscadine eyes » is not a common track, only being revived moons ago on the U.K. Ace album « Stars of Texas honky tonk » # 703 (1987)
« Muscadine eyes« http://www.bopping.org/wp-content/uploads/2015/04/starday-268B-Louisiana-Lannis-Muscadine-eyes.mp3download
« Much too much« http://www.bopping.org/wp-content/uploads/2015/04/starday-268A-louisiana-Lannis-Much-Too-Much.mp3download
Lannis will however be best remembered today for his second offering, this time on Snowcap 1215/1216 : « Tongue twister boogie » has a great wild steel guitar and is a really fast rockabilly rocker, not dissimilar to Jimmy Lee & Wayne Walker « Love me ». A demented piano player comes for a short solo. « Walking out » is no less good, and just a little less furious. Both sides prefixed « GS » surely were cut at Goldstar. As fiddle is the main instrument on the 4 previous sides, one can wonder if it’s Lannis playing ? The Snowcap issue fetches $ 700-800, and is only currently available on collectors’ reissues.
« Tongue twister boogie« http://www.bopping.org/wp-content/uploads/2015/04/Louisiana-Lannis-Tongue-Twister-Boogie.mp3download
« Walking out« http://www.bopping.org/wp-content/uploads/2015/04/Louisiana-Lannis-Walking-Out.mp3download
Billboard Feb. 16, 1956, « a good country novelty »
Alas « Fido/Doomed to love » (Snowcap 101) are, according to Pascal Perrault, pop songs to escape (weepers), and of no interest at all. Strange that a man capable of such songs as « Tongue twister boogie » could do pop songs in the same period. Trahan, whose name is common among Cajun area (see Cornelius « Pee Wee Trahan« , who made a career also as Jericho Jones and Johnny Rebel), died in February 1983 (age 59, cause of death unknown), and was buried in the Marine’s veteran branch of the Houston National Cemetery. The Trahans had came from France, maybe Burgundy during the XVI° or XVII° century.
Sources: various and Internet thing!
David Ray, a top singer and song stylist of Texas/Oklahoma Rockabilly and Honky-tonk, was born Oscar Ray Smith in Duncan, Oklahoma on March 14, 1934. When he was at an early age, his faùily moved to Roswell, New Mexico. At age 8, he learned to play guitar, and in his youth became friends with Lefty Frizzell, who on many occasions invted David to his recording sessions. In 1950, the family moved back to Duncan, and David formed a country music band. Early employment included aD.J. Program on radio station KRHD, and a live show on Channel 12, KXII-TV. How he got the forname « David » is unknown.
David Ray got his first records on Heart (# 245), a Four Star custom label out of Oklahoma, in 1956. Two fine sincere Hillbilly duets by himself and Johnny Doggett, « Farewell goodbye » and « Maybe I should have cheated too » ; then two Rockabillies (Ray Smith solo) « Gone baby gone » and « Swinging boogie », both fine rockers (# 250). Many thanks to John Burton (53jaybop) for posting these songs on Youtube.
Johnny & Ray « Farewell goodbye« http://www.bopping.org/wp-content/uploads/2014/10/Johnny-And-Ray-Farewell-2Goodbye-HEART-RECORDS-OP-244-45.mp3download
Johnny & Ray « Maybe I should have cheated too« http://www.bopping.org/wp-content/uploads/2014/10/Johnny-And-Ray-2-Maybe-I-Should-Have-Cheated-Too-HEART-RECORDS-OP-244-45.mp3download
Ray Smith « Gone baby gone« http://www.bopping.org/wp-content/uploads/2014/10/Ray-Smith-Gone-Baby-Gone.mp3download
Ray Smith « Swinging boogie« http://www.bopping.org/wp-content/uploads/2014/10/Ray-Smith-Swinging-Boogie.mp3download
In 1957 he signed a recording contract as David Ray with Gainesville, Texas recording executive Joe M. Leonard, Jr. His early recordings of « Jitterbugging baby » and « Lonesome baby blues » (Kliff 101 and 105) were instant successes on the Kliff Records label. Not only did Ray’s first records releases sell well in the United States, but they attained immense success in Europe when reissued by Ronnie Weiser on his Rollin’ Rock label. Personal for these sessions were Johnny Baggett or Joe Dean Evans on guitar and Paul Jorgenson on bass, including a wild piano player.
David Ray « Lonesome baby blues » (original version)http://www.bopping.org/wp-content/uploads/2014/10/Lonesome-baby-blues-ORIGINALE.mp3download
David Ray « Lonesome baby blues »(Kliff)http://www.bopping.org/wp-content/uploads/2014/10/Lonesome-baby-blues-.mp3download
David Ray « Jitterbugging baby« http://www.bopping.org/wp-content/uploads/2014/10/Jitterbuggin-baby.mp3download
Other songs were « Lonesome feeling » and the less fast, almost poppish « I’m a fool », while « All the time », « Why can’t you and I », « No, oh no », all ballads, « Too fast, too wild » and the original gutsy, less fast « Lonesome baby blues » were withheld until their release on Collectables.
David Ray « Lonesome feeling« http://www.bopping.org/wp-content/uploads/2014/10/Lonesome-feeling.mp3download
David Ray « Why can’t you and I« http://www.bopping.org/wp-content/uploads/2014/10/Why-cant-you-and-I.mp3download
In 1962 Ray Smith had a Country-rocker « A place within my heart » on the Toppa label (# 1071), honest honky tonk, a far cry from his Kliff sides (Thanks to Uncle Gil to have provided this song). Alexander Petrauskas points out this may be a different artist, because of songwriting credits. Thanks, Alex!
Ray Smith « A place within my heart« http://www.bopping.org/wp-content/uploads/2014/10/Toppa-1071-Ray-Smith-A-Place-Within-My-Heart.mp3download
Since David Ray’s voice has remained strong and vibrant over the years, Leonard productions decided to record him on some new Texas songs. In August 1993 a session was held in Tyler, Texas. The songs were « Long cold winter », « You make my day », « Ways of a woman » and « Package deal ». The musicians were Ronnie Redd (keyboards), Jim Holley (bass), Greg Hough (drums), Bobby Garrett (steel guitar), Donny McDuff and Jerry Tiner (electric guitars), Ken Shepherd harmonica and rhythm guitar) as well as Lonnie Wright (producer, engineer and rhythm guitar). Back-up vocalist : David’s ex-wife, Lavinia Smith.
David Ray « You make my day« http://www.bopping.org/wp-content/uploads/2014/10/You-make-my-day-aout-93.mp3download
David Ray was then living near Ft. Worth, Texas, where he continued to compose and entertain. He died in 1997.
Freely adapted from the notes to Collectables CD 5770.
Hope you’re all well and ready to visit some more boppers and rockabillies. The name JAMES MASK isn’t that familiar (he had not big hits), although he appeared on Bandera (Illinois), Arbet (Tennessee, « I miss my teen angel », a teen rocker), and later (1972) on MGM-Sound of Memphis (the country rocker « Humpin’ to please »).
Here we find him on the Pontotoc, MS (where he was born in 1932 – Tupelo area) Tom Big Bee label (# ) with a fine early ’60s version of the Rocky Bill Ford‘s classic, « Beer drinkin’ blues ». Honest country rocker. He had some tunes (unissued in the ’50s) on an old White label LP 2305 « Mississipi R’n'R ». The Dutchman wrote there that Mask was backed by his two brothers Charles and Willie.
James Mask « Beer drinkin’ daddy » http://www.bopping.org/wp-content/uploads/2014/06/tom-big-bee-James-Mask-Beer-Drinking-Blues.mp3download
Let’s stay in Mississipi with an otherwise very well known artist, at least in Europe (he drives, latest news, a taxi at Chicago Int’l Airport), Mr. HAYDEN THOMPSON. I offer his first record, on the Booneville, MS, label, Von [which issued Lloyd McCollough and Johnny Burnette's first records,] « Act like you love me« b/w « I feel the blues coming on« . (original in 1951 by Elton Britt, although not credited on the label) Great slow Hillbillies, whispering vocal over confident backing. Same last tune was done (but it’s a different song) by Loy Clingman on the Arizona Elko label in 1956. Penned byLee Hazlewood, it’s a soft Country-rock effort. The third Thompson track is taken from his sessions at Sun in Memphis, and he retains the same feeling with « Blues, blues, blues » (U.K. Charly 605B) – although more echo, as usual from Sam Phillips’ manner.
Hayden Thompson, « Act like you love me« http://www.bopping.org/wp-content/uploads/2014/06/Act-Like-You-Love-Me.mp3download
Hayden Thompson, « I feel the blues coming on« http://www.bopping.org/wp-content/uploads/2014/06/I-Feel-The-Blues-Coming-On.mp3download
Hayden Thompson, « Blues, blues, blues« http://www.bopping.org/wp-content/uploads/2014/06/605B-Hayden-Thompson-Blues-Blues-Blues1.mp3download
Elton Britt « I feel the blues coming on » (RCA, 1951)http://www.bopping.org/wp-content/uploads/2014/06/Elton-Britt-I-feel-the-blues-coming-on.mp3download
Let’s get up north in Lancaster, KY, and with HAROLD MONTGOMERY. His fine sides on Sun-Ray were documented in the site (see « Sun-Ray » label). Here he comes once more with a good side, similar style, on Wolf-Tex 103, « How much do you miss me », from the ’60s. Great mumbling vocal, similar to early Elvis!
Way north a little further. Muncie, Indiana on the Poor Boy label. A small one, but important artists, the best known being its owner Wayne Raney (« We need a whole lot more of Jesus (and a lot less of Rock’n'Roll »!) ; others are the Van Brothers (« Servant of love », to name only one) and Les & Helen Tussey (already recently posted in fortnight’s favorites).
Harold Montgomery, « How much do you miss me« http://www.bopping.org/wp-content/uploads/2014/06/wolf-tex-103-Harold-Montgomery-How-Much-Do-You-Miss-Me.mp3download
The artist was named DANNY BROCKMAN & the Golden Hill Boys, on Poor Boy 107. First side is Hillbilly bop, « Stick around » from 1959, when Brockman was D.J. at WTMT in Louisville, KY. Great Starday sound, a powerful rhythm guitar, great interplay between lead guitar and steel during the solo, fabulous (altho’ too short) fiddle solo. A ‘must ’ record for Starday sound lovers. The flipside is sung in unisson duet with a certain Carl Jones. Nothing exceptional with « Don’t you know it’s true », a real Everly Bros. -alike. With fine steel and fiddle solos. Brockman also appeared on Dixie 859 (« Big big man »), more on him in a future fortnight.
Danny Brockman, « Stick around » http://www.bopping.org/wp-content/uploads/2014/06/poor-boy-107-Danny-Brockman-And-The-Golden-Hill-Boys-Stick-Around-.mp3download
Danny Brockman & Carl Jones, « Don’t you know it’s true« http://www.bopping.org/wp-content/uploads/2014/06/Poor-boy-107B-Danny-Brockman-Carl-Jones-Dont-You-Know-Its-True.mp3download
Finally in Omaha, Nebraska (frontier to Canada). 1958, with the wild double-sider « The itch/Baby doll » by CARL CHERRY on the Tene label. « Baby doll » is a typical White doo-wop rocker, good although average. THE side is the garage Rockabilly « The itch » (Tene 1023), prettily sensual. Cherry has got the feel and itch, and the drummer and lead guitar player (RaB HOF says the guy was legally blind!) too ! Fantastic garage sound…They don’t play this way anymore, even with the wilder neo-rockabilly European bands.
Carl Cherry & Wild Cherries, « The itch » http://www.bopping.org/wp-content/uploads/2014/06/Tene-1023B-Carl-Cherry-The-Itch.mp3download
Carl Cherry & Wild Cherries, « Baby doll » http://www.bopping.org/wp-content/uploads/2014/06/tene-1023A-CARL-CHERRY.-BABY-DOLL..mp3download
Carl Cherry & Wild Cherries
Never read such a poorly informed biography as this, taken from the back of the Hank the Drifter Crypto album. Alas, I cannot add anything to it, and the music will speak for itself.
HANK THE DRIFTER (real name Daniel Raye Andrade) was born September 2, 1929, 72 Plain Street, Taunton, Massachussetts. As a small boy he loved country and wetsern music and he was given a small guitar to learn on by his now deceased Dad. Soon he was playing and singing up a storm and people everywhere loved his true country songs and the feeling he put into every song. Songs came pouring out of Dan and he wrote songs on every inspired moment.
Many who have puchased his records say it is like Hank Williams back from the grave. In this album you will hear the songs which Daniel Andrade, « Hank the Drifter » composed, during inspired moments. Many have called Daniel Andrade, « Hank The Drifter », the greatest living song writer and country singer in the country and western field.
Dan Andrade thrilled many, with his double tribute (on New England release n° 1012), « Hank Williams is singing again » backed with « Hank, you’re gone but not forgotten », dedicated to the memory of Dan Andrade’s idol, the late great Hank Williams, considered by many to be the gteatest living song writer in the world, and the greatest living singer as well.
Hank the Drifter, « Hank Williams is singing again » http://www.bopping.org/wp-content/uploads/2013/11/Hank-Is-Singin-Again-Hank-The-Drifter.mp3download
Hank the Drifter, « Hank, you’re gone but not forgotten » http://www.bopping.org/wp-content/uploads/2013/11/01-Hank-Youre-Gone-But-Not-Forgotten.mp3download
This is Dan Andrade’s first country and western album recorded at Gold Star Recording Studio – Houston, Texas. At this writing Dan Andrade is hard at work on a second album which will feature 12 more songs composed by Daniel Andrade. This 2nd album will feature his Martin guitar used on his first album. The Martin guitar is one of the two models the Martin Company made, of which two were made a year, Hank Williams puchased one and Hank The Drifter the other, both guitars are identical.
Hank the Drifter, « It is honky tonk music » http://www.bopping.org/wp-content/uploads/2013/11/A2-It-Is-Honky-Tonk-Music.mp3<a ref= »http://www.bopping.org/wp-content/uploads/2013/11/A2-It-Is-Honky-Tonk-Music.mp3″ target= »_blank »>download
On January 1, 1968, Music City News, the leading trade magazine in the Country and <Western music field, did a full page story with pictures of Daniel Andrade. He resides in a lovely $ 20,000.00 home at 12606 Carlsbad, Houston, Texas.
Hank the Drifter, « I’m gonna spin my wheels » http://www.bopping.org/wp-content/uploads/2013/11/B6-Im-Gonna-Spin-My-Wheels.mp3download
Hank the Drifter was chosen January 1, 1963, in « Who’s Who, Inc. » on the merits of his song writing, singing and other accomplishments. This honor is bestowed on fifteen in each ten thousand of the country’s population who come under selective standards. Country Song Roundup and « Billboard », trade magazines, have featured Hank.
Sparton and Quality Records of Toronto, Canada, have featured many of Dan Andrade’s 45′s, namely « Cheaters never win », « Don’t you lock your daddy out », « I’m crying my heart out for you », « Cold river blues » and « Painted doll », etc. all sung and written by Daniel Andrade.
Hank the Drifter, « Cheaters never win » http://www.bopping.org/wp-content/uploads/2013/11/21-Cheaters-Never-Win.mp3download
Hank the Drifter, « Don’t you lock my daddy out » http://www.bopping.org/wp-content/uploads/2013/11/19-Dont-You-Lock-Your-Daddy-Out.mp3download
Hank the Drifter, « Cold river blues » http://www.bopping.org/wp-content/uploads/2013/11/22-Cold-River-Blues.mp3download
Hank the Drifter, « Painted doll » http://www.bopping.org/wp-content/uploads/2013/11/Painted-Doll-Hank-The-Drifter.mp3download
« God writes all my songs and being blessed with a lovely wife, Odessa Andrade ; what more could a man ask in life », says Dan. The gifted Dan Andrade has appeared on WPEP, Taunton, Massachusetts with his own show ; on WNBH radio, New Bedford, Massachusetts on the New Bedford Times weekly. He has appeared on KTRH and KNUZ radio stations, plus Big « D » Jamboree, Dallas, Texas, « Cowtown Hoedown », Fort Worth, Texas – « Gulf Coast Jamboree » Television – « Houston Hoedown », Houston, Texas and such.
« Hank The Drifter » records are in numerous libraries on radio stations in the United States, Canada and overseas. Hank says, « I’m very homely, I know, but, look for the inner beauty and we are all pretty people ». My sincere appreciation to Fred Voelker and daughter, Sonya, of Houston, Texas, two fine musicians whom without their help, this album could not have been possible.
Andrade had his first record way back in 1955, as HANK THE DRIFTER: « Hank Williams is singing again » on his own label New England; in 1956, as « Joe Lombardie and the Cats« , he cut « Let’s all rock’n'roll« , then again the same year, as Hank the Drifter, « The Bill Collector’s blues« . 1957, a further more issue, « Don’t you lock your daddy out ».
Joe Lombardie & the Cats, « Let’s all rock’n'roll » http://www.bopping.org/wp-content/uploads/2013/11/Joe-Lombardie-Lets-All-Rock-And-Roll-.mp3download
Hank the Drifter, « The Bill Collector’s blues » http://www.bopping.org/wp-content/uploads/2013/11/B5-The-Bill-Collectors-Blues.mp3<a ref= »http://www.bopping.org/wp-content/uploads/2013/11/B5-The-Bill-Collectors-Blues.mp3″ target= »_blank »>download
In 1961, after several years, he revived his label and nom de plume, and reissued masters of the ’50s era. Between March 1961 and 1964, he had this way 9 New England records.
The Burdette Land label out of Richmond, KY, must have been one of the scarcest to the day: it issued only two discs in 1960, although one was even reviewed (Pratt Bros.) in the August 29th, 1960 C&W edition of Billboard. So the promotion has surely have been correctly made, since NYC critics did get the record.
First issue was by HUBERT BARNARD (# 3000-1/2-A/B) and coupled one country side, « The man of the road » (partly written by Burdette Land), an unheard tune, and a more interesting side, « Boy She has gone« , rockabilly/rocker, which even found its way on a European compilation (« Hillbilly jukebox »).
Hubert Barnard, « Boy she has gone » http://www.bopping.org/wp-content/uploads/2013/11/17-Hubert-Barnard-Boy-She-Has-Gone.mp3download
Second and last issue for the label was by the PRATT BROS. apparently Eugene (writer of both sides) and vocalist Vernis, backed for the rockabilly side by « The Rocking 5″. I didn’t hear « Go find your love« , apparently a rocker, thus « The wind told me so » was average rural rockabilly. Hear them. And that was it. A really short affair in time.
Pratt Bros. & the Rocking 5, « The wind told me so » http://www.bopping.org/wp-content/uploads/2013/11/burdette-30002-Pratt-Brothers-The-Wind-told-Me-So-Rockabilly.mp3download
Source: 45rpm.com, the Dan DeClark site for Ohio Valley records. Also RCS.
Howdy, folks! En route for the new cartload of bopping Hillbillies/Rockabillies and white rockers (this time), plus the usual R&B rocker. First two tunes are by WEBB FOLEY, from Fort Wayne, Indiana it seems. He had « Bee bop baby » on Emerald 2013 in 1957 (flip side is « You ought make records« , listed as « C&W », alas I didn’t trace it). Rockabilly and that’s all, topical lyrics, good rhythm. Next year he was to have a white rocker « Little bitty mama » (Emerald EP 750), a good one. BUT, beware of his sides on the M label (« Strange little girl/One by one » and « Little town Xmas »), they’re awful! More on Emerald next fortnight.
Webb Foley « Bee bop baby » http://www.bopping.org/wp-content/uploads/2013/11/Webb-Foley-Bee-Bop-Baby.mp3download
Webb Foley « Little bitty mama » http://www.bopping.org/wp-content/uploads/2013/11/Webb-Foley-Little-Bitty-Mama.mp3download
Next artist must have been a local one, as his label: Royal 100, for COUSIN KEITH LOYD (sic). He cut « Dangerous crossing » (1955?) certainly having in mind Billy Strange’s « Diesel smoke » from a pair of years earlier. Cousin Keith Loyd « Dangerous crossing » http://www.bopping.org/wp-content/uploads/2013/11/Cousin-Keith-Loyd-Dangerous-Crossing-1955.mp3download
I return to MARVIN RAINWATER. I did celebrate his death last month with one of his most known tracks, « Mr. Blues« . Now I’ve chosen « So you think you’ve got troubles » (MGM 12420), cut a coupe of years later, and a fast good side of its own.
Marvin Rainwater « So you think you’ve got troubles » http://www.bopping.org/wp-content/uploads/2013/11/Marvin-Rainwater-So-You-Think-Youve-Got-Trouble.mp3download
BILL LOWE was from West Coast, and cut for the interesting small label Sundown. There he had at least two issues, the one here (# 117), « You set my heart on fire« , a very nice late ’50s hillbilly. Lowe had a duet with TOMMY GUESS, also on Sundown, « Foolish heart » (# 106 – I include it in the podcasts, having copied it from an old Tom Sims’ cassette).
Bill Lowe « You set my heart on fire » http://www.bopping.org/wp-content/uploads/2013/11/sundown-117-Bill-Lowe-You-Set-My-Heart-On-Fire-1959.mp3download
Tommy Guess & Bill Lowe « Foolish heart » http://www.bopping.org/wp-content/uploads/2013/11/tommy-guess-foolish-heart3.mp3download
courtesy Udo Frank
inspired by John Burton
Finally a great R&B Rocker by FLASH TERRY, « She’s my baby » on the Southbay label (# 500), obviously a S.F. issue. Just take a look at the logo: Southbay must have been inspired by Starday (3 stars). Flash Terry « She’s my baby » http://www.bopping.org/wp-content/uploads/2013/11/southbay-500-Flash-Terry-Shes-My-Baby.mp3download
Note (Nov. 30th, 2015) from Steve Gronda: « The Flash Terry on Southbay was bootlegged from my original 45 on Suncoast, a Tampa label run by Doc Castellanos, a local bar owner. Southbay, was based in South Pasadena Florida, about 30 miles from Doc’s bar in Tampa and released this record around 1979.. About 1,000 copies were pressed. The original owner of Suncoast records had no memory of Flash Terry, nor any records or tapes when approached in the early ’70′s by collector Lynn Burnette. »
Enjoy the selections. Any comment or addition/correction welcome!
Hello folks. The link between the 8 songs this time would be either the BREWSTER Brothers, either the WEBSTER Bros, either Knoxville, TN, and would last from 1954 to 1962/63.
In Manchester, KY, circa 1957-59, there were the BREWSTER Brothers. Originally from Tennessee, the elder Willie G. (mandolin and vocal) had begun late ’40s as sideman for the Bailey Bros. He even replaced Dan Bailey when the latter was gone to service duties. In 1953, the Brewster Bros. and the Smokey Mountain Hillbillies found much success on Scottsboro, AL. WROS radio. Not so long after that, joined by younger Franklin « Bud » Brewster (guitar and banjo, plus vocal), the brothers backed in 1957/58 Carl Story for recording sessions on Mercury, Starday, or small companies like Wayne Raney’s Rimrock label. Willie estimates they cut three hundred songs with Story! Around the same time, they went to perform on a regular basis for the Cas Walker radio & T.V. show in Knoxville, TN. They backed Red Rector among others. That’s when they recorded for Acme Records 1776, out of Manchester, KY. two sacred songs in bluegrass style, among them « I’ll Be Happy In My Home« . They were joined by the FOUR BROTHERS QUARTET, which was composed of Audie (mandolin and tenor voice) and Earl (guitar and lead vocal) WEBSTER. More on them below.
The BREWSTER Brothers, as the Jaguar’s (sic), went on to record Rock’n'roll in 1959 on Janet, in Manchester, KY, too, which was simply Acme revived after being sold. Bud Brewster had the fine « I Coud If I Would (But I Ain’t) », on Janet 201, along with the vocalist Harold Harper on the average White rock (insistant guitar riff) flipside « The Big Noise ». After that I lost their trail.
The WEBSTER Brothers, Earl and Audie, started in Philadelphia, TN., playing in schools and churches. They joined WNOX in Knoxville, TN and made 6 sides for Columbia/Okeh in 1954, all great boppers. Let’s begin with the earliest « Till The End Of The World Rolls ‘Round » and « It’s All Left Up To You », issued in January 1954 on Okeh 18056. Fast, fiddle-led (a short steel solo), with Earl on guitar and lead vocal being joined by Audie on harmony duetting chorus.
In October 1954, they joined in Nashville Carl Butler for a long Columbia recording session, and that’s when they cut their best tune ever, the great « Road Of Broken Hearts » – urgent vocal, fine fiddle by Dale Potter, a barely audible Don Helms on steel (Columbia 21421). The same session saw them cut the fine flipside « Seven Year Blues ». Later on (November 1955) they joined Carl Butler (leader) for two religious sides, « Looking Through The Windows Of Heaven » and « Walkin’ In God’s Sunshine » (Columbia 21473). Very nice fast sacred hillbilly.
We found them much, much later (1962/63) on the Nashville Do-Ra-Me label for a far less interesting « My Heart Won’t Let Me Forget », almost pop-country (# 1439).
As usual, comments welcome. You know, these sides are thrown as the best I know today. Indeed they can be rare (they come from my collection or from the net), but it’s the quality that matters !
From the notes to Old Timey LP 126 « Classic Country Duets » and « Early Days Of Bluegrass, vol. 2 » (Rounder 1014, 1976).
Founded at 1354, Wright Street, LA, California, in 1954. It is believed by Hillbilly Researcher Al Turner that the label was possibly owned by George Wilson, who wrote or co-wrote most of the material used by both Excel and Rodeo. He would have made a small fortune in royalties from writing « Hot Rod Race » for Arkie Shibley in 1951 (see elsewhere in the site for his story), certainly enough to put into a small record company. Read the rest of this entry »