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early July 2014 fortnight favorites: traveling way up north from Mississipi to Nebraska, via Kentucky and Indiana!
juil 1st, 2014 by xavier

Howdy folks,
Hope you’re all well and ready to visit some more boppers and rockabillies. The name JAMES MASK isn’t that familiar (he had not big hits), although he appeared on Bandera (Illinois), Arbet (Tennessee, « I miss my teen angel », a teen rocker), and later (1972) on MGM-Sound of Memphis (the country rocker « Humpin’ to please »).
Here we find him on the Pontotoc, MS (where he was born in 1932 – Tupelo area) Tom Big Bee label (# ) with a fine early ’60s version of the Rocky Bill Ford‘s classic, « Beer drinkin’ blues ». Honest country rocker. He had some tunes (unissued in the ’50s) on an old White label LP  2305 « Mississipi R’n'R ». The Dutchman wrote there that Mask was backed by his two brothers Charles and Willie.

tom big bee
James Mask « Beer drinkin’ daddy » download

Let’s stay in Mississipi with an otherwise very well known artist, at least in Europe (he drives, latest news, a taxi at Chicago Int’l Airport), Mr. HAYDEN THOMPSON. I offer his first record, on the Booneville, MS, label, Von [which issued Lloyd McCollough and Johnny Burnette's first records,] « Act like you love me«  b/w « I feel the blues coming on« . (original in 1951 by Elton Britt, although not credited on the label) Great slow Hillbillies, whispering vocal over confident backing. Same last tune was done (but it’s a different song) by Loy Clingman on the Arizona Elko label in 1956. Penned byLee Hazlewood, it’s a soft Country-rock effort. The third Thompson track is taken from his sessions at Sun in Memphis, and he retains the same feeling with « Blues, blues, blues » (U.K. Charly 605B) – although more echo, as usual from Sam Phillips’ manner.

Von B 1001

von A1001605B

Hayden Thompson, « Act like you love me« download

Hayden Thompson, « I feel the blues coming on« download

Hayden Thompson, « Blues, blues, blues« download
Elton Britt « I feel the blues coming on » (RCA, 1951)download

 

 

 

 

 

 

 

 

Let’s get up north in Lancaster, KY, and with HAROLD MONTGOMERY. His fine sides on Sun-Ray were documented in the site (see « Sun-Ray » label). Here he comes once more with a good side, similar style, on Wolf-Tex 103, « How much do you miss me », from the ’60s. Great mumbling vocal, similar to early Elvis!

Way north a little further. Muncie, Indiana on the Poor Boy label. A small one, but important artists, the best known being its owner Wayne Raney (« We need a whole lot more of Jesus (and a lot less of Rock’n'Roll »!) ; others are the Van Brothers (« Servant of love », to name only one) and Les & Helen Tussey (already recently posted in fortnight’s favorites).
Harold Montgomery, « How much do you miss me« download

The artist was named DANNY BROCKMAN & the Golden Hill Boys, on Poor Boy 107. First side is Hillbilly bop, « Stick around » from 1959, when Brockman was D.J. at WTMT in Louisville, KY. Great Starday sound, a powerful rhythm guitar, great interplay between lead guitar and steel during the solo, fabulous (altho’ too short) fiddle solo. A ‘must ’ record for Starday sound lovers. The flipside is sung in unisson duet with a certain Carl Jones. Nothing exceptional with « Don’t you know it’s true », a real Everly Bros. -alike. With fine steel and fiddle solos. Brockman also appeared on Dixie 859 (« Big big man »), more on him in a future fortnight.
Danny Brockman, « Stick around » download

Danny Brockman & Carl Jones, « Don’t you know it’s true« downloaddanny brockman

Finally in Omaha, Nebraska (frontier to Canada). 1958, with the wild double-sider « The itch/Baby doll » by CARL CHERRY on the Tene label. « Baby doll » is a typical White doo-wop rocker, good although average. THE side is the garage Rockabilly « The itch » (Tene 1023), prettily sensual. Cherry has got the feel and itch, and the drummer and lead guitar player (RaB HOF says the guy was legally blind!)  too ! Fantastic garage sound…They don’t play this way anymore, even with the wilder neo-rockabilly European bands.

Carl Cherry & Wild Cherries, « The itch » download
Carl Cherry & Wild Cherries, « Baby doll »
http://www.bopping.org/wp-content/uploads/2014/06/tene-1023A-CARL-CHERRY.-BABY-DOLL..mp3download

tene CarlCherryphoto1

Carl Cherry & Wild Cherries

late June 2014 fortnight’s favorites + 1935 hillbilly!
juin 15th, 2014 by xavier

Howdy folks ! Hope you will enjoy those selections of the present fortnight. Now it’s very hot in southern France, so is the music I choose.

From Harrington, KY., do come GORDON SIZEMORE on the Alvic label (no #. Thanks Mr. Dean C. Morris for the scan of the label!).  « Waddlin baby » [sic] is a Country, near Rockabilly from 1962. The voice of the singer is nasal and sounds a little old. The guy must have been the perfect Country boy. He his backed by (apparently) two brothers, Johnny and Casey Jones. One of them does a fine fiddle solo. The record, if you find it, will cost you between $ 100 and 200 !

arvic no# cool 135 label

Gordon Sizemore « Waddlin baby »download

Tom Wilson « Why’d you pick on me »download

 

To learn more about the COOL label, go to Dean C. Morris blogsite: http://anorakrockabilly45rpm.blogspot.co.uk

On the Harrison, NJ. Cool label (# 135B) we go now to TOM WILSON and « Why’d you pick on me », a fast Rockabilly flavored Country rocker, with fine slapping bass. The name of the singer sounds familiar to me, I know at least another Tom Wilson on the Crest label out of California, surely a different person. The disc is from 1960.

 

Next two tracks are sung and played by BUDDY ALLEN and his Drifting Vagabonds on the Driftwood label (# 1001) from Waynesboro, PA. « Driftwood on the river » is the side for hillbilly bop fans : a medium paced ditty, with a nice mellow voice, backed by a fiddle and steel-guitar (a solo). A great record from, I’d say, 1955. Allen had another issue, « Allegheny moon » on Driftwood 1002 (untraced)

The flipside is totally different. « God loves His Children » is a fast sacred hillbilly with a good touch of bluegrass : a mandolin solo per example. Hear the most the great falsetto vocal ! Is the singer the same Buddy Allen who did « Shine, shave, shower » on Tennessee 748?

driftwood labelBuddy Allen « Driftwood on the river »download

Buddy Allen « God loves His children »download

 

 

From Louisiana next two tracks by a relatively famous HOLLIS ALBIN, for the minor classic « Vee-eight Ford boogie » on the Hammond label, out of Baton Rouge (1959). Loud drums, nasal vocal, topical lyrics, all these make of the track a gem, a classic. (# 106A). The flipside is, in my mind, equally good, altho’ in a different manner. « Uncle Earl don’t stand alone » is a medium hillbilly bop, with a backing of banjo and fiddle, over amusic lyrics.

 

Hollis Albin, « Vee-Eight Ford boogie download

 

Hollis Albin, « Uncle Earl don’t stand alone »download

hammond earlhammond Vee

 

 

 

 

 

 

Finally two tracks by the legendary PRAIRIE RAMBLERS. They were Texans, but recorded (during a tour?) in NYC for the ARC label. First « Gonna have a feast here tonight » (on the reissue label Melotone 13412-B) is an exuberant number sung by Salty Holmes, who holds also the harmonica. Tex Atchison plays the fiddle. The orchestra sings in unisson on this song cut on April 18, 1935. Second, their greatest classic, « Deep Elem Blues » (about the events in the ‘hot’ quarter of Dallas) cut on August 15, 1935, has clarinet (solo), banjo, fiddle. The whole thing is a mess! (Melotone 5-11-51). What a slap bass, by Jack Taylor, ahead by 20 years on Sonny Fisher‘s « Rocking Daddy »…Same session saw also the first cut of « Just because« , later sung by Elvis on Sun!

melotone feastmelotone blues

 

Prairie Ramblers, « Gonna have a feast here tonight »
download

 

Prairie Ramblers, « Deep Elem blues »

download

 

 

 

Enjoy the selections, you can always post comments, corrections or additions. If you prefer a direct link, go to my email address : xavier.maire@free.fr. Bye, till next fortnight.

Early May 2014 fortnight’s favorites
mai 1st, 2014 by xavier

Howdy folks, the first serie of the two selections for May.

The exuberant « It always happens to me » by RUFUS SHOFFNER & JOYCE SONGER (wife of Earl) cut in Detroit in 1962 seems stylistically go back to the mid to late ’50s. It’s a great fast bopper (piano, guitar and an energetic rhythm, and an exulting duet vocal), which  was issued on Fortune’s label subsidiary Hi-Q 14, and can still be found on various recent compilations, as in Boppin’ Hillbilly vol. 5. Shoffner made several fine sides on Hi-Q or Fortune, or earlier on Kentucky’s Countryside label. More on him later in this site.       »It always happens to me » download

rufus shoffner

Rufus Shoffner

More famous from the West coast is TENNESSEE ERNIE FORD (1919-1991),who cut a fine string of Hillbilly boogies from the end of the ’40s (« Milk ‘em in the morning blues« ) to the mid-50s, when he crossed the marked with the top-seller « Sixteen tons » (written by Merle Travis). Here he delivers from July 1950 on Capitol 1295 the much acclaimed « The shot gun boogie » (which had many, many versions later by others, even during the R&R era, f.e. Jesse Lee Turner), backed by the Cliffie Stone crew, among them the excellent Speedy West (steel), Billy Liebert (piano) and Jimmy Bryant (ld guitar).

220px-Tennessee_Ernie_Ford_1957

T. Ernie in 1957

T. Ernie Ford « The shot gun boogie » download

 

hiQ 17 rufuscapitol  1295 shotgun boogie

 

 

 

 

 

 

 

 

 

For the rest  of the selections, we’re turning to obscure artists. From Pennsylvania in 1958 on the Skyline label (not to be confused with the Indianapolis label: the Blankenship Brothers) # 106 comes BOB ENGLAR and  » Always dreaming« , a very nice bopper (guitar/steel/fiddle solos). FRANK DARRIS had in 1963 the same energy as Englar for an honest Rockabilly, his personal version of Marty Robbins’ « Ruby Ann » on the Roy label. The wizardry is the same two-sided disc came on two other labels, Thunder and Advance. Another Rockabilly we find from Alabama, early ’60s, « Baby I don’t care » (not the Elvis’ song) by DAVID GREGG on the McDowell label.

Bob Englar « Always dreaming » download

Frank Darris « Ruby Ann » download

skyline 106B

 

 

roy 1030mc dowell

 

 

David Gregg, »Baby I don’t care » download
Dempsey Sims, « Blue eyed baby » (Sam version)
http://www.bopping.org/wp-content/uploads/2014/04/Dempsey-Sims-Blue-Eyed-Baby-Country-Bop-45-Sam-Version.mp3download

Dempsey Sims, « Blue-eyed baby » (Huber version)download

Finally the same song, « Blue eyed baby » is a yodeling bopper first issued in 1956 on Esta 284 (untraced)and  later recorded twice by DEMPSEY SIMS in 1957 on Huber (time 2’39″) and Sam (time 2’07″). The Sam version seems more polished. Dempsey later had « Blues tomorrow » in 1967 on the Nashville label.

I feel sorry for the light defaults of the scans: my sight is failing (too much reading microscopic master numbers on records!)

 

 

 

 

 

 

 

 

 

 

 

 

 

sam 122huber 1003

 

 

 

 

Carl Smith and the Tunesmiths: « Go boy go » – rockin’ Nashville hillbilly (1953-55)
avr 19th, 2014 by xavier

He was an enormously successful and popular country music star, a man who recorded over 90 chart hits with a unique style that wasn’t exactly rockabilly, but certainly influenced the shape it hillbilly rockers to come. He was related to hillbilly royalty through his marriage to June Carter, not to mention that his daughter became a country music hit maker in her own right. You know who I’m talking about of course – the one and only Carl Smith. (He also wore black on occasion, but to the point…)
maynardvilleBorn in 1927, and hailing from Roy Acuff’s hometown of Maynardville, Tennessee, Carl Smith grew up like many Southern boys of the depression, idolizing singing cowboys in the movies and hillbilly musicians on the radio. Acquiring his first guitar at the age of ten, Smith took advantage of any opportunity to play music at local dances, socials and school programs. He found work as a professional musician while he was still in high school in various bands centered around Knoxville and Cas Walker’s radio show on station WROL. But his pursuit of a fulltime music career was temporarily interrupted by his stint in the U.S. Navy in 1945-46.carl smith pic
After returning from the service, Smith found fulltime work as a musician in the Knoxville area where WROL was becoming a triple-A farm team of sorts for the Grand Ole Opry in Nashville and a prime location for record companies to discover up-and-comers in the hillbilly scene. In 1950, with Hank Williams selling records hand over fist for MGM, every major label was looking for stars that could deliver the new, post-war, hard-edged honky tonk style. For Columbia Records, the then 23 year-old Carl Smith was just what they were looking for. Smith found himself in the fast lane to hillbilly stardom, signed to both the Grand Ole Opry and Columbia Records in less than a month. While he might not have been the tortured hillbilly poet that Hank was, Smith had many other assets including a strong, clear voice, his country boy good looks, a head full of wavy hair, and perhaps best of all, he lacked the self-destructive tendencies that were constantly derailing Williams’ career.Smith quickly proved himself a master of just about any form of hillbilly music he set his sights on — from Eddy Arnold-style crooners to Hank Williams-style honky-tonk heartbreakers, to heartfelt gospel that any mother would approve of. But the style that Smith really made his own came from Saturday nights, not Sunday mornings. It was “honky-tonk stomp.” Up-tempo slices of hillbilly bravado and swagger like “(When You Feel Like You’re in Love) Don’t Just Stand There,” “Trademark,”  “Hey Joe!” , « Dog-gone It, Baby, I’m In Love » and “Back Up Buddy” where Smith really made his mark on the evolving palette of hillbilly music.

col 21129 hey joe!

col 21197 dog-gone it baby

col 4-21226 back up buddy

 

 

 

 

It was a style that Hank Williams had pioneered with songs like “Honky Tonkin’” and “Mind Your Own Business” and that he referred to as “sock rhythm.”  But ole Hank’s “sock” was just the 2-4 backbeat that had marked the dividing line between white and black popular music for so long, and that more and more hillbilly musicians were picking up on in the late forties. Smith was a natural for this younger, hipper and hotter form of hillbilly music, but he never came across as the threatening rebel. “The Country Gentleman,” as he became known, could deliver a heartbreaking ballad that brought tears to the eyes of the bluest blue-nose and then toss off a stomper that thrilled the budding teeny-bopper crowd with his down home machismo.

« hey Joe! » download
« Dog-gone it baby, I’m in love »
http://www.bopping.org/wp-content/uploads/2014/04/Carl-Smith-Dog-Gone-It-Baby-Im-In-Love-1954.mp3download
« Back up buddy »
http://www.bopping.org/wp-content/uploads/2014/04/columbia-21266-carl-smith-BACK-UP-BUDDY.mp3download

While seldom acknowledged as such, Carl Smith, along with other honky-tonk stompers like Webb Pierce, Faron Young and Hawkshaw Hawkins were adding the final ingredients to the musical gumbo that would spit out rockabilly in just a few years. The young, hot shot attitude, combined with a driving beat and the good looks of many of these honky tonkers provided true swoon appeal to a generation of corn-fed gals, whose younger sisters would be screaming for the “Memphis Flash” and his fellow rockabilly cats in just a few short years. But of course you gotta have a hot band to play hot music, and that’s exactly what Smith assembled with his road band, The Tunesmiths. Featuring top session men like Junior Husky (on bass) and Buddy Harman, but most especially the master steel guitarist, Johnny Silbert (then 17 years old), the Tunesmiths developed a hot style that drew from both Western Swing and the nascent rock’n’roll beat. Other Tunesmiths’ members included drummer Farris Coursey, ex-Hank Williams’ Drifting Cowboys Sammy Pruett on lead guitar or future Jordanaires’ Gordon Stoker on piano. There’s never been any fiddle in Smith’s hillbilly boppers, another sign of him being ahead of his time.

juniorhuskey03

johnny-silbert

han-sp

Sammy Pruett left to Hank

sammy pruett

Sammy Pruett

gordon stoker

Gordon Stoker

A perfect example of the musical style that Carl Smith and the Tunesmiths developed is their 1955 recording of “Baby I’m Ready.”  It’s a song that both swings and rocks as Smith declares his readiness to show his lady a hot time on the town. And all with a charm that probably left the young lady’s mother and father smiling and waving from the front porch as that “good boy” took their daughter out for a night of hillbilly whoopee.

col 21411 baby, I'm ready

 

 

 

 

« Baby, I’m Ready » download

Ricky Van Shelton « Baby I’m ready » (1987)download

Also take a listen to the proto-rockabilly (by rhythm and lyrics) « Go Boy Go » or « No, I don’t believe I will »

col 21226 go, boy go

« Go, boy go » download
« No, I don’t believe I will »
http://www.bopping.org/wp-content/uploads/2014/04/13-Carl-Smith-No-I-Dont-Believe-I-Will.mp3download>download
In June of 1952, Smith married June Carter, daughter of musical matriarch Maybelle Carter. The couple settled just north of Nashville in the suburb of Madison. Smith cut several gospel recordings with the Carter Sisters, and in 1954 the couple cut a pair of novelty songs with June playing comedic foil to the more straight-laced Smith in sort of gender-switched hillbilly version of the shtick that Louis Prima and Keely Smith were conquering Vegas with. The couple’s next collaboration, their daughter, and future country star Carlene Carter arrived in 1955.
But even among hillbilly royalty, matrimony is not without its challenges. The couple split in 1956 with Smith marrying fellow Grand Ole Opry star, and hillbilly music’s first “glamour queen” Goldie Hill the following year. Smith left the Opry near the end of 1956 in a swirl of behind-the-scene politics to take top billing on the Phillip Morris Country Music Show, a free traveling revue sponsored by the cigarette company that ran through 1957 and ’58, often playing the same cities and dates as the Opry-sponsored road show. Smith then made the leap to TV stardom as the co-host of Five Star Jubilee and later the Canadian-produced Carl Smith’s Country Music Hall.
The Tunesmiths: « Oh! stop »
http://www.bopping.org/wp-content/uploads/2014/04/columbia-21386-The-Tunesmiths-Oh-Stop.mp3download
The Tunesmiths: « Doorstep to Heaven »
http://www.bopping.org/wp-content/uploads/2014/04/columbia-21522-CARL-SMITH-WITH-THE-TUNESMITHS-doorstep-to-heaven.mp3download

Although his hottest period was in the pre-Elvis era, Smith continued to produce solid country hits through the sixties and early seventies. He even managed to hold the strings and vocal chorus of the then popular “Nashville Sound” at bay on his recordings, staying true to a more traditional honky tonk sound. He left Columbia Records in 1973 and after a short stint on Hickory Records made the rare move of voluntarily retiring from the music business in 1978.carl smith
He spent his later years enjoying the fruits of a country boy’s dream, on his 500 acre horse and cattle ranch in Williamson County, Tennessee. He was elected to the Country Music Hall of Fame in 2003. His wife Goldie, passed away in 2005 with Smith following her in January of 2010 at the age of 82.
Reflecting on his decision to retire from the music business Smith told Tim Ghianni in a 2003 interview for the Tennessean, “I just wanted to play cowboy. My philosophy is doing what I want to do.”  A darn good philosophy for a country boy, but of course we can all be grateful that for a time, bringing a hot beat, a snarl and a swagger to country music was just what Carl Smith wanted to do and what he was best at.

 

Biography and pictures taken from the net. Scans and music mostly from private collections.

Bill Carter, « By the sweat of my brow », California hillbilly bop/rockabilly
avr 15th, 2014 by xavier

Nothing to do with Jimmy Carter’s supposed brother ! That Bill Carter was a member of the Big Jim DeNoone’s Rhythm Busters.Bill Carter autographe

His story begins on December 12, 1929, when he was born in Eagleton, Arkansas, one of ten siblings, the son of an itinerant share cropper. By the time he was nine years old, he was singing on KGHI out of Little Rock, Arkansas. In 1937 , the family moved to Broken Bow, Oklahoma. Bill’s father got a job with the Southern Pacific Railroad in Indio, California, in 1943, and the family headed west. Bill’s interest in music was encouraged, and he took voice lessons during his teens, as well as performing on radio stations KRBO (Indio) and KROX (Modesto), modelling himself on Eddy Arnold. After graduating from Coachella Valley High school, Bill gained employment with the Johnson lumber Company in Grass Valley, and confined his performings to weekends.

In 1949 he joined USAF, and whilst stationed at Lackland and subsequently Parks AFB in Calfornia, Bill formed several bands, playing with the likes of Shorty Lavender (lead guitar and fiddle), Slim Roberts (fiddle), and Bob Cooper (drums). His music was firmly strenched in C&W and performing at NCO clubs kept his hand in. Whilst still in the Air Force, he got to perform with Cal Smith’s band in San Leandro, as well as playing dates in the San Francisco area, and venturing as far afield as San Antonio, Texas radio stations to perform. Read the rest of this entry »

late March 2014 fortnight’s favorites
mar 15th, 2014 by xavier

Let’s begin this new favorites selection with the first (?) record by an artist who would have much, much later fame as Boxcar Willie. Here he’s named MARTY MARTIN on the Honeycomb label and he sings a good « Mobile, Alabama blues ».

honey comb 102 marty martin Mobile, Alabama blues

poor boy 105 les & hlen tussey they went around

MGM 4070 arthur smith guitar and piano boogie

Marty Martin « Mobile, Alabama blues » download

Les & Helen Tussey « They went around » download

From Indiana in 1960 we find on the Wayne Raney‘s label Poor Boy LES & HELEN TUSSEY doing the nice rockabilly « They went around« .

Next is a famous ARTHUR SMITH on a rare French MGM Issue for the instrumental « Guitar and piano boogie ». Title says it all.

 

Arthur Smith « Guitar and piano boogie » download

 

 

Finally, thanks to a Mr. Noel T, I put my hands on two rare JESS WILLARD disks. First the completely unknown G&G 107 double-sider « I’m branding my darling with my heart » (earlier cut by Jack Guthrie) and « Hillbilly heaven » (this is apparently not Eddie Dean’s song). Both sides are gentle hillbilly boppers from 1957. G&G was a parent label to Ka-Hi which Willard had « I’m telling you » on. Second is the Sundown 126 « Cops and robbers/Night time is cry time » from 1959, posthumously issued. Alas, both sides are completely pop.

Jess Willard « I’m branding my darling with my heart » download

g&g107A Jess Willard hillbilly heaven
Jess Willard « Hillbilly heaven » download
g&g107b jess willard I'm branding my darling with my heart

 

 

 

 

Jess Willard « Night time is cry time » download

Jess Willard « Cops and robbers » download

 

sundown 126A Jess willard night time is cry time

sundown 126B Jess willard cops and robbers

Hobart, OK : the HU-SE-CO label (1956-1958)
jan 29th, 2014 by xavier

Hu-se-co was founded by Odell Johnson in Hobart, Oklahoma. The label apparently lasted from late 1956 to early 1958, and the main issues were issued in 1957. No label listing does exist, so I don’t know if my presentation is complete, as Hu-se-co was a pretty small label for the time being.hobart

First record was cut in Autumn 1956 by DERAL CLOUR and Charley Drake and coupled the very fine primitive Hillbilly bopper/Rockabilly « Sundown (boogie) » with the ballad « Winter (in my heart) ». Clour has said in an interview published by the RockaBilly HOF that the record was cut at Gene Sullivan’s studio on Capitol Hill in Hobart. Deral Clour was to appear at Ernest Tubb’s in Nashville in 1959.

huseco 1056A deral clour sundown (boogie)

DeralandCharleyBW

Deral Clour & Charley Drake

huseco A1056B deral clour winter

Deral Clour and Charley Drake « Sundown (boogie) » download

Deral Clour and Charley Drake, « Winter (in my heart) » download

Then in 1957, three singles of equal musical value. Most important is the rollicking/jumping//western sides by DOYLE MADDEN, backed by Merl Lindsay‘s Oklahoma Nightriders, « Gonna learn to rock » and « Tonights the night for love » (1-757), both written by Lindsay and one Vonnie Mack. The latter (rn Yvonne deVaney) was at one time Yvonne O’Day on Capitol, then in 1956 Vonnie Mack in 1956 on Columbia, where she turned more or less pop. Later she fronted vocally Merl Lindsay’s band.
Doyle Madden « Gonna learn to rock » download
Doyle Madden, « Tonights the night for love »
http://www.bopping.org/wp-content/uploads/2014/01/hu-se-co-757A-Doyle-Madden-Tonights-The-Night-For-Love.mp3download

Second record backed by Merl Lindsay’s Oklahoma Night Riders is by JIM RAY: average ’50s country/honky tonk, main instruments being fiddles and steel. « A little too late » and « My heart belong to you » are on (# A-557).
Jim Ray, « My heart belongs to you » download
Jim Ray, « A little too late »
http://www.bopping.org/wp-content/uploads/2014/01/hu-se-co-557-Jim-Ray-A-Little-Too-Late.mp3download

The third 1957 issue (if the « 57 » sequence has some sense) is a very nice country rocker by FLOYD ANDREWS, « Buy myself a rubber doll » (3-757), with strong guitar and steel to the fore. Floyd Andrews, « Buy myself a rubber doll » download

One issue by COWBOY (Charlie) HUFF escaped to my antennas, « Swingin’ alone tonite/Tulsa town waltz » (757). It’s the same man who had records in the Starday custom serie (»No two timin’ me »).

45-616-a (huff) cowboy huff No two timin' me
Cowboy Huff « No two timing’ me » download
And we nearly reached to the end of label with the 1958 issue by BILL & BINK ( with drummer Dwight), whose two-sided « Bed bug boogie/Do and don’t blues » (1358) could be described as primitive bluesy hillbilly/rockabilly.

Bill & Bink, « Bed bug boogie » download « Do and don’t blues » http://www.bopping.org/wp-content/uploads/2014/01/Bill-Bink-Do-And-Dont-Blues-Rockabilly-45.mp3download

hu-se-co 1-757A doyle madden (lindsay) gonna learn to rockhu-se-co 1-757B doyle madden (lindsay) tonights the night for love

 

 

 

 

 

 

 

 

 

 

 

 

 

 

huseco 557A Jim ray My heart belongs to youhuseco 557B jim Ray A little too late

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

huseco 757A Floyd Andrews Buy myself a rubber dollhuseco 1358A bill & bink bed bug boogiehuseco 1358B bill & bink do & don't blues

 

 

 

 

 

 

 

 

 

 

 

 

 

The indefatigable and faithful DRUNKENHOBO has found three more HU-SE-CO records! Thanks Dean.

A Bluegrass rockabilly flavored « If you’re after my heart » by the group RAMBLIN RASCALS on Hu-se-co. Flipside unheard « We both love the same girl ».
Ramblin Rascals « If you’re after my heart » download
Then WESLEY (Sleepy) MOORE and « Old mother Nature » (Hu-se-co 1257)(flip side « If you’d say you care ».
Wesley Moore « Old mother Nature »
http://www.bopping.org/wp-content/uploads/2014/01/HU-SE-CO-1057-Wesley-Sleepy-Moore-Old-Mother-Nature-...-56-Hillbilly-Bop.mp3download
Dean finally mentions a third disc by HURSHUL CLOTHIER, which proves untraceable. Clothier was an Oklahoma ace fiddler, backed by the Oklhahoma Travelers (founded 1953), who had « Will you please » on Hu-se-co 2-757.


hu-se-co 1057-A ramblin rascals if you're after my heart hu-se-co 1257-A wesley (sleepy) moore old mother nature

late January 2014 fortnight favorites
jan 15th, 2014 by xavier

Howdy folks! This is the second serie of favorites for the new Year. All selections do come from the eastern parts of U.S, except one from Indiana.

From Mobile, Alabama, WADE JERNIGAN offers the first titles on the Sandy (# 1010) label. Medium hillbilly bop, steel and fiddle for « Road of love« . Flip « So  tired » is more intimate.

Sandy 101 Wade jernigan road of love

Wade Jernigan « Road of love » download

sandy 1010 wade jernigan so tired

Wade Jernigan « So tired » download

From New York on the Mell label (same as Howie Stang‘s) (# 121) by one MOREY DUBOIS. « If you can spare the time » is obviously inspired by 1950 Lefty Frizzell hit, bit it’s Rockabilly from 1959. From Hammond, Indiana, we find BILLY REED and « Honky-tonk mama » a fine medium hillbilly bopper full of steel and fiddle. Topical lyrics. Campfire 45-33.

mell 121 morey dubois if you can spare the time

Morey Dubois, « If you can spare the time » download

campfire 45-33 billy reed honky-tonk mama

Billy Reed « Honky-tonk mama » download

 

 

 

 

 

 

 

 

 

LES TUCKER offers « Wrong kinda lovin » , a fast call and response format cross between hillbilly bop and rockabilly from late 1958, on the St Paul, Minnesota HEP label 2144.

On one of the many Dixie labels, one religious Hillbilly bop, « Crossing river Jordan » by HARMON R. WILLIS (# 123) and the Willis Family. Nice guitar. Sounds an accordion in the background?

Finally a curiosity. SHORTY LONG and BOB NEWMAN team up in 1955 on the « X » label for a train song, « Roll Rattler, roll« .(#0045)

hep 2144 les tucker wrong kinda lovin'dixie 45-123 harmon R; willis crossing river jordanX0045dalton boys roll, rattler, roll

Les Tucker « Wrong kinda lovin’ download

Harmon R. Willis « Crossing river Jordan » download

Dalton Boys « Roll, Rattler, roll » download

 

 

 

 

 

 

 

 

 

Several stories of artists are on their way. I’m still lacking biographical info on ART GIBSON, SHORTY LONG, HAPPY FATS LEROY.

early January 2014 fortnight’s favorites
jan 2nd, 2014 by xavier

Howdy folks! First my seasonal greetings: the best Hillbilly bopping music for a happy new Year.

We begin this 2014 year with a rockabilly (stops-and-god) by NORIS MIMS and his energetic « Sweet sweet baby » on Arlington, alas very short. A nice guitar and a short piano solo to the fade-out end. TED NEWTON is less unknown. He’d been recording on the Bellwood label out of Richmond, VA, « Save me the label« , a cross between rockabilly and hillbilly bop.  Short guitar solo (lots of echo in there).

arlington 101B noris nims sweet sweet baby
Noris Mims, « Sweet sweet baby » download
Ted Newton, « Save me the label »
http://www.bopping.org/wp-content/uploads/2013/12/bellwood-Ted-Newton-Save-Me-The-Label.mp3download
bellwood 11196 ted newton save me the label

Then two tracks on the Cross-Country (#523/524) label, from « I don’t know where » by a HANK TROTTER. Perhaps he’s playing fiddle, as this is the dominant instrument for two ballads: « Because-because » (he’s doubled on vocal by a certain Billy (The Kid), and « I threw away a diamond ». Nice work.

cross-country 524 because-because

 

cross country 523-23 I trhree waway
Hank Trotter, « Because, because » download

Hank Trotter, « I threw away a diamond » download

Same record on 78rpm(thanks to Ronald Keppner)

Cross Country 503-23 dét Cross Country 504-23 dét

 

 

 

 

 

 

A call and response format for the following track, « Hot rod boogie » by HOWARD W. BRADY on a NJ Flagship label. Very good hillbilly boogie.

flagship 914 howard brady hot rod boogie
Howard W. Brady, « Hot rod boogie » download
Finally simply the Tommy Dorsey‘s classic « Boogie-woogie » of 1938, revived in 1948 by none other than AMOS MILBURN on Aladdin 3105.

aladdin 3105 amos milburn boogie-woogie
Amos Milburn, « Boogie-woogie » download

Hank the Drifter/Joe Lombardie: the Daniel R. Andrade story (1955-1964)
nov 30th, 2013 by xavier

Never read such a poorly informed biography as this, taken from the back of the Hank the Drifter Crypto album. Alas, I cannot add anything to it, and the music will speak for itself.

LP US

 

 

HANK THE DRIFTER (real name Daniel Raye Andrade) was born September 2, 1929, 72 Plain Street, Taunton, Massachussetts. As a small boy he loved country and wetsern music and he was given a small guitar to learn on by his now deceased Dad. Soon he was playing and singing up a storm and people everywhere loved his true country songs and the feeling he put into every song. Songs came pouring out of Dan and he wrote songs on every inspired moment.

Many who have puchased his records say it is like Hank Williams back from the grave. In this album you will hear the songs which Daniel Andrade, « Hank the Drifter » composed, during inspired moments. Many have called Daniel Andrade, « Hank The Drifter », the greatest living song writer and country singer in the country and western field.

Dan Andrade thrilled many, with his double tribute (on New England release n° 1012), « Hank Williams is singing again » backed with « Hank, you’re gone but not forgotten », dedicated to the memory of Dan Andrade’s idol, the late great Hank Williams, considered by many to be the gteatest living song writer in the world, and the greatest living singer as well.

NE 235B HW is singing again

Hank the Drifter, « Hank Williams is singing again » download
Hank the Drifter, « Hank, you’re gone but not forgotten » download
This is Dan Andrade’s first country and western album recorded at Gold Star Recording Studio – Houston, Texas. At this writing Dan Andrade is hard at work on a second album which will feature 12 more songs composed by Daniel Andrade. This 2nd album will feature his Martin guitar used on his first album. The Martin guitar is one of the two models the Martin Company made, of which two were made a year, Hank Williams puchased one and Hank The Drifter the other, both guitars are identical.

Hank the Drifter, « It is honky tonk music » <a ref= »http://www.bopping.org/wp-content/uploads/2013/11/A2-It-Is-Honky-Tonk-Music.mp3″ target= »_blank »>download

On January 1, 1968, Music City News, the leading trade magazine in the Country and <Western music field, did a full page story with pictures of Daniel Andrade. He resides in a lovely $ 20,000.00 home at 12606 Carlsbad, Houston, Texas.NE 235 spin my wheels

Hank the Drifter, « I’m gonna spin my wheels » download

Hank the Drifter was chosen January 1, 1963, in « Who’s Who, Inc. » on the merits of his song writing, singing and other accomplishments. This honor is bestowed on fifteen in each ten thousand of the country’s population who come under selective standards. Country Song Roundup and « Billboard », trade magazines, have featured Hank.

Sparton and Quality Records of Toronto, Canada, have featured many of Dan Andrade’s 45′s, namely « Cheaters never win », « Don’t you lock your daddy out », « I’m crying my heart out for you », « Cold river blues » and « Painted doll », etc. all sung and written by Daniel Andrade.

Hank the Drifter, « Cheaters never win » download
Hank the Drifter, « Don’t you lock my daddy out »
http://www.bopping.org/wp-content/uploads/2013/11/19-Dont-You-Lock-Your-Daddy-Out.mp3download
Hank the Drifter, « Cold river blues »
http://www.bopping.org/wp-content/uploads/2013/11/22-Cold-River-Blues.mp3download
Hank the Drifter, « Painted doll »
http://www.bopping.org/wp-content/uploads/2013/11/Painted-Doll-Hank-The-Drifter.mp3downloadNE 1010 doll

« God writes all my songs and being blessed with a lovely wife, Odessa Andrade ; what more could a man ask in life », says Dan. The gifted Dan Andrade has appeared on WPEP, Taunton, Massachusetts with his own show ; on WNBH radio, New Bedford, Massachusetts on the New Bedford Times weekly. He has appeared on KTRH and KNUZ radio stations, plus Big « D » Jamboree, Dallas, Texas, « Cowtown Hoedown », Fort Worth, Texas – « Gulf Coast Jamboree » Television – « Houston Hoedown », Houston, Texas and such.

« Hank The Drifter » records are in numerous libraries on radio stations in the United States, Canada and overseas. Hank says, « I’m very homely, I know, but, look for the inner beauty and we are all pretty people ». My sincere appreciation to Fred Voelker and daughter, Sonya, of Houston, Texas, two fine musicians whom without their help, this album could not have been possible.

Andrade had his first record way back in 1955, as HANK THE DRIFTER: « Hank Williams is singing again »  on his own label New England; in 1956, as « Joe Lombardie and the Cats« , he cut « Let’s all rock’n'roll« , then again the same year, as Hank the Drifter, « The Bill Collector’s blues« . 1957, a further more issue, « Don’t you lock your daddy out ».
Joe Lombardie & the Cats, « Let’s all rock’n'roll » download

Hank the Drifter, « The Bill Collector’s blues » <a ref= »http://www.bopping.org/wp-content/uploads/2013/11/B5-The-Bill-Collectors-Blues.mp3″ target= »_blank »>download

In 1961, after several years, he revived his label and nom de plume, and reissued masters of the ’50s era. Between March 1961 and 1964, he had this way 9 New England records.

hank the drifter

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