Howdy Folks ! This is the early May 2017 bopping fortnight’s favorites selection.
First rank for a mid-tempo Western swing bopper : « Alone by the telephone » from 1947 by RALPH REYNOLDS & his Dude Ranch Wranglers (vocal Curley Burns). From California, it has a lazy vocal, a bit, as you say, disillusioned. Long guitar solo and piano, fiddle parts. The record was first (?) issued on Red Bird 102, then appeared on Globe 127. A very good example of bopping Swing of the ’40s.
Then again in NYC on the Choice label (# 6504) [so, not the revered by Collectors Kansas City label] for a strong rocker: « You don’t love me like you used to do » from 1959. Loud drums, and a good duet between piano and guitar. Still a good side. Finally « Big train » (Choice 6508) from 1960, with a more folky approach (use of a prominent banjo in the backing). And again, a great record. Tommy Faile seemingly never failed ! He was reported as having worked with Arthur Smith too (« Bye bye black smoke choo choo » on M-G-M) and was having records as early as 1948 (Capitol, 40 000 serie) !
Back on the West coast on the Nielsen label (# 57-1-2) and WHITEY KNIGHT and « From an angel to a devil ». A very nice uptempo ballad, with steel to the fore. A touch of the Bakersfield sound.
PHIL BEASLEY on the Dayton, OH Jalyn label (# 349A) cut in as late as 1970 the fine « The restless wind » : the song is a bit folkish, and a fast ditty. Good guitar and vocal.
Finally in Hollywood, TOMMY SARGENT’s Range Boys do come with three tunes. First a good revamp of the old traditional « Frankie and Johnnie », a good jumping version, fiddle-led, on the Corax 1328B label from 1947-48 (vocal Gabe Hemingway). The steel guitar is played by Sargent , as noted on the next track sticker « featuring Tommy Sargent and his Steel Guitar » : « Steel guitar boogie » (# 1328A) is a quite good instrumental, a serious contender in this category. The third and final track by Sargent is also cut on Corax # 1084B (non consecutive serie, but same period!). It’s a prettily different affair : « Night train to Memphis » (vocal Gabe Hemingway) is a very fast call-and-response romper. The accordion imitates a train, we even have a solo of a seemingly welcome clarinet (or is a flute?). A fabulous Western bopper !
Howdy folks ! Hope you will enjoy those selections of the present fortnight. Now it’s very hot in southern France, so is the music I choose.
From Harrington, KY., do come GORDON SIZEMORE on the Alvic label (no #. Thanks Mr. Dean C. Morris for the scan of the label!). « Waddlin baby » [sic] is a Country, near Rockabilly from 1962. The voice of the singer is nasal and sounds a little old. The guy must have been the perfect Country boy. He his backed by (apparently) two brothers, Johnny and Casey Jones. One of them does a fine fiddle solo. The record, if you find it, will cost you between $ 100 and 200 !
On the Harrison, NJ. Cool label (# 135B) we go now to TOM WILSON and « Why’d you pick on me », a fast Rockabilly flavored Country rocker, with fine slapping bass. The name of the singer sounds familiar to me, I know at least another Tom Wilson on the Crest label out of California, surely a different person. The disc is from 1960.
Next two tracks are sung and played by BUDDY ALLEN and his Drifting Vagabonds on the Driftwood label (# 1001) from Waynesboro, PA. « Driftwood on the river » is the side for hillbilly bop fans : a medium paced ditty, with a nice mellow voice, backed by a fiddle and steel-guitar (a solo). A great record from, I’d say, 1955. Allen had another issue, « Allegheny moon » on Driftwood 1002 (untraced)
The flipside is totally different. « God loves His Children » is a fast sacred hillbilly with a good touch of bluegrass : a mandolin solo per example. Hear the most the great falsetto vocal ! Is the singer the same Buddy Allen who did « Shine, shave, shower » on Tennessee 748?
From Louisiana next two tracks by a relatively famous HOLLIS ALBIN, for the minor classic « Vee-eight Ford boogie » on the Hammond label, out of Baton Rouge (1959). Loud drums, nasal vocal, topical lyrics, all these make of the track a gem, a classic. (# 106A). The flipside is, in my mind, equally good, altho’ in a different manner. « Uncle Earl don’t stand alone » is a medium hillbilly bop, with a backing of banjo and fiddle, over amusic lyrics.
Hollis Albin, « Uncle Earl don’t stand alone »download
Finally two tracks by the legendary PRAIRIE RAMBLERS. They were Texans, but recorded (during a tour?) in NYC for the ARC label. First « Gonna have a feast here tonight » (on the reissue label Melotone 13412-B) is an exuberant number sung by Salty Holmes, who holds also the harmonica. Tex Atchison plays the fiddle. The orchestra sings in unisson on this song cut on April 18, 1935. Second, their greatest classic, « Deep Elem Blues » (about the events in the ‘hot’ quarter of Dallas) cut on August 15, 1935, has clarinet (solo), banjo, fiddle. The whole thing is a mess! (Melotone 5-11-51). What a slap bass, by Jack Taylor, ahead by 20 years on Sonny Fisher‘s « Rocking Daddy »…Same session saw also the first cut of « Just because« , later sung by Elvis on Sun!
Prairie Ramblers, « Gonna have a feast here tonight » download