« Walk ’em off blues » # 5028 by PECK TOUCHTON can only be described by one word – stunning. Pure Hillbilly vocal and tremendous support from the Sunset Wranglers. Next, TOUCHTON‘s « Walkin’ on top of the world » backed with « Sighing trees on a broken heart » (# 5041):both sides are superb Hillbilly, with again the Hank Williams influence apparent, particularly on the former song [alas untraced]. Of course Touchton is known to have had records on Sarg and Starday (the famous « Let me catch my breath », # 160), but these sides are his earliest and probably his best. Also his story is intended as soon as I get enough information. His Sunset Wranglers also backed Johnny Nelms on Freedom.
The next issue (# 5032) is another unknown item and then we have CHARLIE HARRIS telling us about the « No shoes boogie », a number he co-wrote with R.D. Hendon whose the Western Jamboree Cowboys provide the backing. Probably dating from the late Summer of 1951, this disc (# 5033) has Charlie in tremendous voice (and lead guitar) on a quality fast Hillbilly boogie number while the band who also recorded with Eddie Noack or Bill Taylor as vocalists for Shamrock, 4*, Blue Ribbon and Starday show why so many of the musicians who went through this band were to become stalwarts of later Starday sessions. »No shoes boogie » is an excellent example of the hard-rocking, shuffle-beat swing that was common in Texas before rock’n’roll. The band consists of Harris (on hot guitar), Herb Remington (steel), Theron Poteet (piano), Johnny Cooper (rhythm guitar), Tiny Smith (bass) and Don Brewer (drums). The story of the prolific Charlie Harris is scheduled in this site.
Activity at the label at this time is hard to determine as I can find no information at all about the releases from # 5034 to # 5037. Then our old friend BENNY LEADERS returns for a final fling on the label with two musical throwbacks. Accompanied by the Ranger Trio, « Always remember » is a real Western flavored number while « Give my heart a break » (# 5038) is also Western and set to a waltz tempo and also features Benny’s brother Parker Leaders.
The very next issue on the label is a real oddity. The group, LOUIS LAMB and his Melody Boys, are completely unknown to me as is the singer on both sides, one DANNY BRYAN. The titles are « Down hill and shady » and « I will trouble you no more » (# 5039). Hot fiddle reminiscent of Cotton Thompson and an ambitious guitar ensemble riffing add style. Lamb was also present on Melody, perhaps a Pappy Daily’s label of1946. There is a gap of nine No’s with regards of the matrices on the label, but, in the run-off area of the first side there is an ACA number while the flipside has the legend JB2 and that leaves me very perplexed.
I suspect that the last three issues I know of on the label date from early 1952. And so we come to the last known, to me anyway, release on the label by TEX JONES and his Texas Rangers. « Little darlin’ » # 5042) is a fine Hillbilly bopper with the Texas Trio helping out on vocal while band once again show us how Hillbilly music was evolving in the area and was to become more widely nown throughout the U.S.A., and now further afield, as the ‘Starday sound ‘.
Hello, folks. This fortnight’s favorites selection will be very various and pointing in different directions.
First artist whom a virtually nothing is known about, and not more on his band. DON HAGER & the Hot Tots had in Autumn 1957 several sides cut for the Oak label out of the very small (ca. 800 souls) town of Whitakers, N.C. These guys had a tendency to Calypso rhythm, fact is obvious with « Bebop boogie » (Oak 0357), and it brings a lot of freshness to their composition. Fine rinky-dink piano, an hopping drum and a good (although discreet) steel make it a very fine Rockabilly, yet different..That very same song had been cut by Mustard & Gravy in 1950 and issued on Gotham 403, a sign of its later popularity. I already posted their fine version in the early June 2011 fortnight’s favorites selection And even earlier back, it had been recorded by Harry Gay, and published on…Oak 1000 [untraced, but according to the notes to « Long gone daddy », a compilation on Collectables 6335]. Hager had also « Calypso boogie », same style, on a ’70s Rockin’ Stars issue and « I love you dear forever », from a 1990 compilation (Oldies 5374) – this is an alternate take – with the steel much more to the fore. Finally « Liza Jane bop » (Oak 0358), also strange in its rhythm, yet is a more conventional Rockabilly. Nobody knows what happened to Hager and his group afterwards.
From Alabama comes the second artist : NORRIS MIMS [not to be confused with the Texan of similar name Morris Mills] in 1959 on the custom pressed (CP-1987) Birmingham, AL, Arlington label (# 101B) for « Sweet sweet baby ». It has an urgent vocal over a very fast backing, a fine guitar and a piano break. It is stunning such a good record is not worth an entry in Tom Lincoln’s book, as I am sure it’s very highly treasured. Incidentally the tune had been first cut in 1956 by Buddy Hanes [according to « 50sRock’n’roll » Youtube chain], but had remained unissued until our era (I didn’t find on which support).
The third record is not by a newcomer. The song « Chili dippin baby » was issued twice : on Blue Hen and on Raymor by its composer, Raymond McColister with different singers. Here is the Raymor version (# 6004A) with vocal by Mz. Melody Mack.
JIMMY HEATH & the Rhythm Rollers did record « Little darlin’ » for the Modesto, Ca. Mega label (# 2261) . It’s a typical late ’50s bopper. Lot of steel (a solo which reminds a bit of Ralph Mooney), a jumping little tune with a good expressive vocal and a fine Rockabilly guitar.
Now on to Texas, in the apply named town of Center, with REGGIE WARD & his Sons of Texas. They do offer a fast bopper « Juke box baby » from early 1951 with vocal by Jack Ford. Could the latter be the same man who cut « No not now », backed by Curley Williams (Columbia 20633, January 1950), or the Hayrider who recorded the fine hillbilly bop « That’s all you gotta do » (Chess 4858) in 1954 ? A final detail on Nemo Records (owned by Mrss. Jack McLendon and Leon Sanders) : the Wilburn Brothers [Theodore & Doyle] (later on Decca) apparently cut their first sides for this label.
BILL WATSON on the Demorest, GA Country Jubilee label (# 525) recorded a fine double-sider reviewed by Billboard in February 1960. The songs are similar in structure : over a strong guitar, a very melodic vocal partially sung in unison, they are very enjoyable and catchy « You’re the one for me » and «I’m dying darling ».