This fortnight begins with a heck of wildness: MICHAEL RAYE & Judy Shaye (“two voices and four hands” on the label) do offer the storming “Rockin’ Jamboree” on Arcade (Philly) # 112. Boogie woogie pano, trombone and guitar combine for this from 1953.
« Rockin’ jamboree«
JOHNNY FOSTER (announced a month ago) from Alabama offers the perfect rock-a-ballad “Locked away from your heart” on the Sandy label (# 1028). Good steel and sincere vocal. 1958. He had an earlier issue (# 1014) on the same label, which sounds promising (alas untraced): « It’s a hard life/You gotta be good« . I don’t know if he’s the same artist who appeared later on Capa and Carma during the early ’60s. Anyone can confirm, or deny?
« Locked away from your heart« http://www.bopping.org/wp-content/uploads/2016/01/sandy-Johnny-Foster-Locked-away-from-your-heart.mp3download
Cope McDaniel and the Cimarron Valley Boys are backing EDDE LEE for a fine melodic ballad, “I can’t believe you mean it” on Indianapolis Sunset label # F70W-2603 (1955).
« I can’t believe you mean it« http://www.bopping.org/wp-content/uploads/2016/01/sunset-2603-Eddie-Lee-I-Cant-Believe-You-Mean-It-Sunset-F7OW-2603.mp3download
« Ain’t got a nickel« http://www.bopping.org/wp-content/uploads/2016/01/waterfall-502-Aint-Got-A-Nickel-Aint-Got-A-Dime-Max-Lowe.mp3download
« Little Tom« http://www.bopping.org/wp-content/uploads/2016/01/J-F-K-L-701-Max-Lowe-Little-Tom-.mp3download
MAX LOWE enters for two issues, both came out from Morristown, TN. First “Ain’t got a nickel, ain’t got a dime”, a banjo led bluesy ballad, is to be found on Waterfall 502. More of the same on J-F-K-L 701 and “Little Lou”, from 1961 (thanx to Youtube Cheesebrew Wax Archive chain).
« I left the dance« http://www.bopping.org/wp-content/uploads/2016/01/ozark-1236-billy-glenn-I-Left-The-Dance.mp3download
« I’ll never cry again« http://www.bopping.org/wp-content/uploads/2016/01/ozark-1236-billy-glennIll-Never-Cry-Again.mp3download
That’s 1960 when BILLY GLENN issued on (California) Ozark label L30W-1236 a lovely mid-paced bopper with “I left the dance” (nice steel). The flipside is an uptempo ballad, “I’ll never cry again”. Curiously for a West coast label, the publishing house is “Mississipi Valley”. Glenn also appeared on Yucca 208 (“Bakersfield town”).
The “REAVES WHITE COUNTY RAMBLERS” go back to the late ‘20s on Vocalion 5218 for the romping “Ten cent piece”. It’s a fast raw hillbilly, showing prominent fiddle and a strong vocal. Courtesy 53jaybop on Youtube.
« Ten cent piece« http://www.bopping.org/wp-content/uploads/2016/01/vocalion-5218-Reaves-White-County-Ramblers-Ten-Cent-Piece-VOCALION-5218.mp3download
From Wichita, KS, emanate the Kanwic label on which OWEN McCARTY & His Troubadours cut “Key to my heart” (# 145), an uptempo ballad with nice steel, in 1968. McCarty was to have two other known records: on Show Land (produced by Benny Hess) and Air Cap.
« Key to my heart« http://www.bopping.org/wp-content/uploads/2016/01/karwick-145-owen-mc-carty-Key-To-My-Heart.mp3download
AL URBAN doesn’t need introduction. He cut the great Hillbilly bopper (1957) “Looking for money” (Sarg 148), and the fabulous twin-sider Rockabilly “Gonna be better times/Won’t tell you her name” (Sarg 158), without forgetting his two issues on Fang 1001 and 1003 (untraced). Here he appears on a “manufactured by Tanner ‘n’ Texas [T.N.T.]” A.P.U. 201, which shows two addresses: Gonzales (hometown to Urban) and San Antonio, TX. His “Run away” is similar to his Sarg sides, with a heavy Starday sound: a piano player sounding like Doc Lewis, a fiddle sounding like Red Hayes. Could it be that this record has actually been recorded in Houston?
»Run away« http://www.bopping.org/wp-content/uploads/2016/01/a.p.u.-201-Al-Urban-Run-Away.mp3download
For this Xmas 2015, as a gift, you faithful visitors of bopping.org will get 13 (yes, thirteen) selections, instead of the usual only 6 ; although for several months I gradually posted more and more tunes. Merry bopping Xmas to y’all !
« Deep Elem blues » was first recorded by the SHELTON BROTHERS (Bob & Joe on vocals and mandolin/guitar) in February 1935 in Chicago (Decca 5422), before the Prairie Ramblers gave their own version in August of the same year. The song refers to the black quarter in Dallas, where you need 50 $ because of the red headed women there. It was an immediate success, revived by others over the years, namely by JERRY LEE LEWIS, whose 1957 version remained unissued in the Sun archives for 40 years ! Same year saw the WILBURN BROTHERS‘ version (Decca 29887) : Doyle & Ted do a fine job on this song. Later on Jerry Garcia (Grateful Dead) and Levon Helm had their versions too, outside the scope of this blog, as they say.
Shelton Brothers « Deep Elem blues« http://www.bopping.org/wp-content/uploads/2015/11/decca-shelton-brothers-deep-elem-blues.mp3download
Jerry Lee Lewis « Deep Elem blues« http://www.bopping.org/wp-content/uploads/2015/11/Sun-LP-Jerry-lee-lewis-Deep-Elem-Blues.mp3download
Wilburn Brothers (Teddy & Doyle) »Deep Elem blues« http://www.bopping.org/wp-content/uploads/2015/11/decca-29887-Wilburn-Brothers-Deep-Elm-Blues.mp3download Read the rest of this entry »
Texas Bill Strength (Aug. 28, 1928 ~ Oct. 1, 1973): Although much better known for his career as a radio personality, Texas Bill Strength also cut a series of country and rockabilly efforts, including a session for the legendary Sun Records backed by former Elvis Presley guitarist Scotty Moore. Perhaps his biggest success came as a songwriter, having penned the blockbuster hit, « He’ll Have to Go » for Jim Reeves [actually written by J. Allison & A. Allison].
Born August 28, 1928 in Bessemer, Alabama, Strength was sixteen when he won an amateur contest at Houston’s Joy Theater. Local station KTHT was in the market for a cowboy act and soon he was working part-time on the air. In 1945 Strength began working as a DJ full-time for St. Joseph, Missouri station KFEQ, followed by a stint singing for Sioux Falls, South Dakota radio KSOO. After tenure with Denver’s KMYR, he returned to Houston, in quick succession appearing on KLEE, KATL and KNUZ. During that time, Strength also cut a serie of minor singles for the 4-Star label. Among them were « Who’s the lucky one » and « I’m doing a peach of a job ». By September of 1949 Bill was in Birmingham, Alabama doing daily radio programs at WRBC, which was a network of thirty-seven stations throughout the Southeast. In late 1949, Bill’s career had taken him back to Houston, Texas. Bill was one of the mainstays at a new venue in Houston along with others such as Floyd Tillman and Leon Payne. In early 1950 he was hired by the Congress of Industrial Organizations (CIO) to promote the organization via radio and convention.
Read the rest of this entry »
DUSTY TAYLOR, first selection of this fortnite, offers with « My shining star » a pleasant shuffler, with nice sawing fiddle (solo). An average although nice tune to find on Nugget OP-190 (4 Star custom) from 1956. I don’t know where it comes from. Taylor had another issue on Nugget 191 (« Down grade/Just rumors »), and a record in 1968 on the Nashville Stop label.
« My shining star« http://www.bopping.org/wp-content/uploads/2015/09/nugget-OP-190-Dusty-Taylor-His-Rainbow-Valley-Rangers-My-Shining-Star.mp3download
« The hillbilly hop« http://www.bopping.org/wp-content/uploads/2015/09/leo-1824-Curly-Gibsons-Sunshine-Playboys-The-Hillbilly-Hop.mp3download
« The hillbilly hop » is a medium rockabilly (short piano solo) by CURLY GIBSON‘s Sunshine Playboys (vocal by Colin Prevette, who has even here some hiccups) on a Leo label (there were dozens by this name) # 1824. A clue of location is given by another record by Curly Gibson on the Pennsylvania Record label out of Pennsburg, PA. The Leo issue is from 1957.
With « All by myself » by DOUG DAVIS on the Texan Nite star label (# 007, from ca. 1963), we touch the real thing ! Already posted in 2010, this time with a nice label scan. It has haunting steel, perfect ballad vocal and confident backing. My prefered all-time ballad. Davis had another record on Malinda 113 (untraced)
« All by myself« http://www.bopping.org/wp-content/uploads/2015/09/Doug-Davis-All-by-myself.mp3download
Next three tracks all by the veteran AL DEXTER, who, at the time they were cut (1950), had already records since 1936. All three do come from a long Cincinnati session for King.
As the title implies, « Walking with the blues » (King 884A) is a mid-paced item with fine harmonica and good guitar (Zeb Turner ? Louis Innis?). The whole sounds much like the Delmore.
Further on, « Hi de ho boogie » (# 884AA) is a lively tune. The harmonica has been dropped, replaced by fiddle and good steel. And the third track of this session is « Diddy wah boogie » (# 913AA): the harmonica returns for a pleasant and fast track.
« Walking with the blues« http://www.bopping.org/wp-content/uploads/2015/09/king-884A-Walking-With-The-Blues-Al-Dexter.mp3download
« Hi de ho boogie« http://www.bopping.org/wp-content/uploads/2015/09/king-884AA-Hi-De-Ho-Boogie-Al-Dexter.mp3download
« Diddy wah boogie« http://www.bopping.org/wp-content/uploads/2015/09/king-913-AAAl-Dexter-his-Troopers-Diddy-Wah-Boogie.mp3download
We conclude with BILL HUSKEY on the Meritone label (Lenoir City, TN) for a great « Record Spinning boogie », half sung, half played (solid acoustic guitar), which reminds me a lot of « Doin’ the boogie woogie » by Johnnie Barfield (Bullet 620).
« Record spinning boogie« http://www.bopping.org/wp-content/uploads/2015/09/meritone-1001-Smokey-Mountain-Ramblers-Record-Spinning-Boogie.mp3download
This time we focus on 3 artists only. First DARNELL MILLER, who has enjoyed a comfortable Country music career for 5 decades in W. Va (a long-time affiliate to the famous WVA Jamboree), is present here with three of his early records. On the Dale label (a Starday custom) # 630 from Bluefield, W.Va, in May 1957, he released a very honest medium-paced hillbilly (fiddle present) with « Gettin’ out of the woods« . Two years later, he was to have two nice Country-rockers on the main Starday serie (in the meantime, he had been presented to Don Pierce, boss of the label, in Nashville). He delivers the energetic « Royal flush » (Starday 422) as well, several months later, the equally nice (where he seems to double his voice over) « Back to you » (Starday 459). Later on, he cut many, many records until his retirement early in the 2000s.
Darnell Miller, ’90s
Darnell Miller « Gettin’ out of the woods » http://www.bopping.org/wp-content/uploads/2014/05/630-B-Dale-Darnell-Miller-Gettin-out-of-the-woods.mp3download
Darnell Miller « Royal flush » http://www.bopping.org/wp-content/uploads/2014/05/starday-422-Darnell-Miller-Royal-Flush-.mp3download
Darnell Miller « Back to you » http://www.bopping.org/wp-content/uploads/2014/05/07-Darnell-Miller-Back-To-You.mp3download
The second artist presented here has no biographical data. BILL DUDLEY had cut in Nashville a good amount of records from 1953 to 1972 (in Canada) then disappeared from Dick Grant’s antennas. I’ve chosen the nice hillbilly released in November 1953 by Capitol (# 2662) « If I cry« . All in all, he recorded between 1953 and 1954 thirteen tracks for this label, which issued 4 singles. The next track by him is the fine Country-rocker « Oh please Mr. Conductor » on the Todd label (# 1046) from 1959. This tiny label issued several good disks during this period by Lee Bonds, Jimmie Fletcher or Jericho Jones, to name the most well-known in the Hillbilly bop/Country-rock field.
Bill Dudley « If I cry » http://www.bopping.org/wp-content/uploads/2014/05/capitol-2662-bill-dudley-if-I-cry.mp3download
Bill Dudley « Oh please Mr. Conductor » http://www.bopping.org/wp-content/uploads/2014/05/Bill-Dudley-Oh-Please-Mr-Conductor-TODD-Records.mp3download
Down in Louisiana, I will dwell on JOEY GILLS upon. A protégé of Jay D. Miller, and né Joseph Guillot, he hailed from Thibodeaux vicinity, La. where he was born on a farm in 1929 (died 2013).A relative to Cajun superstar Johnnie Allan, during the early ’50s, he often gigged with Rusty & Doug, and he sounded so much as Hank Williams that J. D. Miller often used him to test new songs. Here it is his first record from 1953-54 « Hey Meon » (Feature 2002), cut in Crowley, La (J. D. Miller studio): Gills is backed by Lonnie Jones (later known as « Lazy Lester« ) on washboard, Johnny on steel (Miller can’t remember his full name) and Wiley Barkdull on piano for a very good waltz-paced ditty, partly sung in French. In February or March 1956, he cut 4 tracks for Mercury, either in Crowley, or in Nashville, which included the great medium boppers « (I am) Like a dog without a bone », « My name is Joe » and « Consolation prize« . From then on, Gills had his own radio show in Thibodeaux on KTIB, but recorded only this song (found on Youtube).
Joey Gills: « Hey Meon » http://www.bopping.org/wp-content/uploads/2014/05/feature-2002-Joey-Gills-Hey-Meon.mp3download
Joey Gills « Like a dog without a bone » http://www.bopping.org/wp-content/uploads/2014/05/Joey-Gills-Im-Like-A-Dog-Without-A-Bone-1956.mp3download
Joey Gills « My name is Joe » http://www.bopping.org/wp-content/uploads/2014/05/06-My-Name-Is-Joe-Joey-Gills.mp3ref= »http://www.bopping.org/wp-content/uploads/2014/05/06-My-Name-Is-Joe-Joey-Gills.mp3″ target= »_blank »>download
Joey Gills « Consolation prize » http://www.bopping.org/wp-content/uploads/2014/05/Consolation-Prize-Joey-Gills.mp3download
Joey Gills « Baby, leave your troubles at home » http://www.bopping.org/wp-content/uploads/2014/05/Baby-Leave-Your-Troubles-At-Home-Joey-Gills.mp3download
Howdy folks, the first serie of the two selections for May.
The exuberant « It always happens to me » by RUFUS SHOFFNER & JOYCE SONGER (wife of Earl) cut in Detroit in 1962 seems stylistically go back to the mid to late ’50s. It’s a great fast bopper (piano, guitar and an energetic rhythm, and an exulting duet vocal), which was issued on Fortune’s label subsidiary Hi-Q 14, and can still be found on various recent compilations, as in Boppin’ Hillbilly vol. 5. Shoffner made several fine sides on Hi-Q or Fortune, or earlier on Kentucky’s Countryside label. More on him later in this site. »It always happens to me » http://www.bopping.org/wp-content/uploads/2014/04/rufus-shoffner-it-always-happens-to-me.mp3download
More famous from the West coast is TENNESSEE ERNIE FORD (1919-1991),who cut a fine string of Hillbilly boogies from the end of the ’40s (« Milk ‘em in the morning blues« ) to the mid-50s, when he crossed the marked with the top-seller « Sixteen tons » (written by Merle Travis). Here he delivers from July 1950 on Capitol 1295 the much acclaimed « The shot gun boogie » (which had many, many versions later by others, even during the R&R era, f.e. Jesse Lee Turner), backed by the Cliffie Stone crew, among them the excellent Speedy West (steel), Billy Liebert (piano) and Jimmy Bryant (ld guitar).
T. Ernie in 1957
T. Ernie Ford « The shot gun boogie » http://www.bopping.org/wp-content/uploads/2014/04/capitol-1295.mp3download
For the rest of the selections, we’re turning to obscure artists. From Pennsylvania in 1958 on the Skyline label (not to be confused with the Indianapolis label: the Blankenship Brothers) # 106 comes BOB ENGLAR and » Always dreaming« , a very nice bopper (guitar/steel/fiddle solos). FRANK DARRIS had in 1963 the same energy as Englar for an honest Rockabilly, his personal version of Marty Robbins’ « Ruby Ann » on the Roy label. The wizardry is the same two-sided disc came on two other labels, Thunder and Advance. Another Rockabilly we find from Alabama, early ’60s, « Baby I don’t care » (not the Elvis’ song) by DAVID GREGG on the McDowell label.
Bob Englar « Always dreaming » http://www.bopping.org/wp-content/uploads/2014/04/Bob-Englar-amp-The-Southland-Playboys-Always-Dreaming-Hillbilly-45.mp3download
Frank Darris « Ruby Ann » http://www.bopping.org/wp-content/uploads/2014/04/Frank-Darris-Ruby-Ann-Rockabilly-45.mp3download
David Gregg, »Baby I don’t care » http://www.bopping.org/wp-content/uploads/2014/04/David-Gregg-Baby-I-Dont-Care.mp3download
Dempsey Sims, « Blue eyed baby » (Sam version)http://www.bopping.org/wp-content/uploads/2014/04/Dempsey-Sims-Blue-Eyed-Baby-Country-Bop-45-Sam-Version.mp3download
Dempsey Sims, « Blue-eyed baby » (Huber version)http://www.bopping.org/wp-content/uploads/2014/04/Dempsey-Sims-Blue-Eyed-Baby-Country-Bop-45-Huber-Version.mp3download
Finally the same song, « Blue eyed baby » is a yodeling bopper first issued in 1956 on Esta 284 (untraced)and later recorded twice by DEMPSEY SIMS in 1957 on Huber (time 2’39″) and Sam (time 2’07″). The Sam version seems more polished. Dempsey later had « Blues tomorrow » in 1967 on the Nashville label.
I feel sorry for the light defaults of the scans: my sight is failing (too much reading microscopic master numbers on records!)
For this early Spring favorites selection, I’ve chosen mostly – that is unusual – major labels recordings!
The first three on King probably all cut in Cincinnati between 1949 and 1950. The earliest track is by RED PERKINS (born in 1890), who had begun his career before WWII and was later the featured vocalist of PAUL HOWARD Arkansas Cotton Pickers (see below). Here it is his « Hoe-Down Boogie » (King 792), a fine call-and-response fast bopper. He also had « Crocodile tears » the next year. His first issue on King (# 773) was « Texas Boogie« , and the personnel was then Jabbo Arrington [gt], Billy Bowman [steel], Bob Moore [bass], Roddy Bristol [fiddle], Fiddlin’ Red Herron [fiddle], Joe Rea [drums], poss. Harold Horner [piano]. The backing is probably similar.
Second selection is of course by PAUL HOWARD: « The boogie’s fine tonight« . Fine piano bopper (# 871), and the next is by the famous REDD STEWART, featured vocalist of Pee Wee King‘s Golden West Cowboys. Actually, except accordion (inaudible) the GWC are the backing band of Stewart for this great « Brother drop dead » (# 843). Fine piano, aggressive steel punctuating the beat.
Red Perkins, « Hoe-down boogie » http://www.bopping.org/wp-content/uploads/2014/04/Red-Perkins-Hoe-Down-Boogie.mp3download
Paul Howard « The boogie’s fine tonight » http://www.bopping.org/wp-content/uploads/2014/04/king-873AA-Paul-Howard-The-boogie_s-fine-tonight.mp3download
One step away to West coast on the Capitol label for GENE O’QUIN and « I specialize in love » (# 2715). Fast bopper from 1954.
Gene O’Quin « I specialize in love » http://www.bopping.org/wp-content/uploads/2014/04/Gene-OQuinn-I-specialize-in-love.mp3download
Back to early days. Dallas, Texas, Jim Beck’s studio, April 1951. The MERCER Brothers (Wallace and Charlie), an old-time male duet do a very energetic « Wish bone » on Columbia 20978. They sound like the Delmore Brothers, and even have WAYNE RANEY on harmonica for a great solo! Thanks to Jack Dumery to have led me to them (and for the CD!)
Mercer Brothers « Wish bone » http://www.bopping.org/wp-content/uploads/2014/04/columbia-20978-mercer-bros-wish-bones.mp3download
Eddie Crosby « Blues stay away from me » http://www.bopping.org/wp-content/uploads/2014/04/Eddie-Crosby-quotBlues-Stay-Away-From-Mequot-78-rpm.mp3download
Danny Dedmon « Hula hula woogie » http://www.bopping.org/wp-content/uploads/2014/04/Danny-Dedmon-Hula-hula-woogie.mp3download
The link with the former is the Delmore and a version of their all-time great « Blues stay away from me« , a cityfied rendition (Cincinnat, August 1949) by EDDIE CROSBY. Nice guitar (could be Zeke Turner).
Finally back in Dallas with DANNY DEDMON, former vocalist of Bill Nettles. Actually his Rhythm Ramblers are Nettles’ Dixie Blues boys. Here he does in 1947 the amusing « Hula hula boogie » on Imperial 8019.
Sources: my own collection and the net for artists pictures.
For this new serie I have chosen to focus on 7 releases on the Imperial label. Indeed they all will be from the famous 8000 serie, and more precisely (with one exception) in the 8200.
Imperial 8000 had begun in 1947 with releases from Danny Dedmon or Link Davis, and the serie had pursued throughout the late 40s and early 50s with varying success. Sides appeared by Jimmy Heap, Tommy Duncan or more obscure artists as Ed Camp or Harry Rodcay. All had a label adorned by 5 stars, and were issued in red (78 rpm) or blue (45 rpm). Majority of sides were cut in Dallas (Jim Beck’s studio).
In 1953, Imperial had a huge success with the first white cover of Big Mama Thornton’s « Hound Dog » by BILLY STARR (# 8186). It’s a very nice version: belting vocal, haunting guitar, nice piano and accentuated drums. Actually it’s almost a rocker. Recorded in March 1953, it had contenders by Eddie Hazlewood, Betsy Gay and Tommy Duncan, all on Intro. Herald in NY had Cleve Jackson’s version (actually Jackson Toombs — full story elsewhere in the site).
Then comes up CURLEY SANDERS, who cut « Too much loving’ » in April 53. A good, fast hillbilly, in average (steel,piano, fiddle, guitar and bass) format.(# 8226). GENE HENSLEE next (# 8204) in June 53 had « I’m like a kid a-waitin’ », similar to his other releases, « Dig’n'datin’ » or « Rockin’ baby ». July 1953 saw cut the nice, very effective (bass) medium paced « Talking to the man in the moon » by BILLY Mc GHEE (# 8214).
Billy Starr « Hound dog » http://www.bopping.org/wp-content/uploads/2014/03/imperial-8186-billy-strr-hound-dog.mp3download
Curley Sanders « Too much lovin’ » http://www.bopping.org/wp-content/uploads/2014/03/imperial-8226-curley-sanders-too-much-lovin_.mp3download
Gene Henslee « I’m like a kid a-waitin’ » http://www.bopping.org/wp-content/uploads/2014/03/gene-henslee-Im-like-a-kid-awaitin.mp3download
Billy McGhee « Talking to the man in the moon » http://www.bopping.org/wp-content/uploads/2014/03/Imperial-8214-billy-mcGhee-Talking-to-the-man-in-the-moon.mp3download
Earl Songer « Whoopie baby » http://www.bopping.org/wp-content/uploads/2014/03/Earl-Songer-Whoopie-baby.mp3download
Van Howard « I’m not a kid anymore » http://www.bopping.org/wp-content/uploads/2014/03/imperial-8234-van-howard.mp3download
Then comes in 1954 next artist, VAN HOWARD and the minor classic « I’m not a kid anymore » (# 8234). Real name Howard Vanderverdner. This track was covered recently (mid 90s) by the Starlighters.
# 8259 is the number to the great « Whoopie baby » by EARL SONGER. Seemingly this was cut in Detroit.
Finally another song lent from a smaller label: « Dunce cap » by JIMMY KELLY, this time from Louisiana’s Jiffy label. Great steel.(# 8275)
Jimmy Kelly « Dunce cap » http://www.bopping.org/wp-content/uploads/2014/03/Imperial-8275-jimmy-kelly-dunce-cap.mp3download
Thanks to Ronald Keppner for the loan of rare 78rpm.
The Kentucky based DIXIANA label was a short lived concern, maybe operating from Bowling Green (Warren County). Launched in 1953, the label appears to have only lasted 6 months or so. However, during that relatively short time, the owners released some first rate Hillbilly, some of which can be found on various White Label « Boppin’ Hillbilly » albums.
Kentucky and Warren Cty
102. Southern Harmony Boys – Hattie Mae Fleming (piano)
That great mansion DA 12
The Lord and I DA 13
103. The Renfro Brothers and the Valley Sta. Playboys
Ever ready (BH 2821) no mtx
Just over a girl (BH 2821) no mtx
Both tracks are superior hillbilly boppers. Very fast tracks, over assured vocals. Backing is superb : sawing fiddle, steel, piano, even an accordion solo. The « Girl » side reminds me of the Carlisles.
104. Odis Blanton and his Blue Star Rangers
Steppin’ High Wide and Handsome (BH 2807) no mtx
Don’t move the moon no mtx
Both sides are superior Hillbilly boppers too. Over a fast fiddle routine, an assured vocal is backed by accordion, steel and piano. The « Moon » side is an excellent medium rock-a-ballad, with the piano well to the fore.
Back in early 1953, WLBJ out of Bowling Green, Kentucky was featuring the Blue Star Rangers. Their leader Odis Blanton was a D.J. at this station, airing daily.
Odis and Hugh would handle the vocal turns as solos. When they did their trio numbers, it usually included John, Gene and Odis.
The Blue Star Rangers had a 45-minute show that aired every day except Sunday over WLBJ called « The Farm And Home Hour ». They also did the usual personal appearances throughout the area of western Kentucky and northern Tennessee, including stage shows and square dance engagements.
Group Members included:
Odis Blanton, leader and manager, rhythm guitar
John Blanton, steel guitar
Gene Kitchens, violin
Hugh Poteet, bass
« Pappy » Jones, saxophone
Gwen Dalton, piano (she had several records on her own on Republic)
105. Cliff Gross and his Texas Cowboys
Hog pen hop (BH 2822) no mtx
Smokin’ and jokin’ (and pokin’ along) no mtx
I only heard « Hop » side : a fine hillbilly boogie, sort of talking blues, with the band singing the refrain in unison. Western swing overtones. The side had surely been recorded in Dallas (Jim Beck’s studio), even « Beck » co-written. Gross was a mountain style fiddler, who had played as early as 1929 with the Hi-Flyers, then in 1932 with the Light Crust Doughboys.
106. Jack Bybee and the Rhythm Wranglers
Drifting down the stream no mtx
(N.B. This label shot was unearthed by Drunken Hobo. Thanks to him)
107. Jimmy Smith
Does he love you no mtx
It ain’t no fun to say I told you so no mtx
Nothing is known about this fine singer. I only heard « Does he love you », which is a fine heavy rockaballad, again over accordion, fiddle and piano accompaniment. Smith (according it’s the same person) has an excellent « First choice » – very fine guitar picking – on Cactus « Rockin’ Hillbilly » vol. 1 (included here).
One then can wonder if the backing members are not the same at least for the known sides.
based on Hillbilly Researcher # 13 issue (mid-1990s). Additional research and comprehensive musical appreciation by Bopping editor.
Howdy, folks! Here we go first with a romper, the fast BILLY SCOTT « You’re Braggin, Boy » on a Tee-Vee, OP 4 Star label (#225). Great steel and piano, and call-and-response format. Then in Nashville for the Marty Robbins’ owned Robbins label (# 1005) by the typical hillbilly duet of TOMMY & JOHNNY. They do « I’ll Go On » (#1004), tinkling piano, sawing fiddle and steel -all have their solos, but nothing exceptional!
Nashville on the Bullet label. I couldn’t find any picture of the label (# 706) of « Walking Up Stairs« , by Texan PAUL BLUNT, which, according to Kevin Coffey, could well be the the forerunner of the young Eddie Cochran for « Twenty Flight Rock » six years later. Steel and piano (Blunt was at ease with both) for this fine bopper. Blunt was a renowned session player (Lefty Frizzell, Bill Boyd) since the ’40s and had records on Columbia and Imperial too. Thanks go to Michel Ruppli! Thanks to DrunkenHobo, a faithful visitor, here is the label!
Ohio based AL WINKLER on his own Winkler label (# 45-88) for this « Show Boat Boogie« , along with the Warren County Band. It’s a belter (call-and-response), two guitars, it rolls.
From California and a Tom Sims’ cassette (I found a label scan), for a Bluegrass wildie: The GOLDEN STATE BOYS on the Shamrock label (# 717) . Powerful banjo and mandolin. Chorus, then urgent vocal on « Always Dreaming« . The Golden State consisted of Hal Poindexter (guitar/writer), Vern & Rex Gordin, plus virtuoso young Chris Hillman on mandolin. Disc from 1962.
Finally the one and only BUFFALO JOHNSON. The name can seem not that familiar. He had a long string of releases on Mercury, Gateway (« T’ain’t Big Enough« , # 520, with Jimmie Ballard on vocal) among others in the late 40s/early 50S. Here he offers a good guitar picking bopper. I still do research on him.
A visitor, Mr. Jason Odd, gave me the following details (September 30th) on the GOLDEN STATE BOYS: »"Always Dreaming » — Herb Rice is playing mandolin and singing high harmony. Hal Poindexter is singing lead.
Although not issued until as late as August of 1962 (this date may be wrong) the Golden State Boys debut 45 single ‘Always dreaming’ b/w ‘Wicked woman’ (Shamrock 717) was recorded in early 1962.
The Golden State Boys at the time were Don Parmley (banjo), Herb Rice (mandolin, vocals), Leon Poindexter (vocals, dobro, guitar), Harry Kniss (bass, vocals), and Hal Poindexter (vocals, guitar).
Hal actually quit the band for part of 1962, but rejoined a radically different line-up later that same year. Hal and Don Parmley were the real constants in the group after that, although by late 1963 they were down to a quartet with Don, Hal and the Gosdin Brothers Rex and Vern. With a disagreement over management [Bob Flowers] Parmley and the Gosdins went out on their own as the Golden State Boys with Chris Hillman taking over on mandolin, while Vern Gosdin switched from mandolin to guitar. That group briefly worked as the Golden State Boys until Hal Poindexter and Bob Flowers took control of the name and rebuilt the group.
The Gosdin-Hillman-Parmley combo became known as the Blue Diamond Boys and as that group cut the album that was later credited to the Hillmen when released in 1969. » Thanks Jason!