early October 2015 fortnight’s favorites: « Record spinning boogie » or « Hi de ho boogie »?
oct 1st, 2015 by xavier

DUSTY TAYLOR, first selection of this fortnite, offers with « My shining star » a pleasant shuffler, with nice sawing fiddle (solo). An average although nice tune to find on Nugget OP-190 (4 Star custom) from 1956. I don’t know where it comes from. Taylor had another issue on Nugget 191 (« Down grade/Just rumors »), and a record in 1968 on the Nashville Stop label.

« My shining star«  download

nugget OP190 dusty taylor


« The hillbilly hop« download

leo 1824 curly gibson hillbilly hop






« The hillbilly hop » is a medium rockabilly (short piano solo) by CURLY GIBSON‘s Sunshine Playboys (vocal by Colin Prevette, who has even here some hiccups) on a Leo label (there were dozens by this name) # 1824. A clue of location is given by another record by Curly Gibson on the Pennsylvania Record label out of Pennsburg, PA. The Leo issue is from 1957.

With « All by myself » by DOUG DAVIS on the Texan Nite star label (# 007, from ca. 1963), we touch the real thing ! Already posted in 2010, this time with a nice label scan. It has haunting steel, perfect ballad vocal and confident backing. My prefered all-time ballad. Davis had another record on Malinda 113 (untraced)
nit star 007A doug davis
« All by myself« download


Next three tracks all by the veteran AL DEXTER, who, at the time they were cut (1950), had already records since 1936. All three do come from a long Cincinnati session for King.

As the title implies, « Walking with the blues » (King 884A) is a mid-paced item with fine harmonica and good guitar (Zeb Turner ? Louis Innis?). The whole sounds much like the Delmore.

Further on, « Hi de ho boogie » (# 884AA) is a lively tune. The harmonica has been dropped, replaced by fiddle and good steel. And the third track of this session is « Diddy wah boogie » (# 913AA): the harmonica returns for a pleasant and fast track.

« Walking with the blues« download

« Hi de ho boogie« download

« Diddy wah boogie« download

king 884A al dexter walking with the bluesking 884AA al dexter -hi de ho boogieking 913AA al dexter - diddy wah boogie

We conclude with BILL HUSKEY on the Meritone label (Lenoir City, TN) for a great « Record Spinning boogie », half sung, half played (solid acoustic guitar), which reminds me a lot of « Doin’ the boogie woogie » by Johnnie Barfield (Bullet 620).
« Record spinning boogie« download

meritone 1001 bill huskey record spinning boogie

al dexter pic

Al Dexter

late May 2014 fortnight favorites
mai 15th, 2014 by xavier

This time we focus on 3 artists only. First DARNELL MILLER, who has enjoyed a comfortable Country music career for 5 decades in W. Va (a long-time affiliate to the famous WVA Jamboree), is present here with three of his early records. On the Dale label (a Starday custom) # 630 from Bluefield, W.Va, in May 1957, he released a very honest medium-paced hillbilly (fiddle present) with « Gettin’ out of the woods« . Two years later, he was to have two nice Country-rockers on the main Starday serie (in the meantime, he had been presented to Don Pierce, boss of the label, in Nashville). He delivers the energetic « Royal flush » (Starday 422) as well, several months later, the equally nice (where he seems to double his voice over) « Back to you » (Starday 459). Later on, he cut many, many records until his retirement early in the 2000s.


Darnell Miller, ’90s

630-B (dale) darnellmiller gettin' out of the woods

starday 422 darnell miller royal flush

starday 452 darnell miller back to you











Darnell Miller « Gettin’ out of the woods » download

Darnell Miller « Royal flush » download

Darnell Miller « Back to you » download


The second artist presented here has no biographical data. BILL DUDLEY had cut in Nashville a good amount of records from 1953 to 1972 (in Canada) then disappeared from Dick Grant’s antennas. I’ve chosen the nice hillbilly released in November 1953 by Capitol (# 2662) « If I cry« . All in all, he recorded between 1953 and 1954 thirteen tracks for this label, which issued 4 singles. The next track by him is the fine Country-rocker « Oh please Mr. Conductor » on the Todd label (# 1046) from 1959. This tiny label issued several good disks during this period by Lee Bonds, Jimmie Fletcher or Jericho Jones, to name the most well-known in the Hillbilly bop/Country-rock field.capitol 2662 bill dudley - If I cry
Bill Dudley « If I cry » download

todd 1046 bill dudley oh please mr. conductor

Bill Dudley « Oh please Mr. Conductor » download
Down in Louisiana, I will dwell on JOEY GILLS upon. A protégé of Jay D. Miller, and né Joseph Guillot, he hailed from Thibodeaux vicinity, La. where he was born on a farm in 1929 (died 2013).A relative to Cajun superstar Johnnie Allan, during the early ’50s, he often gigged with Rusty & Doug, and he sounded so much as Hank Williams that J. D. Miller often used him to test new songs. Here it is his first record from 1953-54 « Hey Meon » (Feature 2002), cut in Crowley, La (J. D. Miller studio): Gills is backed by Lonnie Jones (later known as « Lazy Lester« ) on washboard, Johnny on steel (Miller can’t remember his full name) and Wiley Barkdull on piano for a very good waltz-paced ditty, partly sung in French. In February or March 1956, he cut 4 tracks for Mercury, either in Crowley, or in Nashville, which included the great medium boppers « (I am) Like a dog without a bone », « My name is Joe » and « Consolation prize« . From then on, Gills had his own radio show in Thibodeaux on KTIB, but recorded only this song (found on Youtube).
Joey Gills: « Hey Meon »
Joey Gills « Like a dog without a bone »
Joey Gills « My name is Joe » »″ target= »_blank »>download
Joey Gills « Consolation prize » download
Joey Gills « Baby, leave your troubles at home » 70867 gills a dogmercury 70832 Gills Joe recadrée

feature 2002 joey gills hey meon

Early May 2014 fortnight’s favorites
mai 1st, 2014 by xavier

Howdy folks, the first serie of the two selections for May.

The exuberant « It always happens to me » by RUFUS SHOFFNER & JOYCE SONGER (wife of Earl) cut in Detroit in 1962 seems stylistically go back to the mid to late ’50s. It’s a great fast bopper (piano, guitar and an energetic rhythm, and an exulting duet vocal), which  was issued on Fortune’s label subsidiary Hi-Q 14, and can still be found on various recent compilations, as in Boppin’ Hillbilly vol. 5. Shoffner made several fine sides on Hi-Q or Fortune, or earlier on Kentucky’s Countryside label. More on him later in this site.       »It always happens to me » download

rufus shoffner

Rufus Shoffner

More famous from the West coast is TENNESSEE ERNIE FORD (1919-1991),who cut a fine string of Hillbilly boogies from the end of the ’40s (« Milk ‘em in the morning blues« ) to the mid-50s, when he crossed the marked with the top-seller « Sixteen tons » (written by Merle Travis). Here he delivers from July 1950 on Capitol 1295 the much acclaimed « The shot gun boogie » (which had many, many versions later by others, even during the R&R era, f.e. Jesse Lee Turner), backed by the Cliffie Stone crew, among them the excellent Speedy West (steel), Billy Liebert (piano) and Jimmy Bryant (ld guitar).


T. Ernie in 1957

T. Ernie Ford « The shot gun boogie » download


hiQ 17 rufuscapitol  1295 shotgun boogie










For the rest  of the selections, we’re turning to obscure artists. From Pennsylvania in 1958 on the Skyline label (not to be confused with the Indianapolis label: the Blankenship Brothers) # 106 comes BOB ENGLAR and  » Always dreaming« , a very nice bopper (guitar/steel/fiddle solos). FRANK DARRIS had in 1963 the same energy as Englar for an honest Rockabilly, his personal version of Marty Robbins’ « Ruby Ann » on the Roy label. The wizardry is the same two-sided disc came on two other labels, Thunder and Advance. Another Rockabilly we find from Alabama, early ’60s, « Baby I don’t care » (not the Elvis’ song) by DAVID GREGG on the McDowell label.

Bob Englar « Always dreaming » download

Frank Darris « Ruby Ann » download

skyline 106B



roy 1030mc dowell



David Gregg, »Baby I don’t care » download
Dempsey Sims, « Blue eyed baby » (Sam version)

Dempsey Sims, « Blue-eyed baby » (Huber version)download

Finally the same song, « Blue eyed baby » is a yodeling bopper first issued in 1956 on Esta 284 (untraced)and  later recorded twice by DEMPSEY SIMS in 1957 on Huber (time 2’39″) and Sam (time 2’07″). The Sam version seems more polished. Dempsey later had « Blues tomorrow » in 1967 on the Nashville label.

I feel sorry for the light defaults of the scans: my sight is failing (too much reading microscopic master numbers on records!)














sam 122huber 1003





late April 2014 fortnight favorites
avr 15th, 2014 by xavier

For this early Spring favorites selection, I’ve chosen mostly – that is unusual – major labels recordings!

The first three on King probably all cut in Cincinnati between 1949 and 1950. The earliest track is by RED PERKINS (born in 1890), who had begun his career before WWII and was later the featured vocalist of PAUL HOWARD  Arkansas Cotton  Pickers (see below). Here it is his « Hoe-Down Boogie » (King 792), a fine call-and-response fast bopper. He also had « Crocodile tears » the next year. His first issue on King (# 773) was « Texas Boogie« , and the personnel was then Jabbo Arrington [gt], Billy Bowman [steel], Bob Moore [bass], Roddy Bristol [fiddle], Fiddlin’ Red Herron [fiddle], Joe Rea [drums], poss. Harold Horner [piano]. The backing is probably similar.

king 792-AA red perkins hoe-down boogie

king 871-AA DJ paul howard the boogies fine tonight

Second selection is of course by PAUL HOWARD: « The boogie’s fine tonight« . Fine piano bopper (# 871), and the next is by the famous REDD STEWART, featured vocalist of Pee Wee King‘s Golden West Cowboys. Actually, except accordion (inaudible) the GWC are the backing band of Stewart for this great « Brother drop dead » (# 843). Fine piano, aggressive steel punctuating the beat.


paul howard

Paul Howard

Red Perkins, « Hoe-down boogie » download

Paul Howard « The boogie’s fine tonight » download



king 843AA Redd stewart brother drop dead boogiecapitol 2715 gene o'quin I specialize in love

One step away to West coast on the Capitol label for GENE O’QUIN and « I specialize in love » (# 2715). Fast bopper from 1954.
Gene O’Quin « I specialize in love » download

Back to early days. Dallas, Texas, Jim Beck’s studio, April 1951. The MERCER  Brothers (Wallace and Charlie), an old-time male duet do a very energetic « Wish bone » on Columbia 20978. They sound like the Delmore Brothers, and even have WAYNE RANEY on harmonica for a great solo! Thanks to Jack Dumery to have led me to them (and for the CD!)

redd stewart

Redd Stewart

Mercer Brothers « Wish bone » download

Eddie Crosby « Blues stay away from me » download

Danny Dedmon « Hula hula woogie » download





The link with the former is the Delmore and a version of their all-time great « Blues stay away from me« , a cityfied rendition (Cincinnat, August 1949) by EDDIE CROSBY. Nice guitar (could be Zeke Turner).

Finally back in Dallas with DANNY DEDMON, former vocalist of Bill Nettles. Actually his Rhythm Ramblers are Nettles’ Dixie Blues boys. Here he does in 1947 the amusing « Hula hula boogie » on Imperial 8019.

columbia 20927 mercer bros. wish bonedecca 46180 eddie crosby blues stay away from meimperial 8019 danny dedmon hula hula woogie
















































Sources: my own collection and the net for artists pictures.

early April 2014 fortnight’s favorites: the IMPERIAL label, 8200 serie (1953/54)
avr 1st, 2014 by xavier

For this new serie I have chosen to focus on 7 releases on the Imperial label. Indeed they all will be from the famous 8000 serie, and more precisely (with one exception) in the 8200.

Imperial 8000 had begun in 1947 with releases from Danny Dedmon or Link Davis, and the serie had pursued throughout the late 40s and early 50s with varying success. Sides appeared by Jimmy Heap, Tommy Duncan or more obscure artists as Ed Camp or Harry Rodcay. All had a label adorned by 5 stars, and were issued in red (78 rpm) or blue (45 rpm). Majority of sides were cut in Dallas (Jim Beck’s studio).

In 1953, Imperial had a huge success with the first white cover of Big Mama Thornton’s « Hound Dog » by BILLY STARR (# 8186). It’s a very nice version: belting vocal, haunting guitar, nice piano and accentuated drums. Actually it’s almost a rocker. Recorded in March 1953, it had contenders by Eddie Hazlewood, Betsy Gay and Tommy Duncan, all on Intro. Herald in NY had Cleve Jackson’s version (actually Jackson Toombs — full story elsewhere in the site).

imperial 8186 billy starr

imperial 8226 curley sanders too much lovin'

imperial 8204 gene hensleeThen comes up CURLEY SANDERS, who cut « Too much loving’ » in April 53. A good, fast hillbilly, in average (steel,piano, fiddle, guitar and bass) format.(# 8226). GENE HENSLEE next (# 8204) in June 53 had « I’m like a kid a-waitin’ », similar to his other releases, « Dig’n'datin’ » or « Rockin’ baby ». July 1953 saw cut the nice, very effective (bass) medium paced « Talking to the man in the moon » by BILLY Mc GHEE (# 8214).

Billy Starr « Hound dog » download
Curley Sanders « Too much lovin’ » download

Gene Henslee « I’m like a kid a-waitin’ » download


imperial8214 billy mcghee

Billy McGhee « Talking to the man in the moon » download

Earl Songer « Whoopie baby » download

Van Howard « I’m not a kid anymore » download

imperial 8259 earlsonger

Then comes in 1954 next artist, VAN HOWARD and the minor classic « I’m not a kid anymore » (# 8234). Real name Howard Vanderverdner. This track was covered recently (mid 90s) by the Starlighters.

# 8259 is the number to the great « Whoopie baby » by EARL SONGER. Seemingly this was cut in Detroit.

Finally another song lent from a smaller label: « Dunce cap » by JIMMY KELLY, this time from Louisiana’s Jiffy label. Great steel.(# 8275)imperial 8275 jimmy kelly ret
Jimmy Kelly « Dunce cap » download
Thanks to Ronald Keppner for the loan of rare 78rpm.

Earl Songer

A small Kentucky label: DIXIANA (1953)
juin 19th, 2013 by xavier

The Kentucky based DIXIANA label was a short lived concern, maybe operating from Bowling Green (Warren County). Launched in 1953, the label appears to have only lasted 6 months or so. However, during that relatively short time, the owners released some first rate Hillbilly, some of which can be found on various White Label « Boppin’ Hillbilly » albums.

Kentucky and Warren Cty











102. Southern Harmony Boys – Hattie Mae Fleming (piano)

That great mansion DA 12

The Lord and I DA 13

103. The Renfro Brothers and the Valley Sta. Playboys

Ever ready (BH 2821) no mtx

Just over a girl (BH 2821) no mtx

Both tracks are superior hillbilly boppers. Very fast tracks, over assured vocals. Backing is superb : sawing fiddle, steel, piano, even an accordion solo. The « Girl » side reminds me of the Carlisles.








104. Odis Blanton and his Blue Star Rangers

Steppin’ High Wide and Handsome (BH 2807) no mtx

Don’t move the moon no mtx

Both sides are superior Hillbilly boppers too. Over a fast fiddle routine, an assured vocal is backed by accordion, steel and piano. The « Moon » side is an excellent medium rock-a-ballad, with the piano well to the fore.

Back in early 1953, WLBJ out of Bowling Green, Kentucky was featuring the Blue Star Rangers. Their leader Odis Blanton was a D.J. at this station, airing daily.

Odis and Hugh would handle the vocal turns as solos. When they did their trio numbers, it usually included John, Gene and Odis.

The Blue Star Rangers had a 45-minute show that aired every day except Sunday over WLBJ called « The Farm And Home Hour ». They also did the usual personal appearances throughout the area of western Kentucky and northern Tennessee, including stage shows and square dance engagements.

Group Members included:

Odis Blanton, leader and manager, rhythm guitar

John Blanton, steel guitar

Gene Kitchens, violin

Hugh Poteet, bass

« Pappy » Jones, saxophone

Gwen Dalton, piano (she had several records on her own on Republic)

105. Cliff Gross and his Texas Cowboys

Hog pen hop (BH 2822) no mtx

Smokin’ and jokin’ (and pokin’ along) no mtx

I only heard « Hop » side : a fine hillbilly boogie, sort of talking blues, with the band singing the refrain in unison. Western swing overtones. The side had surely been recorded in Dallas (Jim Beck’s studio), even « Beck » co-written. Gross was a mountain style fiddler, who had played as early as 1929 with the Hi-Flyers, then in 1932 with the Light Crust Doughboys.


106. Jack Bybee and the Rhythm Wranglers

Drifting down the stream    no mtx  


(N.B. This label shot was unearthed by Drunken Hobo. Thanks to him)


107. Jimmy Smith

Does he love you no mtx

It ain’t no fun to say I told you so no mtx

Nothing is known about this fine singer. I only heard « Does he love you », which is a fine heavy rockaballad, again over accordion, fiddle and piano accompaniment. Smith (according it’s the same person) has an excellent « First choice » – very fine guitar picking – on Cactus « Rockin’ Hillbilly » vol. 1 (included here).

One then can wonder if the backing members are not the same at least for the known sides.


based on Hillbilly Researcher # 13 issue (mid-1990s). Additional research and comprehensive musical appreciation by Bopping editor.

early April 2013 fortnight’s favourites
avr 1st, 2013 by xavier

Howdy, folks! Here we go first with a romper, the fast BILLY SCOTT « You’re Braggin, Boy » on a Tee-Vee, OP 4 Star label (#225). Great steel and piano, and call-and-response format. Then in Nashville for the Marty Robbins’ owned Robbins label (# 1005) by the typical hillbilly duet of TOMMY & JOHNNY. They do « I’ll Go On » (#1004), tinkling piano, sawing fiddle and steel -all have their solos, but nothing exceptional!













Nashville on the Bullet label. I couldn’t find any picture of the label (# 706) of « Walking Up Stairs« , by Texan PAUL BLUNT, which, according to Kevin Coffey, could well be the the forerunner of the young Eddie Cochran for « Twenty Flight Rock » six years later.  Steel and piano (Blunt was at ease with both) for this fine bopper. Blunt was a renowned session player (Lefty Frizzell, Bill Boyd) since the ’40s and had records on Columbia and Imperial too. Thanks go to Michel Ruppli! Thanks to DrunkenHobo, a faithful visitor, here is the label!

Paul Blunt


Ohio based AL WINKLER on his own Winkler label (# 45-88) for this « Show Boat Boogie« , along with the Warren County Band. It’s a belter (call-and-response), two guitars, it rolls.

From California and a Tom Sims’ cassette (I found a label scan), for a Bluegrass wildie: The GOLDEN STATE BOYS on the Shamrock label (# 717) . Powerful banjo and mandolin. Chorus, then urgent vocal on « Always Dreaming« . The Golden State consisted of Hal Poindexter (guitar/writer), Vern & Rex Gordin, plus virtuoso young Chris Hillman on mandolin. Disc from 1962. 

Finally the one and only BUFFALO  JOHNSON. The name can seem not that familiar. He had a long string of releases on Mercury, Gateway (« T’ain’t Big Enough« , # 520, with Jimmie Ballard on vocal) among others in the late 40s/early 50S. Here he offers a good guitar picking bopper. I still do research on him.
















A visitor, Mr. Jason Odd, gave me the following details (September 30th) on the GOLDEN STATE BOYS: »"Always Dreaming » — Herb Rice is playing mandolin and singing high harmony. Hal Poindexter is singing lead.
Although not issued until as late as August of 1962 (this date may be wrong) the Golden State Boys debut 45 single ‘Always dreaming’ b/w ‘Wicked woman’ (Shamrock 717) was recorded in early 1962.

The Golden State Boys at the time were Don Parmley (banjo), Herb Rice (mandolin, vocals), Leon Poindexter (vocals, dobro, guitar), Harry Kniss (bass, vocals), and Hal Poindexter (vocals, guitar).

Hal actually quit the band for part of 1962, but rejoined a radically different line-up later that same year. Hal and Don Parmley were the real constants in the group after that, although by late 1963 they were down to a quartet with Don, Hal and the Gosdin Brothers Rex and Vern. With a disagreement over management [Bob Flowers] Parmley and the Gosdins went out on their own as the Golden State Boys with Chris Hillman taking over on mandolin, while Vern Gosdin switched from mandolin to guitar. That group briefly worked as the Golden State Boys until Hal Poindexter and Bob Flowers took control of the name and rebuilt the group.

The Gosdin-Hillman-Parmley combo became known as the Blue Diamond Boys and as that group cut the album that was later credited to the Hillmen when released in 1969. » Thanks Jason!

Juke Box Boogie: Ramblin’ Jimmie Dolan (Capitol and Modern artist – 1947-1955)
fév 17th, 2013 by xavier

From Phillips J. Tricker’s article in « Roll Street Journal » # 19 (Spring 1987)

Ramblin’ Jimmie Dolan – the very name evokes to me pictures of a man of travel, a man of the West. His name turns up frequently on record lists and he had sole thirty four releases issued on at least three different labels, and the majority on the major CAPITOL. Those thirty plus discs were put out over the comparatively short period of 7 years and much of his material has been overlooked by many collectors as a few of his later less inspiring releases are those that surface most frequently and I believe a some what false picture has emerged, musically, on an artist who contributed much to our kind of record collecting [hillbilly bop/hillbilly boogie].

As often happens, the early years of the singers we investigate are shrouded in mystery. Jimmie is no exception. In fact by our comencing at the start with his birth on the 29th October 1924, we meet our initial problem. I have seen two versions in print. The first said rural part of Missouri while in a radio interview in 1952 Jimmie’s reply was « Wyoming ». As his first reported radio work was at KWK in St. Louis, Missouri ; and as a boy he was a great fan of Western movies, I tend to place a little more credence on the former location. This thought is supported by these two points. During his earliest days in the music business, he did not use that tag – Ramblin’ – but by the time of 1952 interview, not only he was using that word in his name, but was often billed as « America’s Cowboy Troubadour ». In that case, maybe it was considered a better ploy to give impression of coming from a state synonymous with cowboys – Wyoming. A third version comes from Dolan would have been born largely earlier, same day and month in 1916 and…California, which would be his musical base during the ’40s and ’50s. Who knows ?

Read the rest of this entry »

early January 2013 fortnight’s favorites
jan 1st, 2013 by xavier

Hi!  to everyone visiting this blog early new year. If you are looking for bopping music, this is the site for you! Latest story (published on Christmas day!): Autry Inman. Let’s take a look and a listen. Great hillbilly/rockabilly  music.

First, one of those Rockabilly acetates flourishing over the web. Never heard of the artist, HAROLD MORRISON, but his « I Gotta Have Her » has got everything to enjoy your ears.

Then on for bit pop flavoured « Baby, Baby, Baby » on RCA 47-6188 (1955) by FLOYD WILSON. Male chorus, and the whole sounds New York but still enjoyable.





Return to JAY T. STARR, recently covered in a previous fortnight. This time for a serious Hillbilly boogie:  » Rattle Snake Boogie« , on Coast 9017, complete with fiddle and boogie guitar.

Also I did announce the DALTON BOYS (Shorty Long and Bob Newman). Both had begun their recording career on King (1951) with a split session. 1955 sees them reunited under a disguise for the fine train song « Roll, Rattler, Roll » on X 0045. Great boogie guitar, and harmony vocals all the way. Flip is slower « Just Like Me » (not podcasted).

From Waco, Texas, for a superb « Shorts Crazy » by MACK McCRAY on the Ford label (#1 or # 1074-A, the sequence in unclear on the label). All in all, piano, fiddle and steel do provide an almost Starday sound.

Finally from New Jersey, Jersey City on the Cevetone label (# 1866), a fine hybrid Hillbilly/Bluegrass « Mountain Boy » by VERLIN SPEEKS. Very fast, fiddle and banjo all along, and an energetic rhythm guitar. Just take a listen! In the meantime, have a nice Bopping New Year!














BULLET, « ALWAYS A SMASH HIT » – the grandaddy of Nashville indie country labels (600-755 country serie): 1946-1952
mai 19th, 2012 by xavier

               Bullet Records : a presentation

The Bullet Recording and Transcription company was formed in late 1945 by former Grand Ole Opry booking agent Jim Bulleit, in partnership with musician Wally Fowler and businessman C. V. Hitchcock. Read the rest of this entry »

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