Early August 2015 fortnight’s favorites

Howdy folks ! I should have given myself a big kick, when I posted Ralph Pruett’s « Louise », last fortnight, and not having thought of the other record of the man, RALPH PRUITT, from Florida. He cut indeed the great haunting Rockabilly « Hey Mr. Porter », first on Lark 1506, later transferred on Meridian (same number # 1506).

lark 1506
« Hey, Mr. Porter«  download

 

 

Another well-known Hillbilly bop/rockabilly man whose I told the story a mere several years ago of was LOU MILLET. Until very recently I didn’t know his offering on Ekko 1024 from 1956 , which predates his solitary Republic 45 ‘ (« Shorty the barber/Slip, slippin’ in » (# 7130). So here are his « Chapel of my heart » and « When I harvest my love », both ballads ; the B-side is more solid.

« Chapel of my heart« download      ekko 1024 chapel

« When I harvest my love« download

The remaining selections are all by HUB SUTTER. He had a rich discographical career between 1946 and 57. Hubert Sutter, legally blind since childhood, was adept to both saxophone and clarinet and began his professionnal career in 1941. Later we found him as vocalist for the popular Jesse James in Austin (4* Records), before going solo on Lasso (a version of « New Frankie & Johnny« ), billed as Hub Sutter & his Galvestonians (actually Jesse James’ band in disguise). In 1950 he formed his Hub Cats and was signed with the upcoming Freedom Records in Houston. There he had two issues. « I don’t want my baby back » (# 5015) has an agile electric mandolin and possibly Herb Remington on steel. The rocking « Tellin’ my baby bye bye » (# 5030) was recorded with R. D. Hendon‘s Western Jamboree Cowboys, probably at the same session that produced Charlie Harris‘ « No shoes boogie » (# 5033).

 

« The craziest feeling« download

« New Frankie and Johnny« download

« I don’t want my baby back« download

« Tellin’ my baby bye bye« download

4* 1520 the craziest feelinglasso 102 frankiefreedom 5015 hub sutter - I don't want my baby back

 

 

 

Later on Sutter dropped the steel guitar and added a second saxophone. He then worked extensively with Floyd Tillman, Link Davis, Sonny Hall and Glen Barber.

 

 

 

In 1957, he re-cut « I don’t want my baby back » on the Columbus label (# 103). The rollicking flipside « Gone goslin » is here. Columbus was owned by Eddie Eddings and Sonny Fisfer.

« Gone Goslin« download
columbus C-103

 

Sources : Internet, and the notes to CD « Heading back to Houston » (Krazy Kat). With help from Drunken Hobo. Of interest also was the Hillbily Researcher blogspot and the entry to « Columbus Records » or Terry Gordon’s invaluable Rockin’ Country Style.

Note (Jan. 13th, 2016). A ‘new’ Hub Sutter record has been found on 4* 1359 by THOMMY THOMPSON: « Dinner with Jole Blon »: written and sung (waltz tempo) by Hub Sutter, the song follows the « Jole Blon » rage, initiated in 1946 by Harry Choates.

4* 1359 tommy thompson (hub sutter) - dinner with Jole Blon 07 – Dinner With Jole Blond« Dinner with Jole Blon »download

early October 2011 fortnight’s favorites

Howdy folks! Back from a long, long trip, which sent me first to Britanny (far West) to Corsica (far south East), during three weeks! Fortunately I had prepared the next meeting with you this early October, to bring for your listening (and seeing too) pleasure some goodies I did pick from various sources, and which I hope you will enjoy as much as I chose them.

First on the Acme label, out of Manchester, KY, for a very crude and rural Hillbilly duet (bordering on Bluegrass) , very reminiscent of the Thirties so-called white blues (e.g. Frank Hutchison), although this « Coal Miner’s Blues« . Ed Romanyuk and Sister Elsie Pysar:  The label says it all: « Old time singing with guitars« . Hear it!

acme 104a ed romaniuk coal miner's bluesNow on the West Coast, for two lovely tunes, very different in style, by GENE McKOWN. Originally from Kansas City, he hailed to California by the mid-fifties, and had two records, first on Fable, then later on Aggie. On Fable 571, he offers a fine, fast Hillbilly disc, « I’m Still Wondering Why« , added by a « Fiddlin’ Slim » (who joins McKown on the refrain). Two or three years later, McKown has completely absorbed the new trend in « Rock-A-Billy Rhythm » , a real strong Rocker on Aggie 1001, a newly formed label on the California scene in 1958.  On this one, he belts out, and surely, one can wonder if this is the same singer as on Fable. Later, he returned to Kansas City and had pop-country records on Brass, among others, in the early ’60s.

fable 571 gene McKown I'm still wondering whyaggie 1001A gene mckown rock-a-billy rhythm

On to Florida with a December 1958 classic, « Hey, Mr. Porter« , by RALPH PRUITT (Lark 1506, the promotional issue before it was commercially issued on MERIDIAN 1506). Strong lead guitar introduction, then an assured vocal, before a swooping piano solo, and the steel sets up an atmospheric solo. Sounds like the boys were together for a long time, a very tight outfit. That is what I call ’50s Country-rock, a mix of Hillbilly (vocal) and Rock’n’Roll (backing).  It is the sort of record that grows on you, every time you hear it, even after 30 years of listening.  Pruitt was born in Tennessee, but located himself in Florida, where he cuts this single.He died in 1986.

lark 1506 ralph pruitt Hey, Mr. PorterOne more Hillbilly bop styled song:  « Hot Hamburger » by LEE SLAUGHTERS and His Cumberland Play Boys on a JAY label EP (2159 A). Good fast Bopping tune, rural vocal and amusing lyrics on a lovely backing. Them Boys sure know what to do! From Sydney, OH, they had this EP from 1959, containing the following tunes « Teenage Hop« , « Rock And Roll World » and « You’re The Only One« . Nothing more is known on them, another batch of Country dudes trying their hands at making a novelty record to be sold at the gigs they gave in the area.   jay 2159B lee slaughters hot hamburger

Finally, a strong, real wild « Willie’s Boogie Medley » by LITTLE WILLIE LITTLEFIELD. Once published (32 years ago, not reissued to my knowledge) on an old Ace LP, it contains the 1949 rehearsal session for Modern records by a young Littlefield, still firmly in the Amos Milburn mould. The breaks in tempos are particularly impressive, but, woooow, that right-handed piano swooping above the left-handed rolling basses! What a thrill!

littlefield front réduite

As usual, material from various sources: my own collection, Youtube, ebay, Rockin’ Country style. Enjoy the selections! Comments welcome. Bye!