late July 2011 fortnight’s favorites

Howdy folks! For this late July 2010 fortnight, I begin with JIMMY DALLAS on the K.C. Shome label (« Crooked Cards« ). Good steel and rinky dink piano (common for the era). He was later to have two discs on the Westport label (seel elsewhere in the site for the label’s survey). Nice hillbilly bop from ca. 1952-53.

shome 5310 Jimmy Dallas crooked cards

On to Texas with the very first (?) record by GLEN REEVES, « I’m Johnny On The Spot » on the T.N.T. label from 1955. Reeves would later appear on Republic and Decca, turning into R-a-B and R&R. Here he is in fine form, supported by a tight backing combo, providing uptempo rhythm. Good fiddle.

glen reeves pic

Glen Reeves

TNT 120 Glenn Reeves I'm Johnny on the spot

COYE WILCOX hailed from Dallas, Texas. Here it is his solitary issue on Azalea label, « Zippy, Hippy, Dippy« . Fine steel and strong lead guitar. Flipside was « You gotta quit cheatin‘ » (for another fortnight). He had earlier cut a record for Freedom in 1951, fronting Jack Rhodes‘ band. Rhodes is famous for his song writing abilities during the second part of the ’50s, i.e. Jimmy Johnson/Gene Vincent song « Woman Love », or Ronnie Dawson.

azalea 124 coye wilcox zippy, hippy, dippy

From Booneville, MS, comes HAYDEN THOMPSON, billed as « The South’s Most Versatile Singer », backed by the Southern Melody Boys, for « I Feel The Blues Coming On » on the small Von label from 1954. Plaintive fiddle, steel guitar and string-bass behind almost murmuring vocal make a very atmospheric Hillbilly Bop record. Von label had also Johnny Burnette Trio and Lloyd McCullough (the latter’s story is intended in Bopping). Thompson would later cut for Sam Phillips, hence the classic « Love My Baby », then he ended up in Chicago (Profile and Kapp labels) in the late ’50s, and a successful Country career.

Von 1001 Hayden thompson I feel

HANK MILLS, whose real name was Samuel Garrett, waxed during the late Fifties in San Antonio (Blaze label) the very attractive « Just A Mean Mean Mamma« , with a prominent mandolin, which reminds me of the mid-Forties sound. Mills would later become a highly-prized songwriter, reaching a N°1 in 1965 with Del Reeves.

blaze 103A Hank Mills Just a mean mean mamma

We come to an end in Houston with a great R&B Rocker from 1956 on the Peacock label: « Pack, Fair And Square » by BIG WALTER PRICE.

big walter price pic

Big Walter Price

peacock big walter price pack fair & square

Enjoy the selections, and happy bopping Summer!

early June 2010 fortnight

Howdy folks! I am moving on June 11th. So, before my entire library/computer is set up, I may be out ’till this end of June. I’ll do my best to give you some more music in the meantime.

We begin with JAMES O’ GWYNN, Star of the Louisiana Hayride, here in 1955 (Azalea label) with the fine, amusing « Ready for Freddy ». Great hillbilly phrasing. Go ahead with Cincinnati, Ohio, KING’s recording artist BOBBY GROVE. Fine « No parking Here » (double-entendre lyrics!) with the cream of Ohio musicians backing. Then down South. You are for a treat…BADEAUX & LOUISIANA ACES, 1962 (Swallow label) and the classic « The Back Door » – even for me, French speaker, the words aren’t easy to understand. Honky tonk life…Back to Texas with GLEN REEVES and « That’ll be love » (Decca), good Hillbilly bop/Honky Tonk from 1956. 1936, Dallas, LEON SELPH and « Swing Baby Swing » (Decca)(proto-Hillbilly Bop!). A real phenomenon: ROD MORRIS. Although he had had a recording career (Capitol among other labels – he came originally from Missouri), he was a songwriter. Here he is singing a song taken from Americana tradition about trains and drivers, « The Ghost of Casey Jones », a mix-up of Rockabilly/Rock’n’Roll (Ludwig label, 1958).

Rod morris - ghost of casey jones

CD Rod Morris

leon selph BlueRidgePlayboys 1936

Leon Selph & Blue Ridge Playboys, 1936

amos milburn pic

Amos Milburn & Chickenshakers, 1956

As a bonus, a great wildie, AMOS MIBURN pounds the 88-keys on « Amo’s Boogie » (Aladdin, September 1946) – on the West Coast. Enjoy the music, comments welcome. Bye…

azalea 106 o'gwynn