Bopping duets, last post (1947-1963)

Howdy folks ! This is the last post on bopping duets. As surely you did notice it, my English is far from fluent ; actually I don’t dream neither think « in English », because it is not my natural language. I really hope you can understand it, and excuse me for writing such intricate phrases yet very common. But I LOVE this bopping music, and let’s keep it first ! My aim is to figure the music posted with record labels and odds and ends on the artists.

mccormick brothersThe McCORMICK BROTHERS were a Tennessee/Kentucky family affair. Lloyd and Kelly held the guitars, younger Haskel was on banjo, Hayden Clark on bass and Charlie Nixon on dobro. They cut for Hickory in Nashville between 1954 and 58 a fine line of Bluegrass and Rockabilly boppers, among them this « Big eyes » (1958, Hickory 1080). Strong strumming boogie electric guitar and vocals in unison. They even had a full album, « Songs for home folks » on Hickory 102 (1961) and still are playing today.

« Big eyes«  download

hickory  1080 mccormick - big eyes

Hickory102 mcCormick - songs for home folks
Chester and Lester, the BUCHANAN BROTHERS were another duet group. They hit big in August 1946 with the pioneering « Atomic power » on RCA, and revived a similar theme in November 1947 with « (When you see) Those flying saucers ». (RCA-Victor 20-2385) « You’d better pray to the Lord when you see those flying saucers, it may be the coming of the Judgement Day ». Good vocal and guitar duet. The song was used in 2009 in the animated release of « Monsters VS. Aliens ».

« Those flying saucers« download

Buchanan_Brothers

Buchanan brothers

 

rca 20-2385 buchanan bros. those flying saucerspalford brady

« More lovin’« download

PAL (or Palford) BRADY (1922-1988) was a native of Tennessee ; himself relocated too in Michigan, where he had records on Lucky 013 (Cincinnati), Clix (Troy, MI), Bragg, among others (late ’50s to mid-60s). His « More lovin ‘ » (Conteste 45-2) from 1961 has two voices for a good « city hillbilly bopper ».

conteste 45-2 pal brady more lovin'

 

 

 

Charlie & Wallace, the MERCER BROTHERS came from Metter, GA and began a professional career during the late ’30s. After the WWII they had their own radio show on WMAZ before joining in 1948 the prestigious « Louisiana Hayride ». From 1951 to 1954 they cut a dozen sides for Columbia in Dallas, with their Blue Ridge Boys (Clyde Baum on mandolin and Doyle Strickland (fiddle) + Wayne Raney (harmonica). I chose from their equally constant in quality output « No place to hang my hat » (Columbia 20927, 1952-53), very Delmore Brothers styled. After 1954 they settled in Macon, GA, and WIBB radio station before completely disappear.

« No place to hang my hat« download

 

columbia 20927 mercer bros. no place

JOHNNIE (Wright) and JACK (Anglin) were regulars on the ’50s charts, before Anglin was killed in a car crash in 1963. Their «Oh boy ! I love her »  (RCA 47-6932) from ’57 is an enjoyable jumping little opus. Earlier on they had cut the C&W classic « Ashes of love » (revived during the ’80s by the Desert Rose Band), and « Cryin’ heart blues » in 1951, supposed to have been recorded (but lost) by Elvis Presley on Sun Records.
rca 47-6932 johnnie & jack - oh boy I love her (57)
« Oh boy, I love her« download

pic Johnnie_Wright,_Kitty_Wells,_Jack_Anglin

dixiana 105 cliff gross hog pen hop

 

 

 

 

 

 

 

On the Kentucky Dixiana label # 105 from 1954, CLIFF GROSS offer a sort of fast talking blues (with the band chanting in unison) with « Hog pen hop », probably recorded in Dallas. Gross was a mountain type fiddler, and Dixiana emanated from Bowling Green, Wayne County.

« Hog pen hop« download

« Spring of love« download

PAUL & ROY, The Tennessee River Boys, already discussed in another « Duet » feature (they had a two-sider on Nashville Pace label), have recorded for Mercury in 1953 « Spring of love » (# 6374) : it’s a fast Bluegrass influenced ditty – lead vocal & backing vocal.

mercury 6374 paul & roy - spring of loveshamrock 717 golden state always dreaming

 

« Always dreaming« download

 

 

Next track GOLDEN STATE BOYS‘« Always dreaming » was already posted here in April 2013. But I like very much this tune with its urgent vocal, the dobro part of Leon Poindexter, the vocal/mandolin of Herb Rice, and the energetic banjo of Don Parmley [personnel give then by a visitor]. Date : early to mid-62, Shamrock 717, Artesia, California.

A solid rocker (with drums), « Good gosh gal » on the Nashville Briar label # 111 by PHIL BEASLEY & CHARLIE BROWN. Nice guitar and steel solo, 1961.

« Good gosh gal« download

 

briar 111 phil beasley - good gosh gal ((61)

 

 

It’s useless to present the YORK BROTHERS (their story is on this site). Here is one of their rarest issues on their own York Bros. Records # 600Y-100, from 1963, and the great « Monday morning blues ».

« Monday morning blues« download

york bros. 600Y-100 Monday morning blues

 

colonial 7000 franklin bros. so real (Chapel Hill, 6-59)More of a solid rocker on Chapel Hill, NC Colonial label (# 7000 from June 1959) by the FRANKLIN BROTHERS. « So real » is strong, that’s not Hillbilly bop, but a real Rocker for a change!

« So real« download

 

We are going to the end with FRANKIE SHORT & DEE GUNTER on the Balto, MD Wango label (# 201) : again a solid version of Don Reno‘s « Country boy rock’n’roll » . Remember L.C. Smith and « Radio boogie » (2nd version) on this label.

« Country boy rock’n’roll« download

wango 201 frankie short - country boy r&r

 

 

Used sources: Wikipedia, Youtube,ancestry.com (Pal Brady), hillbilly-music.com, Galen Gart’s ARLD, 45rpm.com

Late September 2015 fortnight’s favorites

This favorites section begins with NEAL JONES. Born in the small community of Tywhop, TN, in 1922, he began his career with the Johnson Brothers on Kingsport and Chattanooga radio stations as lead guitarist as soon as 1940. He then moved to Montana, then back to Tennessee. 1953 saw him guitarist for Eddie Hill and Sonny James in Dallas, TX. That’s where he gained a contract with Columbia, and followed a long string (6) of releases with this major until mid-1955. I chose one of his earliest efforts, « Foolin’ women », (# 21292) and the double-sider nearest to Rockabilly, (# 21415) « High steppin’ baby » and « I’m playing it cool », both cut at Jim Beck’s studio in Dallas with WFAA staff musicians. Later on, Jones had his own T.V. show, and was more and more involved in a D.J. work . He finally had one record on « D ».

columbia 21292 neal jones - foolin' women

columbia 21415 neal jones jigh ste^în' baby

columbia 21415 neal jones - I'm playing it cool

 

 

 

 

 

 

 

 

 

 

 

« Foolin’ women »download

« High stepping baby« download

« I’m playing it cool« download

AL OSTER was apparently a Yukon native, who cut a nice Country rocker on the Tundra label (# 101), « Midnight sun rock », paired with « Next boat », in 1960.
« Midnight sun rock« download

« Next boat« download
tundra 101 al oseter - midnight sun rock

al oster

Today and yesterday

 

 

Next we find the former lead guitar player for the Maddox Bros. CAL MADDOX on the Flat-Git-It (# 700) label from California. I suspect the label was his own label. « Hey Bill » is a fast Hillbilly rock from 1960 : strong guitar as expected, sawing fiddle. Shortly before that, Cal and his sister Rose had cut « Gotta travel on » on the Black Jack label.

 

flat-git-it 700 cal maddox hey bill

cal maddox

 

« Hey Bill« download

 

 

 

 

 

From Columbus, OH, comes the next record, « Hobo baby » by JOE & RAY SHANNON on the Shenandoah label # 246. Obviously brothers – it’s Joe singing -, they offer a strong guitar rockabilly tune, surprisingly good for 1964.

« Hobo baby« download

shenandoah joe & ray shannon pic

Joe and Ray Shannon

On one of the many Dixie labels that flourished everywhere in the U.S., there’s this shenandoah 246 joe & ray - hobo babyone « I guess I’m wise » (# 833) by MALCOLM NASH (with the Putman County Play Boys). Probably issued 1960. An harmonica is the prominent instrument, over a powerful rhythm guitar, while the band (2 voices) sings in unison. This record reminds me much of the Delmore Bros. On the label however there is no clue as to where do come the artist neither the label from, except it’s a Rite pressing, so probably from the Cincinnati area.

dixie 833-A malcolm nash - I guess I'm wise
« I guess I’m wise« download

Addition (Nov.1rst, 2015). There is a « Putman County » in Georgia. So that’s possibly where the recording occurred.

Putnam_County_Georgia_Incorporated_and_Unincorporated_areas_Eatonton_Highlighted copie

« Do-Right Daddy » LEON CHAPPEL (from 1935 to 1953) – Western, hillbilly blues, honky-tonk

Leon Chappel remains a sadly unrecognized progenitor of western swing, later recording a clutch of singles for Capitol that are fascinating for their mutant hillbilly-blues approach.

(suite…)

late July 2011 fortnight’s favorites

Howdy folks! For this late July 2010 fortnight, I begin with JIMMY DALLAS on the K.C. Shome label (« Crooked Cards« ). Good steel and rinky dink piano (common for the era). He was later to have two discs on the Westport label (seel elsewhere in the site for the label’s survey). Nice hillbilly bop from ca. 1952-53.

shome 5310 Jimmy Dallas crooked cards

On to Texas with the very first (?) record by GLEN REEVES, « I’m Johnny On The Spot » on the T.N.T. label from 1955. Reeves would later appear on Republic and Decca, turning into R-a-B and R&R. Here he is in fine form, supported by a tight backing combo, providing uptempo rhythm. Good fiddle.

glen reeves pic

Glen Reeves

TNT 120 Glenn Reeves I'm Johnny on the spot

COYE WILCOX hailed from Dallas, Texas. Here it is his solitary issue on Azalea label, « Zippy, Hippy, Dippy« . Fine steel and strong lead guitar. Flipside was « You gotta quit cheatin‘ » (for another fortnight). He had earlier cut a record for Freedom in 1951, fronting Jack Rhodes‘ band. Rhodes is famous for his song writing abilities during the second part of the ’50s, i.e. Jimmy Johnson/Gene Vincent song « Woman Love », or Ronnie Dawson.

azalea 124 coye wilcox zippy, hippy, dippy

From Booneville, MS, comes HAYDEN THOMPSON, billed as « The South’s Most Versatile Singer », backed by the Southern Melody Boys, for « I Feel The Blues Coming On » on the small Von label from 1954. Plaintive fiddle, steel guitar and string-bass behind almost murmuring vocal make a very atmospheric Hillbilly Bop record. Von label had also Johnny Burnette Trio and Lloyd McCullough (the latter’s story is intended in Bopping). Thompson would later cut for Sam Phillips, hence the classic « Love My Baby », then he ended up in Chicago (Profile and Kapp labels) in the late ’50s, and a successful Country career.

Von 1001 Hayden thompson I feel

HANK MILLS, whose real name was Samuel Garrett, waxed during the late Fifties in San Antonio (Blaze label) the very attractive « Just A Mean Mean Mamma« , with a prominent mandolin, which reminds me of the mid-Forties sound. Mills would later become a highly-prized songwriter, reaching a N°1 in 1965 with Del Reeves.

blaze 103A Hank Mills Just a mean mean mamma

We come to an end in Houston with a great R&B Rocker from 1956 on the Peacock label: « Pack, Fair And Square » by BIG WALTER PRICE.

big walter price pic

Big Walter Price

peacock big walter price pack fair & square

Enjoy the selections, and happy bopping Summer!