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Late May 2016 bopping fortnight’s favorites
mai 15th, 2016 by xavier

Let’s begin this new fortnight with a seemingly Virginian. CARLTON LINK had on the Freeman label (# 100) the fine uptempo bopper « Lovesick and sorrow », of unknown origin. But he issued a single on the Virginia Lark label in 1970 yet untraced (sound at least, even the actual label).freeman 1 carlton link - lovesickand sorrow

« Lovesick and sorrow«  download

Then from Paoli, Indiana, on the Four Wheels label (# 0001) KENNY HOLIDAY with « Little heart don’t be disgusted » (1961) : an agreeable tune with a jumping little guitar.
four wheels 001 kenny holiday - little hear (61)t « Little heart don’t be disgusted« download

J. G. MORRISON had a fruitful career with no less than 3 aliases ! As previous, he cut two good ballads, « Ace in the hole » and « Old man honest » on the Texan Maridene label (# 103). Good piano vaguely a la Teddy Reddell. This must come from the early ’60s. The same artist was also simply Jim Morrison on Curley Q. in 1963 with a version of « Ace in the hole ». Finally he was also at the turn of the ’50s as CURLEY JIM the author of some fine Rockabillies, like this « Air force blues », a very strong Rockabilly from 1958, on Mida 100 from Florida.

 

 

« Ace in the hole« download

« Old man honest« download

« Air force blues« download
maridene 103 j. g. williams - ace in the holemida 100-B curleyjim - airforce blues

From probably the late ’40s and Canada, RAMBLIN’ LOU and the accordion led « Seashore blues » on the Ramblin’ Lou label (# 207). He also had « Cindy » on Beaver.

« Seashore blues« downloadramblin'lou 207AA ramblin' lou - sea shore blues

Down South in Houston, on the Gold Star custom serie, we find V. CECIL WILLIAMS on the Gilbert label (# 1004/1005) for the nice uptempos, « Two timin’ baby » and « Maurine », typical of the Houston sound of 1952-53, that was to evolve in the Starday sound in the following years.
« Two-timin’ baby » download

« Maurine« download

gilbert gs 1004 v. cecil williams - two-timin' babysources: Youtube for most part, HBR for Gilbert, 78-world,45rpm

Early May 2016 bopping fortnight’s favorites
mai 1st, 2016 by xavier

Howdy friends from all around the world ! This new batch will return to a more conventional time for Hillbilly bop, the years 1950-1960. Lack of time and inspiration I’m afraid. So commentaries will be short ! First we can listen to JOHNNY GITTAR, a.k.a. Johnny Henderson (I posted two tracks under this name recently, fortnight early April) in the famous « San Antonio boogie » (High Time 173). A call-and-response format, the steel guitar well to the fore, a touch of piano : it’s a shuffler, the sort of hard-rock tunes we can hear on the Houston Freedom label (I recently told the story of this important altho’ short-lived label).   »San Antonio boogie« download « Nine o’clock« download

« Is there no love for me, Love« download

high time 173 johnny gittar - san antonio boogie

Two medium-paced numbers, back-to-back of the Bennie Hess Spade # 1929 label, and they both are close to Rockabilly,    «Nine o’clock » and « Is there no love for me, Love » are light, cool sung. A minimum instrumentation and a gliding guitar. They appear to have been issued in Autumn 1956 by JOHNNY McADAMS.

spade 1927B johnny mcadams - nine o'clock

Next LITTLE MIKE MORTON offers a jumping spade 1929 johnny mcadams - is there no love for me loveHillbilly bop        « Midnight hoe-down » on Esta H-9592 from 1955. The location of Esta is Hamilton, OH. And the youthfullness of the voice immediately reminds that of Little Doug [Sahm] on Sarg, or on Westport that of Cowboy Bobby.

« Midnight hoe-down« download

esta h80-9592 little mike morton - midnight hoe-down

« Why did you go away« download

seven star 5511B art rodgers - why did you go away

From 1957 on the Cincinnati, OH Seven Star label (# 2511B) let’s listen to « Why did you go away » by ART RODGERS (without any doubt no connection with Jimmie or Jesse). Nevertheless Rodgers has a hillbilly pronunciation, and a strong rhythm guitar, backed by the K.C. Ramblers.

CUZIN ROSCOE next on the Avery, TX Cowtown label (# 803A) delivers the fast « Sing me a song », accompanied by a sawing fiddle (1960, according to the YouTube uploader).

A baritone vocal, strongly a la Johnny Cash, that of RAY PRIDIE for « Lonesome broken hearted me » on the C.A.R.  label # 102A, from Bellingram, Washington. Steel guitar plus echo.

cowtown 803A cuzin roscoe - sing me a songc.a.r. 102A ray pridie - lonesome broken hearted mecooper H802059 gene stacks - I know (my babt loves me)« Sing me a song« download

« Lonesome broken hearted me« download

 

 

« I know (my baby loves me)« download

A fast Rockabilly by GENE STACKS on the Cooper label (Pine Bluff, AR) # 2059, from 1957. « I know (My baby loves me ) » is fast and has an intriguing guitar, very reminiscent of Scotty Moore.

Finally RAY WILSON on the Hidus label # 2006 (Springfield, TN) does the fast « Heart stealer » – fiddle to the fore, a short piano solo. Hidus also had Jimmy Simpson (« Honky tonk spree »). 

« Heart stealer« download
hidus 2006 ray wilson - heart stealer

Late April 2016 bopping fortnight’s favorites: a Sixties edition special!
avr 15th, 2016 by xavier

First three are exceptions to the rule. CAL DAVIS does a shuffler, with a bit of echo on the steel for  »Loving lifetime » on the Mack label (# 258). No indication at all of its origin. A RCA Custom of 1954.

mack 25B cal davis - loving lifetime

« Loving lifetime« download

« I reckon so« download

hilton 0001 raybon busby - I reckon so

Second dates from 1957 on the Hilton label, yet still unknown origin. RAYBON BUSBY does the complex, half slow, half fast « I reckon so » (# no #) : A sort of talking blues, steel phrases on the slow side ; fast side reminds me much of the Blankenship Brothers.

Note: Hilton was based in Louisiana, according to DrunkenHobo.

TOMMY RIDDLE with « Rayford line » pertains apparently to the late ’50s/early ’60s on the Staircase label (# 6651), from where I don’t know. Good fast honky-tonk, a lot of echo on the lead guitar.

staircase tommy riddle (1927-2009)

staircase  tommy riddle - rayford line

Note: DrunkenHobo says the record came in 1961.

« Rayford line« download

No we begin exploring 1960′s sounds.

With a classic theme – either in Blues or Country – « Walking blues », RAY BEACH couldn’t go wrong in 1968. Solid guitar and light drums for a good uptempo. 3 backing members are listed on label (Ray Beach, really?), which don’t give any clue to the origin of this record.

 

tay beaxch 20664 ray beach - walking blues (+ instr)« Walking blues« download

Picked from my good friend Alexander’s site « Mellow’s log cabin», here is the nice « After I have broke your heart » by LEO GRAY, from Mt. Healthy, OH, in 1965, issued on Log Cabin 903. Good steel over a jumping tempo.

log cabin 903 leo gray - after I have broke your heart

« After I have broke your heart« download

 

 

On the presumably Ohio Harron label, here are two fine Bluegrass duets (male/female) led by ERNEST STACEY (great vocal) and backed by HARLIN KAZY on vocal and fiddle, the fast « I do » and the dynamic « I made up my mind » from 1962 (# 995A). They had also at least one other record, « Lonesome road » on Arvis, another label from Ohio. Usual Bluegrass backup : dobro and bass.

 

 

« I do« download

« I made up my mind« download

harron 995A ernest stacey - I do

 

From Iona, Michigan, BOB WAYLEE offer in 1962 on the Northway Sound 1002 label a fine fast (flying guitar) « Looking out the window ».

« Looking out the window« download
northway bob waylee - looking out the window

Finally the famous CAL SMITH burns the pedal steel-guitar in 1968 on Kapp 938 with his solid version of « Honky tonk blues ».

« Honky tonk blues« download
kapp 938 cal smith - HT blues

Late March 2016 fortnight’s bopping favorites: 11 selections!
mar 15th, 2016 by xavier

Howdy folks ! Eleven selections (yes, 11) this time of small labels and very minor artists, who made for the most part of them only one known record then vanished into obscurity or did something else than a career in music.

From California on the Pico Sundown label (# 113, very late ’50s, let’s hear at BOBBY AUSTIN‘s « Fool, fool, fool » : a jumping little tune, very expressive vocal – the singer knows what he’s talking about, of course. A prominent steel guitar, whose style must BE Ralph Mooney‘s.

« Fool, fool, fool« download

Sundown 113a bobby austin - fool

azalea 118 coy wilcox -mistake

« I made a mistake« download

Recently I posted both Freedom records of COYE WILCOX from 1951. He cut later on several small Houston labels, among them this one, Azalea (# 118), « I made a mistake » from 1959. The singer possesses a very distinctive phrasing, and his ballad grows and grows on you at every listening.

 

 

nat sound 1501 mile clay - it's moneycoye wilcox pic

 

 

« It’s money« download

A lively « It’s money » by MIKE CLAY follows on the National Sound label (# 1501), mid ’60s. It’s an uptempo with a harsh guitar. The record itself is produced by « Jack Rhodes », famous producer and songwriter residing in Mineola, TX.

hood 1031 carl dixon - ark

hood 1031 carl dixon - hunting

« Carry me back to Ark.« download

 

« Hunting out of season« download

From Louisville, KY, here they are, back-to-back of the Hood label # 1031 by CARL DIXON. More ‘Country’ than hillbilly, however two fine medium-paced Country rockers : « Carry me back to Ark. » and « Hunting out of season ». Surely Dixon has to watch for gamekeepers.. A harmonica throughout is the main instrument.

DICK BILLS began seemingly his career in Arizona on the Vicki label in 1954-55 (an OP- custom issue, « Beggars can’t be choosers »)[see elsewhere in this site my feature on the Four Star OP-serie]. We find him later on the Morgan label (# 107) in California for two medium paced numbers (one is sung by Buzz Burnam – I can’t for Heaven’s sake remember him where/when, but his name rings familiar to my ears). Tracks are « Lost without you », an ordinary bopper, while « Old dusty sun » has a surprising hawaiian-style steel guitar.

Finally Bills reappears in 1961 on the Crest label for a solid « Rockin’ and a rollin’ » (# 1091), backed on the lead guitar by his nephew Glen Campbell.

morgan 107b dick bills - lost

morgan 107a dick bills-sun

crest 1089 dick bills - rockin'

« Lost without you« download

 

 

« Old dusty sun« download

 

 

« Rockin’ and a rollin‘ »download

 

JIMMY RINGO next artist offers a very nice bopper as late as 1958 on the big concern W.C. Dot (reputed for its pop orientation). « I like this kind of music » (# 15787) has everything Boppers’ addicts could wish for : a nice guitar (a short solo), an interesting vocal, a prominent fiddle, of course no drums and even a banjo solo.

dot 15787 jimmy ringo - music

« I like this kind of music« download

red river dave mcenery

Red River Dave McEnery

The following artist had a long career as Red River Dave, mostly songwriter, he takes here his real name of DAVE McENERY for a solitary single on a subsidiary label to T.N.T., the aptly named Yodeling # 500. I wonder if they are more numbers in the serie. Both tracks are unusual. « Did the gypsy lie ? » is an intense ballad, while           « Jailhouse blues » (backing is made of 2 guitars and a bass) is a sort of folkish hillbilly, very pleasant with its yodel efforts.

« Did the gypsy lie?« download

« Jailhouse blues« download

yodelng 500 dave McEnery - jailhouseartists 1459 roy beemer - cheating

Note: Phil Watson, a visitor, had noted what follows: « I heard this was recorded when T Texas Tyler was jailed in 1958 for a drugs offence (he was found carrying weed) and, quick off the mark as always, Red River Dave wrote a song about it – Jailhouse Blues. The lyrics mention a couple of Tyler’s songs. ». Thanks Phil!

Last artist is a completely unknown from Kansas City, MO : ROY BEEMER comes with a shuffler, « Cheatin’ don’t count » has a guitar solo « a la Hank Garland », solos of steel and fiddle. A real good disc on the Artist label # 1459.
« Cheatin’ don’t count« download

Enjoy the eleven selections, comments welcome !

 

Sources : Internet (Youtube) or my own collection.

 

Late February 2016 fortnight’s bopping favorites
fév 15th, 2016 by xavier

 

Hello, folks. This fortnight’s favorites selection will be very various and pointing in different directions.

 

First artist whom a virtually nothing is known about, and not more on his band. DON HAGER & the Hot Tots had in Autumn don hager pic1957 several sides cut for the Oak label out of the very small (ca. 800 souls) town of Whitakers, N.C. These guys had a tendency to Calypso rhythm, fact is obvious with « Bebop boogie » (Oak 0357), and it brings a lot of freshness to their composition. Fine rinky-dink piano, an hopping drum and a good (although discreet) steel make it a very fine Rockabilly, yet different..That very same song had been cut by Mustard & Gravy in 1950 and issued on Gotham 403, a sign of its later popularity. I already posted their fine version in the early June 2011 fortnight’s favorites selection And even earlier back, it had been recorded by Harry Gay, and published on…Oak 1000 [untraced, but according to the notes to « Long gone daddy », a compilation on Collectables 6335]. Hager had also « Calypso boogie », same style, on a ’70s Rockin’ Stars issue and « I love you dear forever », from a 1990 compilation (Oldies 5374) – this is an alternate take – with the steel much more to the fore. Finally « Liza Jane bop » (Oak 0358), also strange in its rhythm, yet is a more conventional Rockabilly. Nobody knows what happened to Hager and his group afterwards.

« Bebop boogie« download

« I love you dear forever« download

« Liza Jane bop« download

oak 0357 don hager - bebop boogie

 

 

 

arlington 101B norris mims - sweet, sweet babyFrom Alabama comes the second artist : NORRIS MIMS [not to be confused with the Texan of similar name Morris Mills] in 1959 on the custom pressed (CP-1987) Birmingham, AL, Arlington label (# 101B) for « Sweet sweet bab». It has an urgent vocal over a very fast backing, a fine guitar and a piano break. It is stunning such a good record is not worth an entry in Tom Lincoln’s book, as I am sure it’s very highly treasured. Incidentally the tune had been first cut in 1956 by Buddy Hanes [according to « 50sRock'n'roll » Youtube chain], but had remained unissued until our era (I didn’t find on which support).

 

« Sweet sweet baby »download

 

 

The third record is not by a newcomer. The song « Chili dippin baby » was issued twice : on Blue Hen and on Raymor by its composer, Raymond McColister with different singers. Here is the Raymor version (# 6004A) with vocal by Mz. Melody Mack.

« Chili dippin baby« download

JIMMY HEATH & the Rhythm Rollers did record « Little darlin’ » for the Modesto, Ca. Mega label (# 2261) . It’s a typical late ’50s bopper. Lot of steel (a solo which reminds a bit of Ralph Mooney), a jumping little tune with a good expressive mega 2251 jimmy heath - little darlin'vocal and a fine Rockabilly guitar.

« Little darlin’« download

Now on to Texas, in the apply named town of Center, with REGGIE WARD & his Sons of Texas. They do offer a fast bopper « Juke box baby » from early 1951 with vocal by Jack Ford. Could the latter be the same man who cut « No not now », backed by Curley Williams (Columbia 20633, January 1950), or the Hayrider who recorded the fine hillbilly bop « That’s all you gotta do » (Chess 4858) in 1954 ? A final detail on Nemo Records (owned by Mrss. Jack McLendon and Leon Sanders) : the Wilburn Brothers [Theodore & Doyle] (later on Decca) apparently cut their first sides for this label.

nemo 1005 reggie ward juke box baby (jack ford)

« Juke box baby« download

BB 18-1-60 bill watson

 

 

ctry jubilee 525 bill watson (ray raper) - I'm dying darling (2:60)

 

 

 

BILL WATSON on the Demorest, GA Country Jubilee label (# 525) recorded a fine double-sider reviewed by Billboard in February 1960. The songs are similar in structure : over a strong guitar, a very melodic vocal partially sung in unison, they are very enjoyable and catchy « You’re the one for me » and «I’m dying darling ».

« You’re the one for me« download

« I’m dying darling« download

 

And that’s all for this time, you Hillbilly buffs. Keep a-bopping ! ‘Till next time, bye.

 

 

 

Sources : mainly YouTube, also Hillbilly Researcher, Phillip Tricker’s notes to « Bebop boogie » compilation on Collectables. And a lot of time, research and patience !

 

 

 

 

Early February 2016 fortnight’s favorites
fév 1st, 2016 by xavier

This fortnight’s favorites selection begins with an old-time singer, JESSE ROGERS (1911-1973). He had a long stint of issues on Bluebird, Montgomery Ward and Sonora, among RCA-Victor, which label he cut records during the late ’40s for. I chose his energetic rendition of Bill Nettles‘ 1949 hit « Hadacol boogie »(# RCA 32-00001). See elsewhere in this website the story of Nettles. Rogers also recorded at the same time Hank Williams’ « Mind your own business » (RCA 33-00001). Later on he went to M-G-M for the good « Folding money« , « I got to live just what I like » and « Howlin’ and prowlin’« . Finally we find him on Arcade (Philly) for several issues, among them « Jump cats jump » (# 169) from 1961.

jesse rogers

rca 32-00001 jesse rogers - hadacol boogie

« Hadacol boogie« download

« Mind your own business« download

« Jump cats jump« download

arcade 169 jesse rogers - cats

 

 

Then STEVE LA RUE on the Hollywood Harmad label in 1955 for a back-to-back issue of Hillbilly boppers, one fast : « New Style of lovin’ » – good hillbilly vocal over fiddle and steel, and its slower, although equally good flipside «Your heartless heart » (# 103).

« New style of lovin’« download

« Your heartless heart« download

 

harmad 103b steve la rue - heartharmad 103a steve la rue - lovin'

 

JIMMIE MINOR out of Flint, MI, did the fast bopper « So mebody rustled my sugar » on the Western Chuck Wagon label # 103 in 1955. He later had records on Mercury (# 71623 « So doggone lonesome » with Chet Atkins in 1960)

« Somebody rustled my sugar » download

west chuck wagon 103 jimmy minor - sugar

 

 

 

 

Then on the Chicago Cha Cha label from late ’59 (the very same had Ron Haydock & the Boppers), HAROLD STORIE, billed as « The Tennessee Kid » offers the solid although medium-paced « Have pity on me ». A thrilling vibrating guitar over a baritone vocal, as on the flip « Loved and lost », faster but same style, a bit Johnny Cash soundalike. (# 708)

cha cha 708 harold storie - pity

cha cha 708B harold storie - loved & lost

 

 

« Have pity on me« download

« Loved and lost« download

From 1964 and in Newbury, OH, CHUCK STACY on the Bryte label (# 9009) gave the fine modern country-rocker « Dog-gone these heartaches », with fine piano and steel.

« Dog-gone these heartaches« download

 

bryte 11991 chuck stacy - heartaches

Finally the veteran REX ALLEN for his version of the 1946 Buchanan Brothers’ hit « Atomic Power » (Mercury # 6008). Incidentally, one of the Buchanans said later in the ’60s how they hated this song. Here are the lyrics.

« Atomic power« download

atomic power (buchanan)

rex allenmercury 6008a rex allen - atomic power

Sources:Internet, 78rpm-world, my own archives.

Late January 2016 fortnight’s favorites
jan 15th, 2016 by xavier

This fortnight begins with a heck of wildness: MICHAEL RAYE & Judy Shaye (“two voices and four hands” on the label) do offer the storming “Rockin’ Jamboree” on Arcade (Philly) # 112. Boogie woogie pano, trombone and guitar combine for this from 1953.

« Rockin’ jamboree« download arcade 112A michael ray - rockin' jamboree

sandy 1028 johnny foster - locked away from your heartJOHNNY FOSTER (announced a month ago) from Alabama offers the perfect rock-a-ballad “Locked away from your heart” on the Sandy label (# 1028). Good steel and sincere vocal. 1958. He had an earlier issue (# 1014) on the same label, which sounds promising (alas untraced): « It’s a hard life/You gotta be good« . I don’t know if he’s the same artist who appeared later on Capa and Carma during the early ’60s. Anyone can confirm, or deny?

« Locked away from your heart« download

Cope McDaniel and the Cimarron Valley Boys are backing EDDE LEE for a fine melodic ballad, “I can’t believe you mean it” on Indianapolis Sunset label # F70W-2603 (1955).

« I can’t believe you mean it« download
Sunset F70 - edde lee - I can't believe you mean it (1955)

jfkl 701

« Ain’t got a nickel« download

« Little Tom« download
waterfall 502 max lowe - ain't got a nickel

 

 

 

 

 

 

 

 

 

 

MAX LOWE enters for two issues, both came out from Morristown, TN. First “Ain’t got a nickel, ain’t got a dime”, a banjo led bluesy ballad, is to be found on Waterfall 502. More of the same on J-F-K-L 701 and “Little Lou”, from 1961 (thanx to Youtube Cheesebrew Wax Archive chain).

Ozark 1236a  billy glenn - I left the danceOzark 1236b billy glenn -  I'll never cry again

 

« I left the dance« download

« I’ll never cry again« download

That’s 1960 when BILLY GLENN issued on (California) Ozark label L30W-1236 a lovely mid-paced bopper with “I left the dance” (nice steel). The flipside is an uptempo ballad, “I’ll never cry again”. Curiously for a West coast label, the publishing house is “Mississipi Valley”. Glenn also appeared on Yucca 208 (“Bakersfield town”).

 

 

The “REAVES WHITE COUNTY RAMBLERS” go back to the late ‘20s on Vocalion 5218 for the romping “Ten cent piece”. It’s a fast raw hillbilly, showing prominent fiddle and a strong vocal. Courtesy 53jaybop on Youtube.

« Ten cent piece« download

vocalion 5218 reaves white cty ramblers - ten cent piece

From Wichita, KS, emanate the Kanwic label on which OWEN McCARTY & His Troubadours cut “Key to my heart” (# 145), an uptempo ballad with nice steel, in 1968. McCarty was to have two other known records: on Show Land (produced by Benny Hess) and Air Cap.

kanwick 145 owen McCarty - key to my heart

« Key to my heart« download

AL URBAN doesn’t need introduction. He cut the great Hillbilly bopper (1957) “Looking for money” (Sarg 148), and the fabulous twin-sider Rockabilly “Gonna be better times/Won’t tell you her name” (Sarg 158), without forgetting his two issues on Fang 1001 and 1003 (untraced). Here he appears on a “manufactured by Tanner ‘n’ Texas [T.N.T.]” A.P.U. 201, which shows two addresses: Gonzales (hometown to Urban) and San Antonio, TX. His “Run away” is similar to his Sarg sides, with a heavy Starday sound: a piano player sounding like Doc Lewis, a fiddle sounding like Red Hayes. Could it be that this record has actually been recorded in Houston?

al urbanapu 201 alurban - run away  »Run away« download

EARL PETERSON, the Michigan’s Singing Cowboy (1950-1955)
jan 5th, 2016 by xavier

earl pic1Despite a long career that spanned almost 45 years, comparatively little is known about Earl Peterson. He was born in Paxton, Illinois, on February 24, 1927 and moved to Michigan when he was 18 months old. He apparently became proficient on both guitar and drums and formed his own band, the Sons of the Golden West, when he was still in high school. The group secured a regular spot on WOAP, Owosso, then moved to WMYC in Alma, Michigan, before settling at WCEN, Mount Pleasant. WCEN gave Earl and his group a regular show, Earl’s Melody Trails, and made him the talent director, staff announcer and farming news editor. Earl was to study Law after high school but he switched to a musical career instead.

Earl made his debut in the record business when he formed a record label, Nugget Records, with his mother, in January 1950.

nugget 1B earl peterson - take me back to michigan

« Take me back to Michigan« download

Peterson also undertook road trips to publicise his record and, at the same time, worked guest dee-jay spots at various stations. It seems as though his mother, Pearle Lewis, was the driving force behind Peterson. Sam Phillips recalled that the pair arrived on his doorstep early in 1954 pitching « The Boogie blues ». Phillips located some country session musicians to work with Peterson and the result of the session was released in the Spring of 1954.
« Boogie blues« (Sun 197)download
« In the dark« (Sun 197)
http://www.bopping.org/wp-content/uploads/2016/01/In-the-dark.mp3
download
sun 197 earl peterson - boogie bluessun 197 earl peterson - in the dark

The story becomes more convoluted from that point. In October of that year Peterson, with a healthy disregard for contracts and AFM regulations, re-recorded the same song for Columbia. The song was re-copyrighted and probably sold more than the 2500 copies that Phillips had shipped.

columbia 21364 earl peterson - boogie blues

columbia 21364 earl peterson - believe me

 

 

 

« Boogie blues« (Columbia 21364)download
« Believe me » (Columbia 21364)
http://www.bopping.org/wp-content/uploads/2016/01/21364-Believe-Me-Earl-Peterson.mp3
download

Peterson’s half-brother, Bob Lewis, recalls that Peterson was desperately unhappy with the quality of the Sun recording and that may account for his lack of reserve when Don Law approached him to re-record the tune. In any event, Peterson had a few singles released on Columbia but they were shipped into changing market conditions (released between February 1955 and July 1956) and Peterson may have tired of the constant touring necessary to support his releases. His mother ran a resort club, the Bass Lake Pavillion, and Earl formed a band that included twin steel guitars, two lead guitars, two fiddles and his half-brother on drums and he played here on a regular basis supporting all the acts that worked the area as singles. In this way, Earl and the boys backed Marty Robbins, Moon Mullican and many more. The ’53 Buick which Earl had driven all those miles was increasingly confined to short trips.

 

« I’m not buying, baby« (Columbia 21406)download>

« Be careful of the heart you’re going to break » (Columbia 21406)download

columbia 21406 earl peterson - I'm not buying, baby

columbia 21467 earl peterson 78 I ain't gonna fall in love

columbia 21467 earl peterson - I'll live my life alone

In 1960 Peterson and his family established radio station WPLB in Greenville, Michigan. In columbia 21406 earl peterson - be careful of the heart1962, they switched to the FM frequency and the following year saw Earl’s retirement from the performing side of the music business. By that point there was an undeniable quotient of rock and roll in country music and, in Bob Lewis’ words, « Earl wasn’t crazy about that stuff ». In 1965 Earl learned that he had cancer but he continued to work at the station until his death in May 1971.earl peterson2

« I ain’t gonna fall in love » (Columbia 21467) download

« I’ll live my life alone » (Columbia 21467) download
Earl Peterson’s music, a survey by bopping’s editor

  • any Columbia issue coupled an uptempo and a slowie. The vocal is firm and assured, and the backing is on a par with the best what Nashville did offer at the time. Although unknown musicians, there was a steel, a fiddle and on « Boogie blues » (remake of the Sun version) a welcome rinky-dink piano. I posted the tracks side-by-side to let yourself judge.
  • « Boogie blues » on Sun 197 has sewing fiddle, steel and drums. Peterson’s voice is very reminiscent to that of Jimmie Rodgers, and the song itself derives from pre-war country songs, like Gene Autry’s ‘blues’ songs. Its flipside « In the dark » is a strong shuffler.
  • « Alimony blues », although in the past (N.L. Redita LP) credited to Peterson, is in fact done by Gene Steele.
  • « You just can’t be trusted », found on Youtube (Mr. Honky tonk chain), is evidently a ’60s recording, nice done, although I don’t know the original label neither the flipside.

« You gotta be my baby« (Columbia 21540)download

« World of make believe« (Columbia 21540)download

Sources : « The country years » (1987) by Colin Escott ; page on Earl Peterson – also music from « Columbia 20000 » (Willem Agenant) ; scans from 78rpm-world ; « The Hillbilly researcher » for scan and music to Nugget 78rpm.

« You just can’t be trusted » (’60′s)download

columbia 21540 earl peterson - you gotta be my baby

Early January 2016 fortnight’s favorites: more seasonal gifts (15 selections)!
jan 1st, 2016 by xavier

Howdy folks, a happy and bopping New Year to everyone. As a seasonal gift, I will post no less than 15 selections, as on the Xmas fortnight.

First a mystery with GEORGE BOWE & the Travelers. It has proved impossible to find any detail on him neither even the location of the label, Eagle – a common label name during the ’50s/60s. A very small clue is to be detected in the deadwax, « Rimrock » – which leads one to Arkansas Wayne Raney‘s label of the ’60s. Anyway Bowe delivers a Rockabilly styled opus with « Big man » (Eagle 110A) – the whole thing is quiet and lazy. B-side (« Do you remember ») is a melodic ballad, a bit sentimental, over sympathetic backing.

« Big man« downloadEagle 110bgeorge bowe -big manEagle 110a george bowe - do you remember

« Do you remember« download

Note: Alexander Petrauskas did advise me that the Eagle label was definitely associated with Rimrock, the latter pressing the Eagle products.

 

 

DON WHITNEY (incomplete bio statistics – he died in 1985) was a D.J. associated with Arkansas radio stations KLCN in Blytheville, then KOSE in Osceola (1957) ; he’s been too on WELO in Tupelo (MS), and cut a whole string of boppers for 4*. Where he cut them ? Probably Nashville. I chose from 1950 « Red hot boogie » (# 1471), call-and-response format (girl chorus). Steel and piano are barely audible, while the guitar player does a too short but wild solo. « Move on blues » (# 1588) from 1951 is a fine bluesy tune over a boogie guitar. Discreet steel and piano.

don whitney pic

4* 1471 don whitney  red hot boogie4* 1568 whitney - move on blues

 

« Red hot boogie« download

« Move on blues« download

 

 

On Adco records (# 781), cut in Cincinnati, OH, next comes GLEN CANYON and a rocker from 1965, « I won’t be able to make it » : a shrilling guitar thoughout, and the disk is valued $ 50 to 100. I couldn’t locate the flipside « Still in love with you », reputedly a bopper. Canyon appeared also on Acorn and Boone (Kentucky).

« I won’t be able to make it« download

adco 781 glen canyon - I won't be able

 

 

 

The Sandy label out of Mobile,AL. is interesting for many records issued between 1957 and 1962 and highly revered by Rockabilly/Rock’n'roll buffs : do Ronny Keenan, Happy Wainwright, Jackie Morningstar (« Rockin’ in the graveyard »), Ray Sawyer (« Rockin’ satellite ») or Darryl Vincent (« Wild wild party ») ring each a bell to you ? Well, the label also had its hillbilly boppers, like Johnny Foster (more on him next fortnight, late January 2016) or WADE JERNIGAN. Both his sides (# 1010) are high quality boppers penned by label bossman Johnny Bozeman in 1958. « Road of love », medium paced, has a very « hillbilly » type vocal (high pitched at moments), over a prominent fiddle and good steel, while its flip « So tired » uses the same format, just a little bit slower. A good record for Hillbilly lovers.

« Road of love« download

« So tired« downloadsandy 1019 wade jernigan - road of lovesandy 1010 wade jernigan - so tired

Now on to Louisiana. The Khoury’s label began activities in 1951 to cease them in 1955 (last known is # 647, « Lu Lu boogie » by Nathan Abshire, which I owned moons ago before selling it – I am biting my fingers now..). We find here on # 700B (not in numerical order, this one is from 1954) a fabulous Cajun wildie « Louisiana stomp » by LEBLANC’S FRENCH BAND (an unidentified singer yells and encourages by his yells the whole fiddle led orchestra). Reverse is by Eddie Shuler, the founder of Goldband. Second La. selection : by GENE RODRIGUE, who had other releases on Folk-Star, Houma and Rod (the Cajun Rockabilly « Little cajun girl » from 1959). Here is his « Jole fille » (Meladee 101, cut in New Orleans), full of energy and « joie de vivre », Cajun style. Nice fiddle, steel and piano. This comes from the late ’50s apparently.

khoury's 700B le blanc's french band - louisiana stompmeladee 101 gene rodrigue - jole fille

 

« Louisiana stomp« download

« Jole fille« download

More from Louisiana with PAL THIBODEAUX (also known as Little Pal Hardy on Imperial) and « Port Arthur boogie » (Sky Line OP-154). Call-and-response, sung in French and English. Fiddle solo, sympathetic backing, two good guitar solos encouraged by the singer a la Bob Wills.
« Port Arthur boogie« download

sky line OP-154 pal thibodeaux - port Arthur boogie

 

You ask for yodeling ? Here it’s ROBERT LUNN (billed as « The Talking Blues Boy ») in late 1947. He cut I don’t know where (I suspect North of the States) the marvelous « Yodeling blues », slow’n'easy – fiddle, ‘blues’ lyrics, guitars, and spoken vocals, a dream…On Mercury 6104.

robert Lunn pic2

Robert Lunn

mercury 6104 robert lunn - yodeling blues« Yodeling blues« download

GEORGE GREEN & The Missouri Ranch Boys comes next with a good 2-sider on Zeylon . The medium paced « I don’t love you anymore » is backed by a welcome accordion, and sounds its late ’40s recording, although its prefix (J80W, an RCA pressing, dates from..1958). The flip « Be a little angel » is a jumping little thing, which grows on you at each playing. Good fiddle.

« I don’t love you anymore« download

« Be a little angel« download

Zeylon a J80 george green-I don't love you anymoreZeylon bJ80  george green - be a little angel
« Just because «  is a classic Sun side, only issued on RCA, by ELVIS PRESLEY. We conclude this fortnight with his version (RCA 47-6640, early 1956) and the original by the SHELTON BROTHERS (in the ’30s). Great lyrics. Elvis does a very fine job on it.

 

decca 46008 shelton brothers - just because

 

 

 

 

rca 6640 elvis - just because

 

Shelton Brothers « Just because« download

Elvis Presley « Just because« download

 

 

Sources : Somelocaluser blogspot (George Bowe, Wade Jernigan, George Green), Youtube for several tunes (Don Whitney – scans from 78rpmworld) ; Robert Lunn on a 3-CD compilation of country music on Mercury, picture from « hillbilly-music.com ». Hope you enjoy this selection. Comments welcome. ‘Till then, bye.

 

Note: important addition on Khoury records by Louisiana tireless researcher and faithful friend Wade Falcon (Feb. 5th, 2016):

I read your latest article on Leblanc on Khoury.  The musician is Floyd Leblanc.  Fiddle player that originated with Bennie Hess and Virgil Bozman and the Oklahoma Tornadoes.   Floyd had recorded the song Louisiana Stomp first with Virgil’s label O.T. Recording Company (#104-B)
After Virgil folded the label, Khoury who helped finance it, picked it up along with his artists and started Khoury and Lyric.   Khoury re-released the song on his label.  (700-B)
I actually know Floyd’s daugher.  Very nice person.
Also, Khoury’s 600 series label ended with #652 in 1955.  He started his 700 series again (which we’ll refer to as the « second 700 series »).  There, you have the 700-B side you mention in your blog with Shuler on one side and Leblanc on the other.  That lasted till about 1962.   His last Cajun in the series was #720 Pee Wee Broussard.
Thanks, Wade!
OT 104 floyd leblanc - louisiana stomp
Late December 2015 fortnight’s favorites: a merry bopping Xmas (thirteen selections, 1950-1963), y’all!
déc 15th, 2015 by xavier

For this Xmas 2015, as a gift, you faithful visitors of bopping.org will get 13 (yes, thirteen) selections, instead of the usual only 6 ; although for several months I gradually posted more and more tunes. Merry bopping Xmas to y’all !

 

 

« Deep Elem blues » was first recorded by the SHELTON BROTHERS (Bob & Joe on vocals and mandolin/guitar) in February 1935 in Chicago (Decca 5422), before the Prairie Ramblers gave their own version in August of the same year. The song refers to the black quarter in Dallas, where you need 50 $ because of the red headed women there. It was an immediate success, revived by others over the years, namely by JERRY LEE LEWIS, whose 1957 version remained unissued in the Sun archives for 40 years ! Same year saw the WILBURN BROTHERS‘ version (Decca 29887) : Doyle & Ted do a fine job on this song. Later on Jerry Garcia (Grateful Dead) and Levon Helm had their versions too, outside the scope of this blog, as they say.

decca 5422 shelton brothers - deep elem blues

sun 78 logo

Shelton Brothers « Deep Elem blues« download

Jerry Lee Lewis « Deep Elem blues« download

Wilburn Brothers (Teddy & Doyle) »Deep Elem blues« download Read the rest of this entry »

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