WADE HOLMES to begin comes from the East coast and was managed by Ben Adelman from Wahington, D.C. He is particular having records released only on (leased masters) Four Star, and budget Spin-O-Rama, Mount Vernon Music and Crown labels LPs, before during the Sixties on several issues on Adelman’s other labels : Sutton and Empire. I’ve chosen first his great rendition of Carl Smith‘s « Go boy go » from 1954 on Blue Ribbon 35-49. It’s pure Hillbilly rock, near Rockabilly. Second we have, from February 1954, the fast honky-tonker « You’re too tired (for me) » (4 * 1656), when Holmes had his own show on WPGC (Washington?). Finally here he comes once more with the superior (a great , great crisp lead guitar) « I’ll just pretend » from 1960 on the Almanac label (# 809), also backed by a fine fiddle (solo), and billed as « The singing truck driver ». No evidence at all he’s had converted himself as such with more truckers’ songs.
« Go boy go«
« You’re too tired (for me)« http://www.bopping.org/wp-content/uploads/2015/03/08-Wade-Holmes-Youre-Too-Tired-For-Me.mp3download
« I’ll just pretend« http://www.bopping.org/wp-content/uploads/2015/03/Wade-Holmes-Ill-Just-Pretend.mp3download
From Kansas City , 1950 or 1951 on the copious Red Barn label (# RH 1166)(see Allan Turner’s Hillbilly Researcher‘s blogsite for more info on this label), BOBBY COOK & BUDDY NELSON, « The Texas Saddle Pals » have a brisk duet, with fine fiddle, a guitar solo and even a mandolin in « Big daddy blues ». A very lively track.
« Big daddy blues« http://www.bopping.org/wp-content/uploads/2015/03/red-barn-1166-A-Bobby-Cook-Buddy-Nelson-The-Texas-Saddle-Pals-Bad-Daddy-Blues.mp3download
From West coast in California in 1954/55, a well-known band leader on the Salinas area (radio stations KDON and KSBW), BASHFUL BOBBY WOOTEN on the Four Star (special serie) P 102, with one high-voiced MARTHA LOU GACHES for « Peeping Tom ». Gaches had also one issue on Pep (Bakersfield) and was at one time associated as vocalist with Big Jim DeNoone.Wooten had also one famous rocker « Goin’ deer huntin’ » in 1960 on the G.R.C. label and had two other issues on this 4* P serie.
« Peeping Tom« http://www.bopping.org/wp-content/uploads/2015/03/Bobby-Wooten-Martha-Lou-Gaches-Peeping-Tom.mp3download
Martha Lou Gaches
From Santa Claus, Indiana, in 1965 or 66, a great country rocker « Snuffy Smith » by JOHNNY ACTON on the Kasko label (# 1644). It has a weird steel solo (too short), good guitar and indeed drums. Acton was also, with the Acton Sisters, on his own (?) label in 1968 (# 703), for a solitary issue (« Just between you and I », a country record), from Indianapolis.
« Snuffy Smith« http://www.bopping.org/wp-content/uploads/2015/03/kasko-1644B-Johnny-Acton-Snuffy-Smith.mp3download
That’s all folks for this time. Enjoy the selections !
En route for this new April batch of Hillbillies and Country rockers. First from Louisiana, the fiddler LARRY BAMBERG (rn Bamburg) does the fine relaxed medium bopper « Cheating on me » from 1956 on the Mira Lewis’ Shreveport, La. Ram (Royal American Music) label # 104. It has a very young James Burton, quite unusually, on the steel guitar and Leon Smith at the piano. Bamberg, whose name was not easy to pronounce, changed it to Lincoln for the bluesy (with sax) equally fine « My baby went away », cut at Ram, but issued on his own Fido 011 label (not posted here).
« Cheating on me« http://www.bopping.org/wp-content/uploads/2015/04/Larry-Bamburg-Cheating-On-Me-236.mp3download
Next three tracks do come from Laeger W.Va. (at least the label) as late as 1969 by the one FLOYD FLETCHER on the F.A.F. label. « Daddy sings the blues » (# 26252) is a fast bluesy track with urgent vocal. « Move on down the track » does fetch to Rockabilly, while its flipside « You’re telling me goodby » [sic] is more in a sort of garage Honky-tonk vein (# 26282).
« Daddy sings the blues« http://www.bopping.org/wp-content/uploads/2015/03/ram-104-re-Larry-Bamburg-Cheating-On-Me.mp3download
« Move on down the track« http://www.bopping.org/wp-content/uploads/2015/03/F.A.F.-26253-Floyd-Fletcher-Move-On-Down-The-Track.mp3download
« You’re telling me goodby » http://www.bopping.org/wp-content/uploads/2015/03/Floyd-Fletcher-Youre-Telling-Me-Goodby.mp3download
RILEY WALKER next is no newcomer, as his « Uranium miner’s boogie » from 1955 is already a minor Hillbilly bop classic from Salt Lake City, Utah. See elsewhere in this site at the entry of his name. « It’s a little late (to come knocking on my door » goes by the same vein : a relaxed rural vocal, a nice steel throughout and a romping piano (# 703).
« It’s a little late« http://www.bopping.org/wp-content/uploads/2015/03/atomic-703-Riley-Walker.mp3download
Next and last tracks of this fortnight do come from the B-W label, presumably a Nashville one, in 1961. PHIL BEASLEY and « Itchin’ to love you » (# 624) : a nice crisp guitar over a decent country rocker. KENNY BIGGS and « There’s no excuse » (# 615) has a mellow steel, an harmonica and some chorus and sounds a bit poppish.
« Itchin’ to love you« http://www.bopping.org/wp-content/uploads/2015/03/B-W-62A-Phil-Beasley-Itchin-To-Love-You.mp3download
« There’s no excuse« http://www.bopping.org/wp-content/uploads/2015/03/B.W.-615-Kenny-Biggs-Theres-No-Excuse.mp3download
That’s all for this time, folks. Comments as usual are welcome.
We start with a fast bopper by RANDY WALKER, « If I held you in my arms » on the Ludwig 1004 label (1958). This label was named after Rod Morris‘ second name’s son and was located in Eureka, California. Any help to review the 16 sides issued by Morris on his label would be welcome !
PERK WILLIAMS is well known for his 10 years association as singer and fiddler with Jimmy Heap (Lasso, Imperial and Capitol sides, 1949-1959), and can be heard for best effect on « Release me », « Cat’n around », « That’s that », « Ethyl in my gas tank » and other boppers. See elsewhere in this site for Jimmy Heap. Here Perk Williams is backed by the Sidewinders for a solitary issue on the Twirl label # 103 out of Taylor, Texas. « Defeated » has a bluesy guitar, a very intense vocal, plus steel and fiddle solo. The flip side « Why the blues are blue » is a medium fiddle led ditty, again with this intense vocal. Both very nice sides.
Randy Walker, « If I held you in my arms« http://www.bopping.org/wp-content/uploads/2015/03/Ludwig-1004-Randy-Walker-If-I-Held-You-In-My-Arms-1958.mp3download
Perk Williams « Defeated« http://www.bopping.org/wp-content/uploads/2015/03/Defeated1.mp3download
Perk Williams « Why the blues are blue« http://www.bopping.org/wp-content/uploads/2015/03/Why-The-Blues-Are-Blue.mp3download
Next artist is something of a mystery. Last time I heard of him was as part of the Dixieland Drifters, out of Chattanooga, Tennessee, in the mid-60s. CHARLIE « Peanut » FAIRCLOTH was born 1927 in Georgia and was dee-jaying on Macon WNEX in 1950-51. Decca Records offered him a 4 tracks session cut in Nashville (April 1950), which I podcast 3 tracks on. First, the fast « F-O-O-L-I-S-H me, me » (Decca 46237), then the bluesy, lazy vocal of « Missississipi river blues » (Decca 46271), and its flipside the fast « Coffee, cigarettes and tears ». Both last tracks taken from a 78rpm I had sold a long time ago so no image available, only sound track. From this session only remains a version of Moon Mullican‘s « I’ll sail my ship alone« , never heard by Faircloth. On Youtube I found a 17 minutes snippet of a live show done at the Turner Club in Chattanooga, during the mid-60s. Nice sound and combination of tunes.
Charlie Faircloth, « F-o-o-l-i-s-h me, me« http://www.bopping.org/wp-content/uploads/2015/03/25-Charlie-Peanut-Faircloth-F-O-O-L-I-S-H-M-E-Me.mp3download
Charlie Faircloth, « Mississippi river blues« http://www.bopping.org/wp-content/uploads/2015/03/Charlie-Faircloth-Mississipi-river-blues.mp3download
Charlie Faircloth « Coffee, cigarettes and tears« http://www.bopping.org/wp-content/uploads/2015/03/Charlie-Faircloth-Coffee-cigarettes-and-tears-78-tours.mp3download
From Bloomington, Indiana comes JACK NOEL on Honey 1101. Hard to ascertain when this was issued, I’d say around 1955. « Ragged heart » has an accordion and the band singing chorus in unisson. Drunken Hobo says 1959!
Finally on Log Cabin 903 LEO GRAY does offer « After I have broke your heart », a good 1965 country-rocker, with a moving guitar, from Mt. Healthy, Ohio.
Jack Noel, « Ragged heart« http://www.bopping.org/wp-content/uploads/2015/03/honey-1101-Jack-Noel-Ragged-Heart.mp3download
Leo Gray, « After I have broke your heart« http://www.bopping.org/wp-content/uploads/2015/03/log-cabin-903-Leo-Gray-After-I-Have-Broke-Your-Heart.mp3download
courtesy Drunken Hobo
This time, very various records. SLIM DOSSEY hailed from Kentucky, but settled in Kirkland, Washington, late ’40s, where he had his own TV show. He was at one time a member of Smokey Rogers Western Caravan. Here you will find his Tubb (Ernest?) penned « Don’t stand just there« . on the JR (Seattle) label. Romping music!
Slim Dossey « Don’t just stand there« http://www.bopping.org/wp-content/uploads/2014/11/JR-1001-slim-dossey-dont-just-stand-there.mp3download
From Ohio, and in 1965, RALPH BUSH and the Brushwackers. He had one 4-track session for C-Flat (distributed by RCA), and three tracks are offered there. All fine Hillbilly boppers. « I’ve got the bluest feeling » (8543), « Troubles » (8544) and « My eyes don’t cry » (8545).
Ralph Bush « I’ve got the bluest feeling« http://www.bopping.org/wp-content/uploads/2014/11/c-flat-RALPH-BUSH-IVE-GOT-THE-BLUEST-FEELING.mp3download
Ralph Bush « Troubles« http://www.bopping.org/wp-content/uploads/2014/11/c-flat-8544-ralph-bush-troubles.mp3download Ralph Bush « My eyes don’t cry« http://www.bopping.org/wp-content/uploads/2014/11/RALPH-BUSH-MY-EYES-DONT-CRY.mp3download
From Washington state does come FRANK OLE’SHAY (real name Oleachea). With his brother Ernie, they had 12 issues on Four Star Blue Mountain OP- customs. Here are his best sides, »Love , love, love me, honey do » and « My baby’s not here in town tonight » (# 293) from 1958. Fine hillbilly rockers.
Frank Ole’shay« Love, love, love me, honey do« http://www.bopping.org/wp-content/uploads/2014/11/blue-mountain-OP-293-Frank-OleShay-Love-love-love-me-honey-do.mp3download
Frank Ole’Shay « My baby’s not here in town tonight« http://www.bopping.org/wp-content/uploads/2014/11/blue-mountain-OP-293-Frank-OleShay-My-babys-not-here-tonight.mp3download>
From Texas, COTTON THOMPSON (« Jelly roll blues« ) on Houston’s Freedom 1010. Thompson also had the great « How long » on Gold Star.
Cotton Thompson « Jelly roll blues« http://www.bopping.org/wp-content/uploads/2014/11/freedom-5010-cotton-thompson-jelly-roll-blues.mp3download
Jim Fullen « I’ve gone crazy« http://www.bopping.org/wp-content/uploads/2014/11/deluxe-2015-Jim-Fullen-Ive-Gone-Crazy.mp3download
Finally JIM FULLEN on the Deluxe label # 2015 and « I’ve gone crazy » from 1954. Fullen later recorded as Jimmie John, »Rosie’s back again » on Dot. It is not at all sure he’s the same Jimmie John who had « Solid rock » in 1958 on the Newark, Ohio, ZZ label.
Howdy folks, back from holydays. All the selections will be out by obscure artists. Once more uninspired, only music!
ED JUNOT on the Robstown, Texas O-T-O (One-Thousand-One) label comes first with « Give you’re love back to me » [sic]. Uptempo hillbilly fiddle led.
Ed Junot « Give you’re love back to me » http://www.bopping.org/wp-content/uploads/2014/09/O-T-O-Ed-Junot-Give-Your-Love-Back-To-Me.mp3download
Bill Guyton« I’ve got a little time for loving » http://www.bopping.org/wp-content/uploads/2014/09/pride-3000-Bill-Guyton-Ive-Got-A-Little-Time-For-Loving.mp3download
Then BILL GUYTON on the Pride 3000 label, « I’ve got a little time for loving ». Guyton had been vocalist on Curley Rash « Humble road boogie » (Macy’s). This is medium hillbilly bop with a touch of Starday feel.
Lefty Pritchett « Just an ole has been » http://www.bopping.org/wp-content/uploads/2014/09/Lefty-Pritchett-His-Country-Cats-Just-An-Ole-Has-Been.mp3download
An haunting « Just an ole has been » on Bama (not the Alabama label) # 0001 by LEFTY PRITCHETT. Hillbilly bop Memphis style.
Then the most recent track of the selection on Toppa 1098 from 1961 : «All those lies» by ELTON TRAVIS. Uptempo Country rocker.
JOHNNY GITTAR offers on High Time 173 « San Antonio boogie », obviously a Texas recording. Medium boogie guitar led and heavy drums.
Finally a train song, « I’m going to roll » by CURLY COLE on Gilt-edge 5029. Nice guitar and piano solo.
Elton Travis « All those lies« http://www.bopping.org/wp-content/uploads/2014/09/toppa-1098-Elton-Travis-All-Those-Lies-.mp3download
Johnny Gittar « San Antonio boogie » http://www.bopping.org/wp-content/uploads/2014/09/Johnny-Gitta-And-His-Targits-San-Antonio-Boogie.mp3download
Curley Cole, « Im going to roll« http://www.bopping.org/wp-content/uploads/2014/09/gilt-edge-Curley-Cole-Im-Going-To-Roll.mp3download
Howdy, folks !
First selection is a fine bopper (sincere vocal, strong rhythm and good fiddle, even pizzicato played) : « I was standing too close to a heartache » (sounds familiar?) by BILLY TIDWELL, who cut a very good version of « Folsom prison blues » on the White Deer, TX Ko Co Bo label in 1964.
Billy Tidwell, « I was standing too close to a heartache« http://www.bopping.org/wp-content/uploads/2014/08/Billy-Kidwell-I-was-standing-too-close-to-a-heartache.mp3download
Second odd issue is first ever Tommy Collins‘s song, « Campus boogie », when Collins was still known as LEONARD SIPES in his native Oklahoma. The song can be found on Morgan 106, and is very Hank Williams styled.
Leonard Sipes « Campus boogie« http://www.bopping.org/wp-content/uploads/2014/08/campus-boogie.mp3download
Then we enter in back-to-back series. JIMMIE DAVIS, also politician for Louisiana Governoship, cut a whole string of early boppers in the ’30s. Here I selected « You’ve been tom cattin’ around », issued on Bluebird in 1933.
A good 22 years later, CARL STORY had his own version, although the mandolin player is himself, on Columbia 21444 (1955). The flipside is the equally good, Rockabilly style, « What a line ». Strong boogie guitar, a fiddle solo. Really a masterpiece.
Jimmie Davis « You’ve been tom cattin’ around »
Carl Story « You’ve been tom cattin’ around »
« What a line » derives from the original by JIMMIE WIDENER, who had this on his first King session in 1946 (# 536B) on the West coast, backed by such luminaries as Joaquin Murphy on steel or Jimmy Wyble on electric guitar. Harold Hensley is also present on fiddle, and co-wrote the song with Merle Travis. Widener had had been vocalist for Tex Williams, Spade Cooley and Bob Wills.
Jimmie Widener « What a line! » http://www.bopping.org/wp-content/uploads/2014/08/JIMMIE-WIDENER-What-A-Line-KING.mp3download
Clyde Moody « Whatta line« http://www.bopping.org/wp-content/uploads/2014/08/Clyde-Moody-Whatta-line.mp3download
Carl Story « What a line« http://www.bopping.org/wp-content/uploads/2014/08/Columbia-21444-Carl-Story-What-A-Line.mp3download
The song was revived first in 1953 by CLYDE MOODY on Decca. Usual style. Moody does it fast, with fiddle and guitar solo. Then in the mid-60s by GLENN THOMPSON, the most obscure artist of them all, who came from North Carolina. Guitar player is modern, but has a fine bluesy solo.
Glenn Thompson, « What a line »http://www.bopping.org/wp-content/uploads/2014/08/tornado-T-101-Glenn-Thompson-What-A-Line-.mp3download
Main source for this issue: Internet.
Hope you’re all well and ready to visit some more boppers and rockabillies. The name JAMES MASK isn’t that familiar (he had not big hits), although he appeared on Bandera (Illinois), Arbet (Tennessee, « I miss my teen angel », a teen rocker), and later (1972) on MGM-Sound of Memphis (the country rocker « Humpin’ to please »).
Here we find him on the Pontotoc, MS (where he was born in 1932 – Tupelo area) Tom Big Bee label (# ) with a fine early ’60s version of the Rocky Bill Ford‘s classic, « Beer drinkin’ blues ». Honest country rocker. He had some tunes (unissued in the ’50s) on an old White label LP 2305 « Mississipi R’n'R ». The Dutchman wrote there that Mask was backed by his two brothers Charles and Willie.
James Mask « Beer drinkin’ daddy » http://www.bopping.org/wp-content/uploads/2014/06/tom-big-bee-James-Mask-Beer-Drinking-Blues.mp3download
Let’s stay in Mississipi with an otherwise very well known artist, at least in Europe (he drives, latest news, a taxi at Chicago Int’l Airport), Mr. HAYDEN THOMPSON. I offer his first record, on the Booneville, MS, label, Von [which issued Lloyd McCollough and Johnny Burnette's first records,] « Act like you love me« b/w « I feel the blues coming on« . (original in 1951 by Elton Britt, although not credited on the label) Great slow Hillbillies, whispering vocal over confident backing. Same last tune was done (but it’s a different song) by Loy Clingman on the Arizona Elko label in 1956. Penned byLee Hazlewood, it’s a soft Country-rock effort. The third Thompson track is taken from his sessions at Sun in Memphis, and he retains the same feeling with « Blues, blues, blues » (U.K. Charly 605B) – although more echo, as usual from Sam Phillips’ manner.
Hayden Thompson, « Act like you love me« http://www.bopping.org/wp-content/uploads/2014/06/Act-Like-You-Love-Me.mp3download
Hayden Thompson, « I feel the blues coming on« http://www.bopping.org/wp-content/uploads/2014/06/I-Feel-The-Blues-Coming-On.mp3download
Hayden Thompson, « Blues, blues, blues« http://www.bopping.org/wp-content/uploads/2014/06/605B-Hayden-Thompson-Blues-Blues-Blues1.mp3download
Elton Britt « I feel the blues coming on » (RCA, 1951)http://www.bopping.org/wp-content/uploads/2014/06/Elton-Britt-I-feel-the-blues-coming-on.mp3download
Let’s get up north in Lancaster, KY, and with HAROLD MONTGOMERY. His fine sides on Sun-Ray were documented in the site (see « Sun-Ray » label). Here he comes once more with a good side, similar style, on Wolf-Tex 103, « How much do you miss me », from the ’60s. Great mumbling vocal, similar to early Elvis!
Way north a little further. Muncie, Indiana on the Poor Boy label. A small one, but important artists, the best known being its owner Wayne Raney (« We need a whole lot more of Jesus (and a lot less of Rock’n'Roll »!) ; others are the Van Brothers (« Servant of love », to name only one) and Les & Helen Tussey (already recently posted in fortnight’s favorites).
Harold Montgomery, « How much do you miss me« http://www.bopping.org/wp-content/uploads/2014/06/wolf-tex-103-Harold-Montgomery-How-Much-Do-You-Miss-Me.mp3download
The artist was named DANNY BROCKMAN & the Golden Hill Boys, on Poor Boy 107. First side is Hillbilly bop, « Stick around » from 1959, when Brockman was D.J. at WTMT in Louisville, KY. Great Starday sound, a powerful rhythm guitar, great interplay between lead guitar and steel during the solo, fabulous (altho’ too short) fiddle solo. A ‘must ’ record for Starday sound lovers. The flipside is sung in unisson duet with a certain Carl Jones. Nothing exceptional with « Don’t you know it’s true », a real Everly Bros. -alike. With fine steel and fiddle solos. Brockman also appeared on Dixie 859 (« Big big man »), more on him in a future fortnight.
Danny Brockman, « Stick around » http://www.bopping.org/wp-content/uploads/2014/06/poor-boy-107-Danny-Brockman-And-The-Golden-Hill-Boys-Stick-Around-.mp3download
Danny Brockman & Carl Jones, « Don’t you know it’s true« http://www.bopping.org/wp-content/uploads/2014/06/Poor-boy-107B-Danny-Brockman-Carl-Jones-Dont-You-Know-Its-True.mp3download
Finally in Omaha, Nebraska (frontier to Canada). 1958, with the wild double-sider « The itch/Baby doll » by CARL CHERRY on the Tene label. « Baby doll » is a typical White doo-wop rocker, good although average. THE side is the garage Rockabilly « The itch » (Tene 1023), prettily sensual. Cherry has got the feel and itch, and the drummer and lead guitar player (RaB HOF says the guy was legally blind!) too ! Fantastic garage sound…They don’t play this way anymore, even with the wilder neo-rockabilly European bands.
Carl Cherry & Wild Cherries, « The itch » http://www.bopping.org/wp-content/uploads/2014/06/Tene-1023B-Carl-Cherry-The-Itch.mp3download
Carl Cherry & Wild Cherries, « Baby doll » http://www.bopping.org/wp-content/uploads/2014/06/tene-1023A-CARL-CHERRY.-BABY-DOLL..mp3download
Carl Cherry & Wild Cherries
Howdy folks ! Hope you will enjoy those selections of the present fortnight. Now it’s very hot in southern France, so is the music I choose.
From Harrington, KY., do come GORDON SIZEMORE on the Alvic label (no #. Thanks Mr. Dean C. Morris for the scan of the label!). « Waddlin baby » [sic] is a Country, near Rockabilly from 1962. The voice of the singer is nasal and sounds a little old. The guy must have been the perfect Country boy. He his backed by (apparently) two brothers, Johnny and Casey Jones. One of them does a fine fiddle solo. The record, if you find it, will cost you between $ 100 and 200 !
Gordon Sizemore « Waddlin baby »http://www.bopping.org/wp-content/uploads/2014/06/alvic-Gordon-Sizemore-Waddlin-Mama.mp3download
Tom Wilson « Why’d you pick on me »http://www.bopping.org/wp-content/uploads/2014/06/cool-135B-Tommy-Wilson-Whyd-You-Pick-On-Me.mp3download
To learn more about the COOL label, go to Dean C. Morris blogsite: http://anorakrockabilly45rpm.blogspot.co.uk
On the Harrison, NJ. Cool label (# 135B) we go now to TOM WILSON and « Why’d you pick on me », a fast Rockabilly flavored Country rocker, with fine slapping bass. The name of the singer sounds familiar to me, I know at least another Tom Wilson on the Crest label out of California, surely a different person. The disc is from 1960.
Next two tracks are sung and played by BUDDY ALLEN and his Drifting Vagabonds on the Driftwood label (# 1001) from Waynesboro, PA. « Driftwood on the river » is the side for hillbilly bop fans : a medium paced ditty, with a nice mellow voice, backed by a fiddle and steel-guitar (a solo). A great record from, I’d say, 1955. Allen had another issue, « Allegheny moon » on Driftwood 1002 (untraced)
The flipside is totally different. « God loves His Children » is a fast sacred hillbilly with a good touch of bluegrass : a mandolin solo per example. Hear the most the great falsetto vocal ! Is the singer the same Buddy Allen who did « Shine, shave, shower » on Tennessee 748?
Buddy Allen « Driftwood on the river »http://www.bopping.org/wp-content/uploads/2014/06/DRIFTWOOD-1001A-Buddy-allen-driftwood-on-the-river.mp3download
Buddy Allen « God loves His children »http://www.bopping.org/wp-content/uploads/2014/06/DRIFTWOOD1001B-buddy-allen-God-loves-his-children.mp3download
From Louisiana next two tracks by a relatively famous HOLLIS ALBIN, for the minor classic « Vee-eight Ford boogie » on the Hammond label, out of Baton Rouge (1959). Loud drums, nasal vocal, topical lyrics, all these make of the track a gem, a classic. (# 106A). The flipside is, in my mind, equally good, altho’ in a different manner. « Uncle Earl don’t stand alone » is a medium hillbilly bop, with a backing of banjo and fiddle, over amusic lyrics.
Hollis Albin, « Vee-Eight Ford boogie http://www.bopping.org/wp-content/uploads/2014/06/hammond-106-HOLLIS-ALBIN-Vee-eight-Ford-Boogie.mp3download
Hollis Albin, « Uncle Earl don’t stand alone »http://www.bopping.org/wp-content/uploads/2014/06/hammond-106B-HOLLIS-ALBIN-Uncle-Earl-Dont-Stand-Alone-.mp3download
Finally two tracks by the legendary PRAIRIE RAMBLERS. They were Texans, but recorded (during a tour?) in NYC for the ARC label. First « Gonna have a feast here tonight » (on the reissue label Melotone 13412-B) is an exuberant number sung by Salty Holmes, who holds also the harmonica. Tex Atchison plays the fiddle. The orchestra sings in unisson on this song cut on April 18, 1935. Second, their greatest classic, « Deep Elem Blues » (about the events in the ‘hot’ quarter of Dallas) cut on August 15, 1935, has clarinet (solo), banjo, fiddle. The whole thing is a mess! (Melotone 5-11-51). What a slap bass, by Jack Taylor, ahead by 20 years on Sonny Fisher‘s « Rocking Daddy »…Same session saw also the first cut of « Just because« , later sung by Elvis on Sun!
Prairie Ramblers, « Gonna have a feast here tonight »
Prairie Ramblers, « Deep Elem blues »
Enjoy the selections, you can always post comments, corrections or additions. If you prefer a direct link, go to my email address : firstname.lastname@example.org. Bye, till next fortnight.
This time we focus on 3 artists only. First DARNELL MILLER, who has enjoyed a comfortable Country music career for 5 decades in W. Va (a long-time affiliate to the famous WVA Jamboree), is present here with three of his early records. On the Dale label (a Starday custom) # 630 from Bluefield, W.Va, in May 1957, he released a very honest medium-paced hillbilly (fiddle present) with « Gettin’ out of the woods« . Two years later, he was to have two nice Country-rockers on the main Starday serie (in the meantime, he had been presented to Don Pierce, boss of the label, in Nashville). He delivers the energetic « Royal flush » (Starday 422) as well, several months later, the equally nice (where he seems to double his voice over) « Back to you » (Starday 459). Later on, he cut many, many records until his retirement early in the 2000s.
Darnell Miller, ’90s
Darnell Miller « Gettin’ out of the woods » http://www.bopping.org/wp-content/uploads/2014/05/630-B-Dale-Darnell-Miller-Gettin-out-of-the-woods.mp3download
Darnell Miller « Royal flush » http://www.bopping.org/wp-content/uploads/2014/05/starday-422-Darnell-Miller-Royal-Flush-.mp3download
Darnell Miller « Back to you » http://www.bopping.org/wp-content/uploads/2014/05/07-Darnell-Miller-Back-To-You.mp3download
The second artist presented here has no biographical data. BILL DUDLEY had cut in Nashville a good amount of records from 1953 to 1972 (in Canada) then disappeared from Dick Grant’s antennas. I’ve chosen the nice hillbilly released in November 1953 by Capitol (# 2662) « If I cry« . All in all, he recorded between 1953 and 1954 thirteen tracks for this label, which issued 4 singles. The next track by him is the fine Country-rocker « Oh please Mr. Conductor » on the Todd label (# 1046) from 1959. This tiny label issued several good disks during this period by Lee Bonds, Jimmie Fletcher or Jericho Jones, to name the most well-known in the Hillbilly bop/Country-rock field.
Bill Dudley « If I cry » http://www.bopping.org/wp-content/uploads/2014/05/capitol-2662-bill-dudley-if-I-cry.mp3download
Bill Dudley « Oh please Mr. Conductor » http://www.bopping.org/wp-content/uploads/2014/05/Bill-Dudley-Oh-Please-Mr-Conductor-TODD-Records.mp3download
Down in Louisiana, I will dwell on JOEY GILLS upon. A protégé of Jay D. Miller, and né Joseph Guillot, he hailed from Thibodeaux vicinity, La. where he was born on a farm in 1929 (died 2013).A relative to Cajun superstar Johnnie Allan, during the early ’50s, he often gigged with Rusty & Doug, and he sounded so much as Hank Williams that J. D. Miller often used him to test new songs. Here it is his first record from 1953-54 « Hey Meon » (Feature 2002), cut in Crowley, La (J. D. Miller studio): Gills is backed by Lonnie Jones (later known as « Lazy Lester« ) on washboard, Johnny on steel (Miller can’t remember his full name) and Wiley Barkdull on piano for a very good waltz-paced ditty, partly sung in French. In February or March 1956, he cut 4 tracks for Mercury, either in Crowley, or in Nashville, which included the great medium boppers « (I am) Like a dog without a bone », « My name is Joe » and « Consolation prize« . From then on, Gills had his own radio show in Thibodeaux on KTIB, but recorded only this song (found on Youtube).
Joey Gills: « Hey Meon » http://www.bopping.org/wp-content/uploads/2014/05/feature-2002-Joey-Gills-Hey-Meon.mp3download
Joey Gills « Like a dog without a bone » http://www.bopping.org/wp-content/uploads/2014/05/Joey-Gills-Im-Like-A-Dog-Without-A-Bone-1956.mp3download
Joey Gills « My name is Joe » http://www.bopping.org/wp-content/uploads/2014/05/06-My-Name-Is-Joe-Joey-Gills.mp3ref= »http://www.bopping.org/wp-content/uploads/2014/05/06-My-Name-Is-Joe-Joey-Gills.mp3″ target= »_blank »>download
Joey Gills « Consolation prize » http://www.bopping.org/wp-content/uploads/2014/05/Consolation-Prize-Joey-Gills.mp3download
Joey Gills « Baby, leave your troubles at home » http://www.bopping.org/wp-content/uploads/2014/05/Baby-Leave-Your-Troubles-At-Home-Joey-Gills.mp3download
Howdy folks! Many thanks to the 80.852+ visitors of this site since February 2009. May anyone find what he/she searches here in Hillbilly bop and Rockabilly music!
First, a minor classic on the 4 * label (# 1647) from 1955, by the prolific FRANK SIMON, « The West Virginia Country Boy ». Here he does his most famous song, « Sugar plum boogie« , fine boogie guitar, lotsa energy. This is almost Rockabilly in spirit. Without doubt a guy to look for. He even had an LP (late 50s) on Audio-Lab.
Frank Simon, « Sugar plum boogie » http://www.bopping.org/wp-content/uploads/2013/10/4-Frank-Simon-Sugar-plum-boogie-repris.mp3download
Then, again on 4*, two 1957 sides by an otherwise unknown artist to me, JAY T. STARR (# 1708). First, « Wa-na-chee« , an ethnic Indian Bopper, very solid. The flipside does slow things a bit, but nearly not with « Darker clouds ahead« . A good record.
Jay. T. Starr, « Wa-na-chee » http://www.bopping.org/wp-content/uploads/2013/10/4-STAR-1708-x-45-Jay-T.-Star-Wa-Na-Chee-57-Indian-Bop-KILLER-Hillbilly-style.mp3download
Jay T. Starr, « Darker clouds ahead » http://www.bopping.org/wp-content/uploads/2013/10/4-Jay-T-Starr-Darker-Clouds-Ahead-stereo.mp3download
Way up north (Indianapolis) on the Nabor label. BOB HILL does « This old train« , a very enjoyable variation (with train effects) on this inexhaustible theme of trains. (# 105, 1956)
Bob Hill, « This old train » http://www.bopping.org/wp-content/uploads/2013/10/nabor-105-Bob-Hill-This-Old-Train.mp3download
From Tennessee, as his name implies, ERNIE LEE and the Southerners, for the fine and idiosyncratic Tennesseee song: »You’re next door to heaven when you’re in Tennessee » on RCA-Victor 21-0158.
Ernie Lee « You’re next door to heaven when you’re in Tennessee » http://www.bopping.org/wp-content/uploads/2013/10/rca-21-0158-Ernie-Lee-and-his-Southerners-Youre-next-Door-To-Heaven-When-Youre-In-Tennessee-1.mp3download
Later in the ’50s, HOUSTON BARKS belts out his Country-rocker « She’s gone » on the Buck & Sunny label (101).
Houston Barks, « She’s gone » http://www.bopping.org/wp-content/uploads/2013/10/buck-sunny-101-Houston-Barks-Shes-Gone1.mp3download
Finally, from 1961, a fine country-roker in its own right: « You’re for me » by BUCK OWENS on Capitol (here it’s a reissue, # 6038). Nice steel (Ralph Mooney) and backing (Don Rich on fiddle, George French at the piano).
Buck Owens, « You’re for me » http://www.bopping.org/wp-content/uploads/2013/10/Buck-Owens-Youre-For-Me-repris.mp3download
Here is a download link for 3 tracks. In the future, there will be a complete link. Still got some technical problems. They are there to be solved. Bye bye!