Late September 2016 bopping fortnight’s favorites

This is late September 2016 fortnight’s bopping favorites. As prettily usual, I selected a dozen songs which I feel interesting both for their obscurity and/or their appeal. The songs range from early-to-mid ’50s to very early ’60s. Let’s begin on the West coast with the very elusive TOM (Red) WILSON & His Country Music. He sings in the W.C. Western swing manner, added by a tight little combo of steel, piano and guitar, plus bass of course. First two selections combine both sides of his release on Crest 1007 (which was an outlet of Liberty). «Can you bop ?» (with female replica and jive-talk) tells everything. It’s a shuffler from 1955, with a strong Speedy West-styled steel, inked by Cal Veale, a name which crops from time to time on W. C. records.. The flip « Hillbilly parade » keeps the long established tradition of stringing some well-known Western songs. According to the songs cited, one can recognize T. Ernie, Webb Pierce and Ernest Tubb. Nice fiddle. There’s even a fat-bodied guitar picking solo which must be by Merle Travis himself ! Terry Fell had cut previously (1953) on Gilt-Edge 5084 his « Hillbilly impersonations« ; but 12 artists were involved then in place of the half-a-dozen by Tom Wilson.

crest 1007 tom (red) wilson - can you bop?

crest 1007 tom (red) wilson - hillbilly parade

« Can you bop? »

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« Hillbilly parade »

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Terry Fell & The Fellers (Gilt-Edge 5084, 1953) « Hillbilly impersonations »

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gilt-edge 45 5084 terryfell - hillbilly impersonations


The second release is really disappointing, both « Lonesome seagull » and « It’s me again » (Crest 1020) are weepers.

« Lonesome seagull »

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« It’s me again »

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Next artist is a bit of a mystery. BOB TUCKER & His Sky Riders (vocal chorus by Virgil Hume) don’t give any clue of origin neither date of release. Tucker (neither Hume) never had another record, at least to my knowledge. They do a bopping tune « Quit draggin’ your feet » and a quieter side on « My tears are dry » released on State 4002 B/A. Both feature a really wild and inventive steel, and the singer does a really fine job on the supercharged « Quit » side. The record may date from the 1953/54 era.

« Quit draggin’ your feet »

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« My tears are dry »

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state 4002b bob tucker - quit draggin your feetstate 4002a bob tucker - my tears are dry

 

On to a well-known name, for a not so well-known good Country bop song. DALE HAWKINS was no longer in 1961 with Chess Records, and his days of fame were over, when he cut (with Roger Miller on guitar) the nice and, apparently, autobiographical,         « Wish I hadn’t called home » for Tilt 783.

tilt 783B dale hawkins - wish I hadn't called home

 

« Wish I hadn’t called home »

Two visitors are categoric: Hawkins plays guitar while it’s Miller singing. Thanks, chaps!

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Then VIRGIL HUNT (a repost of as early as May 2012). « Can’t we try again » is a fast 1957 hillbilly bopper, with fiddle and guitar solos issued on Boot Heel 604 [did I write the label’s name right, Dean?], apparently a Tennessee label. Now you get a complete and nice label scan..

« Can’t we try again »

downloadboot heel 604 virgil hunt - can't we try again

On the small Livingston, TN. Breeze label (# 401), on to female Rockabilly with SHARIET SEXTON for « Since baby put me down ». Great hick/hip vocal !

breeze 401 scarlet sexton - since baby put me down

« Since baby put me down »

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Finally another Rockabilly, although fiddle and steel present (solos) from Louisiana in 1959 : BOB PREDDY and « Hold what’cha got » on Buddy [not the Texas label] # 2002.

 

« Hold what’cha got »

downloadbuddy 2002 bob preddy - hold whatcha got

Sources : as usual, a great percentage of YouTube ; my own researches (Google, 45rpm-cat) ; thanks to Allan Turner for Bob Tucker A-side. 

Early September 2016 bopping fortnight’s favorites

Back from Summer holidays, we begin with the incomparable MERLE TRAVIS with a little known opus cut on December 4, merle travis1952, « Louisiana boogie » (flipside « Bayou baby »), which permits the pianist Billy Liebert (long-time musician at Capitol sessions) to shine with a boogie 12-bar pattern. This side can be found on Capitol # 2902. Two fiddles are also heard, these of        « Buddy Roy » Roy and Margie Warren, while Travis is in good form both on guitar and vocals.

« Louisiana boogie »

download   capitol 2902 travis - louisiana boogie

 

 

lou graham pic

 

 

 

 

 

 

 

 

 

LOU GRAHAM was one of the earlier rockabilly-style artists to show up on record, courtesy of Ivin Ballen’s Philadelphia-based Gotham Records. Born in rural North Carolina, and one of 10 children, his full name may have been Lou Graham Lyerly. He showed an early interest in country music, and following a hitch in the United States Navy, he entered radio as a singer and disc jockey. Vocally, he was similar to his somewhat older contemporary Hank Williams. Graham spent 18 months at WPWA in Chester, PA, he made the acquaintance of Bill Haley, leader of a locally-based country band called the Saddlemen, who helped Graham get a recording contract with Gotham. Graham cut « Two Timin’ Blues » and « Long Gone Daddy » at a 1951 session with an unknown backing band, but early the next

« Please make up your fickle mind »

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« My heart tells me »

downloadgotham 433a lou graham- please make up your fickle mindgotham 433b lou graham- my heart tells me

year, he was backed by Bill Haley‘s Saddlemen on a quartet of sides, « I’m Lonesome, » « Sweet Bunch of Roses« , « Please make up your fickle mind » and « My Heart Tell Me. » all issued on Gotham 429 and 433. Graham kept busy working as a deejay at WTNJ in Trenton, NJ, and on television as an announcer, on WDEL in Wilmington, DE. By the late 1950’s, he was also working regularly in nightclubs, parks, and western jamborees playing country and hillbilly music, playing on the same bills with Webb Pierce, Hank Thompson, and Ernest Tubb. In 1957, he made his most lasting contribution to recordings with his single « Wee Willie Brown » for the Coral Records label.

Salty Holmes and Jean Chapel

court. Imperial Anglares

 

SALTY (HOLMES) & MATTIE (O’Nell) had a long, long career, either as single artists, either in duet, like with this « Long time gone » (M-G-M # 11572, recorded July 7th, 1953). In fact, Salty only wails his harmonica, while Mattie has the vocal duty on this marvelous fast Hillbilly bopper (good picking guitar a la Merle Travis and a steel reminiscent of Hank Williams’ Don Helms). Of course Mattie O’Nell was also known (RCA, Sun) as JEAN CHAPEL.

 

 

 

« Long time gone »

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mgm 11572 dj salty & mattie - long time gone(11-7-53)

 

 

We jump in 1963 on the K-Ark label # 296 (Cincinnati, OH) with HARVEY HURT and his « Stayed away too long ». An aggressive vocal on the front of a chorus (handclaps during the solo), and a nice guitar+steel solos, make this a very agreeable record, even not listed in 45rpmrecords.com.

From Avery, Texas, Chucklin’ CHUCK SLOAN offers his « Too old to Rock’n’roll » (Cowtown # 806) cut in 1961 . A fast Rockabilly/Country-rock novelty issue : very, very fine guitar, indeed influenced by blues guitarists. The song appeared long ago on a Swedish Reb bootleg.

k-ark 296 harvey hurt - stayed away too long (63)

« Stayed away too long »

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« Too old to Rock’n’roll »

download  cowtown 806 ch. Chuck sloan - too old to R&R(61Avery Tx)

More from Fort Worth, Texas in 1958 on Majestic (# 7581). J. B. BRINKLEY (aka Jay Brinkley) gives a splendid bluesy                « Buttermilk blues »: really biting and agile guitar, backed by a solid piano, over a powerful voiced singer.

« Buttermilk blues »

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 majestic 7581 J.B. Brinkley - buttermilk blues(FtWrth58)

Brinkley also had previously issues on Dot (# 15371 « Crazy crazy heart/Forces of evil » – both pop rockers) in March 1955, and Algonquin 712/3 (a New York label) (« Go slow baby », a fine bluesy rocker, with a thrilling guitar) in 1957, plus some instrumentals. first on Kliff 100 (1958) , the good « Guitar smoke » which reminds one of Bill Justis‘ monster « Raunchy » ; then on Roulette 4117 (« The creep/Rock and roll rhumba »).

« Go slow baby« 

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« Guitar smoke »

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alconquin 712 go slow babyklliff 100 jay brinkley guitar smoke


Brinkley had actually begun his career as singer/guitarist fronting the Crystal Springs Ramblers in 1937 for « Tell me pretty mama », Vocalion 03707) with Link Davis on fiddle, and a full Western swing combo. More with the Light Crust Doughboys in 1941, or backing (electric guitar) Patsy Montana for her 1941 Decca sessions. He even cut at a Al Dexter session in 1941. Seems he was in great demand..He was part of recordings in the Dallas/Fort Worth area by the number of litterally hundreds during the ’50s and ’60s. Just an example : Andy Starr on his Kapp sides (« Do it right know ») from 1957. The perfect replica to Houston’s Hal Harris !
vocalion 03707 crystal spring ramblers - tell me pretty mama

 

DAYTON HARP cut records as soon as 1952: his « Foot loose and fancy free » (Gilt-Edge 5038) is a good dayton harp bopper with excellent mandolin over a really ‘hillbilly’ vocal. He hailed from Florida, and he recorded there a duet (with Dot Anderson who gives Harp the replica) in 1958 for the Star label (# 695) « Man crazy woman » : a nimble guitar and a too short steel solo. A really good record. The flipside sees Harp alone : « You’re One in a million » is a fine uptempo ballad with the same instrumentation (really good guitar!). Both these tracks were issued as Starday customs.

« Foot loose and fancy free »

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« Man crazy woman »

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« You’re one in a million »

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gilt-edge 5038 dayton harp- foot loose and fancy free(51)

 

star 695a dayton harp (dot anderson) man crazy woman(58,Fla)star 695-B dayton harp - you're one in a million (58)

 

Sources : the Capitol label discogaphy (Michel Ruppli a.o.) ; 45rpmrecords.com ; YouTube ; Terence Gordon’s Rockin’ Country Style ; 45-cat ; rocky52.net ; Tony Russell’s « Country music » (1921-1945) ; Bruce Elder’s Lou Graham biography on Allmusic.com.

Early August 2016 bopping fortnight’s favorites

Early August 2016 bopping fortnight’s favorites

Howdy folks ! Very different things this time, and the recordings do go from 1936 until 1960.

 

Let’s begin with the unknown (surely a one-offer) GLENN KIRBY and his good, gentle shuffler « I love blue eyes » issued in Texas on TNT 138 in July 1956. A steel and piano solo plus throughout fiddle, although nothing exceptionnal.

« I love blue eyes »

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« Triflin’ heart »

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« More & more »

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tnt 138 glen kirby - I love blue eyes

 

 

bullet 749 short. ashburn - triflin' heartbullet 752 short. ashburn - more & moreSHORTY ASHBURN, our second artist, was equally unknown despite his 3 records issued on Nashville labels at the turn of 1950-51. Without doubt he only cut 4 songs at the same session for the Bullet label, which were issued upon # 749 « Triflin’ heart », a nice shuffler with piano and steel solos. The guitar player is rather uninspired (or too badly paid trying to shine). Ashburn went the same way with « More & more » (# 752) ; all his sides were written (or co-written) with Jimmy Rule, a mathematics teacher mostly famous for ghostwriting Hank Williams‘ booklet, « How to write folk and western music to sell ». The 3rd Ashburn record was written by Autry inman, who found himself in the position he had prophetically shown up, when he was arrested by the FBI in 1972 for bootlegging records : « You’re under arrest » was given to Ashburn and issued on the small Jamboree label (# 514).

pete_pike picturePETE PIKE is a rather well-known figure in Hillbilly and Bluegrass circles. His incomplete story was given in this site in January 2011, and many facts have been thrown to light since then. I’ve chosen the fabulous slice of Hillbilly bop from 1960, « Cold gray dawn », issued on Rebel (Maryland) # 228 : great steel and expressive vocal.

« Cold gray dawn »

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rebel 228 pike - dawn 18-7-60)

As a change, we move to March 1936 for a New Orleans session by MILTON BROWN & His Musical Brownies. The song may be vaudeville or poppish, the backing is splendid : nice fiddle by Cliff Bruner, and a fabulous lap-steel solo (40 seconds!) by the late Bob Dunn. The song is « Ida ! sweet as apple cider », originally on Decca 5325, and reissued on 46002 in 1946.

 

decca 46002B milton brown Ida!(5325,5-3-36) cider

« Ida! sweet as apple cider »

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musical brownies

Musical Brownies

 

 

 

 

 

 

 

From Metter, south of Georgia came Wallace and Charlie, the MERCER BROTHERS. They were young farmers and bought their first Sears & Roebuck guitar in 1939 with the money from picking cotton. They had soon after the WWII a show on WMAZ, then entered the Louisiana Hayride in April 1948, as The Blue Ridge Boys. Columbia signed them and recorded thecol 20978 mercer (wal & char) - what's he got (52) duet, augmented by the harmonica of Wayne Raney, in August 1951. After seemingly sufficient sales, they had a second session in May 1954, backed by Doyle Strickland on fiddle. They sounded like the Delmore Brothers. Here is their « What’s he got that I ain’t got » (Columbia # 20978), you can judge by yourself. After their departure from Columbia, they went to WIBB in Macon where they did alternate country and sacred radio shows.

« What’s he got that I ain’t got »

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The last artist was very young, only 18 and still in high school when he entered WRJW radio station in Picayune, MS. to record his double-sider for D Records in September 1958. Pappy Daily had a contact in Picayune, Fred Henley (the local Colonel Parker) who sent up for DOUG STANFORD. His record « Sady/Won’t you tell me » (D 1034) had a gifted guitar player, Billy Fred Stockstill, even younger than Stanford : « He could do that Chet Atkins stuff good as Chet », he said.

« Sady »

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« Won’t you tell me »

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Picayune_MS

d 1034A doug stanford - sadyD 1034B Doug Stanford - Won't you tell me

Sources : « A shot in the dark » boxset, notes by Martin Hawkins ; « The complete D singles…collection, volume 1 », notes by Colin Escott. « Columbia 20000 », the site of Willem Agenant. My own archives. YouTube and 45rpm-cat.

Late May 2016 bopping fortnight’s favorites

Let’s begin this new fortnight with a seemingly Virginian. CARLTON LINK had on the Freeman label (# 100) the fine uptempo bopper « Lovesick and sorrow », of unknown origin. But he issued a single on the Virginia Lark label in 1970 yet untraced (sound at least, even the actual label).freeman 1 carlton link - lovesickand sorrow

« Lovesick and sorrow« download

Then from Paoli, Indiana, on the Four Wheels label (# 0001) KENNY HOLIDAY with « Little heart don’t be disgusted » (1961) : an agreeable tune with a jumping little guitar.
four wheels 001 kenny holiday - little hear (61)t « Little heart don’t be disgusted« download

J. G. MORRISON had a fruitful career with no less than 3 aliases ! As previous, he cut two good ballads, « Ace in the hole » and « Old man honest » on the Texan Maridene label (# 103). Good piano vaguely a la Teddy Reddell. This must come from the early ’60s. The same artist was also simply Jim Morrison on Curley Q. in 1963 with a version of « Ace in the hole ». Finally he was also at the turn of the ’50s as CURLEY JIM the author of some fine Rockabillies, like this « Air force blues », a very strong Rockabilly from 1958, on Mida 100 from Florida.

 

 

« Ace in the hole« download

« Old man honest« download

« Air force blues« download
maridene 103 j. g. williams - ace in the holemida 100-B curleyjim - airforce blues

From probably the late ’40s and Canada, RAMBLIN’ LOU and the accordion led « Seashore blues » on the Ramblin’ Lou label (# 207). He also had « Cindy » on Beaver.

« Seashore blues« downloadramblin'lou 207AA ramblin' lou - sea shore blues

Down South in Houston, on the Gold Star custom serie, we find V. CECIL WILLIAMS on the Gilbert label (# 1004/1005) for the nice uptempos, « Two timin’ baby » and « Maurine », typical of the Houston sound of 1952-53, that was to evolve in the Starday sound in the following years.
« Two-timin’ baby » download

« Maurine« download

gilbert gs 1004 v. cecil williams - two-timin' babysources: Youtube for most part, HBR for Gilbert, 78-world,45rpm

Early May 2016 bopping fortnight’s favorites

Howdy friends from all around the world ! This new batch will return to a more conventional time for Hillbilly bop, the years 1950-1960. Lack of time and inspiration I’m afraid. So commentaries will be short ! First we can listen to JOHNNY GITTAR, a.k.a. Johnny Henderson (I posted two tracks under this name recently, fortnight early April) in the famous « San Antonio boogie » (High Time 173). A call-and-response format, the steel guitar well to the fore, a touch of piano : it’s a shuffler, the sort of hard-rock tunes we can hear on the Houston Freedom label (I recently told the story of this important altho’ short-lived label).  « San Antonio boogie« download « Nine o’clock« download

« Is there no love for me, Love« download

high time 173 johnny gittar - san antonio boogie

Two medium-paced numbers, back-to-back of the Bennie Hess Spade # 1929 label, and they both are close to Rockabilly,    «Nine o’clock » and « Is there no love for me, Love » are light, cool sung. A minimum instrumentation and a gliding guitar. They appear to have been issued in Autumn 1956 by JOHNNY McADAMS.

spade 1927B johnny mcadams - nine o'clock

Next LITTLE MIKE MORTON offers a jumping spade 1929 johnny mcadams - is there no love for me loveHillbilly bop        « Midnight hoe-down » on Esta H-9592 from 1955. The location of Esta is Hamilton, OH. And the youthfullness of the voice immediately reminds that of Little Doug [Sahm] on Sarg, or on Westport that of Cowboy Bobby.

« Midnight hoe-down« download

esta h80-9592 little mike morton - midnight hoe-down

« Why did you go away« download

seven star 5511B art rodgers - why did you go away

From 1957 on the Cincinnati, OH Seven Star label (# 2511B) let’s listen to « Why did you go away » by ART RODGERS (without any doubt no connection with Jimmie or Jesse). Nevertheless Rodgers has a hillbilly pronunciation, and a strong rhythm guitar, backed by the K.C. Ramblers.

CUZIN ROSCOE next on the Avery, TX Cowtown label (# 803A) delivers the fast « Sing me a song », accompanied by a sawing fiddle (1960, according to the YouTube uploader).

A baritone vocal, strongly a la Johnny Cash, that of RAY PRIDIE for « Lonesome broken hearted me » on the C.A.R.  label # 102A, from Bellingram, Washington. Steel guitar plus echo.

cowtown 803A cuzin roscoe - sing me a songc.a.r. 102A ray pridie - lonesome broken hearted mecooper H802059 gene stacks - I know (my babt loves me)« Sing me a song« download

« Lonesome broken hearted me« download

 

 

« I know (my baby loves me)« download

A fast Rockabilly by GENE STACKS on the Cooper label (Pine Bluff, AR) # 2059, from 1957. « I know (My baby loves me ) » is fast and has an intriguing guitar, very reminiscent of Scotty Moore.

Finally RAY WILSON on the Hidus label # 2006 (Springfield, TN) does the fast « Heart stealer » – fiddle to the fore, a short piano solo. Hidus also had Jimmy Simpson (« Honky tonk spree »). 

« Heart stealer« download
hidus 2006 ray wilson - heart stealer