Howdy folks! Beginnnig a New Year (and nearly two years of this site) with my Bopping wishes and a lot of good hillbilly music, here are BADEAUX (rn Ellas ) & THE LOUISIANA ACES. It’s Cajun cut during the ’80s, « I Can Live A Better Life« . Up onto North in Mississipi with MACK HAMILTON. He had records on Diamond and Feature out of Jackson. Here I’ve chosen the stomping medium tempo Honky tonk « Will You Will Or Will You Won’t« .
RICKY RIDDLE was a native of Rector, Arkansas (as Skeets McDonald), and as the former, moved with family during the ’30s to Detroit. Early ’50s saw him entertaining in Nashville, and recording his first sides (moderate success) for the Tennessee label (see elsewhere for the label’s story). In 1954, he had switched to M-G-M and cut « Steamboat Boogie« , with Don Helms, ex-Drifting Cowboys, on steel-guitar. The words « Steamboat boogie / Rock, rock » are contemporary to Bill Haley’s « Rock Around The Clock », and Riddle pursued in the same vein on Coral and Decca in 1955-56
Billboard advert, 1954
HAWKSHAW HAWKINS had several hits on King when he stopped in 1954 on RCA-Victor. As Riddle, he also used the new trend in « Waitin’ For My Baby (Rock, Rock) ». Nice uptempo Bopper, almost Rockabilly.
Now a real rarity by RED MOORE, about whom nothing is known. He revived on his own label, Red (located North in Iowa), the old traditional « Crawdad Song » during the late ’50s.
Finally way up North with Chester Burnett, aka HOWLING WOLF, for a classic Chicago Rocking Blues from 1961, « Little Baby » (Hubert Sumlin on lead guitar). Enjoy the selections!
January 2nd. Someone did visit the site and gave me the link to RED MOORE. Here it is:http://www.rockabillyhall.com/RedMoore1.html
Hello, folks, howdy, visitors! Below are my favorites of the last 15 days which I’d like you (maybe) discover, both by music and my own words – what I know about these records, sometimes nearly nothing!
We begin in Nashville, early Sixties, with the DIXIELAND DRIFTERS and « HOT TO TROT » cut for the B.B. label. The presence of a dobro, and an unusual infectious rhythm, plus the unisson vocal, make this record very particular. I know the tune had a commercial impact, because, without doubt, its unlikely Bluegrass nature.
Then a decade earlier in Texas. JIMMIE STONE had this solitary « MIDNIGHT BOOGIE » on Imperial (8000 serie) in 1951. Firm vocal, a fine backing, and a completely stunning guitar solo. Surely the man knew the Blues!
On to Memphis and Meteor label. BARNEY BURCHAM is a real unknown, only for his solitary « CAN’T STEAL MY WAY AROUND« . Typical Memphis Hillbilly bop from 1955.
Next two choices are more Rock’n’Roll oriented. First, GRAHAM B. and « ROCK AND ROLL FEVER« . It’s been suggested that the man had connection with Buzz Busby, so a Washington, D.C. location is possible.
Second, for the well-known Bandera label out of Chicago, we find another unknown, certainly a pseudonym: LONESOME LEE and the cool 1958 « CRY OVER ME » – very nice guitar solo.
Finally a R&B classic, « CALDONIA« , sung and played on piano by the 8-years old wonder SUGAR CHILE ROBINSON in 1951. He disappeared afterwards.
Howdy, folks! I didn’t have a particular « theme » chosing the selections this time (as I did sometimes in the past): just a few songs I like at the moment.
Early September I posted something about the ubiquitous Mr. DIXON. Since then, I did not find something new on him, be it at hillbilly-music.com or with google, under his 3 aliases (Walter, Mason, or Ted). There is even on Youtube a bishop named Walter Dixon, and I wonder if this is the same person! I even found a Mason Dixon Country 45 on ebay. This time you will be exposed to a 1961 rendition for the Alabama based REED label, and a great shuffle by MASON DIXON, « Hello Memphis« .
Staying in the South with a minor classic by SPECK & DOYLE , the Wright Brothers, « Music to my ear » on the Columbus, Georgia based strangely named SYRUP BUCKET label. A nice guitar, a medium beat for this relaxed Rockabilly/Hillbilly Bop from 1959.
On to, probably, Texas, with a fast romper by JIMMY STONE on the IMPERIAL label from 1951, « Midnight Boogie« . I’ve never heard Stone had another record, but what’s this one? Entertaining lyrics, and most of all, a wild bluesy Rockabilly guitar! Who may the player be? Fine piano and even a short fiddle solo, Texas style. We are pursuing the musical journey to Indiana with a very young GAYLE GRIFFITH (he was fourteen when he cut his solitary record) and the out-and-out romper « Rockin’ And A Knockin’ » for the EMERALD label, from 1954. Griffith was at one time associated with WFBM Indiana Hoedown, although despite this promising first platter, he seems to have soon disappeared from the music scene.
Billboard 1951 advert for "Drifting Texas Sand"
Now to California for the Louisiana-born EDDIE KIRK (1919-1997), who was consistently working with the Los Angeles musicians’ cream for CAPITOL records. Here he delivers a fine rendering of the 1936 Tune Wranglers‘ classic (also cut around the same time as Kirk by Webb Pierce) « Drifting Texas Sand » (Capitol F 1591). The backing is sympathetic, although ordinary. Harmonica player could be George Bamby, who cut with, among others, Johnny Bond.
As a bonus, we go to an end in Chicago with the underrated LITTLE MAC SIMMONS, singer-harmonica player (altho’ no harp heard here) and the frantic (great piano throughout, with usual Honking saxes, and a nice guitar) « Drivin’ Wheel » (PALOS label) from 1961.
I hope you enjoy the selections. Don’t miss the other « regular » posts: recently Bopping had had Jack Bradshaw story, the Daffan label, Roy Hall and Riley Crabtree, to name just a few. Not to mention in the « hillbilly profile » section, Chuck Murphy. Till then, bye!
As usual, pictures from various sources. Excellent Terry E. Gordon’s Rockin’ Country Style site, or ebay. Sounds from my collection, or various compilations. I can name for every track who provided me! BUT you CAN download everything!