Not many gals could have made such statement in the conservative country music world of the 50’s but Charline Arthur did it. That Texas gal was stylistically far ahead of her times and was rollin’ on stage floor wearing pants when other women were still in dress playin’ rhythm guitar on family band. She was a kind of « Maverick », and an hot item to handle, just like Elvis Presley. She brings something new on female country music and opened the way for rockin’ boppin’ teenage Janis Martin, cute Brenda Lee or for glamorous Wanda Jackson. That girl was not there to stand by her man and weep about her unfaithful honky tonkin’ husband. She sings about parties, fancy clothes, women dreams and wanted to enjoy life. If you ain’t treated her right or if you ain’t nothing but a « Hound Dog », you can move away, wag your tail and goin’ cryin’ in your beer somewhere. Move away, skinny dog! (suite…)
Howdy folks, here we go for the latest fortnight with JESSE ROGERS (born 1911, active in the Saint-Louis and Philadelphia areas), very popular artist during the 30s and 40s. Here he covers (RCA, 1948) BILL NETTLES’ « Hadacol Boogie ». Then two Mercury issues (6000 serie), first by NETTLES & His Dixie Blue Boys, from Monroe, Louisiana: « Push & Pull Boogie » – lazy vocal and fine backing. LOUIS (sometimes also called LOUIE) INNIS, from Indiana, had a string of Hillbilly Boppers, among them I chose the romping « Stomp That Thing » from 1949. The next three are all from Texas. PECK TOUCHTON, fiddler who recorded for The Sarg label out of Luling, had the fine « You Changed Your Tune » in 1954; famous CHARLENE ARTHUR was a crossover between Hillbilly and Rockabilly, and recorded in Dallas « Burn That Candle » in 1955. Finally the prolific RILEY CRABTREE, a follower to Jimmie Rodgers, and his « Tattle Tattle Tale » (Country Picnic) from 1957.