Late January 2017 bopping hillbilly and rockabilly fortnight’s favorites

Howdy folks ! This is the second 2017 fortnight, that of late January. It will cover very various styles, be it hillbilly boppers, country rockers or rockabillies, even one Bluegrass bopper, from 1955 to 1961.

First an uptempo atmospheric bluesy rockabilly from Bald Knob, AR, on the CKM label (# 1000) by BUDDY PHILLIPS with Rocking Ramblers, « River boat blues » from 1956 (valued at $ 100-125). I enclose for comparison the original version of the song by ALTON GUYON and his Boogie Blues Boys on the Judsonia, AR. Arkansas label (# 553), a Starday custom from 1956. This time the song is taken at a slow, lazy, bluesy pace – fine fiddle (valued at $ 150-200). Back to Buddy Phillips for the CKM flipside « Coffee baby » (written by Alton Guyon), less fast than the « River boat blues » side, but good and bluesy. Pity that Phillips disappeared afterwards.

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Buddy Phillips, « River boat blues »

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Buddy Phillips, « Coffee baby« 

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Alton Guyon « River boat blues« 

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Memphian EDDIE BOND (1933-2013) had many strings to his bow : band leader, D.J., radio station manager, night club owner, chief police and editor of an entertainment newpaper (pheww..). Here are his first sides on the Ekko label (# 1015) cut July 1955 in Nashville with Hank Garland on lead guitar and Jerry Byrd on steel. « Talking of the wall » and « Double duty lovin’ » (written by Vernon Claud, later on Decca with « Baby’s gone ») are uptempo Rockabilly/Boppers, very ordinary, which of course went nowhere. They are valued $ 100-150. Later in 1956, Bond recorded a famous string of classic Rockabilly releases on the Mercury label, « Rockin’ daddy » (# 70826) (the original being cut late ’55 by Sonny Fisher – Starday 179) is the most well-known.

« Talking off the wall »

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« Double duty lovin‘ »

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ekko-1015-eddie-bond-double-duty-lovinTwo issues on the Starday associated Dixie label from the late Fifties to the early Sixties. ELMER BRYANT on Dixie 906 from 1960 (value $ 75-100) delivers the cheerful bopper « Gertie’s carter broke », which has a Louisiana bouquet, with fine fiddle and steel. The medium-paced flipside « Will I be ashamed tomorrow », although very good and sincere, is more conventional country.

« Gertie’s Carter broke »

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« Will I be ashamed tomorrow« 

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The other Dixie discussed is Dixie 1170 from 1961 by LITTLE CHUCK DANIELS : « I’ve got my brand on you » is a bit J. Cash-styled, an uptempo bass chords guitar opus with good effect on voice : honest Country rocker. I add by Daniels his issue on Dixie 1153, « Night shift », same style.

« I’ve got my brand on you »

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« Night shift« 

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A plaintive Hillbilly now by BILL STUCKER vocal – Tune Twisters on the Indiana Ruby label (# 430) , « I go on pretending » from 1956 : a nice discreet guitar, some snare drums.

« I go on pretending »


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ROLLIE WEBBER from California was a part of the now well-known Bakersfield sound, and had issues on Pep and Virgelle among other labels. Here he offers « Painting the town » on the Tally label (#150), a fine bopper with prominent steel ( sounds like Ralph Mooney).

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« Painting the town »

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Finally from Detroit on Fortune 187 from 1957 : BUSTER TUNER & his Pinnacle Mt. Boys for « That old heartbreak express ». It’s a bluegrass bopper, Turner is in fine voice, and mandolin to the fore.

« That old heartbreak express »

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Buster Turner on dobro

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That’s it, folks !

Sources : YouTube (Dixie issues) ; my own researches ; RCS for Eddie Bond ; Malcolm Chapman’s blogsite (« Starday customs ») for Alton Guyon.

Early January 2017 bopping and rocking R&B fortnight favorites

This is the first fortnight’s favorites section for 2017, and we begin with a curious record : by CLIFF FERRÉ, « A cocky cowboy » on the Kem label (California). It’s a fast Western swing flavored number.kem-129-cliff-ferre-a-cocky-cowboy

« A cocky cowboy »

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From then the »Hillbilly Boogie » theme. First king-527-delmore-hillbilly-boogieby its creators, the DELMORE BROTHERS who released their versionbillboard-king-527

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in March 1946 (# 527), and which everybody knows. Strong similarity with Arthur Smith‘s « Guitar boogie » from 1945. Next « Hillbilly boogie » (apart from Jerry Irby on M-G-M from 1948, and which is an entirey different track) was done by a Tennessean, ANDY WILSON on the Dot label (# 1127) : an energetic perfomance including steel and piano. Its flipside, « Lonesome for my baby », is equally good, although more melodic.

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Andy Wilson: « Hlllbilly boogie »

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« Lonesome for my baby »

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RAY WHITLEY (1901-1979) seemingly on the East coast is present with two tracks : « Jukebox cannonball » on Cowboy # 301 from 1947 : a lovely piece of Bop, which reminds me of Hank Williams‘ early sides. One composer name, that of Rusty Keefer, brings to Philadelphia and Bill Haley’s version on Essex 311 (January 1952). A long biography of Ray Whitley is to be found on YouTube: Johnn Maddy chain.

I added a reference version : JESSE ROGERS (cousin to Jimmie) released « Jukebox cannonball » too on Arcade 147 in January 1957.cowboy-301-ray-whitley-jukebox-cannonball
Ray Whitley « Jukebox cannonball »arcade-143-jesse-rogers-jukebox-cannonball

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Jesse Rogers « Jukebox cannonball »

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Whitley also had in 1949 another great number, « You’re barkin’ up the wrong tree now », on Apollo 195. An insistant crazy fiddle rivalling with an excellent guitar over a warm voice. This was a Hank Willams/Fred Rose compostion. At least the title was renewed in December 1956 in the hands of DON WOODY (Decca 30277) who takes his song at a brisk speed for a true Rockabilly classic, full of amusing barks. Great guitar of Grady Martin.apollo-195-ray-whitley-youre-barkin-upthe-wrong-tree-now

Ray Whitley « You’re barkin’ up the wrong tree now »

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Don Woody, »You’re barking up the wrong tree »

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On the West coast now with JIMMIE LAWSON. He does a fine shuffler, « Tennessee blues » (Columbia 20477) from July 1947. Much later on the Fable label, in 1957 (# 584) he had « Ole Jack Hammer blues », a strong medium paced rocker with great guitar (Sandy Stanton, owner of Fable records?).

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« Tennessee blues »

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« Ole Jack Hammer blues »

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Finally a R&B rocker by the ‘one-man-band’ JOE HILL LOUIS from Memphis, TN. In 1949 he released « A jumpin’ and a shufflin’ », a song obviously cut for dancers (Columbia 30182). 

« A jumpin’ and a’ shufflin’ »

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That’s it for this time, folks, pheeew !(several hours of work and pleasure mixed to set this feature up )

Sources : 45cat, 78rpm world for Ray Whitley ; YouTube for Joe Hill Louis and Andy Wilson ; Willem Agenant’s « Columbia 20000 serie » for Jimmie Lawson. Also Roots Vinyl Guide sometimes.

BIG JEFF BESS – Tales From Ten-E-Cee! « Juke Box Boogie » (1947-1952)

BIG JEFF BESS – Tales from Ten-E-Cee !   bess-seul

(by Michael Cocksedge – all additional content in brackets and italics by Bopping’s editor)

On to you, Mick!

Movie star, Radio star, Recording Star, Nashville lounge bar co-owner …..you name it and Big Jeff has done it and done it in style .

Born on 2nd September 1920 as Grover Franklin Bess in Ashland, just north west of Nashville. At the age of nineteen he married the girl from the next village called Emily Ediker . He started playing guitar in the late 30’s and by 1940 he was playing with ‘Roy Lucas & his Rhythm Rangers’ live on Radio Station W.L.A.C .

Jeff was never called to army service in WWII due to high blood pressure and so was working during the day during the war years at a bomb factory in mid Tennessee and by night working on Radio and various live shows and State Fairs .

From the mid 1940’s Jeff’s career is hard to establish, he was certainly on the rosters of various Radio Staions including Harrisburg W.E.B.Q , Knoxville W.N.O.X and at W.S.I.X where he could be found in the line up with ‘Goober and his Kentuckians’ plus many other stations. So by 1946 the 6ft 2 BIG Jeff Bess and his new band ‘The Radio Playboys’ had returned to W.L.A.C in Nashville and started a regular twice daily radio show.

Jeff’s early ‘Radio Playboys’ line-up included future stars like Grady Martin playing Fiddle (of course Grady was starting to make waves with his guitar playing and would go on to be a major picker in the country music scene), Lucky Strickland playing Accordion, Hillous Butrum on Doghouse Bass, Tommy Neblett on Guitar and Jeff handling acoustic Guitar and vocals. Benny Martin (no relation) was to take over Fiddle duties after Grady Martin left. Around this time the band were joined by Jack Henderson and many more musicians from all over the state.

It was during the late 40’s that his marriage to Emily had broken down and he started dating a certain Hattie Louise AKA ‘Tootsie’ (they would be married in 1949) and already Jeff was venturing into running bars and Club ownership as a way of making extra money.

By the late 40’s Jeff had lost his band so he recruited a local combo called ‘The Eagle Rangers’ to become his new ‘Radio Playboys’ the line-up was now Billy Robinson on Steel, his Brother Floyd Robinson on Lead Guitar [could he be the Floyd Robinson who later teamed up with Autry Inman for the “Jack & Daniel” duet, who cut 1953-54 several discs on Decca?], Jerry Rivers on Fiddle and Jack Boles on the upright Bass.

Guitarist and singer George McCormick during late 1949 would also join the band. George was raised and lived in the fantastic but gloomy sounding town called ‘Defeated Creek’ and would be another young picker, to go under Jeff’s wing before going on to future solo stardom. [Later on George McCormick went solo in 1953-54 on M-G-M and duetted with Texan Earl Aycock as “George and Earl” in 1955-56 on Mercury – see “Done gone” and their story elsewhere in this blogsite]

So into the 1950’s and Jeff was working hard, regular shows, regular radio slots and club/bar owner, things were starting to take off for Jeff and the Radio Playboys. Their shows were a mix of Hillbilly, folk and some gospel and by all accounts they could raise the roof just about anywhere .

Now Jeff was earning more money in this period than most Opry stars and was very influential in Nashville, BIG Jeff was a BIG deal ! but suprisingly had very little in the way of records released !

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Jeff Bess and another (stage?) line-up of the Radio Playboys

 

Jeff and the Radio Playboys backed Jack Henderson on their first recorded release on ‘Cheker’ # 100 in early 1947 ‘The Tramp On The Street’ / ‘Gonna Give You Back To The Indians’.  Jack took the vocals, Jeff Bess – Acoustic Guitar, Benny Martin – Fiddle, Grady Martin – Lead Guitar and Hillous Butrum on Bass. Grady Martin steals the show with some fine pickin’ on the ‘Indians’ side …..just marvelous !

The first proper Jeff Bess with The Radio Playboys release was in 1947 on ‘Cheker’ # 103 . The line-up was Jeff Bess – Vocals with Jack Henderson – Acoustic Guitar, Benny Martin – Fiddle, Grady Martin – Guitar and Hillous Butrum on Bass. ‘Poppin’ Bubble Gum’ b/w ‘A Kiss And A Memory’ . ‘Poppin’ Bubble Gum’ was a jaunty novelty number with various comic impersonations and was a fun number that folks liked at all his shows. [Original version had been written by Cincinnati guitar virtuoso Zeb Turner and cut by Lonzo & Oscar in July 1947 on RCA-Victor 47-2765. They often performed this song at their Opry appearances].

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Lonzo & Oscar, « Poppin’ Bubble Gum »

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1949 saw a second release but this time on ‘World Records’ # 1520 ‘After We Are Through’, which is a superb mid-tempo slice of hillbilly with lashings of Steel, Fiddle and Banjo, written by Jeff and on the flip again another updated version of ‘Poppin’ Bubble Gum’ [which reminds one of 1950 Billy Briggs’’ hit “Chew Tobacco Rag” on Imperial]. This was the last release on World Records Inc and the line-up on this recording was probably (Photo Below) Jack Boles- Bass, Bob King – Banjo, Bill Robinson (Seated) Steel – Jerry Rivers – Fiddle, Big Jeff Bess – Vocals/Guitar &  Floyd Robinson – Guitar ( Announcer in this photo is Bill Stamps)

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« After we are through » (World version)

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« Poppin’ Bubble Gum » (World version)

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Through this period according to various band members and promoters, Jeff was a great entertainer, a really good show man, but like a lot of stars of this period he loved a drink and he also loved the women ….. a lot !

Jeff and the boys had been playing the Tennessee State Fair which was re-introduced after the war in 1947, Jeff and the Radio Playboys always played the Beer Garden area and were sponsored by ‘Ma n’ Pa Hom Bru Beer’, so over time they worked into the routine comedy sketches and songs about this wonderful beer. It was around the 1950 State Fair that somebody had the idea of cutting a record to sell at the fair. The two songs ‘Ten – E -Cee –Hom – Bru’ and ‘Hom- Bru Boogie’ were recorded in the studios of W.L.A.C . Jeff Bess – Vocals/Guitar. Probably the Radio Playboys were Ed Hyde – Fiddle, George McCormick – Lead Guitar, Dwain Birdwell – Steel Guitar and Jack Boles – Bass . The records were sold only at the fair in 1950, how many were cut is unclear, but the label design is basic and there is no mention of the band on the label; this is an extremely rare 78 rpm (see my copy pictured below), imagine buying this in a beer garden booze up at the State Fair in 1950 and then imagine every copy made it home without a crack or breakage after an all day session on the Hom Bru ……very unlikely indeed !

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« Hom-Bru Boogie »

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« Ten-E-Cee Hom-Bru« 

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These two Hom Bru, foot tapping, booze filled hillbilly tunes are simply wonderful!

New record company ‘Dot Records’ was looking for new acts for the big battle against the well-established labels in the Country/Hillbilly field in 1950. Big Jeff knew owner Randy Wood through radio station work and was duly signed up. Jeff saw five releases on Dot with some success . Dot # 1004 in the spring of 1950 was the first and was a tune geared at a popular money making market ‘Juke Box Boogie’ / ‘You Talk In Your Sleep’ . Juke Box Boogie was a superb Guitar driven honkytonker and jumps and bops around for sure.[heavily bootlegged as ’45rpm and yellow wax those days]

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Billboard August 15, 1950

« Juke Box Boogie« dot-1004a-jeff-juke-box-bogie

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« You Talk In Your Sleep »
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The second show on Dot was nearly a year in the making but boy it was worth the wait; Dot 1058  ‘Step It Up And Go’ / ‘After We Are Through’  the A & B side are pure magic and still sounds as fresh today as they did in 1951, you get it all, Johnny Maddox on piano, superb guitar by George McCormick and wonderful steel by Johnny Sibert make this a classic of early 50’s Hillbilly boogie. [The “Step it up and go” saga was told elsewhere in this blogsite since its beginnings in the ‘30s until its last known ‘50s renewal. Note that Big Jeff paid homage with the credits to the originator Blind Boy Fuller].

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Billboard August 26, 1951

« Step it up and go« dot-1058a-jeff-step-it-up-and-go

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« After we are through » (Dot version, 1951)
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A further two releases on Dot in 1951  ‘Dot # 1064 ‘ Lifetime To Regret’ [original version issued Febr. 1948 by blind songwriter and ballad singer Leon Payne on Bullet 641]/ ‘Fast Women Slow Horses And Wine’, sung by George McCormick, and into 1952: Dot # 1088  ‘Move On Baby’ / ‘I’m In Love Dear With Thee’ did little to make a dent in the Country charts and were just decent country tunes which when you listen to them today are really top songs and are just wonderful to listen to.

Leon Payne, « Lifetime to regret« bullet-649a-leon-payne-lfetime-to-regret

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dot-1064b-jeff-lifetime« Lifetime to regret »(Dot 1064)dot-1064a-jeff-fast-women

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« Fast women, slow horses and wine » 

« Fast women, slow horses and wine »


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« Move on baby« 

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« I’m in love dear with thee« 


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Billboard March 15, 1952

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The final outing on Dot # 1096 was actually sung by a certain George Mack and on the B side as George Mack & Jeff Bess. George Mack is actually Jeff’s Radio Playboy Guitarist George McCormick! George sang solo on ‘I Courted An Angel’ and sang as a duet with Jeff on the flip ‘I Don’t Talk To Strangers’ , both songs were written by Jeff and are top notch songs and are geared towards looking for the new Hank Williams star. It is unclear why they used the name George Mack on the label listing, maybe McCormick was not Country enough! who knows but it doesn’t matter, a great final release by Jeff and the Radio Playboys .

This were the last recordings in the 1950’s by Jeff and The Radio Playboys. Jeff did not see another release until the early 1970’s on Delta and Fiddle & Bow.

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courtesy JIM NELSON

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courtesy JIM NELSON

« I courted an angel« (vocal George McCormick)

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« I don’t talk to strangers » (vocal Big Jeff and George)

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1959 saw Jeff and wife Tootsie purchased a club in Nashville called ‘Mom’s’ which they renamed ‘Tootsie’s Orchard Lounge’ and was the place to be if you were a name in Country music in Nashville. Jeff ventured into the movies around this time where he had small appearances in ‘Face In The Crowd’ and in 1960 in ‘Wild River’ . By 1960 he and ‘Tootsie’ had divorced and she kept the club and Jeff would by the mid 60’s become a real life Sheriff in the Tennessee Police Department where he would stay until his retirement in 1980.

Big Jeff Bess passed away in August 1998. Jeff never saw massive music fame, but he left us some fantastic songs and if you listen to the Bear Family CD ‘Tennessee Home Brew’ and the Radio show tunes you can hear Big Jeff’s infectious laugh before and after every song, a true country star a true Radio Playboy !

 

 

 

 

Late December 2016 bopping & rocking Fortnight’s favorites

Hi ! To everybody visiting this website. This is the last fortnight’s favorites selection of 2016, and I hope you will find something of interest in this serie. Not much inspired (and not enough researches) this time, I’ll add very few comments on each record.

The SEVEN ROWE BROTHERS were 7 brothers (and a younger sister) who came originaly from Oklahoma, but settled in California after WWII. They did cut first on Pioneer 607 a fine romping instrumental, an hybrid Western pioneer-607-seven-rowe-brothers-spring-boogie-bluespioneer-608-seven-rowe-brothers-birthday-cakeswing/hillbilly boogie in « Spring boogie blues », piano led with solos by steel (Guy Rowe)l and fiddle.

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On Pioneer 608, Jack Rowe takes the vocal duty for this good Billy Hughes‘ classic « Birthday cake » : twin fiddles are in the hands of Earl and D.L. Later on the song was revived first by Skeets McDonald on Fortune, then by Jimmy Ballard on Kentucky.

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The third disc by the Rowes was issued in 1952 under the name of JACK ROWE & the Wichita Mountain Boys, and again « Bomb bosh boogie »(# 46398) is a nice shuffler.decca-46398-jack-rowe-and-his-witchita-mountain-boys-bomb-bash-boogie4-2-52

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We return to HANK PENNY for two selections. « Steel guitar stomp » (King 528) was recorded October 1945, Merle Travis is on lead guitar, and has that inimitable perfume of Western Swing, always present in Penny records. « Let me play with your poodle » (King 614) came in January 1947 as a novelty, and had Roy Lanham on guitar while a piano player takes also a solo.

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« Steel guitar stomp »

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« Let me play with your poodle »

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A fast Hillbilly boogie now with BUSTER PACK on the Campbellville, KY. Rich-R’-Tone label (# 1051). « Indian boogie » came in 1952. He had previously recorded in vintage Bluegrass style with « Better late than never » (# 1050).

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« Indian boogie »

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« Better late than never »

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LAMAN DAVIS delivers « If I can, can, can », a lovely piece of bop on the Las Vegas label (no #).las-vegas-laman-davis-if-i-can-can-can

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Finally there’s a R&B rocker on N.Y. Vest label # 8006) by the « Kansas City » man himself, WILBERT HARRISON photo-harrisonwilbertvest-8006-wilbert-harrison-please-forgive-me

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from 1959-61. «Please forgive me » is piano led and has a short guitar solo. This record is not listed in Les Fancourt’s « Blues discography ».

Sources : Youtube ; Praguefrank ; my own archives. Next articles about SPECK & DOYLE, DUB DICKERSON and « PECK » TOUCHTON. Information needed for future features on FRED CRAWFORD and WALTER « Tex » DIXON. 

Eddie Jackson & his Swingsters: Detroit Hillbilly rock (1950-1960)

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Detroit’s country music scene of the 1950’s featured a solid mix of talents and clubs where folks could stomp ’till two o’clock every night of the week, with some of the wildest sounds this side of Mason-Dixon Line. One man who was there in the thick of the good times was Eddie Jackson, who assembled the hottest bands and shows in town for two decades straight !

He was born in Cooksville, Tennessee, and Eddie’s family, like many Southerners, moved to Detroit during a period a growth in automobile manufacturing. As a youngster during the 1930s and 40s, he took up guitar and singing, and idolized musical giants such as Hank Penny, Milton Brown, Bob Wills and Tommy Duncan (he even met Wills and Duncan in Stockton, CA, while Eddie served with the Navy during WWII). Upon his honorable discharge by Uncle Sam in 1947, Jackson returned to Detroit, and was offered to lead a band the same night he arrived ! From then on, Eddie Jackson and his various combos were crowd-pleasers at shows all over Michigan, parts of Ohio, and Ontario. Around 1950, Eddie’s first group, the Melody Riders, cut a record in Detroit. The song « I’m willing to forget » was his first composition (Fortune 134).

« I’m willing to forget »

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« New set of blues »

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BB 14-1-50 Fortune 134

Billboard Jan 14, 1950

(Accompanying the Riders was Hal Clark on guitar, who later changed his name to Hal Southern and co-wrote « I dreamed of a hillbilly heaven ».) Hal Clark sang his comp on the flip « New set of blues« . fortune 134 new set of bluesAs the scene got cooking, Jackson’s band started sizzling, and they found

Hal Clark (Fortune 146) « I don’t mean a thing to you »

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fortune-146a-hal-clark-i-dont-mean-a-thing-to-you sage373a_hal-southern-sleevethemselves booked nightly. Ted’s 10-Hi Bar, on the east side, was the sight of Detroit’s first C&W Jamboree, as hosted by Eddie Jackson and his Cowboy Swingsters (including Tracey White on guitar, and ‘Smitty’ Smith on bass). For several months, the trio performed 15-minutes radio broadcasts from WMLN-FM in Mount Clemens.Eddie Jackson also led a country music variety show, « The Michigan Barn Dance » on Detroit NBC affiliate Channel Four TV, during the early 1950’s.
« Baby doll »(first version)

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Throughout his career, Jackson performed with the finest musicians available in Detroit. Among the more famous were steel guitar players Chuck Hatfield (from Hank Thompson’s band) and Billy Cooper (from Ferlin Husky’s). When Elvis Presley brought rock and roll craze to country music, Eddie was sharp enough to add the big beat to his repertoire, and he wrote « Rock and roll baby » around 1956 (Fortune 186), with a fine accordion.

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« Rock and roll baby« 

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« Baby doll »(second version) (Shelby 297) and « Please don’t cry » were recorded after that, and through the 1950’s the Swingsters played regular shows at a nightclub called the Caravan Gardens.
« Baby doll« 

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« Please don’t cry« 

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Eddie Jackson solidified the band’s line-up with Joe Magic on bass & drums (played at the same time!), ‘Uncle’ Jimmy Knuckles on piano, and Tracey White on take off guitar. This group attracted big crowds, as well as popular country singers like Webb Pierce, Jean Shepard, Lefty Frizzell, Red Foley & many other top artists who often stopped in to perform songs with the Swingtsters ! Jackson also had his own program on Royal Oak radio station WEXL-AM, where he spun records and sometimes broadcast from the Caravan. In 1959 the Swingsters cut their most popular record record in Detroit : « I’m learning » backed with the rocker « Blues I can’t hide »(Caravan 101). Even though Jackson says he preferred « Blues… », the ballad « I’m learning » went through the roof of WEXL’s country & western charts. As a result, Eddie was able to pay cash for a new ’59 Cadillac with a convertible top !

« Blues I can’t hide »

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« I’m learning« 

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The Swingsters’ next recordings stayed in step with country music trends of the early 1960’s, with Jackson’s version of his buddy Ricky Riddle‘s tune « Ain’t you ashamed » sounding among the best.
« Ain’t you ashamed« 
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They also backed Betty Parker on the Elm label # 742.

Betty Parker « Couldn’t see »

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Eddie cruised down to Nashville and recorded two more singles, including « You put it there » (Caravan 1004), a song from his last session in a recording studio. By the late 1960’s he quit performing regularly, in favor a starting a successful business. Knuckles, White and others have since passed on. But whenever Eddie Jackson sings and entertain people, the crowd’s humor rises, and sparks fly.

« You put it there »

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Notes by Craig Maki to « Eddie Jackson and the Swingsters – « Music with a Western beat » (Woodward LP WD-100, 1996). Reproduced by courtesy © Craig Maki. Additions from bopping’s editor. With appreciated help fro Drunken Hobo: thanks Dean!

 

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