Hello, folks. This fortnight’s favorites selection will be very various and pointing in different directions.
First artist whom a virtually nothing is known about, and not more on his band. DON HAGER & the Hot Tots had in Autumn 1957 several sides cut for the Oak label out of the very small (ca. 800 souls) town of Whitakers, N.C. These guys had a tendency to Calypso rhythm, fact is obvious with « Bebop boogie » (Oak 0357), and it brings a lot of freshness to their composition. Fine rinky-dink piano, an hopping drum and a good (although discreet) steel make it a very fine Rockabilly, yet different..That very same song had been cut by Mustard & Gravy in 1950 and issued on Gotham 403, a sign of its later popularity. I already posted their fine version in the early June 2011 fortnight’s favorites selection And even earlier back, it had been recorded by Harry Gay, and published on…Oak 1000 [untraced, but according to the notes to « Long gone daddy », a compilation on Collectables 6335]. Hager had also « Calypso boogie », same style, on a ’70s Rockin’ Stars issue and « I love you dear forever », from a 1990 compilation (Oldies 5374) – this is an alternate take – with the steel much more to the fore. Finally « Liza Jane bop » (Oak 0358), also strange in its rhythm, yet is a more conventional Rockabilly. Nobody knows what happened to Hager and his group afterwards.
« Bebop boogie«
« I love you dear forever« http://www.bopping.org/wp-content/uploads/2016/02/oak-don-hager-I-love-you-dear-forever.mp3download
« Liza Jane bop« http://www.bopping.org/wp-content/uploads/2016/02/oak-0358-don-hager-liza-jane-bop.mp3download
From Alabama comes the second artist : NORRIS MIMS [not to be confused with the Texan of similar name Morris Mills] in 1959 on the custom pressed (CP-1987) Birmingham, AL, Arlington label (# 101B) for « Sweet sweet baby ». It has an urgent vocal over a very fast backing, a fine guitar and a piano break. It is stunning such a good record is not worth an entry in Tom Lincoln’s book, as I am sure it’s very highly treasured. Incidentally the tune had been first cut in 1956 by Buddy Hanes [according to « 50sRock'n'roll » Youtube chain], but had remained unissued until our era (I didn’t find on which support).
« Sweet sweet baby »http://www.bopping.org/wp-content/uploads/2016/02/Norris-Mims-Sweet-Sweet-Baby-Rockabilly-45.mp3download
The third record is not by a newcomer. The song « Chili dippin baby » was issued twice : on Blue Hen and on Raymor by its composer, Raymond McColister with different singers. Here is the Raymor version (# 6004A) with vocal by Mz. Melody Mack.
« Chili dippin baby« http://www.bopping.org/wp-content/uploads/2016/02/raymor-6004_A-melody-mack-chili-dippin-baby.mp3download
JIMMY HEATH & the Rhythm Rollers did record « Little darlin’ » for the Modesto, Ca. Mega label (# 2261) . It’s a typical late ’50s bopper. Lot of steel (a solo which reminds a bit of Ralph Mooney), a jumping little tune with a good expressive vocal and a fine Rockabilly guitar.
« Little darlin’« http://www.bopping.org/wp-content/uploads/2016/02/mega-2261-Jimmy-Heath-Little-Darlin.mp3download
Now on to Texas, in the apply named town of Center, with REGGIE WARD & his Sons of Texas. They do offer a fast bopper « Juke box baby » from early 1951 with vocal by Jack Ford. Could the latter be the same man who cut « No not now », backed by Curley Williams (Columbia 20633, January 1950), or the Hayrider who recorded the fine hillbilly bop « That’s all you gotta do » (Chess 4858) in 1954 ? A final detail on Nemo Records (owned by Mrss. Jack McLendon and Leon Sanders) : the Wilburn Brothers [Theodore & Doyle] (later on Decca) apparently cut their first sides for this label.
« Juke box baby« http://www.bopping.org/wp-content/uploads/2016/02/nemo-1005-Reggie-Ward-His-Sons-Of-Texas-Juke-Box-Baby-.mp3download
BILL WATSON on the Demorest, GA Country Jubilee label (# 525) recorded a fine double-sider reviewed by Billboard in February 1960. The songs are similar in structure : over a strong guitar, a very melodic vocal partially sung in unison, they are very enjoyable and catchy « You’re the one for me » and «I’m dying darling ».
« You’re the one for me« http://www.bopping.org/wp-content/uploads/2016/02/ctry-jibilee-525-Bill-Watson-Youre-The-One-For-Me.mp3download
« I’m dying darling« http://www.bopping.org/wp-content/uploads/2016/02/country-jubilee-525-Bill-Watson-Im-Dying-Darling-.mp3download
And that’s all for this time, you Hillbilly buffs. Keep a-bopping ! ‘Till next time, bye.
Sources : mainly YouTube, also Hillbilly Researcher, Phillip Tricker’s notes to « Bebop boogie » compilation on Collectables. And a lot of time, research and patience !
Despite a long career that spanned almost 45 years, comparatively little is known about Earl Peterson. He was born in Paxton, Illinois, on February 24, 1927 and moved to Michigan when he was 18 months old. He apparently became proficient on both guitar and drums and formed his own band, the Sons of the Golden West, when he was still in high school. The group secured a regular spot on WOAP, Owosso, then moved to WMYC in Alma, Michigan, before settling at WCEN, Mount Pleasant. WCEN gave Earl and his group a regular show, Earl’s Melody Trails, and made him the talent director, staff announcer and farming news editor. Earl was to study Law after high school but he switched to a musical career instead.
Earl made his debut in the record business when he formed a record label, Nugget Records, with his mother, in January 1950.
« Take me back to Michigan« http://www.bopping.org/wp-content/uploads/2016/01/10-Earl-Peterson-Take-Me-Back-to-Michigan.mp3download
Peterson also undertook road trips to publicise his record and, at the same time, worked guest dee-jay spots at various stations. It seems as though his mother, Pearle Lewis, was the driving force behind Peterson. Sam Phillips recalled that the pair arrived on his doorstep early in 1954 pitching « The Boogie blues ». Phillips located some country session musicians to work with Peterson and the result of the session was released in the Spring of 1954.
« Boogie blues« (Sun 197)http://www.bopping.org/wp-content/uploads/2016/01/sun-197.Earl-Peterson-Boogie-blues.mp3download
« In the dark« (Sun 197)http://www.bopping.org/wp-content/uploads/2016/01/In-the-dark.mp3download
The story becomes more convoluted from that point. In October of that year Peterson, with a healthy disregard for contracts and AFM regulations, re-recorded the same song for Columbia. The song was re-copyrighted and probably sold more than the 2500 copies that Phillips had shipped.
« Boogie blues« (Columbia 21364)http://www.bopping.org/wp-content/uploads/2016/01/21364-Boogie-Blues-Earl-Peterson.mp3download
« Believe me » (Columbia 21364)http://www.bopping.org/wp-content/uploads/2016/01/21364-Believe-Me-Earl-Peterson.mp3download
Peterson’s half-brother, Bob Lewis, recalls that Peterson was desperately unhappy with the quality of the Sun recording and that may account for his lack of reserve when Don Law approached him to re-record the tune. In any event, Peterson had a few singles released on Columbia but they were shipped into changing market conditions (released between February 1955 and July 1956) and Peterson may have tired of the constant touring necessary to support his releases. His mother ran a resort club, the Bass Lake Pavillion, and Earl formed a band that included twin steel guitars, two lead guitars, two fiddles and his half-brother on drums and he played here on a regular basis supporting all the acts that worked the area as singles. In this way, Earl and the boys backed Marty Robbins, Moon Mullican and many more. The ’53 Buick which Earl had driven all those miles was increasingly confined to short trips.
« I’m not buying, baby« (Columbia 21406)http://www.bopping.org/wp-content/uploads/2016/01/21406-Earl-Peterson-Im-Not-Buying-Baby.mp3download>
« Be careful of the heart you’re going to break » (Columbia 21406)http://www.bopping.org/wp-content/uploads/2016/01/21406-Be-Careful-Of-The-Heart-Youre-Going-To-Break-Earl-Peterson.mp3download
In 1960 Peterson and his family established radio station WPLB in Greenville, Michigan. In 1962, they switched to the FM frequency and the following year saw Earl’s retirement from the performing side of the music business. By that point there was an undeniable quotient of rock and roll in country music and, in Bob Lewis’ words, « Earl wasn’t crazy about that stuff ». In 1965 Earl learned that he had cancer but he continued to work at the station until his death in May 1971.
« I ain’t gonna fall in love » (Columbia 21467) http://www.bopping.org/wp-content/uploads/2016/01/21467-Earl-Peterson-I-Aint-Gonna-Fall-In-Love.mp3download
« I’ll live my life alone » (Columbia 21467) http://www.bopping.org/wp-content/uploads/2016/01/21467-Ill-Live-My-Life-Alone-Earl-Peterson.mp3download
Earl Peterson’s music, a survey by bopping’s editor
« You gotta be my baby« (Columbia 21540)http://www.bopping.org/wp-content/uploads/2016/01/21540-Earl-Peterson-You-Gotta-Be-My-Baby.mp3download
« World of make believe« (Columbia 21540)http://www.bopping.org/wp-content/uploads/2016/01/World-Of-Make-Believe.mp3download
Sources : « The country years » (1987) by Colin Escott ; page on Earl Peterson – also music from « Columbia 20000 » (Willem Agenant) ; scans from 78rpm-world ; « The Hillbilly researcher » for scan and music to Nugget 78rpm.
« You just can’t be trusted » (’60′s)http://www.bopping.org/wp-content/uploads/2016/01/You-Just-Cant-Be-Trusted-Earl-Peterson.mp3download
Women only this time !
LITTLE AUDRY first on the Nashville Walker label (#130) from 1965. A very melodic weeper with a lot of echo for « How can the ashes burn ».
Little Audry http://www.bopping.org/wp-content/uploads/2015/01/walker-130-Little-Audry-How-Can-The-Ashes-Burn.mp3download
Wanda Ballman http://www.bopping.org/wp-content/uploads/2015/01/45-528a-Wanda-Ballman-Think-It-Over-Before-You-Cast-Your-Stone-starday-08-55.mp3download
WANDA BALLMAN is no unknown. She had more than one issue, e.g. on Starday custom serie # 528 (August 1955) for « Think it over », which bears on label a collective personnel. Very solid mid-paced vocal, a short steel guitar solo over basic instrumentation.
SALLY MASSEY obviously on her own Sa-Ma label (no #). Two well sung hillbilly weepers : « « Ole Michigan moon » and « Saving all my kisses ».
On the Arkansas Vaden label (# 101), one JERRI PATTERSON tells « That’s why I think of you » in a lovely bopping style.
Sally Massey « Ole Michigan moon »http://www.bopping.org/wp-content/uploads/2015/01/Sa-Ma-Sally_Massey_Ole_Michigan_Moon.mp3download
Sally Massey « I’m saving all my kisses »http://www.bopping.org/wp-content/uploads/2015/01/Sa-Ma-Sally_Massey_I_M_Saving_All_My_Kisses.mp3download
Jerri Patterson http://www.bopping.org/wp-content/uploads/2015/01/vaden-101-jerri_patterson-thats-why-I-think-of-you.mp3download
Mary Ann Johnson http://www.bopping.org/wp-content/uploads/2015/01/mgm-11927-MARY-ANN-JOHNSON-Blue-Teardrops-MGM.mp3download
Another unknown MARY ANN JOHNSON has a bluesy weeper with « Blue teardrops » (MGM 11927). Nothing spectacular, a nice little record.
LITTLE RITA FAYE does offer « Rock City boogie » – I don’t know if it’s the Tennessee Ernie’s song – on MGM 11505. It’s a bluesy shuffler, with steel and a barely audible fiddle.
Little Rita Faye http://www.bopping.org/wp-content/uploads/2015/01/mgm-11505-rock-city-boogie-Rita-Faye.mp3download
Source : Internet
Howdy folks! Well it’s been quite some time since I last posted. Lot of work this Summer, down in Marseille (south of France) where I’d set my younger daughter as student in her flat up. Last post (today): an important article on the JACOBY Brothers (TNT and Columbia recordings). Nearly all their output is posted in a new presentation. I hope it will please you. Let me know. By now, for this fortnight, we begin with the guitar player of the Miller Brothers, EDDIE MILLER. He lets his bass player Jim McGraw take the lead on this April 1956 4 Star 1693 issue, « Patty cake man« , a typical 4 Star pano led honky tonker.
Another important artist on the West coast was ROCKY BILL FORD, mostly known for his 1951 « Beer drinking blues », easily found on many compilations. Lesser known is his « Willie Dum Dee » on Gilt-Edge 9 from 1951: typical baritone voice for this fine shuffler.
Rocky Bill Ford: Willie Dum Dee http://www.bopping.org/wp-content/uploads/2013/08/rocky-bill-ford-willie-dum-dee.mp3
From Joliet, Illinois, 1957, comes JIMMIE LAUDERDALE for a joyful, hopping « Right away, quick! quick! » country-rocker on the Jopz label. Nice guitar. Right away, quick quick http://www.bopping.org/wp-content/uploads/2013/08/Jimmie-Lauderdale-Right-Away-Quick-Quick-1957.mp3 Download Now BEN BAKER for two tracks on the Cool label from Harrison, NJ. Atmospheric hillbilly bop (one waltz tempo). Lots of echo on the steel and fiddle. Nice tunes: « Tomorrow your leaving« (sic) and « Too late now« . strong>Tommow you_re leaving/span> http://www.bopping.org/wp-content/uploads/2013/08/Tomorrow-Your-Leaving.mp3 Download
Too late now http://www.bopping.org/wp-content/uploads/2013/08/Too-Late-Now.mp3
Finally a R&B romper with CECIL GANT and « Nashville jumps« , one of the early sides on Bullet out of Nashville. Enjoy the selections! Bye. Nashville jumps http://www.bopping.org/wp-content/uploads/2013/08/Bullet-250-A-cecil-gant-nashville-jumps.mp3
From Phillips J. Tricker’s article in « Roll Street Journal » # 19 (Spring 1987)
Ramblin’ Jimmie Dolan – the very name evokes to me pictures of a man of travel, a man of the West. His name turns up frequently on record lists and he had sole thirty four releases issued on at least three different labels, and the majority on the major CAPITOL. Those thirty plus discs were put out over the comparatively short period of 7 years and much of his material has been overlooked by many collectors as a few of his later less inspiring releases are those that surface most frequently and I believe a some what false picture has emerged, musically, on an artist who contributed much to our kind of record collecting [hillbilly bop/hillbilly boogie].
As often happens, the early years of the singers we investigate are shrouded in mystery. Jimmie is no exception. In fact by our comencing at the start with his birth on the 29th October 1924, we meet our initial problem. I have seen two versions in print. The first said rural part of Missouri while in a radio interview in 1952 Jimmie’s reply was « Wyoming ». As his first reported radio work was at KWK in St. Louis, Missouri ; and as a boy he was a great fan of Western movies, I tend to place a little more credence on the former location. This thought is supported by these two points. During his earliest days in the music business, he did not use that tag – Ramblin’ – but by the time of 1952 interview, not only he was using that word in his name, but was often billed as « America’s Cowboy Troubadour ». In that case, maybe it was considered a better ploy to give impression of coming from a state synonymous with cowboys – Wyoming. A third version comes from www.hillbilly-music.com. Dolan would have been born largely earlier, same day and month in 1916 and…California, which would be his musical base during the ’40s and ’50s. Who knows ?
Read the rest of this entry »
Douglas Clifton Bragg was born on April 13, 1928, in the small East Texas town of Gilmer. He was among four children born to Bonnie and James Claudie Bragg. He attended Gilmer public schools and developed an interest in music during his teen years. He started performing in and around Tyler during the late 1940′s. His first marriage produced five children, all of whom were boys. By the early 1950′s Doug was appearing on the Big « D » Jamboree and working days as a meat cutter. Read the rest of this entry »
A man by the name of James T. Price was responsible for creating the Sun-Ray record company ; in fact, the vast majority of the songs put out on the label was published through Jimmy Price Music Pub. In 1961, Price issued a modern Hawaiian steel guitar course with tablatures: he had at least one release on the label. Bud Chowning, who would later record for Sun-Ray, says that Price had converted his garage into a recording studio and printing space with printing equipment : ‘He had a piano in there and a lot of mikes. The recording room was sound proof’. Read the rest of this entry »
Howdy, folks. My selection for this fortnight will be made, as usual, of lesser known artists up, and various times, ranging from approx. 1953 to early ’60s.
SHORTY LONG in 1961 was certainly no newcomer to music, as he had been cutting records on King in 1951, sharing a session with BOB NEWMAN. The latter in 1955 was reported as having joined Long’s Santa Fe Ranchers. Here Long offers the fast « Forget Her« , an hybrid song containing a slap-bass as well as banjo, mandolin and steel on the Smiling 2675 label. Long is billed here « Kentucky », no doubt his original state. Both Shorty Long and Bob Newman paired in 1955 as Dalton Boys for a solitary « Roll, Rattler, Roll » on the X label: next fortnight.
On a Evansville, IN Eunice 1007 label, DARRELL LEE offers an average Country-rocker/Rockabilly « Really Do You Care?« .
1958, TIM JOHNSON on the West Monroe label Leo (# 784) – which is actually a Starday custom issue – do come with the fine shuffler. A bit George Jones vocally, good fiddle and steel.
On Kasko 1643 (Santa Claus, IN) from 1965 RED LEWIS has a country-rocker « Yes, Indeed« (nice guitar, discreet steel) « I’ll Move along« .
The earliest track do come from Nashville in 1953. JOHNNY ROWLAND is a kind of mystery, although his voice seem very professionnal. He founds himself on Republic 7023 with the fine « Ohio Baby« .
Finally SONNY MILLER on the Boyd label, no doubt early ’60s. Good steel in « Lonesome Old Clock«