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Late September 2013 fortnight’s favorites
sept 16th, 2013 by xavier

Howdy folks! Well it’s been quite some time since I last posted. Lot of work this Summer, down in Marseille (south of France) where I’d set my younger daughter as student in her flat up. Last post (today): an important article on the JACOBY Brothers (TNT and Columbia recordings). Nearly all their output is posted in a new presentation. I hope it will please you. Let me know. By now, for this fortnight, we begin with the guitar player of the Miller Brothers, EDDIE MILLER. He lets his bass player Jim McGraw take the lead on this April 1956 4 Star 1693 issue, « Patty cake man« , a typical 4 Star pano led honky tonker.

4 star 1693-45 eddie miller patty cake man

Another important artist on the West coast was ROCKY BILL FORD, mostly known for his 1951 « Beer drinking blues », easily found on many compilations. Lesser known is his « Willie Dum Dee » on Gilt-Edge 9 from 1951: typical baritone voice for this fine shuffler.

Rocky Bill Ford: Willie Dum Dee
gilt-edge T-9 willie dum dee

From Joliet, Illinois, 1957, comes JIMMIE LAUDERDALE for a joyful, hopping « Right away, quick! quick! » country-rocker on the Jopz label. Nice guitar.   Right away, quick quick Download jopz jimmie lauderdale   Now BEN BAKER for two tracks on the Cool label from Harrison, NJ. Atmospheric hillbilly bop (one waltz tempo). Lots of echo on the steel and fiddle. Nice tunes: « Tomorrow your leaving« (sic) and « Too late now« . strong>Tommow you_re leaving/span> Download

Too late now
cool 129A ben baker tomorrow your leavingcool 129B too late now

Finally a R&B romper with CECIL GANT and « Nashville jumps« , one of the early sides on Bullet out of Nashville. Enjoy the selections! Bye. Nashville jumps  

bullet 250A nashville jumps

Juke Box Boogie: Ramblin’ Jimmie Dolan (Capitol and Modern artist – 1947-1955)
fév 17th, 2013 by xavier

From Phillips J. Tricker’s article in « Roll Street Journal » # 19 (Spring 1987)

Ramblin’ Jimmie Dolan – the very name evokes to me pictures of a man of travel, a man of the West. His name turns up frequently on record lists and he had sole thirty four releases issued on at least three different labels, and the majority on the major CAPITOL. Those thirty plus discs were put out over the comparatively short period of 7 years and much of his material has been overlooked by many collectors as a few of his later less inspiring releases are those that surface most frequently and I believe a some what false picture has emerged, musically, on an artist who contributed much to our kind of record collecting [hillbilly bop/hillbilly boogie].

As often happens, the early years of the singers we investigate are shrouded in mystery. Jimmie is no exception. In fact by our comencing at the start with his birth on the 29th October 1924, we meet our initial problem. I have seen two versions in print. The first said rural part of Missouri while in a radio interview in 1952 Jimmie’s reply was « Wyoming ». As his first reported radio work was at KWK in St. Louis, Missouri ; and as a boy he was a great fan of Western movies, I tend to place a little more credence on the former location. This thought is supported by these two points. During his earliest days in the music business, he did not use that tag – Ramblin’ – but by the time of 1952 interview, not only he was using that word in his name, but was often billed as « America’s Cowboy Troubadour ». In that case, maybe it was considered a better ploy to give impression of coming from a state synonymous with cowboys – Wyoming. A third version comes from www.hillbilly-music.com. Dolan would have been born largely earlier, same day and month in 1916 and…California, which would be his musical base during the ’40s and ’50s. Who knows ?

Read the rest of this entry »

Doug Bragg, Texas hillbilly bop and Rock and roll (1955-1959)
déc 7th, 2012 by xavier

Douglas Clifton Bragg was born on April 13, 1928, in the small East Texas town of Gilmer. He was among four children born to Bonnie and James Claudie Bragg. He attended Gilmer public schools and developed an interest in music during his teen years. He started performing in and around Tyler during the late 1940′s. His first marriage produced five children, all of whom were boys. By the early 1950′s Doug was appearing on the Big « D » Jamboree and working days as a meat cutter. Read the rest of this entry »

The Sun-Ray label: Kentucky ’60s Country-rock (1967-69)
déc 3rd, 2012 by xavier

A man by the name of James T. Price was responsible for creating the Sun-Ray record company ; in fact, the vast majority of the songs put out on the label was published through Jimmy Price Music Pub. In 1961, Price issued a modern Hawaiian steel guitar course with tablatures: he had at least one release on the label. Bud Chowning, who would later record for Sun-Ray, says that Price had converted his garage into a recording studio and printing space with printing equipment : ‘He had a piano in there and a lot of mikes. The recording room was sound proof’. Read the rest of this entry »

early December 2012 fortnight’s favorites
déc 1st, 2012 by xavier

Howdy, folks. My selection for this fortnight will be made, as usual, of lesser known artists up, and various times, ranging from approx. 1953 to early ’60s.

SHORTY LONG in 1961 was certainly no newcomer to music, as he had been cutting records on King in 1951, sharing a session with BOB NEWMAN. The latter in 1955 was reported as having joined Long’s Santa Fe Ranchers. Here  Long offers the fast « Forget Her« , an hybrid song containing a slap-bass as well as banjo, mandolin and steel on the Smiling 2675 label. Long is billed here « Kentucky », no doubt his original state. Both Shorty Long and Bob Newman paired in 1955 as Dalton Boys for a solitary « Roll, Rattler, Roll » on the X label: next fortnight.

On a Evansville, IN Eunice 1007 label, DARRELL LEE offers an average Country-rocker/Rockabilly « Really Do You Care?« .

Shorty Long

1958, TIM JOHNSON on the West Monroe label Leo (# 784) – which is actually a Starday custom issue – do come with the fine shuffler. A bit George Jones vocally, good fiddle and steel.

On Kasko 1643 (Santa Claus, IN) from 1965 RED LEWIS has a country-rocker « Yes, Indeed« (nice guitar, discreet steel) « I’ll Move along« .

The earliest track do come from Nashville in 1953. JOHNNY ROWLAND is a kind of mystery, although his voice seem very  professionnal. He founds himself on Republic 7023 with the fine « Ohio Baby« .

Finally SONNY MILLER on the Boyd label, no doubt early ’60s. Good steel in « Lonesome Old Clock« 

Sonny Miller

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