« (Help me lose the) Boogie Woogie blues »: the short recording story of BOBBY SOOTS (1950-51)

BB 28:1:51 Mercury 6326

Billboard April 28, 1951

bobby soots? (gene krupa)

 

 

 

 

 

Very little is known about Bobby Soots, except what is contained in a Tampa newspaper snippet dated Nov. 2, 1950. He was born in Alabama during the ’20s, took up the guitar when he was twelve and had his first band, the Red Wagon Boys, entertaining a local radio show in 1938. He then moved to Chicago to sing Hillbilly in the clubs, when the famous jazz drummer and bandleader Gene Krupa noticed and hired him as featured vocalist. Soots had a strong baritone voice, and Krupa used him on New York sessions for C&W tunes like Pee Wee King‘s « Bonaparte’s retreat » (June 1950), « Panhandle rag », « At the jazz band ball » or « Walking with the blues », to name just a few classic Krupa jazz sides.

 

A year later, free from his contract with Gene Krupa, Bobby Soots went solo for two sessions for Mercury records, apparently cut in Chicago. Eight tracks were recorded circa February/March 1951, whose only four were released, leaving unissued a promising « Fiddle boogie ». Among the issued tunes were Amos Milburn’s « Bad, bad whiskey » (Mercury 6326), and most of all, the immortal « (Help me lose the) Boogie woogie blues » (great steel solo!), often reissued (Mercury 6331). B-sides are less interesting, « I’m crying » and «Have you forgotten my name ». Soots did not write his own material. After these two issues, one loses his trail, and he seems to have disappeared afterwards.

BB 2 nov 50 bobby soots-krupa ret

rca 20-3766-A gene krupa bonaparte's retreat Gene Krupa (Bobby Soots, vocalist) « At the jazz band ball » download RCA 20-3816-A gene krupa at the jazz and hall ret

Gene Krupa (Bobby Soots, vocalist) « Walking with the blues » <a href= »http://www.bopping.org/wp-content/uploads/2013/11/Vicor-Bobby-Soots-Walking-with-the-blues.mp3″ target= »_blank »>download
rca 3965 gene krupa walking with the blues

Gene Krupa (Bobby Soots, vocalist), « Panhandle rag » download

mercury 6326 bobby soots whiskey ret
Bobby Soots, « Bad, bad whiskey » (Mercury 6326) download

Bobby Soots, « (Help me lose the) Boogie woogie blues » (Mercury 6331) download
mercury 6331 bobby soots boogie woogie blues

Bobby Soots, « I’m crying » download

Bobby Soots, « Have you forgotten my name » download

 

 

 

 

Bobby Soots solo discography:

(vo) with instrumental accompaniment: g, rh. g, p, steel, str.b.. Poss. Chicago, circa Feb. 1951

7208      Bad, bad whiskey                                      Mercury 6326

7209      Fiddle boogie                                              unissued

7210      I’m cryin’                                                     Mercury 6326

7211       A thousand times too many                   unissued

 

(vo) with fiddle, piano, rh. gtr, g, steel, str.b.  circa September/october 1951

7232     Help me lose the boogie boogie blues  Mercuy 6331

7233    Goin’, goin’, gone                                       unissued

7234   Lots of nothin’                                                  –

7235   Have you forgotten my name                   Mercury 6331

 

Source: Internet for the Gene Krupa records, Bobby Soots photograph and Billboard snippets. Thanks to Ronald Keppner for scan/mp3 of Mercury 6326. Discographical details from Michel Ruppli’s « Mercury label » vol. 1.

Hillbilly Boogie!

HILLBILLY BOOGIE !

Essential component of Rock’n’Roll, this Country stream goes as far as the 30’s. Following the Boogie Woogie wave (1928, Pinetop Smith), everyone includes a boogie in his repertoire : swing big bands (Count Basie : « Basie boogie »), western swing orchestras (Spade Cooley : »Three way boogie », or smaller combos – Country (Tennessee Ernie Ford : « Shot gun boogie », 1951) or Blues (Amos Milburn : « Amo’s Boogie », 1946 – one of thousand artists). And the phenomenon will last a good twenty years. Fast tempo is good for dancers, as in « Hillbilly Boogie » (Jerry Irby, 1949 –Pete Burke at the piano).

Piano style was transposed to

guitar (Arthur Smith, « Guitar Boogie », 1945),

harmonica (The Milo Twins, « Truck Driver’s boogie », 1949),

mandolin (The Armstrong Twins, « Mandolin Boogie », 1949),

– violin (Curley Williams, « Fiddlin’ Boogie », 1949),

– steel-guitar (Speedy West, « Stratosphere Booie », 1954),

– accordion (Nathan Abshire, « Lu Lu Boogie », 1947),

– banjo (The McCormick Brothers, « Red Hen Boogie », 1954),

– vocal too of course (Wesley Tuttle, «Yodelin’ Boogie », 1949).

pee-wee-king

You can recognize a Hillbilly boogie by the presence of a powerful stand-up bass, often slapped : you can hear here the monumental « Bull Fiddle Boogie » by PeeWee King (Redd Stewart on vocal)(1949).

Numerous other instruments can be found in hillbilly boogie such as saxophone, muted trumpet or clarinet.

donnie-bowshier-tight-shoe-boogiebobby-soots-boogie-woogie-blues
hardrockmy-honky-tonk-baby
milo-twins-truck-drivers-boogie

And until now I’d only speak of titles including « boogie » ! There were thousands others on this tempo, not always fast, but « uptempo ». Finally it became the standard in hillbilly music, what we call now Hillbilly Bop. One example between hundred is  Downie Bowshier’s « Tight Shoe Boogie » (King, 1953). The song complains about shoes too tight to dance to the bop. It is doubly ironic, since Bowshier was confined to a wheel chair.

Recommended listening :

We are well treated these times, because there is a plethora of compilations.

– « Country boogie 1939-1947 » (Frémeaux et associés 161) – 36 classic recordings just before and after WWII, from « Oakie Boogie » (Jack Guthrie) to « Square Dance boogie » (Johnny Lee Wills), to « Saturday night boogie » (Al Dexter). A good choice from Gérard Herzaft, the famous compiler.

– « Hillbilly Bop, Boogie & The Honky Tonk », a serie of 3 double-CDs from Jasmine (UK) at bargain price. Buy in confidence, you won’t be sorry !hillbilly-bop-jasmine

– « Hillbilly Boogie » Proper (UK) boxset (4 CD). 100 tunes for £ 10.99. All the greats are here.

– « King Hillbilly Bop’n’Boogie » (UK Ace 854) does concentrate on one of the genre’s best postwar labels. Many uncommon tracks.

king-hillbilly-bop-Hillbilly Boogie » (Columbia Legacy 53940) – 20 essential tracks (1990)  hillbilly-boogie-cd

– If you are looking for something else, try to find (remoted from current catalog) « A Shot In The Dark – Tennessee Jive », a 7-CD Bear Family boxset devoted to Nashville’s small labels from 1945 to 1955.

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