First from the West Coast, a fine crossing between Hillbilly Bop and Rock’n’Roll (because of the drumming): DICK MILLER and « Now I’ Gone« . I’ve added a second song from him, very different, this time, 1957 on Mercury Records, « My Tears Will Seal It Closed« .
Eddie Hill and « The Hot Guitar » was combination of various guitar stylings, Merle Travis, Hank Garland, Chet Atkins.Very nice fast tune.
Rufus Shoffner is not a stranger. Here on Detroit’s HI-Q label, he delivers an energetic « It Always Happens To Me« , backed by his sister/wife (I don’t know) Joyce Shoffner.
A real mystery now. Ked Killen was cutting Hillbilly Bop as late as 1969 on WESTERN RANCH. Bopping has recently posted a track by him (Fortnight’s favorites, May 2010). Here « You’d better Take Time« , on a Starday Custom pressing, has welcome gospel overtones. The name HIRAM PHILMON isn’t that common: he cut on his own PHILMON label the fine Hillbilly « I‘m Lonesome Baby« . Just to finish with someone who, with is biting guitar sound, was very close to Rock’n’Roll, FRANKIE LEE SIMS – he cut for Specialty, here on Johnny Vincent’s VIN label, the great « She Likes To Boogie Real Low« .
Howdy folks! Beginnnig a New Year (and nearly two years of this site) with my Bopping wishes and a lot of good hillbilly music, here are BADEAUX (rn Ellas ) & THE LOUISIANA ACES. It’s Cajun cut during the ’80s, « I Can Live A Better Life« . Up onto North in Mississipi with MACK HAMILTON. He had records on Diamond and Feature out of Jackson. Here I’ve chosen the stomping medium tempo Honky tonk « Will You Will Or Will You Won’t« .
RICKY RIDDLE was a native of Rector, Arkansas (as Skeets McDonald), and as the former, moved with family during the ’30s to Detroit. Early ’50s saw him entertaining in Nashville, and recording his first sides (moderate success) for the Tennessee label (see elsewhere for the label’s story). In 1954, he had switched to M-G-M and cut « Steamboat Boogie« , with Don Helms, ex-Drifting Cowboys, on steel-guitar. The words « Steamboat boogie / Rock, rock » are contemporary to Bill Haley’s « Rock Around The Clock », and Riddle pursued in the same vein on Coral and Decca in 1955-56
Billboard advert, 1954
HAWKSHAW HAWKINS had several hits on King when he stopped in 1954 on RCA-Victor. As Riddle, he also used the new trend in « Waitin’ For My Baby (Rock, Rock) ». Nice uptempo Bopper, almost Rockabilly.
Now a real rarity by RED MOORE, about whom nothing is known. He revived on his own label, Red (located North in Iowa), the old traditional « Crawdad Song » during the late ’50s.
Finally way up North with Chester Burnett, aka HOWLING WOLF, for a classic Chicago Rocking Blues from 1961, « Little Baby » (Hubert Sumlin on lead guitar). Enjoy the selections!
January 2nd. Someone did visit the site and gave me the link to RED MOORE. Here it is:http://www.rockabillyhall.com/RedMoore1.html
One of the earliest record companies to set up business in Jackson, MS. was Lilian McMurry’s TRUMPET label. This company was based at her husband’s furniture cum record store on Farish Street, five blocks West from the old Capitol building in downtown Jackson. She recorded first Gospel, then discovered Aleck Miller, aka Sonny Boy Williamson, and Elmore James. She had also Willie Love, Jerry McCain and Tiny Kennedy (« Strange Kinda Feeling » later cut Rockabilly style by Eddie Dugosh on the Luling, Tx. label Sarg – to be heard in another post: the Sarg label story) in her roster. (suite…)