late August 2010 fortnight

Howdy, folks! Here we go with 6 “new” Hillbilly Bop goodies from various sources, spanning nearly 20 years from 1949 to 1967. Let’s begin with Indiana’s BLANKENSHIP Brothers. They were a group doing Bluegrass and Rockabilly, as late as 1960. I’ve chosen “I Just Got One heart“, the B-side to their most famous and best tune “That’s Why I’m Blue” (Skyline 106). Way up North in the Detroit, Michigan area. Hillbilly was concentrated on Fortune Records (Jack & Devorah Brown), and the label saw many, many fine releases by Southerners who did entertain the Ford car workers. Many good Fortune sides are to be found in the excellent NL Collector serie “Boppin’ Hillbilly“(“Detroit in the 50’s“, 3 volumes), and here we have one of the earliest sides (Fortune 141, 1949) by EARL SONGER, “Mother-In-Law Boogie“. Songer himself was from West Va. and came to Detroit in the late 30’s; being a fan of Bill Cox, he was a one-man band (vocal/guitar/harmonica), before teaming with Joyce (born in Tennessee). Together they recorded many songs on Fortune: 7 disks within 2 years. Immense success.Earl Songer

Next we have TOMMY JACKSON and “Flat Top Box” from Lexington, KY (Sun-Ray 131) as late as…1967. Great guitar, very modern in style, altho’ the Hillbilly spirit remains untouched. Back to Indiana with the prolific Hodges Brothers Band, fronted by RALPH HODGES for a little classic on Whispering Pines 201, “HONEY TALK” with the buzzing guitar and swirling fiddle. That’s a crossover between Hillbilly and Rock’n’Roll, what they call sometimes Hillbilly Rock.Whispering pines 201 They had a good amount of albums recorded by Chris Strachwitz for Arhoolie in the 1970’s.

And then we have a woman – and God knows they were THAT uncommon in Hillbilly! JEANIE CHRISTIE on the Blue Sky label out of St. Cloud, FLA from 1958: “Flying High“. Great and firm vocal, a solid steel-guitar throughout. A nice record!jeanie christie blue sky

Finally in Virginia for the tiny Liberty label (no connection with the California concern), HENDER SAUL, “I Ain’t Gonna Rock-Tonite“, one of my all-time faves in Hillbilly Rock. Forceful vocal, nice lyrics, great interplay between guitar and fiddle.hender saul liberty 104

I really  hope you will enjoy the selections, and you will comment after a listen or two. You can download everything, of course!

Lâche pas la patate” (Don’t loosen the potatoe) to quote Cajun Jimmy C. Newman, and keep on Bopping!

Sources: various CDs. Pictures as usual from the excellent Terry Gordon’s site “Rocking Country Style”. Take a look at it!

Indiana Rockabilly and Bluegrass (late ’50s): the Blankenship Brothers

Indiana is not the first American state you’d associate wih primitive Rockabilly, but it was there, hidden away among the steelworks and the industrial areas. Indianapolis was seething with young, spotty hopefuls, all wanting to be Elvis and looking more like the greek next door. Eddie Smalling, Tommy Lam, Van Brothers, Tex Neighbors, Dennis Puckett…All true blue Indiana boppers.

 

 

 

 

The Blankenship Brothers certainly weren’t the next « Teenage sensation ». Hell, this small but tightly packed band didn’t even pretend to cut Rockabilly. Led by Floyd and Dennis Blankenship, this small outfit cut some of the best primitive rock north of Tennessee, but to them it was more like country and bluegrass music., blended with a little rough Johnny Cash edge. They played all the local honks and jukejoints, entertaining the masses of factory workers who were looking for entertainment after a hard week of being frazzled by the burning steel mills. Hell, maybe these guys worked there too…

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early July 2012 fornight’s favourites

Howdy folks, we embark for a new serie of obscure hillbilly bop records. TED WEST is not an unknown artist. He cut 1952 for Republic in Nashville the fine “She Bent My Pole” and the equally good (with sound effects) “Parking Worries” (see in the site the article on Republic Records, from July 2011). He cut two sessions in 1953-1954 for M-G-M, which I did extract the nice “Call Of The Devil’s Ride” (# 11539) from. Backing accompaniment may be by the Drifting Cowboys. A good shuffler from the days before Nashville was not rotten neither too commercial. (more…)

early April 2011 fortnight’s favorites

Hi! there all, friends, visitors, listeners. This is not April fool! Another batch of good ole’ Hillbilly Bops, Hillbilly Boogie and Honky Tonks from the golden age, and various sources.

Let’s begin with the earliest track, from Texas, 1950-51. TILMAN FRANKS was an entrepreneur, bassist, and associate with various labels and artists. For example, he launched the carrers of very young WEBB PIERCE (Pacemaker label, before 4 * and Decca) and FARON YOUNG, recording them in Houston, then placing the products with East Coast labels. FARON YOUNG made his vocal debut on Philly GOTHAM with this “Hot-Rod Shotgun Boogie N0. 2“. Way before Young specialized on Capitol with sweet ballads, this is raw Hillbilly Bop, Texas style!

gothem 8141 franks

merle travis

capitol 3316 huskey

Second then, a legend, the great MERLE TRAVIS, with a little known opus, “Louisiana Boogie” – fabulous piano by Capitol session man Billy Liebert. Indeed Travis takes his solo too...

More on Capitol with very recently deceased FERLIN HUSKEY, who disguised under 3 personas. As a comedian, as Simon Crum. As Honky-tonker (early in carreer) as Terry Preston. Here he’s attempting as FERLIN HUSKEY on Rockabilly in 1955 with the famous classic “Slow Down Brother“.

More Hillbilly Bop from Detroit, 1953- almost Rockabilly in spirit: FOREST RYE and “Wild Cat Boogie” on the Fortune label. Like the sparse instrumentation and lyrics! More on “Cat music” on the site with the “research” button above right!

fortune 172 rye

aracadia 110B curley langley

wesholly78 pic

Wes Holly

iowana 807 wes holly

1956, from Louisiana, hence his name, CURLEY LANGLEY (l’Anglais, in French) and the minor classic, “Rockin An’ A Rollin” on the Arcadia label. Fine backing. Langley made more quiet Hillbilly on the same label.

Finally, a 1957-58 disc from Indiana (Iowana label) by WES HOLLY, “Shufflin’ Shoes“. Holly had already cut the same song as “Shuffling Shoes Boogie” in 1952 for the Nashville TENNESSEE label (see elsewhere in the site the story to this label).

Enjoy the selections, folks! You also can see what’s available for sale from my collection (overstocks, as new) on “Contact Me” button.

See you, as always, comments welcome. Bye!

late March 2011 fortnight favorites

Hello folks! Being a bit late, I am coming back from Corsica a day late. This is the first time I post two tracks by the same artist, but both tunes are so good I hope you will agree with me. From Florida, 1959 or 60, on a custom label, Arvil, ARVIL MEERS cut two very special songs, accompanied by his own guitar, “Muddy River“, with yodel overtones, and “The Future I Hold“. The disc was reissued by Dixie.

arvil 3001 arvil meers muddyarvil 3001 arvil meersarvil meers picdixie 1072A Meers future

A good bopper on Starday (custom serie), late 1955, “Puttin’ On The Dog” by JOE GIBSON. Is this the same guy, JOE D. GIBSON, who had “Good Morning Captain/21” on New York Tetra label in 1957?

starday 535 joe gibson

One of the most enduring images in Hillbilly is the singing brother act. They were litterally thousands in the genre, one of the most famous being the Delmore Brothers. Robert and J.C. Andrews, the ANDREWS BROTHERS were no exception, hailing from Alabama. They had numerous records on MGM, the best being “Hot To Trot” from 1955. Fine banjo and close vocal harmonies. mgm 12007 andrews bros

Another brothers combo, by far less known, actually a one-off venture, comessurprisingly in 1963 from Indianapolis on the Nabor label from Indianapolis. The RUSSELL BROTHERS do offer a superior rural hillbilly vocal, guitar and steel solos with “You Cheated On Me“. That is the proof that Hillbilly was not dead even at the beginning of British invasion.

Finally, a curious mixture of R&B and Jazz by the SLIM GAILLARD QUARTETTE, from 1945, on the Atomic label: “Atomic Cocktail” seems to be a strange beverage. I appreciate the swing of the combo, and I hope you do the same!slim gaillard

Enjoy the selections!