Howdy, folks. After being one long month away [for a thermal cure – everyone has to coddle himself, no?], finally I got back home. And I hope you are waiting for this early November bopping (and Rocking) fortnight’s favorites selection. Let’s not deceive any of you.
Up in Michigan, CAL DAVIS & his Tennessee Kings on the full of good music label Fortune (# 185) gives us a lovely uptempo (nimble lead guitar which has 2 soli ; good steel which has its solo too) « Partnership love affair » from 1956. I’d like to hear more by him..
« Don’t go back again » is the next song, and a shuffler from 1959 by GEORGE KENT, cut in Dallas, TX. issued on Maverick 1001. The duet vocals are a bit poppish at times, but are backed by two solos of steel and fiddle + loud drums. Flipside « Move on » is a fine uptempo too (hear it on YouTube). Kent went later to do mainstream country on Mercury in the ’70’s.
Really early (1948) let’s take care of JACK HOLDEN & the Georgia Boys on the famous Red Barn (associated to White Church for the sacred sides) label from Kansas City, which had also in its roster Jimmie Skinner (his first sides), Byron Parker and the Blackwood Bros. Holden made a serie of records containing all « Mama ». Here we hear to « Mama quit teasin’ me » (# 1151) and « Mama I’m sick » (# 1152). Fine shufflers, containing choruses in unison. The fiddle well to the fore is played by Wayne Midkiff. After that Holden also cut 6 discs for RCA (1951-52) then disappeared completely. During those years (1948-52) Holden had radio shows on WEAS (Decatur, Georgia), WATL (Atlanta, Georgia too); he was also associated to the Renfro Valley Barn Dance (in Kentucky or Ohio), and was heard on two Kansas radio stations: WIBW (Kansas Roundup) and WIBW (Topeka).
Back to bopping music with a Roswell, New Mexico Mystic label (# 5828) : RICKY McKINNEY do offer a sort of happy bluesy uptempo with « Washday blues », which reminds me other domestic affairs like « Super market day » by Jimmy Key (Hi Lite). Anyway McKinney may have some sort of connexion with Norman Petty, as his record is registered by Nor-Va-Jak music.
The next two tracks were cut in 1962 and RCA custom recordings. Until that, nothing is really interesting. But wait a bit: both sides are hillbilly gospel. And another teasing detail: side A has a Columbus, OH. location, while side B is out of Delberton, W. Va. It’s the kind of details which bring more appeal to a record, moreover very nice sacred harmony vocals (spare instrumentation, only guitar). Oh yes, the artist is called LLOYD FARLEY & His Revelators, on The Revelators label, no #. « How long » is the faster of both, although the mid-paced tempo « The Lord will make a way » is equally good.
From Texas (Houston area, I guess) comes PAUL WILSON who performs «The blues you gave me » on Picture 1001. This record is typical, although having been issued in ’59, of ’60s Nashville Country : good vocal (but nothing exceptional), steel as the driving force of the track, then drums and piano. Wilson had another later on the Country Town label (# 105) and «Hippie invasion ».
Final cut by HOUSTON [Bob] MILLS: the moving ballad « They turned the lights out down at Joe’s » from 1966 on the Tom Big Bee label # 101 (I remember this label is from Pontotoc, North of Mississipi.). It released also Robert Mills (obviously the same artist) on # 101 (reverse by Deborah Aycock – wonder if she is related to Earl, whose ground was rather Houston area, if one excepts his Dixie recordings – cut in Gallatin, TN.?). Another interesting figure on Tom Big Bee (# 102) was the Sun wild man Jimmy Wages (& Tune Masters), who does anyway very average Country music here (# Tom Big Bee 102). Lastly James Mask (Tom Big Bee 111) does a good version of Rocky Bill Ford « Beer drinking blues« .
That’s it, folks. As usual, comments, additions, corrections are welcome. Bopping.org is en route for a re-organization within the very next months : it would give more fun for you visitors to run through the 300++ articles. More on that in a near future.
Sources : Hillbilly Researcher (Red Barn and Jack Holden) + Praguefrank huge discography ; many YouTube shots, too numerous to recommend any of the generous uploaders. 45Cat was very useful. Then, many, many researches, mostly out of my own archives, to build something of interest around each artist mentioned. I hope you like the feature. In the meantime, bye-bye..
This fortnight’s favorite selection begins in a State not usually associated with Hillilly bop, that of Connecticut in the North east part of the U.S. Issued on the Starday custom Coxx label (# 588, September 1956), it hailed from Coventry and was allocated to SLIM COXX and his Cowboy Caravan. I remember the notes to Coxx 588 from the « Starday custom # 575-600 » study I had back in January 2012. « Slim’s real name was Gerard A Miclette. He played with his younger brother, Roland « Rocky » Miclette in various bands. By the time Roland came back from serving in the Navy, he joined Slim (who played fiddle like his father, George) playing bass in Slims’ Kentucky Ramblers. Eventually they came to the attention of the Down Homers, which featured Bill Haley (and Kenny Roberts) and joined them on the tidy sum of $200 a week wages. Once the Down Homers had disbanded, Slim & Rocky were playing at Lake Compounce in Slim’s new band, The Cowboy Caravan. »
»Lonely nights » is a perfect hillbilly shuffler: the vocalist has a top notch « hillbilly » voice, and steel/fiddle are both great. Rocky died on the 6th of May 2004 and Slim passed away October 13th 1999. The actual band singer was a Jimmy Stephen, who led vocals also on the other issue (either 1955, either 1957) by Coxx on the Maine Event label (# 4267), »Sitting here all alone ».
On to Dallas, Texas, and the great JOHNNY HICKS & the Country Gentlemen, recently evoked in my study of Hank Thompson’s « The Wild Side Of Life » and his sequels. Here he delivers a proto-rockabilly with « Pick up blues », great vocal and fine guitar (Columbia 21064) cut late 1952.
Talking of « The wild side of life », here is an unusual Cajun version sung in French by MARIE FALCON fronting Skuk Richard‘s band, The LA. Aces, under the title « Le cote farouche de la vic », which was issued early in 1953.
Then a completely unknown artist by the name of TIM McCLOUD on the Chesterfield label #362 on the West coast. McCloud reminds vocally one of Rex Allen for two selections, « Down Down Down » and « Mountains and mountains of lies » , both urban hillbilly style with a distinct California Western savour. Young Buck Owens had a record on that label too. The writer, Virginia Richmond, was also the owner of the label.
Back to Texas, Houston area with the singer/fiddler COTTON THOMPSON. He already had the fast Western swing-tinged « Jelly Roll Blues » in 1949 on Freedom 5010, and later went as front vocalist for Johnny Lee Wills (« Oo Oooh Daddy » on RCA 5243). Here after train effects Thompson sings with urgency a fast song – already a small classic – « How Long » (Gold Star 1381) ; flipside « Hopeless Love » is a fine shuffler : fiddle is well to the fore. Thompson is backed by an otherwise unknown to me « Deacon (Rag Mop) Anderson » and his own Village Boys.
Hillbilly BILL HALEY used to adapt race songs to his Country repertoire. Here he goes strong with the Saddlemen on Holiday 105 (July 1951) with «Rocket « 88 » », which has been often cited as the first Rock’n’roll record by Ike Turner‘s band (The Delta Cats) fronted by JACKIE BRENSTON on Chess 1458.