Harry Choates’ musical career differs somewhat from most Cajun artists of the period due to his varied styles, notably that of Western swing and Honky tonk. All of his music was professionnally driven by a smooth fiddle (borrowed and never returned!) that cut through a unique musical home-grown output that is today highly sought after by collectors and listeners alike, who seek to find the music behind one of the originators of modern-day Cajun music.
‘Cat’ has been used as a term in popular music since the Jazz years of the 1920’s. Revered by the ancient Egyptians, cats have a mystique and grace all over their own – no wonder these independent and mysterious animals became such a byword for ‘Cool’ in music from Hep Cats, jazz be-boppers of the ‘40s, and right through into 1950’s Rock’n’Roll.
The name LINK DAVIS is well knownto the fans of a number of musical styles. Over a period of three decades, he was involved in Western Swing, Hillbilly, Cajun, Rockabilly, Roll and Roll and Blues recordings, either as a recording artist in his own right or as a supporting musician. (suite…)
This time we’re beginning with a strange item. Carl Story, bluegrass virtuoso, doing Hillbilly Bop with « Whatta Line »(Columbia). then 1955 Rock’n’Roll with Ken Davis « Shook Shake ». Same period with pianist -bandleader Dick Hyman, doing « Rolling the Boogie »(MGM 78 rm). Enjoy the walking basses! Back to Country-rock with the unknown Cuddles C. Newsome (One Little Kiss, nice guitar). Strong guitar bopper with Bill Watkins, out of Cncinnati for « unissued at the time » « Big Guitar » (Lee label). We come to an end with Jimmy Heap out of Abilene, Texas, for Harry Choates’ « Cat’n Around » done Hillbilly Bop style (strong fiddle), and vocal by Perk Williams. Enjoy! Comments?