Howdy folks. Welcome to newcomers, hi! to returning visitors. Every two weeks in this site I offer 6 selections of obscure, unknown hillbilly bop/rockabilly records, sometimes a rocking blues like this time. I give data, comments (both musically and what is needed to a better appreciation of the music), and wait for your own comments. In the past, more than one visitor has posted and given a detail unknown to me. This is an exchange between you and me, beyond frontiers and seas, thanks to the magic of internet.. (suite…)
Hi! there all, friends, visitors, listeners. This is not April fool! Another batch of good ole’ Hillbilly Bops, Hillbilly Boogie and Honky Tonks from the golden age, and various sources.
Let’s begin with the earliest track, from Texas, 1950-51. TILMAN FRANKS was an entrepreneur, bassist, and associate with various labels and artists. For example, he launched the carrers of very young WEBB PIERCE (Pacemaker label, before 4 * and Decca) and FARON YOUNG, recording them in Houston, then placing the products with East Coast labels. FARON YOUNG made his vocal debut on Philly GOTHAM with this « Hot-Rod Shotgun Boogie N0. 2« . Way before Young specialized on Capitol with sweet ballads, this is raw Hillbilly Bop, Texas style!
Second then, a legend, the great MERLE TRAVIS, with a little known opus, « Louisiana Boogie » – fabulous piano by Capitol session man Billy Liebert. Indeed Travis takes his solo too…
More on Capitol with very recently deceased FERLIN HUSKEY, who disguised under 3 personas. As a comedian, as Simon Crum. As Honky-tonker (early in carreer) as Terry Preston. Here he’s attempting as FERLIN HUSKEY on Rockabilly in 1955 with the famous classic « Slow Down Brother« .
More Hillbilly Bop from Detroit, 1953- almost Rockabilly in spirit: FOREST RYE and « Wild Cat Boogie » on the Fortune label. Like the sparse instrumentation and lyrics! More on « Cat music » on the site with the « research » button above right!
1956, from Louisiana, hence his name, CURLEY LANGLEY (l’Anglais, in French) and the minor classic, « Rockin An’ A Rollin » on the Arcadia label. Fine backing. Langley made more quiet Hillbilly on the same label.
Finally, a 1957-58 disc from Indiana (Iowana label) by WES HOLLY, « Shufflin’ Shoes« . Holly had already cut the same song as « Shuffling Shoes Boogie » in 1952 for the Nashville TENNESSEE label (see elsewhere in the site the story to this label).
Enjoy the selections, folks! You also can see what’s available for sale from my collection (overstocks, as new) on « Contact Me » button.
See you, as always, comments welcome. Bye!
Howdy folks! Here is a new batch of Hilbilly Bop goodies, even the odd Rock’n’Roll!
We are beginning on the West Coast with CASEY SIMMONS and his « Juke Box Boogie » on Crystal records from 1950. Call and response format, fine saxophone and a lot of electric guitar. The whole thing romps along lovely!
Fortune records offered many a Hillbilly Bop song in its 100 serie. EDDIE JACKSON, famous for his « Rock and Roll Baby« , turns up there with « Baby Doll« , dominated by a good piano.
Sol Kahal’s Macy’s Records had many fine discs, either in Blues field, either in early Hillbilly bop, i.e. by Ramblin’ Tommy Scott or Harry Choates. ART GUNN & his Arizona Playboys cut the decent « Cornbread Boogie » in 1949. Fine harmonica throughout.
They also had on the same label « Boogie Woogie Blues » (for a future fortnight), and later, on own Gunn label Arga in 1958, the superior « Pickin’ and A-Singin’« .
Cowboy Sam Nichols had written (and recorded for Stanchell) the classic « That Wild And Wicked Look In Your Eye« , before he got a contract with MGM records. It was early to mid-fifties and the beginning of truck drivers‘ songs (Terry Fell for example); here the shuffle « Keep Your Motor Hot » from 1954. No label scan available, as I sold the 78 rpm, having only kept the music! Nichols was backed by West coast top musicians: Porky Freeman on guitar, Jesse Ashlock on fiddle, Red Murrell on rhythm and Curley Cochran on steel.
From trucks to trains. Grady CURLEY COLE was a resident D.J. in Paducah, KY, but he cut his fine « I‘m Going To Roll » for L.A. Gilt-Edge label. Nothing more is known about him. Let’s stay in Kentucky for TOMMY HOLMES, backed by Pat Kingery & the Kentuckians. A certain Mr. Vance asked Holmes a record for his politician career ca. 1954. The tune « Jam On The Lower Shelf » is pretty average, mostly when you hear Holmes six years later in an out-and-out Rocker on the Cherry label, « Wha-Chic-Ka-Noka« . Enjoy the selections!