Howdy folks, welcome to newcomers. The aim of this feature is to spread my favorites around…
Let’s begin with a recently covered CLIFF DAVIS, without doubt a Southerner (« & his Kentucky Play Boys » as shown on the label), on the Chicago Jay Jay label (# 161) for this fabulous rendition of a classic, modernized (for 1956…) « Rocky Road Blues« . Fast, call-and-response format, even slap-bass sounding like drums and a superlative guitar. Second, thanks to Youtube chain-owner HillillyBoogie1, who frequently adds gems to his chain, PERRY WASHBURN on the Los Lunas, N. M. Mustang (# 300) label is no exception: on a obliged Indian beat, a very effective medium-paced vocal on perfect backing of steel-fiddle-guitar (nice solos) for « Pocahontas Baby« .
On the Joplin, MO. Joplin label, owned and composed by one Robert T. Nelson, a superior shuffler, « Oklahoma Blond Headed Gal » by deep-voiced SAMMIE LEE. Nice fiddle, steel all along. Year 1958 (issue J80W-3138, RCA pressing). Thanks to Tom Sims for this rare one.
PORKY FREEMAN is maybe the best known of this serie, for a string of guitar-led instrumentals from 1944-1947 on Ara and Four Star labels. Here I offer his « Porky’s Boogie Woogie » (Ara 4009) from September 1945. Red Murrell on rhythm and Al Barker on bass, Porky indeed on lead guitar.
From Chicago or Eastern states come BOB PERRY. On the small Bandera label (# 1301/1303) the fantastic « Weary Blues Goodbye » from 1958. Very strong rhythm, firm vocal, and a FABULOUS steel-guitar solo, which sounds as a slide guitar. I added the flipside, very different, and more countryfied « Can’t Hardly Wait ». Perry had at least another disc on Cool, outside the scope of this site: it’s a late ’50s rocker.
Finally someone I recently put everything I could gather on, the Kentuckian born RAY ANDERSON. In the case you missed him, here is his great « Done Gone Dirty Shame » from 1952-53 on the Illinois Blue Ribbon (B2) label. Nice guitar picking a la Merle Travis.
Finally there is an hidden gem in the podcasts: « Haunted House Boogie » by Jack Rivers, for halloween.
Howdy folks, we embark for a new serie of obscure hillbilly bop records. TED WEST is not an unknown artist. He cut 1952 for Republic in Nashville the fine « She Bent My Pole » and the equally good (with sound effects) « Parking Worries » (see in the site the article on Republic Records, from July 2011). He cut two sessions in 1953-1954 for M-G-M, which I did extract the nice « Call Of The Devil’s Ride » (# 11539) from. Backing accompaniment may be by the Drifting Cowboys. A good shuffler from the days before Nashville was not rotten neither too commercial. (suite…)
Howdy folks. Welcome to newcomers, hi! to returning visitors. Every two weeks in this site I offer 6 selections of obscure, unknown hillbilly bop/rockabilly records, sometimes a rocking blues like this time. I give data, comments (both musically and what is needed to a better appreciation of the music), and wait for your own comments. In the past, more than one visitor has posted and given a detail unknown to me. This is an exchange between you and me, beyond frontiers and seas, thanks to the magic of internet.. (suite…)