Howdy, folks. Here is the usual batch of bi-monthly hillbilly boppers. This time completely unknown artists, even (but one case) location of recording.
Jay T. Starr must have been a West coaster, since I know of a 1951 record by him on Coast (# 9017, “Rattle Snake Boogie“). Here is his 4 Star 1708 from 1957. “Dark Clouds Ahead” has a muddy sound (transfered from YouTube), nevertheless a fine uptempo bopper, while its flipside, “Wa-Na-Chee” has a strong guitar in it. Indian bopper.
Howard Perkins hails certainly from the early ’60s, and has a possible answer to Lattie Moore‘s “Out Of Control”. Here is his “Under Control” on the Juke label, # 2012.
One Little Carolyn Sue declares “I Hate Men” on the Lar label (# 738) with a sour voice. Rasping late ’50s hillbilly, near rockabilly.
Finally Leon Collard with two tracks. “Silver Queen” on the Basic 816 label. Apparently a train song. Good anyway. Then on the Louisville, KY Spiral label (# 800) “Hello USA“. Enjoy them all.
Howdy folks, welcome to newcomers. The aim of this feature is to spread my favorites around…
Let’s begin with a recently covered CLIFF DAVIS, without doubt a Southerner (“& his Kentucky Play Boys” as shown on the label), on the Chicago Jay Jay label (# 161) for this fabulous rendition of a classic, modernized (for 1956…) “Rocky Road Blues“. Fast, call-and-response format, even slap-bass sounding like drums and a superlative guitar. Second, thanks to Youtube chain-owner HillillyBoogie1, who frequently adds gems to his chain, PERRY WASHBURN on the Los Lunas, N. M. Mustang (# 300) label is no exception: on a obliged Indian beat, a very effective medium-paced vocal on perfect backing of steel-fiddle-guitar (nice solos) for “Pocahontas Baby“.
On the Joplin, MO. Joplin label, owned and composed by one Robert T. Nelson, a superior shuffler, “Oklahoma Blond Headed Gal” by deep-voiced SAMMIE LEE. Nice fiddle, steel all along. Year 1958 (issue J80W-3138, RCA pressing). Thanks to Tom Sims for this rare one.
PORKY FREEMAN is maybe the best known of this serie, for a string of guitar-led instrumentals from 1944-1947 on Ara and Four Star labels. Here I offer his “Porky’s Boogie Woogie” (Ara 4009) from September 1945. Red Murrell on rhythm and Al Barker on bass, Porky indeed on lead guitar.
From Chicago or Eastern states come BOB PERRY. On the small Bandera label (# 1301/1303) the fantastic “Weary Blues Goodbye” from 1958. Very strong rhythm, firm vocal, and a FABULOUS steel-guitar solo, which sounds as a slide guitar. I added the flipside, very different, and more countryfied “Can’t Hardly Wait”. Perry had at least another disc on Cool, outside the scope of this site: it’s a late ’50s rocker.
Finally someone I recently put everything I could gather on, the Kentuckian born RAY ANDERSON. In the case you missed him, here is his great “Done Gone Dirty Shame” from 1952-53 on the Illinois Blue Ribbon (B2) label. Nice guitar picking a la Merle Travis.
Finally there is an hidden gem in the podcasts: “Haunted House Boogie” by Jack Rivers, for halloween.
Hello, folks! This is the latest batch of Hillbilly bops/rockabillies I’d like to help you discover. Only unknown names, and microscopic record labels!
The exception being a 1951 Mercury recording by PAUL & ROY, the Tennessee Valley Boys. They had 4 sessions for the label, and I chose the moving, bluegrass flavored (even a mandolin) “Spring Of Love” (# 6374). From Texas probably, because “Bluebonnet Pub” appears on the label, on BOB WHITFIELD. He does a nice medium paced Rockabilly, “What Can A Man Do” on Spotlight 5018. Fine strong lead guitar (echo), an haunting steel. A fine record which grows on you everytime you listen to it.
On the Karl label (# 3022), and from I don’t know where, a cross between hillbilly bop and Rockabilly, with LACY KIRK doing the fast ” This Is Saturday Night“. Strong bass, a short fiddle solo. A good record.
From Louisville, KY. do come JIMMY SETTLE& the Blue Grass Rangers for the next song, “Admitting Defeat” on the Pier-Wats label # 1301. There is nothing pertaining to Bluegrass here, because the song is a nice Hillbilly bop dominated by steel.
On the Tycer label # 1304 we come now to JMMY BANKSTON and the “I Come From Louisiana“. No concession Rockabilly, with unobstrusive drums and fine guitar.
Finally from around 1960, one of the earliest Nashville label releases (see the story in the site) with DAVE STEWART for “Thinking About You” (# 5006). The song has fiddle and bass, and reminds me somehow of early George Jones on Starday.
Howdy, folks. Sometimes it is easy to assemble a “fortnight” feature, sometimes not. This time it has not been that easy, I don’t know why. I tried to vary tempos, origin, labels, and I am not sure I did succeed. Only your visits and interest could say I was O.K.
First in this new serie, CECIL CAMPBELL, backed by the Tennessee Ramblers. He was steel player (born 1911) in the Virginia/North Carolina region, and found moderate but constant success with his records on RCA-Victor. Here I’ve chosen his 1951 “Spookie Boogie“; he explains in his own words what he wanted to do with this tune:
He was looking for an “…unusual hollow type of rattling sound designed to send cold chills rushing down the spine.” He couldn’t find that sound on the musical instruments. But as fate would have it, one of the members of the Tennessee Ramblers had false teeth and that mysterious sound that appears on the tune “Spooky Boogie” was made by a pair of chattering false teeth.” Later on, he was to have a minor Rockabilly classic in 1957 on M-G-M (12487) called “Rock and Roll Fever“.
From Kentucky comes now JIMMIE OSBORNE, the “Kentucky Folk Singer”. He had a string of releases on KING, with strong success, among them the amusing “Automobile baby“. Osborne played the Louisiana Hayride, as well as the Opry, until his suicide in 1957, at the early age of 35.
On to Texas. FRED CRAWFORD is a relatively well-known artist, whose 9 Starday singles were of constantly highest musical level. “Cornfed Fred”, as he liked to be called, was a long-time D.J. on KERB radio station of Kermit, and considered himself more a radio man than an artist. Here below is “You Gotta Wait“, a very nice 1954 Bopper. He later went to D, and committed a pop song, “By The Mission Walls”, whose main claim to fame is the backing by no one but Buddy Holly.
Then TEXAS BILL STRENGTH, who had on Coral Records “Paper Boy Boogie“. Another version does exist by Tommy Trent on Checker 761 from 1952. I don’t know which one came first. The song was even revived by Hank Williams as a demo. Strength (1928-1973) had a long carreer, beginning on radio KTHT, Houston, in 1944, and recording for 4 Star, Capitol, Sun and Nashville. He re-recorded “Paper Boy Boogie” on Bangar as late as 1965.
During the Sixties, ARK records from Cincinnati did issue many a fine disc, mainly in Bluegrass or Sacred. In a past fortnight I included a Jimmy Murphy song, which I consider one of his best, “I Long To Hear Hank Sing The Blues“. Here we have a pseudonym, and there is not any chance, I’m afraid, to discover who really was TEXAS SLIM. A very superior double-sided “When I’m old And Gray” and “Look What You Gone And Done To Me” (ARK # 309). Stunning association of banjo and steel. Hear it!
Finally a classic R&B rocker: “Flat Foot Sam” by T.V. SLIM & His Heartbreakers. Hope you enjoy the selections! Bye.
Howdy folks! The new batch of stomping Honky tonks and Hillbilly bop tunes for this early November 2010 fortnight.
First, from Nashville, JIMMIE SELPH. He seems to have had a long career, both in Bluegrass and Hillbilly, in the late 40s and early 50s, although mainly as a backing member (rhythm guitar and steel) for such luminaries as RED FOLEY or WEBB PIERCE. Here I’ve chosen his nice, relaxed Bopper “That’s Why I Worry” (Majestic label). Below he is shown with a whole bunch of Nashville musicians in 1950. SELPH had records on BULLET, and in 1956 a famous “TOM CATTIN’ AROUND” on COIN.
Then later, in Kentucky. Small BLUEGRASS label in 1957. A real wildie “MAMA, MAMA” by JESSE STEVENS. Urgent vocal, fine guitar. Wonder what happened later to the man?
The ARCADE label of Philly had a whole string of Hillbilly boppers, and was well documented on two “Rockaphilly” albums once in the 70s. Here is JIMMY COLLETT and the great “FOUR ALARM BOOGIE (# 106, 78 rpm), with sound effects.
Back to Nashville with the brother to Chet, JIM ATKINS, and a decent “I’M A DING DONG DADDY” on the CORAL label. We stay in Tennessee, this time in Gallatin, home of Randy Wood’s DOT label (1000 serie). One BILLY WORTH was fronting vocally the TENNESSEE DRIFTERS (whose personal is unknown) for the great early sounding (1950-1951) “BOOGIE WOOGIE BABY”. Fine piano, which may be played by George Toon.
Finally I offer to you one of the best, harsh Rocking blues ever. LUE CAZZ was at one time fronting the JIMMY McCRACKLIN’s band (he also had a 45 on ART-TONE, out of Oakland, Ca.). Here he is covering the classic “THE WALK” in 1962 for the VEE-JAY label. Fine, energetic version: the drummer is pounding like mad!. Don’t miss the great Joe Conwright’s alto-sax solo!