Lou (Louis) Millet was born April 1926 in Baton Rouge, La. (suite…)
Riley was born on his parents’ farm in Mount Pleasant, Texas, in 1912 as the youngest of eight brothers and sisters. At age two, he contracted infantile paralysis (polyo), so he depended on crutches for the rest of his life. Perhaps this handicap forced him to make a career in country music. His bluesy voice is genuine and comes from the heart. The life he lived is reflected in his songs, as he had a lot in common with his idol Hank Williams.
Born Charles Hurt Murphy, Jr., 7 March 1922, Montgomery, Alabama Died 18 August 2001, Charleston, South Carolina
Chuck Murphy was a piano pounder who made two interesting records that you could call proto-rock n roll. Born in March 1922, he always celebrated his birthday on March 8, but, when he looked at his birth certificate years later, he found that he was actually born on March 7. Born in Montgomery, he grew up in Decatur, Alabama. His mother played piano and Chuck and his brother Huel both took up the instrument. Chuck loved Fats Waller and Louis Armstrong. His first gigs were in pop bands during the mid-1930s and by the 1940s he was making a living from music. Most of his work came from the lounges in and around Birmingham. Country music came into the picture in a minor way (he gigged with the Red Mountain Wranglers and was on their television show, and hung out with Hardrock Gunter), but pop music was his bread-and-butter. At one point, he was among the highest paid entertainers in Alabama.
In February 1951, Murphy had his first record released, « They Raided the Joint »/ »Blue Ribbon Boogie » (Bama 301), accompanying himself on what sounded like an old barrelhouse piano.
The A-side was written by Louis Jordan and Dan Burley and recorded by Jordan in January 1945 as « They Raided the House« , though it was not released at the time. Bama Records was owned by Manley Pearson, who had released the original version of « Birmingham Bounce » by Hardrock Gunter. Decca had tried to buy the master, but after Pearson refused, Paul Cohen recorded his own version of « Birmingham Bounce » with Red Foley, which went to # 1 on the country charts, leaving Pearson with piles of unsold copies. Having learned from this experience, Pearson leased « They Raided the Joint » to Coral this time (a subsidiary of Decca!), after the disc showed good sales potential. Coral reissued Chuck’s single in April 1951 (Coral 64090). It sold well in the southern states, but was not a national hit. Chuck did further recordings for Coral with Pee Wee Erwin’s Dixieland Band. There was even a Dutch Coral pressing (61014) of Chuck’s song « 2-D Gal In A 3-D Town« .
In 1951, Chuck had 4 times the honor of being reviewed by Billboard for his Coral records.
In late 1953, Murphy signed with Columbia Records, where his first record was « Hocus Pocus« / »Hard Headed » (21258). However, it was his second Columbia single, « Rhythm Hall » (Columbia 21305), for which he will be remembered most of all. Recorded at the Tulane Hotel in Nashville on March 21,1954, « Rhythm Hall« was produced by Don Law, with Hardrock Gunter and Huel Murphy on guitar, Ernie Newton on bass and Farris Coursey on drums. Chuck’s family says that Chuck himself played piano on the session, and that would certainly make sense, but Hardrock Gunter alleges that Huel played the piano. Like « They Raided the Joint« , « Rhythm Hall » is an infectious piano romp in country boogie style.
Chuck made two more singles for Columbia and a few for other labels (MGM), but since the early 1950s he had felt the call to the ministry. In 1957, he entered what is now Samford University in Birmingham (then Howard College) and finished a four-year degree in three years, all the while working the nightclubs. In 1960, he went to Virginia Theological Seminary and graduated in 1963. From that point, until his death in 2001, he was a full-time minister in the American branch of the Anglican church. Along the way, he wrote several books.
Biography taken from BlackCatRockabilly (Netherlands – come visit the site!)
Pictures from various sources.
Howdy folks! Just another batch of good ole’ Hillbillies, Honky tonks, and Hillbilly boogies (all from the 50s/early 60s). No label shots, sorry: I just re-formated my Macintosch hard drive, and lost all my sites in course! Sometimes I own the actual record, wish I had them ALL! But, you know, it’s not a matter of time neither of money to get them, they are really THAT rare…
We begin with a very rare USAF live transcription of HANK SNOW, early 50s. Hank does 3 tunes, first his signature song, “I’M MOVING ON”, then he embarks on a track that is known to me, but at the moment I cannot remember the title of the song. He finishes with the famous “HONEYMOON ON A ROCKET SHIP”. Fine, powerful rhythm guitar from Hank himself, I would assume; if the band which is backing him is the same as on recording sessions, then the great steel should be played by either Joe Talbot, or Melford Gentry.
Honky Tonk now with CARL SMITH on Columbia, with the fine 1955 “Baby I’m Ready”, lotta bird-dogging in this song, with the perfect Nashville musicians staff. On to early 60s I’d assume. I don’t know the location of the CLET label, perhaps Texas? I’ve chosen the uptempo “Honky Tonkin’ Baby” by BOB SMITH. September 1960, Cincinnati, King records studio. My own tribute to a great singer/songwriter, LATTIE MOORE, who just passed away on June 13th (he was heartsick since the 90s); here we have “Drivin’ Nails (In My Coffin)” – is it the same number popularized circa 1947 by JERRY IRBY? I have not the time to compare the songs.
Next comes from Texas or Oklahoma a minor classic by AL VAUGHN, “She’s An Oakie” (Four Star) from 1952. Good harmonica throughout, and fine steel. Then to Tennessee and on the DOT label, out of Gallatin. BIG JEFF & The Radio Playboys for the fine offering “I don’t talk to strangers”, from 1950 or 1951. Could Big Jeff be…LUKE McDANIELS, or as he was billed on MEL-A-DEE out of New Orleans (“Daddy O-Rock” from 1956), JEFF DANIELS? His actual story is yet to be written…Finally we have Danny (name forgotten!) as HANK THE DRIFTER and the great “Bill Collector Blues” – late 50s on the NEW ENGLAND label. Hope you N-joy everything! Comments welcome.
If Charlie Adams is mentioned these days, it’s usually in passing – as a footnote, likely connected to the fact that he toured with Hank Williams on the latter’s Texas swing in December 1952. However, though he never enjoyed a major hit nor became a household name, Charlie Adams & His Western All-Stars were a popular presence on the Southwestern dance hall and recording scene in the early-to-mid-1950s and left an enduring and engaging legacy of recordings before Adams bowed out of music in favor of family later in the decade. (suite…)