Early July 2017 bopping and rocking fortnight’s favorites

Howdy folks. This is the first of July 2017 bopping fornight’s favorites. And this will be a special issue, focusing on Rockabilly and/or Hillbilly Rock records of high value. If you’re lucky owning them, it’s good. On the other hand, if you have only a portion, or lacking one particular item, start hunting ! Estimated values are going from Barry K. John collector guide (BJK), and Tom Lincoln/Dick Blackurn reference book « Guide to rare Rockabilly and Rock’n’roll 45rpms » (TL/DB).







Let’s begin with the Alabama Reed 400b label, « Coal miner’s blues » by GENE COLE. It’s a great mid-tempo opus, a Country rocker with good guitar and fine voice, valued $ 200-250 (BJK), or even the more confortable tag of 800-1000 (TL/DB).

« Coal miner’s blues »


Next is very short : 1 minute 37, but full of energy. JERRY PITTS & the Rhythm Makers do on the J.P.R.M. label (obviously initials of them all) the fine up-tempo « Keep ole central rolling » from Dawson, MS. Uncommon maraccas. This record go for $ 40-50 (BJK) or even 75-100 (TL/DB).

« Keep ole central rolling »


FRED NETHERTON appears on two discs. First a great version of Carl Perkins’ « Matchbox » on California label Rural Rhythm EP 540, from 1961, backed by the Wildwood Playboys: piano and guitar solos. Valued at $ 300-400 (TL/DB). Then as fronting man for the Wildwood Trio on Dixie 1 (unknown serie) from Illinois, says Barry K. John. « The wildwood rock » with a very nasal voice, a great rockabilly guitar, a really stomping thing, It’s valued between $ 300 and 400 by B.J K.., and 600-700 by TL/DB.

« Matchbox »

« The wildwood rock« 


Next entry is the exception. SUNSHINE SUE had this Astra issue (probably Richmond, Va.) circa 1948-49. « Barn dance boogie » (# 1215) with the first ever recording of ‘Cousin’ Joe Maphis. Fast romper, an accordion solo, and that agile guitar throughout.

« Barn dance boogie »


From Tennessee comes BROWNIE JOHNSON for the medium uptempo – good vocal, nice guitar – « The sun would never shine » on the Lynn label # 101B. Valued (TL/DB) at $ 100-125.

« The sun would never shine »


The name BINK BURNS is not a common one, on the Oklahoma Rose label (# 127) : « Muddy river » has a slow rhythm, a threatening vocal and a fine guitar. It’s valued $ 60-75 (BJK).

« Muddy river« 


Finally two discs by SLIM DORTCH from Tennessee. The very great « Big boy rock » on Eugenia 1001 from 1961 : $ 600-800 (BJK). His second is very tame in comparison, « Sixteen miles » is a honest little rocker without any more appeal.

« Big boy rock »

« Sixteen miles« 


early October 2011 fortnight’s favorites

Howdy folks! Back from a long, long trip, which sent me first to Britanny (far West) to Corsica (far south East), during three weeks! Fortunately I had prepared the next meeting with you this early October, to bring for your listening (and seeing too) pleasure some goodies I did pick from various sources, and which I hope you will enjoy as much as I chose them.

First on the Acme label, out of Manchester, KY, for a very crude and rural Hillbilly duet (bordering on Bluegrass) , very reminiscent of the Thirties so-called white blues (e.g. Frank Hutchison), although this « Coal Miner’s Blues« . Ed Romanyuk and Sister Elsie Pysar:  The label says it all: « Old time singing with guitars« . Hear it!

acme 104a ed romaniuk coal miner's bluesNow on the West Coast, for two lovely tunes, very different in style, by GENE McKOWN. Originally from Kansas City, he hailed to California by the mid-fifties, and had two records, first on Fable, then later on Aggie. On Fable 571, he offers a fine, fast Hillbilly disc, « I’m Still Wondering Why« , added by a « Fiddlin’ Slim » (who joins McKown on the refrain). Two or three years later, McKown has completely absorbed the new trend in « Rock-A-Billy Rhythm » , a real strong Rocker on Aggie 1001, a newly formed label on the California scene in 1958.  On this one, he belts out, and surely, one can wonder if this is the same singer as on Fable. Later, he returned to Kansas City and had pop-country records on Brass, among others, in the early ’60s.

fable 571 gene McKown I'm still wondering whyaggie 1001A gene mckown rock-a-billy rhythm

On to Florida with a December 1958 classic, « Hey, Mr. Porter« , by RALPH PRUITT (Lark 1506, the promotional issue before it was commercially issued on MERIDIAN 1506). Strong lead guitar introduction, then an assured vocal, before a swooping piano solo, and the steel sets up an atmospheric solo. Sounds like the boys were together for a long time, a very tight outfit. That is what I call ’50s Country-rock, a mix of Hillbilly (vocal) and Rock’n’Roll (backing).  It is the sort of record that grows on you, every time you hear it, even after 30 years of listening.  Pruitt was born in Tennessee, but located himself in Florida, where he cuts this single.He died in 1986.

lark 1506 ralph pruitt Hey, Mr. PorterOne more Hillbilly bop styled song:  « Hot Hamburger » by LEE SLAUGHTERS and His Cumberland Play Boys on a JAY label EP (2159 A). Good fast Bopping tune, rural vocal and amusing lyrics on a lovely backing. Them Boys sure know what to do! From Sydney, OH, they had this EP from 1959, containing the following tunes « Teenage Hop« , « Rock And Roll World » and « You’re The Only One« . Nothing more is known on them, another batch of Country dudes trying their hands at making a novelty record to be sold at the gigs they gave in the area.   jay 2159B lee slaughters hot hamburger

Finally, a strong, real wild « Willie’s Boogie Medley » by LITTLE WILLIE LITTLEFIELD. Once published (32 years ago, not reissued to my knowledge) on an old Ace LP, it contains the 1949 rehearsal session for Modern records by a young Littlefield, still firmly in the Amos Milburn mould. The breaks in tempos are particularly impressive, but, woooow, that right-handed piano swooping above the left-handed rolling basses! What a thrill!

littlefield front réduite

As usual, material from various sources: my own collection, Youtube, ebay, Rockin’ Country style. Enjoy the selections! Comments welcome. Bye!