When I was invited to write the notes for a LeGarde Twins album earlier this year it was an enjoyable exercise, because they were unique in being identical twins – or so I thought. You wait all these years and then two come along: the Milo brothers, who also happen to be clone of each other! (Actually, it’s not two, it’s four, but let’s not confuse this issue.) (more…)
Hello, folks, howdy, visitors! Below are my favorites of the last 15 days which I’d like you (maybe) discover, both by music and my own words – what I know about these records, sometimes nearly nothing!
We begin in Nashville, early Sixties, with the DIXIELAND DRIFTERS and “HOT TO TROT” cut for the B.B. label. The presence of a dobro, and an unusual infectious rhythm, plus the unisson vocal, make this record very particular. I know the tune had a commercial impact, because, without doubt, its unlikely Bluegrass nature.
Then a decade earlier in Texas. JIMMIE STONE had this solitary “MIDNIGHT BOOGIE” on Imperial (8000 serie) in 1951. Firm vocal, a fine backing, and a completely stunning guitar solo. Surely the man knew the Blues!
On to Memphis and Meteor label. BARNEY BURCHAM is a real unknown, only for his solitary “CAN’T STEAL MY WAY AROUND“. Typical Memphis Hillbilly bop from 1955.
Next two choices are more Rock’n’Roll oriented. First, GRAHAM B. and “ROCK AND ROLL FEVER“. It’s been suggested that the man had connection with Buzz Busby, so a Washington, D.C. location is possible.
Finally a R&B classic, “CALDONIA“, sung and played on piano by the 8-years old wonder SUGAR CHILE ROBINSON in 1951. He disappeared afterwards.
Howdy, folks! I didn’t have a particular “theme” chosing the selections this time (as I did sometimes in the past): just a few songs I like at the moment.
Early September I posted something about the ubiquitous Mr. DIXON. Since then, I did not find something new on him, be it at hillbilly-music.com or with google, under his 3 aliases (Walter, Mason, or Ted). There is even on Youtube a bishop named Walter Dixon, and I wonder if this is the same person! I even found a Mason Dixon Country 45 on ebay. This time you will be exposed to a 1961 rendition for the Alabama based REED label, and a great shuffle by MASON DIXON, “Hello Memphis“.
Staying in the South with a minor classic by SPECK & DOYLE , the Wright Brothers, “Music to my ear” on the Columbus, Georgia based strangely named SYRUP BUCKET label. A nice guitar, a medium beat for this relaxed Rockabilly/Hillbilly Bop from 1959.
On to, probably, Texas, with a fast romper by JIMMY STONE on the IMPERIAL label from 1951, “Midnight Boogie“. I’ve never heard Stone had another record, but what’s this one? Entertaining lyrics, and most of all, a wild bluesy Rockabilly guitar! Who may the player be? Fine piano and even a short fiddle solo, Texas style. We are pursuing the musical journey to Indiana with a very young GAYLE GRIFFITH (he was fourteen when he cut his solitary record) and the out-and-out romper “Rockin’ And A Knockin’” for the EMERALD label, from 1954. Griffith was at one time associated with WFBM Indiana Hoedown, although despite this promising first platter, he seems to have soon disappeared from the music scene.
Now to California for the Louisiana-born EDDIE KIRK (1919-1997), who was consistently working with the Los Angeles musicians’ cream for CAPITOL records. Here he delivers a fine rendering of the 1936 Tune Wranglers‘ classic (also cut around the same time as Kirk by Webb Pierce) “Drifting Texas Sand” (Capitol F 1591). The backing is sympathetic, although ordinary. Harmonica player could be George Bamby, who cut with, among others, Johnny Bond.
As a bonus, we go to an end in Chicago with the underrated LITTLE MAC SIMMONS, singer-harmonica player (altho’ no harp heard here) and the frantic (great piano throughout, with usual Honking saxes, and a nice guitar) “Drivin’ Wheel” (PALOS label) from 1961.
I hope you enjoy the selections. Don’t miss the other “regular” posts: recently Bopping had had Jack Bradshaw story, the Daffan label, Roy Hall and Riley Crabtree, to name just a few. Not to mention in the “hillbilly profile” section, Chuck Murphy. Till then, bye!
As usual, pictures from various sources. Excellent Terry E. Gordon’s Rockin’ Country Style site, or ebay. Sounds from my collection, or various compilations. I can name for every track who provided me! BUT you CAN download everything!
All too often, country composers of the 1940s and 1950s who didn’t have a substantial string of hits of their own are forgotten even if their songs have not been. Jimmy Work is a classic example. The author of three bonafide Country classics – “Tennessee Border” (1948), “Making Believe” (a simultaneous hit for both he and Kitty Wells in March of 1955) and “That’s What Makes The Juke Box Play” (1955) – Work’s records have been a little more than a footnote to the fifties, a composer’s credit on someone else’s records. That fact is truly unfortunate, for in truth, Jimmy Work was among the most expressive composers of the era. Though Hank Williams and Lefty Frizzell enjoyed greater success, Work’s best songs were among the most evocative of the period: raw, unvarnished gems with an undeniable directness and beauty. (more…)
Hi! You all. I am a bit early this time, coming back from a trip to find a flat in Vienne, Vallée du Rhône (where I belong), and soon moving from Brittany, before parting early next Friday 14th of May to Paris’ area to meet my girl friend for a few days. All this is a mess! But a whole lotta fun indeed. Here we go with some more music. From 1946-1947 come JERRY IRBY (see his story elsewhere on the site) and one his his early offerings on GLOBE (Pete Burke at the Rolling piano) for “Super Boogie Woogie”. Next we go to a famous entertainer for 6 or 7 years before his suicide (?) I’m told, R.D.HENDON & His Western Jamborees, from Houston. Here is his guitar picker (superb!) CHARLIE HARRIS and the shuffling “No Shoes Boogie” from 1951 (Freedom label), reissued on UK’s Krazy Kat label. On the West Coast with JACK GUTHRIE, too soon deceased, who made superior Hillbilly music as early as 1944 for Capitol records. I chose his “Troubled Mind Of Mine”. Location unknown: Texas maybe. LEON CHAPPEL on Capitol. He begun his career as LEON’S LONE STAR CHAPPELEARS on Decca during the 30’s. You can hear his great “Automatic Mama” (1953), fine Honky Tonk style. On to Louisiana, 1955, with the underrated JIMMY KELLY and “Dunce Cap”. The record came out from Monroe, first on the Jiffy label. It was so good that Imperial picked up and reissued it (more affordable). I finish with a beautiful JACK BRADSHAW 1958 ballad from 1958, way up North in Indiana. Backed by the Morgan Sisters (chorus unobstrusive), his “It Just Ain’t Right” can be found on Mar-Vel’. Enjoy the music. ‘Till then, bye, boppers!