Early February 2018 bopping and romping fortnight’s favorites

Howdy ! This is the early February 2018 fortnight’s favorites selection. Let’s begin with a Western swing Houston scene veteran : DICKIE McBRIDE, here late in his career ( October 1951). Billed with his wife Laura Lee (who is absent here), he delivers a powerful and moving « I love you boogie » on M-G-M 11056. Fine steel and piano, and a lot of yells and whistles from apparently McBride himself.

« I love you boogie »

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Another veteran, out of the Gospel and Bluegrass field : MAC ODELL (rn Odell McLeod), who was born in 1916 in Roanake, Alabama. His career had a large stretch between New Orleans and Michigan, before he settled down in Nashville, as « Ole Country Boy » in the late ’40s. He recorded first at Mercury, then landed at King , but had poor sales as an artist. More as a songwriter for others : « The battle of Armageddon » for Hank Williams, or « The glorybound train » for Roy Acuff. At King, he was firmly Bluegrass, backed by Don Reno and Red Smiley. Here is his fast half-talked «Penicillin » from September 1953 on King 1251. O’Dell has deceased in 2003.

« Penicillin« 

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Billboard December 2, 1948

Red Barn was a regional Kansas City concern, important for example for the first Jimmie Skinner sides of the late ’40s. The name ELMO LINN may be an obscure one ; he had however two interesting issues on this label. « Lorita » (Red Barn 1188A) is a medium paced shuffler with steel. Vocal reminds a bit Ernest Tubb. The flipside « Line on the highway » is a fast guitar backed tune. « Heart full of love » (Red Barn 1195) comes next, with again that shuffling rhythm. Later on Linn went to Westport (pop country).

« Lorita »

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« Line on the highway »

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« Heart full of love »

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From Lorain, Ohio, VERN TERRY on the Athena label (a Starday custom) from 1959. « Miss you » is a good slowie, the instrumentation is minimal, echo is on the vocal, and steel is to the fore. (# 804). The flipside « Someone new » is an uptempo shuffler. Good steel and fiddle.

« Miss you »

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« Someone new« 

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From Nashville, RAY BATTS in 1954 for two sides on the Excello label # 2028. The marvelous bopper « Stealin’ sugar » : complete with steel and piano. It has moreover nothing to do with the Merle Lindsay tune (MGM 10795) of the same name. The flipside, « Maybe it’s you, sweetheart » is a shuffler. Batts had also on Bullet 754 the great double-sided « Bear cat daddy/Wild man boogie », reviewed in « Bullet – always a smash it », published here in May 2012.

« Stealin’ sugar »

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« Maybe it’s you, sweetheart »

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Finally two R&B rompers by BILLY TATE, whom I don’t know anything about. The songs do speak for themselves : « Love is a crazy thing » [as Blind Billy Tate] on Herald 411, with a tremendous wild sax solo ; then « Right from wrong » on Peacock 1671 from 1957.
« Love is a crazy thing« 

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« Right from wrong »

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Sources : Mac O’Dell on Warped (VMOMC) for biog. details ; YouTube for many a tune ; 78worlds (Ron Keppner) for label scans. HBR label scans and music for Elmo Linn.

If you enjoy something here, please leave a comment below. And ask for something you would like to hear (and download) : maybe I can help.

The ‘Bitter Feelings’ of Larry Phillipson (1952/53 to 1959 and onwards)

The Larry Phillipson – ‘The Bitter Feelings Mystery’

Bopping.org salutes a new contributor, who adds a very strange story about a Rockabilly classic..

larry-phillipson

I spotted this 78 record ( below) on Ebay in June 2015 ‘ Tennessee Valley Boys’ singing ‘Bitter Feelings’ & ‘I’m Wondering Now’ written by ‘Mauritz/Phillipson’ , it was a Buy It Now for $240 (or best offer) it had no audio attached and was listed incorrectly . I made my offer …..$170 and it was accepted ….. now the wait for the postman !

Tennessee Valley Boys « Bitter feelings »

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Tennessee Valley Boys, « I’m wondering now »

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mode-101a-tennessee-valley-boys-bitter-feelingsmode-101-tennessee-valley-boys-im-wondering-now

Now I know it has to be the same Phillipson song (The writing credits are the same as on the various later versions) and of course ‘Milwaukee’ on the label is the correct area, but what version was it ? The first version of ‘Bitter Feelings’ was believed to be the version on the ‘DEMO’ label released on 45 & 78 (surely just a coincidence that DEMO is a anagram of ‘MODE’) but when was the ‘MODE’ version released ? .

The ‘MODE’ # 101 version ( pictured above) is straight Bluegrass song , mandolin and harmony vocals make this a wonderful twist on the classic rockabilly tune.
demo-1028-larry-lee-bitter-feelingsdemo-1028-larry-lee-while-i-was-waiting-for-you

 

 

Now the ‘DEMO’ release # 1029 (above) ‘Bitter Feelings ‘ / While I Was Waiting For You’ by ‘Larry Lee and The Westerneers’ from 1953, pressed by RCA was we thought to be the first version of the song, now this version is an up tempo country/ hillbilly version ( with a hint of Bluegrass) but different from my mystery ‘MODE’ copy.

 

 

 

Larry Lee « Bitter feelings » (Demo 1029)

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Larry Lee « While I was waiting for you »

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The final versions of ‘Bitter Feelings’ were released on two labels. 1959 saw the ‘CINCH’ # 3858 release (picture below), as ‘Larry Phillipson and The Larry Lee Trio’ . ‘Bitter Feelings’ / ‘Talkin’ To Myself ’ . The song has now evolved into a straight rockabilly song, it’s a blistering version and motors along with strong guitar and drums.

cinch-larry-williamson-btter-feelingscuca-larry-williamson-bitter-feelings
cinch-3858a-larry-phillipson-talkin-to-myself

larry-lee-phillipson-pic

 

 

 

 

Larry Phillipson « Bitter feelings » (Cinch 3858)

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Larry Phillipson, « Talkin’ to myself »

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The final release of the song , again as ‘Larry Phillipson and The Larry Lee Trio’ is exactly the same version but re-released in 1965 on the ‘CUCA’ label # 6541. The sound on these recordings were slightly inferior to the ‘CINCH’ version even though they were taken from the original 59 master. Again ‘Talikin’ To Myself’ was on the flip.

So we now know of three versions of ‘Bitter Feelings’ (four releases) , a Bluegrass version, a Country/ Hillbilly version and the final Rockabilly classic. I find it really interesting to see a song evolve through the 50’s . I believe my ‘MODE’ # 101 version to be the original of the song but if anyone has more knowledge of the release dates and info then please let me know . Please contact me at cordwoody53@hotmail.co.uk.

 

1 – MODE # 101 – BITTER FEELINGS / I’M WONDERING NOW – 195?

2 – DEMO # 1029 – BITTER FEELINGS / WHILE I WAS WAITING FOR YOU – 1953.

3 – CINCH # 3858 – BITTER FEELINGS / TALKIN’ TO MYSELF – 1959

4 – CUCA # 6541 – BITTER FEELINGS / TALKIN’ TO MYSELF – 1965

 

for a complete Larry Phillipson discography, go to the Rockin’ Country Style pagePhillipson, Larry

 

 

 

 

More harmony duets in Bluegrass and Bop music (third serie)

For this third feature specialized in bopping duets, we begin with the aptly named HARMONY BROTHERS. Their « Baby, tonight » fom 1959 was cut for St-Louis, MO label Bobbin 109, and it’s a very solid backed Everly Brothers styled opus. They had another one « Saturday night hop » on Bobbin 116 which sounds good (alas, untraced).

bobbin 109 harmony brothers - baby, tonight

 

Harmony Brothers « Baby, tonight« download

Houle Brothers « Dream night« download

Mike & Bob, Houle Brothers « I heard the bluebird sing« download

circle dot 1012 houle bros. dream nightbangar 642 mike & bob - I heard the bluebird sing
On the Minneapolis, MN Circle Dot label (# 1012) , again from the late ’50s, we chose « Dream night » by the HOULE BROTHERS. Again Everly Bros. influenced, it fetches up to $ 250-300. Mike & Bob, the Houle Brothers, had another record on Bangar 642 in 1965, « I heard the bluebird sing ».

 

 

Jimmy Lee & Wayne Walker  « Love me« download
chess 4863 (78) jimmy lee & wayne walker Love me (7769)
Now a great wild thing with the classic « Love me » (Chess 4863) from Spring 1955, cut at KWKH studio in Shreveport, La. by JIMMY LEE & WAYNE WALKER. It has urgent vocals and a ferocious steel (Sonny Harville), all propelled by the thuding bass of Tillman Franks and the jumping drums of D. J. Fontana.

capitol 3476 farmer boys my baby done left me

 

Farmer Boys « My baby done left me« download

 

 

 

Let’s go west with the FARMER BOYS, and the very special Western rockabilly style from the Capitol studio on « My baby done left me » (# 3476). The staff is composed by Bobby Adamson and Woody Murray (vocals), Roy Nichols on lead guitar, Fuzzy Owen on steel and Cliffie Stone on bass, and the tune was out May 31, 1956.. The story of the Farmer Boys is on this site.

 

An unusual duet of uncle and nephew were the JACOBY BROTHERS on TNT 1004, from San Antonio, TX. Great harmonies and backing (guitar and mandolin) for « Warmed over love ».

Jacoby Brothers « Warmed over love« download

tnt 1004 warmed over love détourée
Martin Brothers « Where have you been all night« download

 

West VA. and the Liberty label (not to be confused with the big pop company in L.A.) (# 107). The MARTIN BROTHERS offer the good bopper « Where have you been all night ». Value $ 50-60.

liberty 107 martin brosthers - where have you been all night

Church Bothers « Broken vows and a broken heart« download

blue ridge 209 cjurch brothers - broken vows & a broken heart

 

 

From N. Wilkesboro (S.C.) we turn now on the CHURCH BROTHERS and « Broken vows and a broken heart » (Blue Ridge 209), a typical 1953 bluegrass bopper: nice vocal and chorus in unison. I’ve read that the lead was Buffalo Johnson, an important figure not so well known today. Research goes on him.

From N. Charleston, (S.C.) and July 1954 BILLIE AND GORDON HAMRICK, a sacred tune on Rangeland 504 (one of the very first Starday customs). « He’s gonna take his children out » has a lead vocal male) and a chorus, plus a good banjo solo.

Billie & Gordon Hamrick « He’s gonna take his children out« download

506b refait

Paul & Roy « Free, twenty one & ambitious« download

Paul & Roy « I wish you were a country girl« download

PAUL (Boswell) & ROY (Pryor) out of Nashville on the Pace label (# 1004) had previously cut a dozen sides for Mercury.The Pace issue date from late ’50s, and offer two medium tunes, « Free, twenty one and ambitious » and « I wish you’d be a country girl ». Good, a bit above average boppers.

Pace 1004a

Pace 1004b

 

 

 

 

Finally the terrific sacred « I’m a millionaire » by the Tennessee Harmony Boys (Dillard Anderson & Solon Maynard) on the Fortune label out of Detroit (# 209). A great, great mandolin solo, and a lot of excitement.. They had previously cut on their own « Tennessee Harmony Boys » label, and even had an E.P. on Fortune (# 1334).

Tennessee Harmony Boys « I’m a millionaire« download

fortune 209 tenn harmony boys I'm a millionaire

late March 2013 fortnight favourites

Hello there!

This time is a little special one. Very recently the legendary CLAUDE KING passed away. I chose first from his Louisiana original days. First hillbilly bop , 1953, with « Take It Like A Man » (708) on the short-lived hillbilly Specialty serie (mostly cut in Shreveport), then his solitary Rockabilly on the small Dee-Jay label of Nashville (1957)(1248), « Run Baby Run« .

From I don’t know where, but « Mountain » label seems to refer to Appalachian mountains, a LEO GOSNELL on this 4 Star custom, OP 299, for two fine sides: « Juke Joint Honey » and « Woman Running Around« .

 

 

 

 

 

 

 

 

Savoy from New Jersey was indeed a big R&B concern. However it had a short lived Country 3000 serie. Here it is RAY GODFREY and his « Overall Song » (3021).

On  Adair 620, a tremendous Bluegrass « A Use To Be » by a BRYANT WILSON.

Finally in California, Fable 546 label, with RAMBLIN’ EVERETT and « Cincinnati Woman« . Excuse me, I was not that inspired to comment this time. Music speaks by itself. Maybe you prefer it?

The Clix records story (Troy, Michigan): late Fifties Rockabilly & Bluegrass bop

The Clix Records Story: Hidden Gems from the Early Days of Detroit Rock ‘n’ Roll

DetroitBy Michael Hurtt, Metro TimesOctober 3, 2008

Hidden next to I-75 in Troy, just south of the Big Beaver Road exit, they sit, surroundedby strip malls, corporate high-rises and recently constructed apartment complexes. What we’re looking at is a smattering of old farmhouses — some still heated by oil furnaces and kerosene heaters — on a two-block stretch of dirt and gravel road accessible only through an abutting parking lot.

49_MUSIC_Clix_guysStanding in stark opposition to its recently overly developed surroundings, one has the eerie feeling that this rural enclave won’t be here much longer. But even after the last old homestead has been mercilessly uprooted and the final skyscraper is finished — indeed after even it meets its bitter end — one aspect of Troy’s countrified past will remain, and that is its status as the hometown of Clix Records, one of the most elusive, seamless and sought-after imprints in all of early rock ‘n’ roll. Those now-ancient abodes once housed the early Michigan label.

troy

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