Howdy folks! Here is a new batch of Hilbilly Bop goodies, even the odd Rock’n’Roll!
We are beginning on the West Coast with CASEY SIMMONS and his “Juke Box Boogie” on Crystal records from 1950. Call and response format, fine saxophone and a lot of electric guitar. The whole thing romps along lovely!
Fortune records offered many a Hillbilly Bop song in its 100 serie. EDDIE JACKSON, famous for his “Rock and Roll Baby“, turns up there with “Baby Doll“, dominated by a good piano.
Sol Kahal’s Macy’s Records had many fine discs, either in Blues field, either in early Hillbilly bop, i.e. by Ramblin’ Tommy Scott or Harry Choates. ART GUNN & his Arizona Playboys cut the decent “Cornbread Boogie” in 1949. Fine harmonica throughout.
They also had on the same label “Boogie Woogie Blues” (for a future fortnight), and later, on own Gunn label Arga in 1958, the superior “Pickin’ and A-Singin’“.
Cowboy Sam Nichols had written (and recorded for Stanchell) the classic “That Wild And Wicked Look In Your Eye“, before he got a contract with MGM records. It was early to mid-fifties and the beginning of truck drivers‘ songs (Terry Fell for example); here the shuffle “Keep Your Motor Hot” from 1954. No label scan available, as I sold the 78 rpm, having only kept the music! Nichols was backed by West coast top musicians: Porky Freeman on guitar, Jesse Ashlock on fiddle, Red Murrell on rhythm and Curley Cochran on steel.
From trucks to trains. Grady CURLEY COLE was a resident D.J. in Paducah, KY, but he cut his fine “I‘m Going To Roll” for L.A. Gilt-Edge label. Nothing more is known about him. Let’s stay in Kentucky for TOMMY HOLMES, backed by Pat Kingery & the Kentuckians. A certain Mr. Vance asked Holmes a record for his politician career ca. 1954. The tune “Jam On The Lower Shelf” is pretty average, mostly when you hear Holmes six years later in an out-and-out Rocker on the Cherry label, “Wha-Chic-Ka-Noka“. Enjoy the selections!