Late January 2018 bopping fortnight’s favorites

Hi there, let’s begin this second fortnight for 2018 with a Louisiana platter, that « I blowed my top » by PAUL MIMS on the Shell label (# 121) ; nice call-and-response format shuffler, and the steel guitar is well to the fore. Barry K. John doesn’t ignore this record, but adds nothing else (location, date..) than its price : $ 50-60.

Paul Mims "I blowed my top"

I blowed my top

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Two selections do follow on the Debute label (# 0500) by DENNIS GOODRICH & the Music City Boys. Both were cut in Lorain, OH. They are two Bluegrass styled tunes, one medium, « All alone » where banjo and steel are battling each other. Second side is slowier, although equally good : « My love for you » (with a mandolin to the fore). The vocal here does remember Andy McRae on Ranger 823, and his song « Me and my love », published here in a fortnight dated…June 2011 !

All alonedennis goodrich & the Music City Boys "All alone"

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My love for you
Dennis Goorich & the Music City Boys "My love for you"

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More of a double-sider, by TOMMY MOONEY with Bob Mooney & his Automobile Babies on the Floto label (# 78002). Both « Bingo boogie » and « That’s my baby » are Hillbilly boogies from 1953: good guitar, and a real ‘hillbilly’ styled vocal. Bob Mooney was an artist in his own right, e.g. his « A sucker born everyday » on Kentucky 575. The band’s name came from Bob’s record, « Aubomobile baby » [sic] in 1953 on Cozy 317.

Bingo boogie

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That’s my baby”

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Tommy Mooney w/Bobby Mooney & is Automobile Babies "Bingo boogie" Tommy Mooney w/Bob Mooney & his Automobile Babies "That's my baby"

We remain in social games with « Bingo blues », which is a good medium Rockabilly by JIMMY WERT on the Skyline label (# 752), another Starday custom apparently cut in 1959 in Chambersburg, Pennsylvania.Jimmy Wert "Bingo blues"

Bingo blues

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At last a rocking chick ! This is ROXIE WILLIAMS on the Flint, MI Lucky 11 label (# 1112) : « Fifteen seconds » is a good Rockabilly ; unobstrusive chorus, some echo, and a long guitar solo, cut in 1961, and valued $ 50-60. Roxie had another disc on Lucky 11.  “Fifteen seconds”

downloadRoxie Williams "Fifteen seconds"

Yes by George

downloadG. D. Hall "Yes by George"

A fast and cheerful Rockabilly comes next : « Yes by George » by GENE HALL, on the rare G&J label (was reissued on Ark 273). This was issued in Ohio. Fiddle and steel are taking each to turn.

 

Finally Thomas Johnson, aka The LONESOME DRIFTER. We finish with a Louisiana record, « Honey do you think of me » on Ram 1738. Great guitar by probably George Mercer, as on « Eager boy » on the ‘K’ label. Intense Rockabilly, lot of echo. Valued at $ 125-150.

The Lonesome Drifter "Honey do you think of me"

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Sources : mainly YouTube, also Ohio River 45rpm site.

Early May 2014 fortnight’s favorites

Howdy folks, the first serie of the two selections for May.

The exuberant “It always happens to me” by RUFUS SHOFFNER & JOYCE SONGER (wife of Earl) cut in Detroit in 1962 seems stylistically go back to the mid to late ’50s. It’s a great fast bopper (piano, guitar and an energetic rhythm, and an exulting duet vocal), which  was issued on Fortune’s label subsidiary Hi-Q 14, and can still be found on various recent compilations, as in Boppin’ Hillbilly vol. 5. Shoffner made several fine sides on Hi-Q or Fortune, or earlier on Kentucky’s Countryside label. More on him later in this site.      “It always happens to me

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rufus shoffner

Rufus Shoffner

More famous from the West coast is TENNESSEE ERNIE FORD (1919-1991),who cut a fine string of Hillbilly boogies from the end of the ’40s (“Milk ’em in the morning blues“) to the mid-50s, when he crossed the marked with the top-seller “Sixteen tons” (written by Merle Travis). Here he delivers from July 1950 on Capitol 1295 the much acclaimed “The shot gun boogie” (which had many, many versions later by others, even during the R&R era, f.e. Jesse Lee Turner), backed by the Cliffie Stone crew, among them the excellent Speedy West (steel), Billy Liebert (piano) and Jimmy Bryant (ld guitar).

220px-Tennessee_Ernie_Ford_1957

T. Ernie in 1957

T. Ernie FordThe shot gun boogie

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hiQ 17 rufuscapitol 1295 shotgun boogie

 

 

 

 

 

 

 

 

 

For the rest  of the selections, we’re turning to obscure artists. From Pennsylvania in 1958 on the Skyline label (not to be confused with the Indianapolis label: the Blankenship Brothers) # 106 comes BOB ENGLAR and ” Always dreaming“, a very nice bopper (guitar/steel/fiddle solos). FRANK DARRIS had in 1963 the same energy as Englar for an honest Rockabilly, his personal version of Marty Robbins’ “Ruby Ann” on the Roy label. The wizardry is the same two-sided disc came on two other labels, Thunder and Advance. Another Rockabilly we find from Alabama, early ’60s, “Baby I don’t care” (not the Elvis’ song) by DAVID GREGG on the McDowell label.

Bob EnglarAlways dreaming

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original label

Frank DarrisRuby Ann

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skyline 106B

 

 

roy 1030mc dowell

 

 

David Gregg,”Baby I don’t care

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Dempsey Sims, “Blue eyed baby” (Sam version)

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Dempsey Sims, “Blue-eyed baby” (Huber version)

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Finally the same song, “Blue eyed baby” is a yodeling bopper first issued in 1956 on Esta 284 (untraced)and  later recorded twice by DEMPSEY SIMS in 1957 on Huber (time 2’39”) and Sam (time 2’07”). The Sam version seems more polished. Dempsey later had “Blues tomorrow” in 1967 on the Nashville label.

I feel sorry for the light defaults of the scans: my sight is failing (too much reading microscopic master numbers on records!)

 

 

 

 

 

 

 

 

 

 

 

 

 

sam 122huber 1003

 

 

 

 

Indiana Rockabilly and Bluegrass (late ’50s): the Blankenship Brothers

Indiana is not the first American state you’d associate wih primitive Rockabilly, but it was there, hidden away among the steelworks and the industrial areas. Indianapolis was seething with young, spotty hopefuls, all wanting to be Elvis and looking more like the greek next door. Eddie Smalling, Tommy Lam, Van Brothers, Tex Neighbors, Dennis Puckett…All true blue Indiana boppers.

 

 

 

 

The Blankenship Brothers certainly weren’t the next « Teenage sensation ». Hell, this small but tightly packed band didn’t even pretend to cut Rockabilly. Led by Floyd and Dennis Blankenship, this small outfit cut some of the best primitive rock north of Tennessee, but to them it was more like country and bluegrass music., blended with a little rough Johnny Cash edge. They played all the local honks and jukejoints, entertaining the masses of factory workers who were looking for entertainment after a hard week of being frazzled by the burning steel mills. Hell, maybe these guys worked there too…

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