Early July 2017 bopping and rocking fortnight’s favorites

Howdy folks. This is the first of July 2017 bopping fornight’s favorites. And this will be a special issue, focusing on Rockabilly and/or Hillbilly Rock records of high value. If you’re lucky owning them, it’s good. On the other hand, if you have only a portion, or lacking one particular item, start hunting ! Estimated values are going from Barry K. John collector guide (BJK), and Tom Lincoln/Dick Blackurn reference book « Guide to rare Rockabilly and Rock’n’roll 45rpms » (TL/DB).

 

 

 

 

 

 

Let’s begin with the Alabama Reed 400b label, « Coal miner’s blues » by GENE COLE. It’s a great mid-tempo opus, a Country rocker with good guitar and fine voice, valued $ 200-250 (BJK), or even the more confortable tag of 800-1000 (TL/DB).

Cole Gene "Coal miner's blues"
Coal miner’s blues”Pitts Jerry "Keep ole central rolling"

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Next is very short : 1 minute 37, but full of energy. JERRY PITTS & the Rhythm Makers do on the J.P.R.M. label (obviously initials of them all) the fine up-tempo « Keep ole central rolling » from Dawson, MS. Uncommon maraccas. This record go for $ 40-50 (BJK) or even 75-100 (TL/DB).

Keep ole central rolling

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FRED NETHERTON appears on two discs. First a great version of Carl Perkins’ « Matchbox » on California label Rural Rhythm EP 540, from 1961, backed by the Wildwood Playboys: piano and guitar solos. Valued at $ 300-400 (TL/DB). Then as fronting man for the Wildwood Trio on Dixie 1 (unknown serie) from Illinois, says Barry K. John. « The wildwood rock » with a very nasal voice, a great rockabilly guitar, a really stomping thing, It’s valued between $ 300 and 400 by B.J K.., and 600-700 by TL/DB.

Wilwood Trio, The (Fred Netherton) "The wildwood rock"

Matchbox”

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The wildwood rock

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Next entry is the exception. SUNSHINE SUE had this Astra issue (probably Richmond, Va.) circa 1948-49. « Barn dance boogie » (# 1215) with the first ever recording of ‘Cousin’ Joe Maphis. Fast romper, an accordion solo, and that agile guitar throughout.

Sue Sunshine "Barn dance boogie"

Barn dance boogie

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From Tennessee comes BROWNIE JOHNSON for the medium uptempo – good vocal, nice guitar – « The sun would never shine » on the Lynn label # 101B. Valued (TL/DB) at $ 100-125.

Johnson Brownie "The sun would never shine"

The sun would never shine

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The name BINK BURNS is not a common one, on the Oklahoma Rose label (# 127) : « Muddy river » has a slow rhythm, a threatening vocal and a fine guitar. It’s valued $ 60-75 (BJK).

Muddy riverBurns Bink "Muddy river"

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Finally two discs by SLIM DORTCH from Tennessee. The very great « Big boy rock » on Eugenia 1001 from 1961 : $ 600-800 (BJK). His second is very tame in comparison, « Sixteen miles » is a honest little rocker without any more appeal.

Dortch slim "Big boy rock"Dortch Cowboy Slim "Fifteen miles"
Big boy rock

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Sixteen miles

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early April 2010 fortnite

Howdy folks! Here we go for another fortnight’s batch of favorites. 1947, Capitol studios, Hollywood, California, the MILO TWINS and the classic duet “Truck Driver’s Boogie” (78rpm). Later on  I will give you everything I know of the Milo Twins, who disappeared shortly afterwards. Then on 4 Star: AL VAUGHN and his great midtempo “She’s An Oakie”, from 1950-51. From Texas, 1952, we can listen to another classic (originally Harry Choates’ on Gold Star), “Cattin’ Around”, Western swing style, by CHARLIE ADAMS (Columbia). His story is also can be traced on this blogsite. Texas too, and a phenomenon: BILL MACK, D.J. in Beaumont, had many sides on Starday. I’ve chosen “Play My Boogie” (fabulous piano) from 1953. Cisco, Texas, on the Rose label, from 1955; a transition between Hillbilly Bop and Rockabilly, “Have You Heard The Gossip” by CHARLIE BROWN. Finally, a much later disc on the Solar label (could be as well from 1959 to 1962!), nice Country-rock by LEE EDMOND, “When I’m Alone”. Anyone has got details? Enjoy the music, comments welcome!

milo+sootsal vaughnrose 102