DUSTY TAYLOR, first selection of this fortnite, offers with « My shining star » a pleasant shuffler, with nice sawing fiddle (solo). An average although nice tune to find on Nugget OP-190 (4 Star custom) from 1956. I don’t know where it comes from. Taylor had another issue on Nugget 191 (« Down grade/Just rumors »), and a record in 1968 on the Nashville Stop label.
« The hillbilly hop » is a medium rockabilly (short piano solo) by CURLY GIBSON‘s Sunshine Playboys (vocal by Colin Prevette, who has even here some hiccups) on a Leo label (there were dozens by this name) # 1824. A clue of location is given by another record by Curly Gibson on the Pennsylvania Record label out of Pennsburg, PA. The Leo issue is from 1957.
With « All by myself » by DOUG DAVIS on the Texan Nite star label (# 007, from ca. 1963), we touch the real thing ! Already posted in 2010, this time with a nice label scan. It has haunting steel, perfect ballad vocal and confident backing. My prefered all-time ballad. Davis had another record on Malinda 113 (untraced) “All by myself“
Next three tracks all by the veteran AL DEXTER, who, at the time they were cut (1950), had already records since 1936. All three do come from a long Cincinnati session for King. March 22, 2018. Indeed now we know the harmonica player on this session was none other than Aubrey Gass, whose story is told elsewhere in this blogsite.
As the title implies, « Walking with the blues » (King 884A) is a mid-paced item with fine harmonica and good guitar (Zeb Turner ? Louis Innis?). The whole sounds much like the Delmore.
Further on, « Hi de ho boogie » (# 884AA) is a lively tune. The harmonica has been dropped, replaced by fiddle and good steel. And the third track of this session is « Diddy wah boogie » (# 913AA): the harmonica returns for a pleasant and fast track.
We conclude with BILL HUSKEY on the Meritone label (Lenoir City, TN) for a great « RecordSpinning boogie », half sung, half played (solid acoustic guitar), which reminds me a lot of « Doin’ the boogie woogie » by Johnnie Barfield (Bullet 620).
“Record spinning boogie”
Howdy, folks. My selection for this fortnight will be made, as usual, of lesser known artists up, and various times, ranging from approx. 1953 to early ’60s.
SHORTY LONG in 1961 was certainly no newcomer to music, as he had been cutting records on King in 1951, sharing a session with BOB NEWMAN. The latter in 1955 was reported as having joined Long’s Santa Fe Ranchers. Here Long offers the fast “Forget Her“, an hybrid song containing a slap-bass as well as banjo, mandolin and steel on the Smiling 2675 label. Long is billed here “Kentucky”, no doubt his original state. Both Shorty Long and Bob Newman paired in 1955 as Dalton Boys for a solitary “Roll, Rattler, Roll” on the X label: next fortnight.(April 2, 2018. Note the Shorty Long here has probably nothing to do with the Pennsylvania born Shorty Long – records on King, Valley and RA-Victor; see his story elsewhere in this site)
On a Evansville, IN Eunice 1007 label, DARRELL LEE offers an average Country-rocker/Rockabilly “Really Do You Care?“.
1958, TIM JOHNSON on the West Monroe label Leo (# 784) – which is actually a Starday custom issue – do come with the fine shuffler. A bit George Jones vocally, good fiddle and steel.
On Kasko 1643 (Santa Claus, IN) from 1965 RED LEWIS has a country-rocker “Yes, Indeed“(nice guitar, discreet steel) “I’ll Move along“.
The earliest track do come from Nashville in 1953. JOHNNY ROWLAND is a kind of mystery, although his voice seem very professionnal. He founds himself on Republic 7023 with the fine “Ohio Baby“.
Finally SONNY MILLER on the Boyd label, no doubt early ’60s. Good steel in “Lonesome Old Clock“