Early June 2020 bopping fortnight’s favorites

Hello everyone ! In those times of confinement, it’s good to hear fresh bopping music. Because my hard-disk is out of service and that the repair shop is still closed, I chose ancient items, previously released in old Fortnight’s favorites selections. So they won’t ring too familiar.

T. Texas Tyler

The first selection is done by T. TEXAS TYLER : a fast « Sratch and Itch » done in 1953 on 4Star, leased to Decca. 28760. Obviously there is not much growls from Tyler in this one. The backing is suoperb.

The veteran TEX RITTER (1906-1974) did also some Hillbilly bop songs. Here he releaes « Boogie Woogie Cowboy » on Capitol 928 (from early 1950). The backing provided is excellent too : the Capitol nucleus band, Eddie Kirk and Merle Travis on guitars, Speedy West on steel, Cliffie Stone on bass, Billy Liebert on piano and Harold Hensley on fiddle.

Tex Ritter

Chuck Wells

CHUCK WELLS (1922-1997) was a native of Birmingham, Alabama. He found his musical success in Texas, working at several night spots throughout the Fort Worth area. He was also appearing over radio stations KCNC and KCUL in Fort Worth, too. Here he sings (1953) the great shuffler « The Marryin’ Preacher Man » on Columbia 23212.

Tony Farr

From Texas comes TONY FARR. He had two discs on Enterprise, among them the second is the better. : « There’s No Sense In Marrying Me ».
This artist, billed “And His Swinging Guitar”, based in Beaumont, Texas. “What’s The Use” has a nice guitar, but the fiddle is prominent (# 1208) on this 1958 issue, while “There’s No else In Marrying Me” (# 1211) is a jumping tune with a similar instrumentation.

Then in Louisiana’s West Monroe. Jiffy was a short-lived affair, however important by the quality of its issues, and the celebrity of some names, Jimmy Pickard, Tommy Spurlin or Jimmy Simpson. Here is the least known ED RAYBORN & his Southern Hillbillies, and the good medium paced « I’ll go on hurting » (# 208). Nice fiddle/steel and sincere vocal.

Ed Rayborn

Jerry Dove

A couple of years later or so, a man led a typical Hillbilly combo : JERRY DOVE (instrument unknown). He had already put a minor rockabilly classic in 1956, « Pink bow tie » on T.N.T. Label (# 144), but he was more a producer and musician than a singer. Here he gathers the duet (male/female) of Ray Stone and Dove’s wife, Peggy. The side is bluesy, and very atmospheric : « Losin’ the blues » (# 173)

Guy Gardner

On Dixie 1068 (1961) by GUY GARDNER & his Country Four, here’s «High Society», an uptempo ballad : jumping vocal and instrumentation (piano and steel). Madison, TN label (sublabel to Starday).

Doug Davis

With « All by myself » by DOUG DAVIS on the Texan Nite star label (# 007, from ca. 1963), we touch the real thing ! Already posted in 2010, this time with a nice label scan. It has haunting steel, perfect ballad vocal and confident backing (steel, rhythm only). My prefered all-time ballad. Davis had another record on Malinda 113 (untraced)

Sources: mainly from past Fortnight’s issues. See through “Artists” for details given before.

As an add and to continue with my homage to the late

LITTLE RICHARD

, here are some more tracks from his long career.

First, a short instrumental, “Cavalcade” cut at the very last session for Specialty (October 1957) which gave éShe Knows How To Rock”, “Whole Lotta Shakin’ Goin’ On” and “Hound Dog”.

From his Gospel days, I chose the loud, brassy, rollicking “He Got What He Wanted”, cut in 1962 for Mercury records.

From July 1964 and his real comeback album on Vee-Jay, here’s a real blues – so rare in his entire career. « Going Home Tomorrow» is sung with a lot of spirit. Richard is backed by an old friend on electric fiddle, Don « Sugarcane » Harris – who was also there for « Bama Lama Bama Lou » in April of the same year (last Specialty cut). The guitar player may also be Dewey Terry.

From 1965, a small hit (climbing in the lower parts of the R&B charts), “I Don’t Know What You’ve Got, But It’s Got Me”, released by Vee-Jay. The organ is played by a young Billy Preston) and the guitar player is a certain Maurice James, who was about to change his name at his arrival on the British shoreJimi Hendrix, after having been fired by Richard.I

In 1969, during a T.V. show, here’s a frenetic live version of “True Fine Mama”.

From 1971, as a backing piano player for Delaney Bramlett (of Delaney & Bonnie duet), Richard pounds the piano on “Miss Ann”, released by Atco Records.

Finally, from unknown sources, a berserk wildie version of “Good Golly Mss Molly”, maybe cut for a film, while Richard is duetting in 1992 with Tanya Tucker for a great interpretation of the classic Eddie Cochran’s song “Something Else”.

Late November 2018 bopping fortnight’s favorites

Hi ! This is the late November 2018 bopping fortnight’s favorites selection : I try to add regularly this section of bopping.org. Obscure artists and record labels, as better known ones, but the emphasis is done on lesser known tunes. They do represent anyhow my feeling for the Hillbilly Bop music between 1945 and 1965 (occasionnally I am sticking these time limits out).

First artist is DICK DYSON, whom I still doesn’t know anything about. I had posted a tune (« I Work In The Daytime, (She Works At Night) » in the early July 2018 faves’ selection, here is one more : « Warmed Over Coffee And Woke Up Kisses » is a fast song, a lot of steel and a very agile lead guitar. Vocal by Johnny Pearson. This was released in 1947 on Tri-State 103.

The November period is favourable to witches and haunted houses. JACK RIVERS on Coral 64072 cut in 1954 the classic half-sung tune of the genre with « Haunted House Boogie : piano, steel, and skeleton’s clinketings.

From Columbia, TN, came in 1960 the rousing « The Drifter », released on Maid 1000 by the Tennessee Drifters (with TOMMY MORELAND on vocal). Great trembling guitar over an high-pitched vocal. More of the same with « The Tennessee Blues » on the Columbus (located in…Columbia, TN, near Nashville) label # 1501. He released also the out-and-out rocker «  » in 1962 on Skoop 1054.

On the West coast, GENE O’QUIN delivers « I Specialize In Love » (Capitol 2578), cut in December 1954. A fast bopper, steel played by Speedy West and fiddle by Harold Hensley.

On the Houston based Shamrock label (no #) I am releasing RAY COATS (Collins and The Ranch Boys) for the fine « Texas Blues », from 1952 or 1953.

In West Monroe (La.)(near Shreveport) was cut the good « Just Me And The Jukebox » by the veteran BUZZ BUSBY on vocals and mandolin. A fast song, a banjo solo as expected on the small Jiffy label # 207.

Next artist was primarily a ballad singer. RUSTY McDONALD, a native of Lawton, Texas (1921-1979, aged only 57 years) worked with Bob Wills, the Callahan Brothers, Tex Ritter as guitarist or front singer. Here he appears on the 1951 released « Baby Sittin’ Boogie » (Intro 6035) : lazy vocal, shufflin’ and sympathetic rhythm. He scored big the same year with « Postage Due », a very styled uptempo tune.

The veteran TEX RITTER has an assured vocal and a dreamed backing behind him, that of Speedy West on steel, Merle Travis on guitar, Cliffie Stone on bass and Harold Hensley on fiddle for « Boogie Woogie Cowboy » (Capitol 928, from January 1950)

Sources : as usual, YouTube, Uncle Gil’s Rockin’ Archives, Internet.