ROY COUNTS is nearly unknown nowadays, except for 6 sides issued under his name at various times. He was billed on his Bel-Aire record as with his Okla. Playboys, and
he appears to have shared his session (same band) with another Oklahomian (who made his way to California), Jack Tucker. But we have already jumped to his first known issue, as two earlier tracks from the Hometown Jamboree have since surfaced on the Hillbilly Researcher serie # 26 : « I’m tired » and « I’ve got a new heartache » are two average boppers (drums present, although unheavy), and I can’t but remember hearing them of Wynn Stewart solid early sides (like « Slowly but surely », « It’s not the moon that makes a difference » or « You took her off my hands » all on Capitol Records). However these early Roy Counts sides have nothing exceptional.
Roy Counts, “I’m tired”
Things are changing with the already mentioned split-session for Bel-Aire Records, which were located in the same town, El Monte, Ca. as the one where was aired the Hometown Jamboree from, on the airwaves of KXLA. I discuss also the Jack Tucker sides (Bel-Aire 23), « Surrounded by sorrow » and « Let me practice with you », since the sound and backing are very similar. A strong steel guitar (probably Ralph Mooney, according to his particular sounding), Don Evans on lead guitar, who was a regular with Jack Tucker ; a bass and drums, then a piano player who sounds remarkably like Bill Woods.
Jack Tucker, “Surrounded by sorrow”
Roy Counts’ « I ain’t got no blues » is a medium ditty full of yodeling – he probably handles the rhythm guitar duty, with a fine steel is well to the fore. Piano, if any, is barely audible. Counts is in good form, as in the faster « Darling I could never live without you » (Bel-Aire 22). Again that sweet and mellow Mooney steel, and this time two piano solos, almost certainly in the style of Bill Woods. These sides have been issued during the Spring of 1957, reviewed by Billboard in April.
Roy Counts, “I ain’t got no blues”
We jump now to 1963-64 for two sides first issued on the Jedco label, then reissued on Commerce # 5009 (same issue numbers for both labels). « Temptation » is not at all a bad record for this era, and has a very good steel (again Ralph Mooney?) over a fine piano for an uptempo ‘city’ country side. Flipside « Blue angel » is a very good medium paced rockaballad with an haunting steel. Note that both sides were produced by a certain Jack E. Downes (« Strictly drums » on Jedco 5002) : the initials are transparent of JEDco, and one can wonder if it’s he who handles drums on the Roy Counts disc, although it’s largely open to speculation and, as the saying goes, of very small interest !
Roy Counts, “Blue angel”
Beside these records, Roy Counts failed to attain a higher stature and fell into obscurity, and that’s a pity : he was in his own right, although a minor one, a very good artist.
Sources: 45-cat for label scans; soundfiles from various sources; a great ‘thank you‘ to ‘fortyfivesfrank’ on 45-cat for “Blue angel“; Roy Counts picture from hillbilly-music.com; Wynn Stewart demo 45 from “Roots Vinyl Guide”.