First two selections for this late February 2017 fortnight do come from Florida. Absolutely nothing is known from the vocalist/bandleader JOE ASHER. Apparently unknown on the Net, and not associated to another of the same name, he was a one-off record man. His record was first issued at Rockin’ # 515 in 1953, then reissued by DeLuxe ( # 2001) for a perfect Bopper, « Photograph of you », a fast, fantastic tune : very assured vocal, great solos – fiddle, guitar and steel. The flipside, « Daddy dear », a mid-paced opus, is just as good (steel is prominent). I wonder why this guy never recorded more, at least under his name.
Then to early ’60s in Birmingham, AL. with OTHELL SULLIVAN& the Southern All-Stars (are they the house band of the label?) on Reed 1053. The song is written by Leon Bowman, a prolific songster and singer in is own right. « There’s sure to be goodbyes » is a jumping tune, sympathetic backing (steel and discreet drums) over a good vocal : a nice tune for 1961. Sullivan had had already « Call me, baby » on Wonder (unheard) in 1958 ; later he joined the Longhorn stable (# 513).
JIMMIE STONE (acc. by Coy McDaniel guitarist) had on the New Jersey Cross Country label 45-22 a great Country rocker, « Found » in April ’56. Strong lead guitar and good backing over an assured vocal (lot of echo). The disc must have had a certain impact under chart-angle, because the big N.Y. concern Gone reissued it next year as it was on Gone # 5001. The flipside « Mine » is an insipid slowie, largely forgettable.
From Indiana on a rather devoted to Blues/R&B label, Falcon, here’s to be found the Hillbilly bopper/Rockabilly of CURLEY SHELTON (# 609) « with Doug Oldham & his Dixie 6 ». « Have you seen my baby » is a medium bluesy tune, assured vocal and an embroidering very good guitar.
Finally a song, « Hillbilly wolf », wrongly attributed to Dave Dudley on a low-bdget album cover, is actually sung and played by LINK WRAY. A medium uptempo, good vocal but rather uninspired guitar. This tune may come from the late ’50s or even the early ’60s.
Howdy, folks! Here we go first with a romper, the fast BILLY SCOTT “You’re Braggin, Boy” on a Tee-Vee, OP 4 Star label (#225). Great steel and piano, and call-and-response format. Then in Nashville for the Marty Robbins’ owned Robbins label (# 1005) by the typical hillbilly duet of TOMMY & JOHNNY. They do “I’ll Go On” (#1004), tinkling piano, sawing fiddle and steel -all have their solos, but nothing exceptional!
Nashville on the Bullet label. I couldn’t find any picture of the label (# 706) of “Walking Up Stairs“, by Texan PAUL BLUNT, which, according to Kevin Coffey, could well be the the forerunner of the young Eddie Cochran for “Twenty Flight Rock” six years later. Steel and piano (Blunt was at ease with both) for this fine bopper. Blunt was a renowned session player (Lefty Frizzell, Bill Boyd) since the ’40s and had records on Columbia and Imperial too. Thanks go to Michel Ruppli! Thanks to DrunkenHobo, a faithful visitor, here is the label!
Ohio based AL WINKLER on his own Winkler label (# 45-88) for this “Show Boat Boogie“, along with the Warren County Band. It’s a belter (call-and-response), two guitars, it rolls.
From California and a Tom Sims’ cassette (I found a label scan), for a Bluegrass wildie: The GOLDEN STATE BOYS on the Shamrock label (# 717) . Powerful banjo and mandolin. Chorus, then urgent vocal on “Always Dreaming“. The Golden State consisted of Hal Poindexter (guitar/writer), Vern & Rex Gordin, plus virtuoso young Chris Hillman on mandolin. Disc from 1962.
Finally the one and only BUFFALO JOHNSON. The name can seem not that familiar. He had a long string of releases on Mercury, Gateway (“T’ain’t Big Enough“, # 520, with Jimmie Ballard on vocal) among others in the late 40s/early 50S. Here he offers a good guitar picking bopper. I still do research on him.
A visitor, Mr. Jason Odd, gave me the following details (September 30th) on the GOLDEN STATE BOYS:””Always Dreaming” — Herb Rice is playing mandolin and singing high harmony. Hal Poindexter is singing lead. Although not issued until as late as August of 1962 (this date may be wrong) the Golden State Boys debut 45 single ‘Always dreaming’ b/w ‘Wicked woman’ (Shamrock 717) was recorded in early 1962.
The Golden State Boys at the time were Don Parmley (banjo), Herb Rice (mandolin, vocals), Leon Poindexter (vocals, dobro, guitar), Harry Kniss (bass, vocals), and Hal Poindexter (vocals, guitar).
Hal actually quit the band for part of 1962, but rejoined a radically different line-up later that same year. Hal and Don Parmley were the real constants in the group after that, although by late 1963 they were down to a quartet with Don, Hal and the Gosdin Brothers Rex and Vern. With a disagreement over management [Bob Flowers] Parmley and the Gosdins went out on their own as the Golden State Boys with Chris Hillman taking over on mandolin, while Vern Gosdin switched from mandolin to guitar. That group briefly worked as the Golden State Boys until Hal Poindexter and Bob Flowers took control of the name and rebuilt the group.
The Gosdin-Hillman-Parmley combo became known as the Blue Diamond Boys and as that group cut the album that was later credited to the Hillmen when released in 1969.” Thanks Jason!