Howdy, folks. It’s hot over there (South of France), nevertheless I am determined to offer you once more your bi-weekly dose of Hillbilly bop! This time I will give you mostly Bluegrass oriented Hillbilly, and banjo woll be prominently used. Let’s begin on the famous Dixie label (although quite uncommon one to find), with Malcolm Nash and the good “I Guess I’m Wise” (# 833). We go on further with Pinky Pinkston, an artist already surveyed in a recent fortnight. Here he cut a marvelous Bluegrass version of “Blue Moon Of Kentucky” (Fine-R-Tone # 6). The Wilburn Brothers are already a well-known successful brother duet: here I offer their fine rendition of another brothers duet, the Shelton Brothers‘ ’30s classic”Deep Elem Blues“. Well, I know, this version date from 1956, and is very main country-Nashville sounding. Nevertheless, it’s a good version to be heard while playing
On to West Coast and for a very interesting artist: Black Jack Wayne. I am gathering information on Mister Wayne for a planned feature. I post today his very nice “Shallow Water Blues“, cut with Cal Maddox (of the Maddoxes) on his own Black Jack label (# 104). We return to another recently covered artist, Dennis Goodrich, for a ballad – actually the flipside to “All Alone“, “My Love for You” on the Debute label (# 500).
Let’s go further in Bluegrass style with a Bryant Wilson and the Kentucky Ramblers issue, “A Use To Be” on Adair 620, a small label from Edinburg, Indiana..
And we come to and end with the fabulous piano-led “Slow Down Baby” by Bob Gaddy on the Harlem label. The guitar player is none other than Larry Dale for this NYC 1953 issue.