Late October 2016 bopping Fortnight’s favorites (1945-1964)

Howdy folks ! En route for a new batch of bopping billies, mostly from the late ’40s-early ’50s, with the occasional foray into the early ’60s.

We begin this fortnight with an artist I’d already post a song in March 2011 – that is more than 5 1/2 years. CURLEY curley-cole-picCOLE was a D.J. in Paducah, KY and a multi-instrumentist. Here he delivers on the Gilt-Edge label (a sublabel to Four Star, as everyone knows) the fine bopper « I’m going to roll » (# 5028). It’s a proto-rockabilly in essence, as a train song, from 1952. Cole also had another on Gilt-Edge 5016, « I’m leaving now/For now I’m free » (unheard).

« I’m going to roll« gilt-edge-5029-curley-cole-im-going-to-roll

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The second artist of this serie also appeared in January 2016, but with different tracks. DON WHITNEY was a D.J. for don whitney picRadio KLCN out of Blytheville, AR. in 1951 when he cut for Four Star « I’m gonna take my time, loving you » (# 1548), again a nice bopper. Later on, he had the romper « G I boogie » (# 1581) in late 1951. Minimal instrumentation (lead guitar, rhythm, bass [it even got a solo], a barely audible fidde) but a lot of excitement. At the beginning of this year I’d posted both his «Red hot boogie » and « Move on blues ». 

« I’m gonna take my time, lovin’ you »

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« G I boogie« 

bb-14-4-51-cole-whitney

Billboard April 14,1951

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Billboard May 10, 1952

download 4-1548-dj-don-whitney-im-going-to-take-my-time-lovin-you2-514-1581-don-whitney-g-i-boogie51

 

 

 

 

From Vidalia, GA. Came in 1960 the group Twiggs Co. Playboys for a (great for the era) Hillbilly bopper, « Too many ». Very nice interplay between fiddle and steel (solos) over an assured vocal (Gala # 109). This label is now more known for its rockers (Billy « Echo » Adkinson, The Sabres, Otis White) than for Country records.

gala-109-twiggs-co-playboys-toomany« Too many »

« Too many »download

hank-penny-pic

Hank Penny

It is useless to present HANK PENNY. To quote the late Breathless Dan Coffey in a very old issue of his magazine « Boppin’ news », and a feature on Jerry Lee Lewis : « If you don’t know what happened to him, you shouldn’t read this mag ! ». From the heyday of his discographical career (which spanned from the late ’30s until 1969), actually of a constant highest level on a par with his popularity, however I was forced to choose two songs he cut for King Records between 1945 and 47, but released on the same 78rpm, King 842, late 1949 or early 50. « Now ain’t you glad dear », cut in Pasadena, CA. in Oct. 1945 at the same session as « Steel guitar stomp » and « Two-noel-boggs-hill-musictimin’ mama », is a fast brillant Western bopper backed in particular by Merle Travis (lead guitar) and Noël Boggs (steel). The other side, recorded in Nashville two years later, and penned by Danny Dedmon (Imperial artist and member of Bill Nettles‘ Dixie Blue Boys) isn’t not at all a slow blues : « Got the Louisiana blues » is equally fast as the B-side, and showcases James Grishaw on guitar, Louie Innis on bass and Bob Foster on steel. A great record.

bb-25-2-50-hank-penny-842

billboard Feb. 25, 1950

king-842hankpenny-now-aint-you-glad-dearking-842a-hank-penny-louisiana-blues

 

 

 

 

 

 

« Now ain’t you glad dear »

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« Got the Louisiana blues »

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From Atlanta in 1947 comes on piano LEON ABERNATHY & his Homeland Harmony Quartet for « Gospel boogie », a fine call and response romper on the White Church 1084 label.

white-1084-leroy-abernathy-gospel-boogie

« Gospel boogie »

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Next artist, whom I don’t know much on, is called CLAY ALLEN, from Dallas, Texas. He had two Hillbilly sessions between April and July 1951 for the Decca label (« I can’t keep smiling »,# 46324, is maybe scheduled for a future clay-allen-hill-musicFortnight). He was part of the Country Dudes on the Azalea label in 1959 with the very good rocker « Have a ball »). Later on, he cut several discs between 1961 and 1964 for the Dewey longhorn-547-clay-allen-one-too-many64Groom‘s Longhorn label, « Broken heart » (# 516) for example. I’ve chosen « One too many » (# 547) as his great deep voice backed by a bass chords playing guitar comes for a great effect. Maybe later I’ll post the flipside « I’m changing the numbers on my telephone », but lacking space this time.

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Country Dudes guitar player (Clay Allen?)

« One too many »

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To round up this serie, here are two tracks by the Atlanta guitar virtuoso JERRY REED, early in career which he began on Capitol Records. From October 1955, there’s the traditional « If the Lord’s willing and the creeks don’t rise » (# 3294), done in a fast Hillbilly bop manner making its way onto Rockabilly. Both steel and fiddle have a good, although jerry-reed-pic-hill-musicshort solo, while Reed is in nice voice. He comes once more, this time recorded in January 1956 : « Mister Whiz » is frankly Rockabilly (# 3429) but the Hillbilly bop feeling is retained : a nice fiddle flows all along, while the guitar player may be (to my ears at least) Grady Martin. Capitol files and Praguefrank are silent on the personnel of Jerry Reed sessions, a pity.

« If the Lord’s willing and the creeks don’t rise »

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« Mister Whiz »

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capitol-3294-jerry-reed-if-the-lords-willing-and-the-creeks-dont-risebb-26-11-55-reed-3294capitol-3429-jerry-reed-mister-whiz

Sources: mostly 78rpm-world or my archives; John E. Burton YouTube chain (Twiggs Co. Playboys); various researches on the Net. Countrydiscographies.com (Praguefrank) for Hank Penny and Jerry Reed data.

Late September 2016 bopping fortnight’s favorites

This is late September 2016 fortnight’s bopping favorites. As prettily usual, I selected a dozen songs which I feel interesting both for their obscurity and/or their appeal. The songs range from early-to-mid ’50s to very early ’60s. Let’s begin on the West coast with the very elusive TOM (Red) WILSON & His Country Music. He sings in the W.C. Western swing manner, added by a tight little combo of steel, piano and guitar, plus bass of course. First two selections combine both sides of his release on Crest 1007 (which was an outlet of Liberty). «Can you bop ?» (with female replica and jive-talk) tells everything. It’s a shuffler from 1955, with a strong Speedy West-styled steel, inked by Cal Veale, a name which crops from time to time on W. C. records.. The flip « Hillbilly parade » keeps the long established tradition of stringing some well-known Western songs. According to the songs cited, one can recognize T. Ernie, Webb Pierce and Ernest Tubb. Nice fiddle. There’s even a fat-bodied guitar picking solo which must be by Merle Travis himself ! Terry Fell had cut previously (1953) on Gilt-Edge 5084 his « Hillbilly impersonations« ; but 12 artists were involved then in place of the half-a-dozen by Tom Wilson.

crest 1007 tom (red) wilson - can you bop?

crest 1007 tom (red) wilson - hillbilly parade

« Can you bop? »

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« Hillbilly parade »

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Terry Fell & The Fellers (Gilt-Edge 5084, 1953) « Hillbilly impersonations »

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gilt-edge 45 5084 terryfell - hillbilly impersonations


The second release is really disappointing, both « Lonesome seagull » and « It’s me again » (Crest 1020) are weepers.

« Lonesome seagull »

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« It’s me again »

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Next artist is a bit of a mystery. BOB TUCKER & His Sky Riders (vocal chorus by Virgil Hume) don’t give any clue of origin neither date of release. Tucker (neither Hume) never had another record, at least to my knowledge. They do a bopping tune « Quit draggin’ your feet » and a quieter side on « My tears are dry » released on State 4002 B/A. Both feature a really wild and inventive steel, and the singer does a really fine job on the supercharged « Quit » side. The record may date from the 1953/54 era.

« Quit draggin’ your feet »

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« My tears are dry »

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state 4002b bob tucker - quit draggin your feetstate 4002a bob tucker - my tears are dry

 

On to a well-known name, for a not so well-known good Country bop song. DALE HAWKINS was no longer in 1961 with Chess Records, and his days of fame were over, when he cut (with Roger Miller on guitar) the nice and, apparently, autobiographical,         « Wish I hadn’t called home » for Tilt 783.

tilt 783B dale hawkins - wish I hadn't called home

 

« Wish I hadn’t called home »

Two visitors are categoric: Hawkins plays guitar while it’s Miller singing. Thanks, chaps!

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Then VIRGIL HUNT (a repost of as early as May 2012). « Can’t we try again » is a fast 1957 hillbilly bopper, with fiddle and guitar solos issued on Boot Heel 604 [did I write the label’s name right, Dean?], apparently a Tennessee label. Now you get a complete and nice label scan..

« Can’t we try again »

downloadboot heel 604 virgil hunt - can't we try again

On the small Livingston, TN. Breeze label (# 401), on to female Rockabilly with SHARIET SEXTON for « Since baby put me down ». Great hick/hip vocal !

breeze 401 scarlet sexton - since baby put me down

« Since baby put me down »

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Finally another Rockabilly, although fiddle and steel present (solos) from Louisiana in 1959 : BOB PREDDY and « Hold what’cha got » on Buddy [not the Texas label] # 2002.

 

« Hold what’cha got »

downloadbuddy 2002 bob preddy - hold whatcha got

Sources : as usual, a great percentage of YouTube ; my own researches (Google, 45rpm-cat) ; thanks to Allan Turner for Bob Tucker A-side. 

Early September 2016 bopping fortnight’s favorites

Back from Summer holidays, we begin with the incomparable MERLE TRAVIS with a little known opus cut on December 4, merle travis1952, « Louisiana boogie » (flipside « Bayou baby »), which permits the pianist Billy Liebert (long-time musician at Capitol sessions) to shine with a boogie 12-bar pattern. This side can be found on Capitol # 2902. Two fiddles are also heard, these of        « Buddy Roy » Roy and Margie Warren, while Travis is in good form both on guitar and vocals.

« Louisiana boogie »

download   capitol 2902 travis - louisiana boogie

 

 

lou graham pic

 

 

 

 

 

 

 

 

 

LOU GRAHAM was one of the earlier rockabilly-style artists to show up on record, courtesy of Ivin Ballen’s Philadelphia-based Gotham Records. Born in rural North Carolina, and one of 10 children, his full name may have been Lou Graham Lyerly. He showed an early interest in country music, and following a hitch in the United States Navy, he entered radio as a singer and disc jockey. Vocally, he was similar to his somewhat older contemporary Hank Williams. Graham spent 18 months at WPWA in Chester, PA, he made the acquaintance of Bill Haley, leader of a locally-based country band called the Saddlemen, who helped Graham get a recording contract with Gotham. Graham cut « Two Timin’ Blues » and « Long Gone Daddy » at a 1951 session with an unknown backing band, but early the next

« Please make up your fickle mind »

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« My heart tells me »

downloadgotham 433a lou graham- please make up your fickle mindgotham 433b lou graham- my heart tells me

year, he was backed by Bill Haley‘s Saddlemen on a quartet of sides, « I’m Lonesome, » « Sweet Bunch of Roses« , « Please make up your fickle mind » and « My Heart Tell Me. » all issued on Gotham 429 and 433. Graham kept busy working as a deejay at WTNJ in Trenton, NJ, and on television as an announcer, on WDEL in Wilmington, DE. By the late 1950’s, he was also working regularly in nightclubs, parks, and western jamborees playing country and hillbilly music, playing on the same bills with Webb Pierce, Hank Thompson, and Ernest Tubb. In 1957, he made his most lasting contribution to recordings with his single « Wee Willie Brown » for the Coral Records label.

Salty Holmes and Jean Chapel

court. Imperial Anglares

 

SALTY (HOLMES) & MATTIE (O’Nell) had a long, long career, either as single artists, either in duet, like with this « Long time gone » (M-G-M # 11572, recorded July 7th, 1953). In fact, Salty only wails his harmonica, while Mattie has the vocal duty on this marvelous fast Hillbilly bopper (good picking guitar a la Merle Travis and a steel reminiscent of Hank Williams’ Don Helms). Of course Mattie O’Nell was also known (RCA, Sun) as JEAN CHAPEL.

 

 

 

« Long time gone »

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mgm 11572 dj salty & mattie - long time gone(11-7-53)

 

 

We jump in 1963 on the K-Ark label # 296 (Cincinnati, OH) with HARVEY HURT and his « Stayed away too long ». An aggressive vocal on the front of a chorus (handclaps during the solo), and a nice guitar+steel solos, make this a very agreeable record, even not listed in 45rpmrecords.com.

From Avery, Texas, Chucklin’ CHUCK SLOAN offers his « Too old to Rock’n’roll » (Cowtown # 806) cut in 1961 . A fast Rockabilly/Country-rock novelty issue : very, very fine guitar, indeed influenced by blues guitarists. The song appeared long ago on a Swedish Reb bootleg.

k-ark 296 harvey hurt - stayed away too long (63)

« Stayed away too long »

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« Too old to Rock’n’roll »

download  cowtown 806 ch. Chuck sloan - too old to R&R(61Avery Tx)

More from Fort Worth, Texas in 1958 on Majestic (# 7581). J. B. BRINKLEY (aka Jay Brinkley) gives a splendid bluesy  « Buttermilk blues »: really biting and agile guitar, backed by a solid piano, over a powerful voiced singer.

« Buttermilk blues »

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 majestic 7581 J.B. Brinkley - buttermilk blues(FtWrth58)

Brinkley also had previously issues on Dot (# 15371 « Crazy crazy heart/Forces of evil » – both pop rockers) in March 1955, and Algonquin 712/3 (a New York label) (« Go slow baby », a fine bluesy rocker, with a thrilling guitar) in 1957, plus some instrumentals. first on Kliff 100 (1958) , the good « Guitar smoke » which reminds one of Bill Justis‘ monster « Raunchy » ; then on Roulette 4117 (« The creep/Rock and roll rhumba »).

« Go slow baby« 

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« Guitar smoke »

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alconquin 712 go slow babyklliff 100 jay brinkley guitar smoke


Brinkley had actually begun his career as singer/guitarist fronting the Crystal Springs Ramblers in 1937 for « Tell me pretty mama », Vocalion 03707) with Link Davis on fiddle/sax, and a full Western swing combo. More with the Light Crust Doughboys in 1941, or backing (electric guitar) Patsy Montana for her 1941 Decca sessions. He even cut at a Al Dexter session in 1941. Seems he was in great demand..He was part of recordings in the Dallas/Fort Worth area by the number of litterally hundreds during the ’50s and ’60s. Just an example : Andy Starr on his Kapp sides (« Do it right know ») from 1957. The perfect replica to Houston’s Hal Harris !
vocalion 03707 crystal spring ramblers - tell me pretty mama

« Tell me pretty mama »

download(addition on Jan. 19th, 207. Thanks to Pierre Monnery)

DAYTON HARP cut records as soon as 1952: his « Foot loose and fancy free » (Gilt-Edge 5038) is a good dayton harp bopper with excellent mandolin over a really ‘hillbilly’ vocal. He hailed from Florida, and he recorded there a duet (with Dot Anderson who gives Harp the replica) in 1958 for the Star label (# 695) « Man crazy woman » : a nimble guitar and a too short steel solo. A really good record. The flipside sees Harp alone : « You’re One in a million » is a fine uptempo ballad with the same instrumentation (really good guitar!). Both these tracks were issued as Starday customs.

« Foot loose and fancy free »

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« Man crazy woman »

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« You’re one in a million »

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gilt-edge 5038 dayton harp- foot loose and fancy free(51)

 

star 695a dayton harp (dot anderson) man crazy woman(58,Fla)star 695-B dayton harp - you're one in a million (58)

 

Sources : the Capitol label discogaphy (Michel Ruppli a.o.) ; 45rpmrecords.com ; YouTube ; Terence Gordon’s Rockin’ Country Style ; 45-cat ; rocky52.net ; Tony Russell’s « Country music » (1921-1945) ; Bruce Elder’s Lou Graham biography on Allmusic.com.

Late September 2014 fortnight’s favourites

Howdy folks, back from holydays. All the selections will be out by obscure artists. Once more uninspired, only music!
ED JUNOT on the Robstown, Texas O-T-O (One-Thousand-One) label comes first with « Give you’re love back to me » [sic]. Uptempo hillbilly fiddle led.

Ed Junot « Give you’re love back to me » download

o-t-o junot
pride guyton

Bill Guyton« I’ve got a little time for loving » download

 

Then BILL GUYTON on the Pride 3000 label, « I’ve got a little time for loving ». Guyton had been vocalist on Curley Rash « Humble road boogie » (Macy’s). This is medium hillbilly bop with a touch of Starday feel.

 

Lefty Pritchett « Just an ole has been » download
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An haunting « Just an ole has been » on Bama (not the Alabama label) # 0001 by LEFTY PRITCHETT. Hillbilly bop Memphis style.

Then the most recent track of the selection on Toppa 1098 from 1961 : «All those lies» by ELTON TRAVIS. Uptempo Country rocker.

JOHNNY GITTAR offers on High Time 173 « San Antonio boogie », obviously a Texas recording. Medium boogie guitar led and heavy drums.

Finally a train song, « I’m going to roll » by CURLY COLE on Gilt-edge 5029. Nice guitar and piano solo.
Elton Travis « All those lies« download

Johnny Gittar « San Antonio boogie » download

Curley Cole, « Im going to roll« download

 

toppa travishigh time gittargilt-edge cole

Late September 2013 fortnight’s favorites

Howdy folks! Well it’s been quite some time since I last posted. Lot of work this Summer, down in Marseille (south of France) where I’d set my younger daughter as student in her flat up. Last post (today): an important article on the JACOBY Brothers (TNT and Columbia recordings). Nearly all their output is posted in a new presentation. I hope it will please you. Let me know. By now, for this fortnight, we begin with the guitar player of the Miller Brothers, EDDIE MILLER. He lets his bass player Jim McGraw take the lead on this April 1956 4 Star 1693 issue, « Patty cake man« , a typical 4 Star pano led honky tonker.

4 star 1693-45 eddie miller patty cake man

Another important artist on the West coast was ROCKY BILL FORD, mostly known for his 1951 « Beer drinking blues », easily found on many compilations. Lesser known is his « Willie Dum Dee » on Gilt-Edge 9 from 1951: typical baritone voice for this fine shuffler.

Rocky Bill Ford: Willie Dum Dee
gilt-edge T-9 willie dum dee

From Joliet, Illinois, 1957, comes JIMMIE LAUDERDALE for a joyful, hopping « Right away, quick! quick! » country-rocker on the Jopz label. Nice guitar.   Right away, quick quick Download jopz jimmie lauderdale   Now BEN BAKER for two tracks on the Cool label from Harrison, NJ. Atmospheric hillbilly bop (one waltz tempo). Lots of echo on the steel and fiddle. Nice tunes: « Tomorrow your leaving« (sic) and « Too late now« . strong>Tommow you_re leaving/span> Download

Too late now
cool 129A ben baker tomorrow your leavingcool 129B too late now

Finally a R&B romper with CECIL GANT and « Nashville jumps« , one of the early sides on Bullet out of Nashville. Enjoy the selections! Bye. Nashville jumps  

bullet 250A nashville jumps