Late November 2013 fortnight’s favorites

Howdy, folks! En route for the new cartload of bopping Hillbillies/Rockabillies and white rockers (this time), plus the usual R&B rocker. First two tunes are by WEBB FOLEY, from Fort Wayne, Indiana it seems. He had “Bee bop baby” on Emerald 2013 in 1957 (flip side is “You ought make records“, listed as “C&W”, alas I didn’t track it down). Rockabilly and that’s all, topical lyrics, good rhythm. Next year he was to have a white rocker “Little bitty mama” (Emerald EP 750), a good one. BUT, beware of his sides on the M label (“Strange little girl/One by one” and “Little town Xmas”), they’re awful! More on Emerald next fortnight.

Webb FoleyBee bop baby

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Webb FoleyLittle bitty mama

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emerald 2015-A webb foley bee bop baby

emerald 750webb foley little bitty mama

Next artist must have been a local one, as his label: Royal 100, for COUSIN KEITH LOYD (sic). He cut “Dangerous crossing” (1955?) certainly having in mind Billy Strange’s “Diesel smoke” from a pair of years earlier. Cousin Keith LoydDangerous crossing

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royal 100 C. keith loyd dangerous crossing

I return to MARVIN RAINWATER. I did celebrate his death last month with one of his most known tracks, “Mr. Blues“. Now I’ve chosen “So you think you’ve got troubles” (MGM 12420), cut a coupe of years later, and a fast good side of its own.

Marvin RainwaterSo you think you’ve got troubles

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MGM 12412 marvinrainwater so you think you've got troubles

BILL LOWE was from West Coast, and cut for the interesting small label Sundown. There he had at least two issues, the one here (# 117), “You set my heart on fire“, a very nice late ’50s hillbilly. Lowe had a duet with TOMMY GUESS, also on Sundown, “Foolish heart” (# 106 – I include it in the podcasts, having copied it from an old Tom Sims’ cassette).

Bill LoweYou set my heart on fire

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Tommy Guess & Bill LoweFoolish heart

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sundown 117 bill lowe you setmy heart on fire

sundown 106A Tommy Guess & bill love foolish heart

courtesy Udo Frank

southbay 45-500 flash terry she's my baby

inspired by John Burton

 

 

 

 

 

 

 

 

 

Finally a great R&B Rocker by FLASH TERRY, She’s my baby” on the Southbay label (# 500), obviously a S.F. issue. Just take a look at the logo: Southbay must have been inspired by Starday (3 stars). Flash TerryShe’s my baby

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Note (Nov. 30th, 2015) from Steve Gronda: “The Flash Terry on Southbay was bootlegged from my original 45 on Suncoast, a Tampa label run by Doc Castellanos, a local bar owner. Southbay, was based in South Pasadena Florida, about 30 miles from Doc’s bar in Tampa and released this record around 1979.. About 1,000 copies were pressed. The original owner of Suncoast records had no memory of Flash Terry, nor any records or tapes when approached in the early ’70’s by collector Lynn Burnette.”

Enjoy the selections. Any comment or addition/correction welcome!

late September 2010 fortnight

Howdy, folks! I didn’t have a particular “theme” chosing the selections this time (as I did sometimes in the past): just a few songs I like at the moment.

Early September I posted something about the ubiquitous Mr. DIXON. Since then, I did not find something new on him, be it at hillbilly-music.com or with google, under his 3 aliases (Walter, Mason, or Ted). There is even on Youtube a bishop named Walter Dixon, and I wonder if this is the same person! I even found a Mason Dixon Country 45 on ebay. This time you will be exposed to a 1961 rendition for the Alabama based REED label, and a great shuffle by MASON DIXON, “Hello Memphis“.  reed 1064 Mason Dixon oct 61

Staying in the South with a minor classic by SPECK & DOYLE , the Wright Brothers, “Music to my ear” on the Columbus, Georgia based strangely named SYRUP BUCKET label. A nice guitar, a medium beat for this relaxed Rockabilly/Hillbilly Bop from 1959.

syrup 1000

On to, probably, Texas, with a fast romper by JIMMY STONE on the IMPERIAL label from 1951, “Midnight Boogie“. I’ve never heard Stone had another record, but what’s this one? Entertaining lyrics, and most of all, a wild bluesy Rockabilly guitar! Who may the player be? Fine piano and even a short fiddle solo, Texas style. We are pursuing the musical journey to Indiana with a very young GAYLE GRIFFITH (he was fourteen when he cut his solitary record) and the out-and-out romper “Rockin’ And A Knockin’” for the EMERALD label, from 1954. Griffith was at one time associated with WFBM Indiana Hoedown, although despite this promising first platter, he seems to have soon disappeared from the music scene.

gayle griffith pic

Gayle Griffith

gayle griffith Emerald 2003

51 Drifting

Billboard 1951 advert for “Drifting Texas Sand”

Now to California for the Louisiana-born EDDIE KIRK (1919-1997), who was consistently working with the Los Angeles musicians’ cream for CAPITOL records. Here he delivers a fine rendering of the 1936 Tune Wranglers‘ classic (also cut around the same time as Kirk by Webb Pierce) “Drifting Texas Sand” (Capitol F 1591). The backing is sympathetic, although ordinary. Harmonica player could be George Bamby, who cut with, among others, Johnny Bond.

As a bonus, we go to an end in Chicago with the underrated LITTLE MAC SIMMONS, singer-harmonica player (altho’ no harp heard here) and the frantic (great piano throughout, with usual Honking saxes, and a nice guitar) “Drivin’ Wheel” (PALOS label) from 1961.

mac

I hope you enjoy the selections. Don’t miss the other “regular” posts: recently Bopping had had Jack Bradshaw story, the Daffan label, Roy Hall and Riley Crabtree, to name just a few. Not to mention in the “hillbilly profile” section, Chuck Murphy. Till then, bye!

As usual, pictures from various sources. Excellent Terry E. Gordon’s Rockin’ Country Style site, or ebay. Sounds from my collection, or various compilations. I can name for every track who provided me! BUT you CAN download everything!