Early August 2017 bopping fortnight’s favorites

Hello, this is a full Summer 2017 (early August) fortnight favorites’ selection, with 10 tunes. The first two are by an unknown artist on a famous label. HARRY CARROLL on the Starday label # 277 (issued December 1956). A waltz tempo for « Checkerboard lover », a mid-paced sentimental « Two-timin’ » for the flipside. Typical Starday atmosphere, but nothing exceptional. Carroll seemingly co-wrote « The trail of the lonesome pine » for Jimmy Donley (Decca 30392), and that was over.Checkerboard lover

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Two-timin‘”

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starday Carroll Checkerboardstarday Carroll timin

GLENN & JODY, the Singing Buddies were backed by Larry Nolen & the Bandits for this fine WS flavored bopper « I’m even with you » on the San Antonio label Eagle # 3772. It’s for you, Bill S.     Larry Nolen was a veteran of the S.-A. scene, having records issued on Sarg as early as 1954 (« Hillbilly love affair »), Starday in 1956-57 (« Lucky lady », « King of the ducktail cats »), then later on Eagle (apparently his own label, or one he was involved in – backed by Herby Remington on steel) or Renner in 1961.

larry nolen picture

Larry Nolen

I’m even with youeagle Glenn & Jody even

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A solid Hillbilly boogie now with « Dog house boogie » on King 720 (from July 1948) by a young HAWKSHAW HAWKINS. A strong boogie guitar (agile solo), a lemley & hawkins pictureking Hawkins Dogfine steel solo done by Herman « Jiggs » Lemley.hawkshaw hawkins picture

Dog house boogie

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RED MANSEL had previously cut for Starday custom # 523 (« I’ve crossed you off my list ») in July 1955, and was the first to appear on Dan Mechura’s new label, All Star # 7165, with a fine medium paced ballad, « Changing heart ». Very great vocal.

KEN GABBARD & The Hilltop Ramblers cut in 1965 on the Trenton, OH Harp label (no #) the very nice « Thing’s can’t be as they were » (sic). Uptempo ballad, and typical early ’60s hillbilly sounds.

allstar Mansel heartChanging heartharp Gabbard Thing's

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The same Harp label had another disc of interest : Don Ward and « How much I owe ».

Thing’s can’t be as they were

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Helen Hunt is leading vocally THE NITE OWLS with a bluesy « Married man blues » on Vocalion 03987 from November 1938. The steel well to the fore is played by Bob Symons.

A good female mid-paced bopper follows on the Stardale label (# A 006) from Morris, OK by GALE SOUTHERN and « « Trusting heart « in 1956. Nice piano throughout.

vocalion Nite Owls, Married

csy 78-Ron..

Married man blues

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stardale Southern heartTrusting heart

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« Hillbilly lovin’ «  comes next. A fast vigorous piece of hillbilly bop by BAILIN’ WIRE BOB on the Pittsburgh, Pa. Fee Bee label # 208 from 1957.fee bee Wire Hillbilly

Finally GENE STACKS on the Pine Bluff, AR Cooper label (no #) , « I know (my baby loves me) ». It’s perhaps the fastest of all the tracks here and a very fine Rockabilly bopper.

Hillbilly lovin’

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cooper Stacks know I know (my baby loves me)

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Early January 2016 fortnight’s favorites: more seasonal gifts (15 selections)!

Howdy folks, a happy and bopping New Year to everyone. As a seasonal gift, I will post no less than 15 selections, as on the Xmas fortnight.

First a mystery with GEORGE BOWE & the Travelers. It has proved impossible to find any detail on him neither even the location of the label, Eagle – a common label name during the ’50s/60s. A very small clue is to be detected in the deadwax, « Rimrock » – which leads one to Arkansas Wayne Raney‘s label of the ’60s. Anyway Bowe delivers a Rockabilly styled opus with « Big man » (Eagle 110A) – the whole thing is quiet and lazy. B-side (« Do you remember ») is a melodic ballad, a bit sentimental, over sympathetic backing.

Big man

downloadEagle 110bgeorge bowe -big manEagle 110a george bowe - do you remember

Do you remember

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Note: Alexander Petrauskas did advise me that the Eagle label was definitely associated with Rimrock, the latter pressing the Eagle products.

 

 

DON WHITNEY (incomplete bio statistics – he died in 1985) was a D.J. associated with Arkansas radio stations KLCN in Blytheville, then KOSE in Osceola (1957) ; he’s been too on WELO in Tupelo (MS), and cut a whole string of boppers for 4*. Where he cut them ? Probably Nashville. I chose from 1950 « Red hot boogie » (# 1471), call-and-response format (girl chorus). Steel and piano are barely audible, while the guitar player does a too short but wild solo. « Move on blues » (# 1588) from 1951 is a fine bluesy tune over a boogie guitar. Discreet steel and piano.

don whitney pic

4* 1471 don whitney red hot boogie4* 1568 whitney - move on blues

 

Red hot boogie

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Move on blues

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On Adco records (# 781), cut in Cincinnati, OH, next comes GLEN CANYON and a rocker from 1965, « I won’t be able to make it » : a shrilling guitar thoughout, and the disk is valued $ 50 to 100. I couldn’t locate the flipside « Still in love with you », reputedly a bopper. Canyon appeared also on Acorn and Boone (Kentucky).

I won’t be able to make it

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adco 781 glen canyon - I won't be able

 

 

 

The Sandy label out of Mobile,AL. is interesting for many records issued between 1957 and 1962 and highly revered by Rockabilly/Rock’n’roll buffs : do Ronny Keenan, Happy Wainwright, Jackie Morningstar (« Rockin’ in the graveyard »), Ray Sawyer (« Rockin’ satellite ») or Darryl Vincent (« Wild wild party ») ring each a bell to you ? Well, the label also had its hillbilly boppers, like Johnny Foster (more on him next fortnight, late January 2016) or WADE JERNIGAN. Both his sides (# 1010) are high quality boppers penned by label bossman Johnny Bozeman in 1958. « Road of love », medium paced, has a very « hillbilly » type vocal (high pitched at moments), over a prominent fiddle and good steel, while its flip « So tired » uses the same format, just a little bit slower. A good record for Hillbilly lovers.

Road of love

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So tired

downloadsandy 1019 wade jernigan - road of lovesandy 1010 wade jernigan - so tired

Now on to Louisiana. The Khoury’s label began activities in 1951 to cease them in 1955 (last known is # 647, « Lu Lu boogie » by Nathan Abshire, which I owned moons ago before selling it – I am biting my fingers now..). We find here on # 700B (not in numerical order, this one is from 1954) a fabulous Cajun wildie « Louisiana stomp » by LEBLANC’S FRENCH BAND (an unidentified singer yells and encourages by his yells the whole fiddle led orchestra). Reverse is by Eddie Shuler, the founder of Goldband. Second La. selection : by GENE RODRIGUE, who had other releases on Folk-Star, Houma and Rod (the Cajun Rockabilly « Little cajun girl” from 1959). Here is his « Jole fille » (Meladee 101, cut in New Orleans), full of energy and « joie de vivre », Cajun style. Nice fiddle, steel and piano. This comes from the late ’50s apparently.

khoury's 700B le blanc's french band - louisiana stompmeladee 101 gene rodrigue - jole fille

 

Louisiana stomp

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Jole fille

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More from Louisiana with PAL THIBODEAUX (also known as Little Pal Hardy on Imperial) and « Port Arthur boogie » (Sky Line OP-154). Call-and-response, sung in French and English. Fiddle solo, sympathetic backing, two good guitar solos encouraged by the singer a la Bob Wills.
Port Arthur boogie

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sky line OP-154 pal thibodeaux - port Arthur boogie

 

You ask for yodeling ? Here it’s ROBERT LUNN (billed as « The Talking Blues Boy ») in late 1947. He cut I don’t know where (I suspect North of the States) the marvelous « Yodeling blues », slow’n’easy – fiddle, ‘blues’ lyrics, guitars, and spoken vocals, a dream…On Mercury 6104.

robert Lunn pic2

Robert Lunn

mercury 6104 robert lunn - yodeling bluesYodeling blues

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GEORGE GREEN & The Missouri Ranch Boys comes next with a good 2-sider on Zeylon . The medium paced « I don’t love you anymore » is backed by a welcome accordion, and sounds its late ’40s recording, although its prefix (J80W, an RCA pressing, dates from..1958). The flip « Be a little angel » is a jumping little thing, which grows on you at each playing. Good fiddle.

I don’t love you anymore

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Be a little angel

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Zeylon a J80 george green-I don't love you anymoreZeylon bJ80 george green - be a little angel
« Just because «  is a classic Sun side, only issued on RCA, by ELVIS PRESLEY. We conclude this fortnight with his version (RCA 47-6640, early 1956) and the original by the SHELTON BROTHERS (in the ’30s). Great lyrics. Elvis does a very fine job on it.

 

decca 46008 shelton brothers - just because

 

 

 

 

rca 6640 elvis - just because

 

Shelton BrothersJust because

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Elvis PresleyJust because

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Sources : Somelocaluser blogspot (George Bowe, Wade Jernigan, George Green), Youtube for several tunes (Don Whitney – scans from 78rpmworld) ; Robert Lunn on a 3-CD compilation of country music on Mercury, picture from “hillbilly-music.com”. Hope you enjoy this selection. Comments welcome. ‘Till then, bye.

 

Note: important addition on Khoury records by Louisiana tireless researcher and faithful friend Wade Falcon (Feb. 5th, 2016):

I read your latest article on Leblanc on Khoury.  The musician is Floyd Leblanc.  Fiddle player that originated with Bennie Hess and Virgil Bozman and the Oklahoma Tornadoes.   Floyd had recorded the song Louisiana Stomp first with Virgil’s label O.T. Recording Company (#104-B)
After Virgil folded the label, Khoury who helped finance it, picked it up along with his artists and started Khoury and Lyric.   Khoury re-released the song on his label.  (700-B)
I actually know Floyd’s daugher.  Very nice person.
Also, Khoury’s 600 series label ended with #652 in 1955.  He started his 700 series again (which we’ll refer to as the “second 700 series”).  There, you have the 700-B side you mention in your blog with Shuler on one side and Leblanc on the other.  That lasted till about 1962.   His last Cajun in the series was #720 Pee Wee Broussard.
Thanks, Wade!
OT 104 floyd leblanc - louisiana stomp