Howdy folks, welcome to new visitors. This is the early December 2018 fortnight’s favorites selection, and, as usual, it will be very various in styles from late 1947 to 1964.
BENNIE HESS was a Country singer born February 10, 1914 at Chriesman (Texas). He formed his first band The Rhythm Wranglers in 1940 and a show on the local radio KFYO Lubbock (Texas). First hit in 1945 for the Black And White Records.
Bennie spent at the Louisiana Hayride in Shreveport (Louisiana), the Big D Jamboree in Dallas (Texas) and the Grand Ole Opry in Nashville (Tennessee). Died November 22, 1984 in Houston (Texas) Here he is with a B-side of Jet 1920 («You Can’t Catch A Fish Where Is No Water»): You Are In My Heart To Stay» is a nice uptempo ballad, with a fine rhythm section (piano and steel solos) (circa 1955), without doubt recorded in Houston.
He had an abundant stack of records on Pearl, Major, Musicode, Space and Spade during the ’50s. Maybe one day bopping.org will search about him.
He got her up to an hundred and ten
But he met Number Four comin’ around the bend
He told his fireman it’s now too late
’Cause they saved this space for the Pearly Gates
He passed Number Four with a great big sigh
The set’n on a Switch to let him by
He boogied and he boogied on down the line
With a big relief and a day to live on
Whooo whooo hear that whistle
Ding dong hear that bell
He stated down on a mighty hill
(Slim Watts vocal)
RICHARD PRINE was a band leader (and drummer) during the early ’50s in Houston. Here he has Slim Watts (several discs on 4*) as a front man for «Highball Boogie» on Ayo 111. It’s a train song : rollicking piano, whistle effects (steel?) and a very agile guitar player. The band has even a Western swing touch with a nice fiddle and a saxophone (Link Davis?).
On Dixie 1068 (1961) by GUY GARDNER & his Country Four, here’s «High Society», an uptempo ballad : jumping vocal and instrumentation (piano and steel). Madison, TN label (sublabel to Starday).
On Dixie 1002, ART BUCHANAN and «Hi Yo Silver» from January 1963. Energetic vocal, call-and-response format. He had also «Queen From Bowling Green» on Dixie 823, and under the name of Art Ontario, he had cut «It Must Be Me/Last Goodbye» in 1959 on the PD Starday sublabel Dixie from Madison, TN (# 2019) (valued at $ 300-400). Finally his rarest from 1958: «Wiggle walkin’ boogie» on Illinois 725 ($ 700-800).
Third artist in this short Dixie serie is JESSIE FLOYD in 1964, for «Hangover Blues»(# 1063). A fine vocal, and a demented piano. This record could have been cut as well in 1958.(valued at $ 350-450). Ashboro, N. Carolina label.
Something really dfferent with the swinging, bluesy Redd Stewart vocal for «Juke Box Blues» of PEE WEE KING (RCA-Victor 20-2841) from December 1947. A bluesy uptempo, a fine guitar ; indeed King’s accordion fighting with the steel, and even a fiddle solo. A great disc.
Hello folks, welcome to new listerners, howdy to returners !
This is the late March 2018 fortnight’s favorites selection, and it will include only 3 artists.
First is TAYLOR PORTER for 4 sides. First two were issued February 1958 (60 years ago..) on Starday # 694. « No more lovin’ you » is a fluid uptempo bopper ; the steel solo is common. The overall impression however is great. The flipside « It’s over now » is more of an uptempo shuffler. Fiddle and steel solos. It bears something lazy. Now it’s not that sure this Taylor Porter was the same as in the following tunes.
The old Hank Snow (as « Hank, the Singing Ranger » who cut this song in 1944) song « Sunny side of the mountain » by (another?) TAYLOR PORTER on the Salem, IN Radio Ridge label # 85. It’s a fast bluegrass (banjo) bopper ; fiddle solo dueling with banjo, from 1956. He had another issue on the same label, « Sweetheart, you were wrong », and on Excellent 225.
Then in 1961 on the Manchester, KY Janet (which was Zeke Clements’ – the latter’s story is on the line) label (# 25-60), he has « Away out there », a fast unclassable country tune. We finally find him for a sacred 6 songs EP on Ark 312 in 1964.
Next track is an instrumental, rare in bopping (I prefer voices!). DINK EMBRY [And – strangely – The Kentucky Lads] is probably a Memphian. Is he who pounds the ivories on this « Mason Dixon boogie », issued on Dot 1039 (early 1951) ? In any case, the tune is medium lowdown danceable one with guitar, piano and steel (plus bass of course).
The next four tracks are all done by JAKE THOMAS and all issued between September 1962 and March 1965 on the Dixie label. Wonder if this is really the Starday custom famous label. All tracks were apparently recorded in Arkansas.
Both first tracks, as Jake Thomas and Bluegrass Band, issued on Dixie 987, are medium paced, and have a fine dobro backing over a great vocal, plus bass and rhythm : « What’ll I do » and « If you keep doing what you do to me » are very good examples of 60’s Hillbilly bop.
Howdy folks, hello to returning visitors ! This is the late February 2018 fortnight’s selection.
Let’s begin with a well-known artist, SKEETS McDONALD. At the peak of his career in March 1958, he recorded a full album of Honky Tonk for Capitol, which I chose the rollicking « You’re there » from : fine piano, guitar by Buck Owens, it’s the sort of bopping music you never get rid of. (Capitol T 1040)
What an elusive artist is EARNEY VANDAGRIFF. He had between 1954 and 57 records on Specialty (700 serie – see the story in this site) and Starday. This time it’s the romping Rockabilly/Rocker « Be-bop Santa Claus » on California’s Rural Rhythm label (# 511). Fine piano.
SUNSHINE SUE teamed with Joe Maphis for “Barn dance boogie” (the latter’s earliest recorded known effort) on Astra 1215. It’s indeed a fast guitar tune over a male vocal. Astra was a Richmond, VA. label from about 1949 or 50.
From the small town of Florence, AL comes MOTT GILBERT on the Dixie Cleartone label # 175, from circa 1954. « Foot loose and fancy free » has a fiddle solo (Gilbert?), but uninventive steel solo and a short piano solo. The flipside « Loving mama blues » is a great piano led medium blues tune.
From 1948 come the next tracks by EVERETT LACKEY& the Lone Star Ramblers, from the Birmingham, AL Vulcan label # 3000A. « Longing for someone » is an uptempo – good guitar with Western swing overtones. The flipside « Sorrow and tears » a medium side with accordion.
Hello, folks ! This is the first 2018 (early January) fortnight’s favorites’ selection. As usual, a mix of Hillbilly boppers, Rockabillies and Country rockers.
First come WADE JERNIGAN for « So tired », a fine Rockaballad on the Mobile, AL, Sandy label (# 1010). Good steel and extrovert vocal. Despite some research, he didn’t cut any other record.”So tired” was written par Johnny Bozeman, apparently the owner of the label, who recorded “She’s my bayou babe” on the Biloxi, MS. Fine label 1006, and also had “How many/The blues and I” (pop ballads) on Sandy.
Then four tracks by the Virginian KEN LIGHTNER and the Hay Riders. He recorded in 1961 on Dixie (a Starday custom label) # 913 his most well-known track (it even appeared on a volume of the late Cees Klop Dixie CD series), « The Corner of love ». Some would call it a teen rockabilly. It bears though a nice steel battling with a good guitar, even a short piano solo, and to be true, a light vocal. Slowier is the flipside “Am I still the one“, once more with a mellow steel. The same goes for the short (less than 2 minutes) « Mary Ann » on the Wheeling, Wva. Emperor label 220 from 1959 ; again a fine steel, and a very alluring rhythm. Finally on the Kingston # 418 label, the song « Big big love », which is a easy-going country-rocker led by steel again.
On the Kentucky label (# 575) from Cincinnati, BOB MOONEY has an amusing talking blues, « A sucker born every day », which is a tour de force for the steel guitar : it’s litterally cracking and howling. He already had cut “Aubomobile baby“[sic] on Cozy 317/318 in 1953, and “Sucker” was reissued on REM 350 in 1964.
From Louisiana now, two tracks by BUCK WHEAT (rn C.M. Wheat, from San Antonio, Tx). Backed by the Wheatbinders. A lazy Rockabilly/country rocker first with « Texaswoman » on the Goldband label (# 1093, from 1959) ; then « Twitterpated » on the Folk-Star label (# 1303, a subs. to Goldband) : a great piano led shuffle beat, a bluesy guitar solo.
We come to an end with both sides of Columbia 21031 (October 1951) by the MERCER BROTHERS, Charlie and Wallace. They originated from Metter, south of Georgia, and began to appear at the Louisiana Hayride in 1948. « It ain’t no use » and « Tell me who » have a distinguished Delmore Brothers appeal. No surprise, since Wayne Raney himself backed them on harmonica for the session.
Howdy folks ! This is the mid-summer fortnight’s selection. All the tunes were recorded between 1956 and 1961. With the last one we begin : 1961, in London, OH on the Karl label (property of Clay Eager) # 3022. LACY KIRK does a very fine job on « This is saturday night », fast tempo, nice steel and fiddle. Value $ 100-200. The flipside « What happened to our love » is a great sincere ballad.
Next from Chicago: BILLY PRAGER & his Caravans and a wild double-sider from December 1958 on the (R&B) Crystal label (# 106) . The steel guitar is particularly effective and does very strange sounds for « Do it bop », while « Everybody’s rockin’ » is a bit more conventional Rockabilly/rocker. $ 300-400. This Crystal label has nothing to do with the Memphis one of the same name : serie 500 (Jimmy Knight and « Hula bop » or Jimmy Pritchett « That’s the way I feel » – with great swooping piano by some player who sounds very, very much like Jerry Lee Lewis !/Nothing on my mind »).
ONIE WHEELER was a Great. Born in 1927 in Senath, MO. he pursued his career during nearly 50 years, just ending it on the stage of the Friday Night Opry one day of 1984. Here are two sides aimed by collectors, and for good reasons : they are among his best tunes of the ’50s, cut in Dallas in June 1956 for Columbia : « Onie’s bop » and « I wanna hold my baby » (Columbia 21523) are good examples of the commercial Rockabilly a massive major had to offer, the B-side being in my mind the better one.
CLYDE BEAVERS next, on the Georgia (Starday custom) label # 532 from Tennga, Ga. « I won’t always love you » is a bluesy tune over a drivin’ medium rhythm, in all cases a primitive bopper from 1955. Later Beavers specialized himself (’60s) in drinking or smoking songs, like Lattie Moore‘s « Here I am drunk again » or Webb Pierce‘s « Cigarettes and whiskey (and wild, wild women) ».
« Sal’s house » was declined back-to-back of another Dixie (# 121) by CARSON WILLIS from Greer, South Carolina. This « Sal’s house # 1» seems to be a real mess ! Date : 1959.”