Late July 2020 bopping fortnight’s favorites

howdy, folks. This is the plain summer 2020 fortnight’s favorites selection. 9 tunes cut between 1949 and 1961.

As the title implies, « Guitar Shuffle » by the guitarist HANK GARLAND i(1930-2004) is a fine bopper. The rhythm is given by Garland, who does also a good solo on Decca 46250. Recorded July 4, 1950.

Merle Matts II

On the NJ label Cool (# 111, released 1958), now the fast « Tennessee Baby » by MERLE MATTS II. Rhythm given by a banjo. An urgent vocal, good steel (played like a bottleneck).

« I’m Sorry Now » by BUD DECKLEMAN is the lastest tune this time (1961). He’d cut his most known « Daydreamin’ » on Meteor in 1954 – a fair sized hit ; then a string of hillbilly releases on M-G-M (1955-56), before dropping into semi-obscurity (according to a sideman, he wasn’t reliable). He reappears for a swansong : medium paced, good steel. A typical early 60s Country.(Stomper Time M80w-3355).

Sam Nichols

Back to 1949 on M-G-M 10440, « Keep Your Motor Hot », indeed a truck song, by SAM NICHOLS. Fast bopper, Western tinged.

On the Circle Dot label (# 1006), out of Minneapolis, DAVE DUDLEY released the fine uptempo ballad (aggressive steel) « Picture Of My Heart »(early 60s).

Dave Dudley

Out of Nashille on the very small Jamboree label (501), DICK STRATTON offers « Fat Gal Boogie »in 1950-51. A guitar boogie rocker. Steel and string bass solos. Stratton was also on Tennessee 795 for « Pistol Boogie ».

Dick Stratton

Ralph Collier

A medium shuffler now : « You’ll Come Runnin’ Home To Me » by RALPH COLLIER on the Blazon label # 105 out of Nashville.

Lee ‘Red’ Melson

Lee ‘RED’ Melson did « Boss Man Blues » on the Grand Prairie label # 501 : a very expressive vocal for a medium uptempo with solid fiddle but uninventive guitar. Melson was also on the Georgia Ridgecresst label.

Jimmy Boyd

JIMMY BOYD, singer/actor, releases « Rockin ‘ Dow The Mississip », a Country rocker from June 1956 (Columbia 21471).i

Sources : my own archives. « Rockailly Hoodlums, vol. 2 (Collector); Bert Martin’s old tapes (Hank Garland, Dick Stratton, Sam Nichols, Bud Deckleman); Tom Sims’ cassette (Dave Dudley); eBay 45s (Lee ‘Red’Melson, Merle Matts II).

Late June 2020 bopping fortnight’s favorites

Howdy, folks.

The first three releases were all done on the West coast and published by Capitol records, the big California concern.Then at the end of the selection, here are more Little Richard tunes, some very rare. Enjoy!

Billy Strange

The multi-session guitar player BILLY STRANGE (1930-2012) sang a truck driver’s song in 1952, « Diesel Smoke, Dangerous Curves », complete with truck honkers effects, braking grinding sounds and woman’s yellings, which goes faster and faster until the final break. (Capitol 2032).

Cliffie Stone

Then the ubiquitous CLIFFIE STONE, bass player, bandleader and entertainer (Hometown Jamboree) for the jumping, jiving « Jump Rope Boogie »  (Capitol 1496).

Third Capitol exposure goes with OLE RASMUSSEN, leader of the Nebraska Corn Hunters. Defintely a Western flavoured Hillbilly. Medium paced « Gonna See My Sunday Baby Tonight ».(Capitol 1323). lazy vocal with yells to the backing musicians.

Hoyt Scoggins & The Georgia Boys

On a Starday Custom serie # 606 (from January 1957), the very nice, fast « What’s The Price  (To, Set Me Free » by HOYT SCOGGINS & His Georgia Boys. An agile guitar, on a very fast Hillbilly boogie. A splendid track..

Jim Harless & the Lonesome Valley Boys

JIM HARLESS next one, from Bristol, TN in a mix-up of Hillbilly and Bluegrass (good banjo all through) for « Rock’n’Roll Fever Ain’t Got Me ». A bit of fiddle and a strong rhythm guitar.(Shadow 104, unknown date).

Ted Brooks

It’s impossible to fix which version came first on of « The Hot Guitar », either by Eddie Hill on Mercury 6374 (backed by MM. Chet Atkins and Hank Garland) or by TED BROOKS (Vocal by Henry Kimbrell) on Decca 46374, both issued in October 1951. Guitar tour-de-force in both cases.

Rick Rickels

A double-sider Rockabilly now with the mysterious RICK RICKELS (& His Wild Guitar) on the MH label, late ’50s or early 60s. « I’m Gone » and « You Gonna Go Away » are both frantic rockabillies,

Ray Coats, Cotton Collins & his Ranch Boys

Finally RAY COATS, backed by Cotton Collins & His Ranch Boys for the fine bluesy bopper « Texas Blues » (1953, on the Shamrock label, no #) from Houston, Texas. A fine steel (solo), a lazy vocal, and a good rinky-dink piano.

Sources : 45world (for 78rpm label scans), old Tom Sims’ cassette (Ole Rasmussen, Jim Harless, Ray Coats), RCS for Rick Rickels’ label scans (where came the soundfiles from, I can’t remember..) ; Ted Brooks from 78-Ron ; Hoyt Scoggins from the Starday Project (Malcolm Chapman among others).

And now for the last time, here are some more Little Richard’s rarities.
– “Taxi Blues”, 1951;
– “Little Richard’s Boogie” (1953) with the Johnny Oui Orchestra;
– “Valley Of tears” (1961) with the Upsetters;
– “Ytavelin’ Shoes” from 1963;

More sides
– I’m Back” from the comeback (1965)
– “Hurry Sundown”, from the motion of the same name (1967)
– “Rockin’ Chair”, cut in January 1967
– “Dew Stop Inn”, last entry in the charts (1971)

Early May 2020 bopping fortnight’s favorites

Howdy folks ! Let’s embark for a new journey into bopping music ! It begins in the late forties and extends until 1965, with an emphasis for the 1954-59 period.

T. Texas Tyler & the Oklahoma Boys

T. TEXAS TYLER & his Oklahoma Boys were a very popular outfit in California during the late ’40s. Here the man « with a million friends » deliver a really hot instrumental « Guitar Boogie Woogie » on 4Star 1114 (recorded May 1946) : a fast, furious guitar showcase (James Pruett or Stan Walker) (plus a steel solo by Joaquin Murphy).

Eddy Raven

Twenty years later EDDY MARVIN, also on a Fort Worth, Tx. label (Oakridge # 117) offers a downhome shuffling bopper. Good piano, cool vocal in « I’m Packing My Duds & I’m Head-in South ».

Bill Goodwin

Here’s a Starday custom, issued on the main label in the 500 serie. Starday 710 by BILL GOODWIN. April 1958 « Teenage Blues », a fast number with Rockabilly guitar. Later on, Goodwin was also on the Starday sublabel Dixie # 2014 (1959) ; with his Western Ramblers,he did « Your Lying Ways ». A bopper with great guitar.

David Gates

The Oklahoma born DAVID GATES, for his second record (the first was issued by Mala), on East-West 123 (a sublabel of the giant Atlantic outlet) : « Swingin’ Baby Doll » is really bopping and rolling. (February 1959)

Clyde Moody

CLYDE MOODY (1915-1989) was the King of Waltzes ; he also had several good boppers, as this « Tend To Your Business » on King 977. It’s a bluesy mid-paced hillbilly tune, piano and fiddle .

Cash Box July 14, 1951

Sandy Walker & His Country Boys

Back to California with SANDY WALKER’s back-to-back sides of Sage 227 (November 1956). Two uptempos : steel, fiddle, piano solos for « Beatin’ Round The Bush » and « So Long Baby Blues ».

Jeanie Pierson

At last a woman ! JEANIE PIERSON from White Cloud, Kansas, came up in Nashville in 1953, providing her solid version of Lefty’s « Run ‘Em Off » (co-written by Onie Wheeler)(Decca 28967).

Cash Box Dec. 28, 1953

Big Bill Lister

Finally a long-time Hank W. impersonator, BIG BILL LISTER, does offer « Countryfied » on Capitol 1551 (June 1951). An uptempo with fiddle, by the way Hank’s styled.

Sources : Country Hicks LP (Eddy Marvin) ; HillbillyBoogie1 YouTube chain (Jeanie Pierson), 4 Star Starday Custom serie (Bill Goodwin) ; Praguefrank (T. Texas Tyler data) ; my own archives from anywhere, piled up through the years..

Early March 2020 bopping fortnight’s favorites

Howdy folks ! This fortnight is the penultimate of Winter and includes real goodies and rarities.

Arvis McRae – The Texas Keys

First artist in question hailed from the East of Texas, and recorded for the Texarcana label Ranger. ARVIS Mc RAE released at an unknown date (altough stylistic evidence and the absence of drums do lean towards mi-’50s) one brillant « Me And My Love » (Ranger 823). A fine bopper, solid vocal, a demented fiddle and a short but good rockabilly guitar, all these combine for a fabulous tune. By contrast, McRae’s version of Hank Williams’ « Long Gone Lonesome Blues » (Ranger 2074) sounds average, only one clip (1’54) being preserved.

Bobby Lord

Bobby Lord took the song note-for-note, and copied even growls and hollers from Jackson (who fooled Blues afficinados thinking he was a Black artist). Jackson’s original was a fast number, sounded very rural, gravely voice and acoustc guitars. So Lord recognized his debt : if copying is the best tribute one can pay, so Lord offered the best one coud ask for : « No More – No More – No More!» (Columbia 21339 issued December 1954).

BOBBY LORD was a newcomer when he was signed by Columbia late 1954. He came from the Tampa, Flo . area, and brought a song he had learnt from another Floridian, Andy Boyett ; Originally the song was titled « Colored Boy Blues », then changed to « Go Way From My Door » when recorded by Boyett on Mercury 8127 in 1949 as Monroe ‘Moe’ Jackson.

Lawson Rudd

Out of Kingstone, Indiana comes the next artist, LAWSON RUDD. His only delivery on disc was « Shake This Town » . Lazy vocal, unobstrusive chorus. A good mid-paced bopper on Harvest 709 from 1960, valued $ 100-150. His second issue, « Old Love Letters » has only a soundfile. A slow opus, weeping vocal and great fiddle. Label scan untraced.

Paul Howard & his Arkansas Cotton Pickers

« Texas Boogie » by PAUL HOWARD & his Arkansas Cotton Pickers is indeed a great piano pounding tune with a Western feel to it, and a long fiddle solo, to be found on King 779 (April 1949). Vocal part was done by Red Perkins (see in this site his story).
This track has apparently nothing to do with the song of Gene O’Quin (Capitol 1708, from 1951): different composers.

Clay Allen & the Cimarron Boys

CLAY ALLEN & the Cimarron Boys cut on Decca first (# 46324 in 1951): an uptempo shuffle, a discreet fiddle and a bit steel backing Allen well to the fore in « Evalina ». Eight years later as part of the duet « The Country Dudes », he appeared on the Azalea (# 112)
label out of Houston for « Have A Ball » . A solid country rocker, with staccato guitar and implacable loud drums.

Sally Lee

SALLY LEE next does deliver on Royaty 304 a fine bopper, the rollicking « Table Hoppin’ Blues » : very solid piano, an assured vocal – a reat discovery for you !

We come to an end with « (Looks Like) Our Hearts Are Out Of Tune » on R 515 from 1961 by LARRY GOOD ; A pretty melody for a good number. A welcome steel all throughout the song.

Larry Good

Sources: Gripsweat for Arvis McRae’s clip; Ultra Rare Rockabillies for Lawson Rudd; King Project for Paul Howard; YouTube for Clay Allen; Bopping’ Hillbilly 10 fr Sally Lee; my own archives for Larry Good among others.

Late February 2020 bopping fortnight’s favorites

Howdy folks, this is the fourth portion of Country boogie or rockers for this 2020 year, and will contain no less than ten songs. I hope you will find something of interest here.

Lawson Rudd

A famous blogger and writer, Some Local Loser, posted in YouTube both sides of Starday 711. Originally released April 1958, this was the record debut for LAWON RUDD (born Salyersville, Ky in 1929 – deceased December 2011) backed by the Tippecanoe Valley Boys for two great sides. A-side was named « Country Town Girl », a superior uptempo mid-paced, great hillbilly vocal and rhythm guitar, fine steel all through the song (a short solo). B-side, « Blues On The Run » has a rhumba-beat (maraccas) and reminds one of Louisiana Lannis in « Much To Much » issued the year before (Starday 268){see Louisiana Lannis’ story elsewhere in this blog}.

But LAWSON RUDD’s best known side is to be found two years later (1960) on Kingsford Heights, Indiana based Harvest label (# 709) : « Shake This Town » has a lazy vocal, unobstrusive chorus and good backing for a late period Rockabilly : fine guitar and a trembling steel solo. The guitar player sounds as in Bill Bowen’s « Don’t Shoot Me Baby » (Meteor 5033) cut in April 1956, four years before ! Incidentally the flipside « No One Will Ever Know » couldn’t be traced, a pity..This disc is valued $ 100 to 150.

Paul Howard & Arkansas Cotton Pickers

The veteran PAUL HOWARD and his Arkansas Cotton Pickers do come next with « Texas Boogie » released in April 1949 on the King label 779. Actually a showcase, instrumental for the most part (steel, fiddle, guitar and of course a great piano) only adorrned by the vocal of RED PERKINS {see elsewhere in this blog his story}.

Red Perkins

Carolina Cotton

Then CAROLINA COTTON for a lazy vocal tune from May 1950 on M-G-M 10798B, « Lovin’ Ducky Daddy » has a ‘sugar’ voice, even some yodel and a good piano, but sparse backing (bass and drums).

Clay Allen & His Cimarron Playboys

More in 1950, on another major label (Decca 46324) the recording debut of CLAY ALLEN and his Cimarron Boys with « Evalina ». A good, although forgettable, uptempo ballad, the steel and the piano getting the better part behind the vocal.

The Country Dudes

Billboard, Sept. 28, 1959

Chuck Harding & His Colorado Cowhands

CHUCK HARDING was born in 1914 (Marion Cty, Ky.), the son of a minister who taught him the fiddle. With his Colorado Cowhands he released in March 1948 a fabulous « Talking The Blues » : really great bass, awesome vocal, mandolin, steel solo, great fiddle too. It was first released on Texas Blue Bonnet 135A, before being switched to a greater exposure on California’s Modern 581 in May of the same year. Personnel is wholly given on the back of Boppin’ Hillbilly # 19, issued a mere twenty years ago.

Harding was to have in March 1954 on the Des Moines, Ill. (a Northern suburb to Chicago) Replica label # 101 the fine double-sided « Stop Crying On My Shoulder » and « I’m Living In A Lonely World » : accordion well present to the fore (it has its solo), sparse backing and no fiddle but steel solo.

As a matter of comparison I add the original version of « Talking The Blues » (written by Harding and Pyle) by PETE PYLE on Bullet 602 released June 1946. Good guitar, fiddle solo, and a trembling steel over an extrovert vocal – a good disc, but not to the standard of Chuck Harding’s version.

Billboard May 27, 1954

And that’s it for this fortnight ! Pheewww, as usual, a lot of work (research and making-up) and a lot of fun too (listening to dozens songs before choosing the selection I prefer).

Sources: YouTube (Some Local Loser); 45cat and 78rpm worlds; Ohio River; HBR serie; my own archives