Early September 2016 bopping fortnight’s favorites

Back from Summer holidays, we begin with the incomparable MERLE TRAVIS with a little known opus cut on December 4, merle travis1952, « Louisiana boogie » (flipside « Bayou baby »), which permits the pianist Billy Liebert (long-time musician at Capitol sessions) to shine with a boogie 12-bar pattern. This side can be found on Capitol # 2902. Two fiddles are also heard, these of        « Buddy Roy » Roy and Margie Warren, while Travis is in good form both on guitar and vocals.

Louisiana boogie

download   capitol 2902 travis - louisiana boogie

 

 

lou graham pic

 

 

 

 

 

 

 

 

 

LOU GRAHAM was one of the earlier rockabilly-style artists to show up on record, courtesy of Ivin Ballen’s Philadelphia-based Gotham Records. Born in rural North Carolina, and one of 10 children, his full name may have been Lou Graham Lyerly. He showed an early interest in country music, and following a hitch in the United States Navy, he entered radio as a singer and disc jockey. Vocally, he was similar to his somewhat older contemporary Hank Williams. Graham spent 18 months at WPWA in Chester, PA, he made the acquaintance of Bill Haley, leader of a locally-based country band called the Saddlemen, who helped Graham get a recording contract with Gotham. Graham cut “Two Timin’ Blues” and “Long Gone Daddy” at a 1951 session with an unknown backing band, but early the next

Please make up your fickle mind

download

My heart tells me

downloadgotham 433a lou graham- please make up your fickle mindgotham 433b lou graham- my heart tells me

year, he was backed by Bill Haley‘s Saddlemen on a quartet of sides, “I’m Lonesome,” “Sweet Bunch of Roses“, “Please make up your fickle mind” and “My Heart Tell Me.” all issued on Gotham 429 and 433. Graham kept busy working as a deejay at WTNJ in Trenton, NJ, and on television as an announcer, on WDEL in Wilmington, DE. By the late 1950’s, he was also working regularly in nightclubs, parks, and western jamborees playing country and hillbilly music, playing on the same bills with Webb Pierce, Hank Thompson, and Ernest Tubb. In 1957, he made his most lasting contribution to recordings with his single “Wee Willie Brown” for the Coral Records label.

Salty Holmes and Jean Chapel

court. Imperial Anglares

 

SALTY (HOLMES) & MATTIE (O’Nell) had a long, long career, either as single artists, either in duet, like with this « Long time gone » (M-G-M # 11572, recorded July 7th, 1953). In fact, Salty only wails his harmonica, while Mattie has the vocal duty on this marvelous fast Hillbilly bopper (good picking guitar a la Merle Travis and a steel reminiscent of Hank Williams’ Don Helms). Of course Mattie O’Nell was also known (RCA, Sun) as JEAN CHAPEL.

 

 

 

Long time gone

download

mgm 11572 dj salty & mattie - long time gone(11-7-53)

 

 

We jump in 1963 on the K-Ark label # 296 (Cincinnati, OH) with HARVEY HURT and his « Stayed away too long ». An aggressive vocal on the front of a chorus (handclaps during the solo), and a nice guitar+steel solos, make this a very agreeable record, even not listed in 45rpmrecords.com.

From Avery, Texas, Chucklin’ CHUCK SLOAN offers his « Too old to Rock’n’roll » (Cowtown # 806) cut in 1961 . A fast Rockabilly/Country-rock novelty issue : very, very fine guitar, indeed influenced by blues guitarists. The song appeared long ago on a Swedish Reb bootleg.

k-ark 296 harvey hurt - stayed away too long (63)

Stayed away too long

download

Too old to Rock’n’roll

download  cowtown 806 ch. Chuck sloan - too old to R&R(61Avery Tx)

More from Fort Worth, Texas in 1958 on Majestic (# 7581). J. B. BRINKLEY (aka Jay Brinkley) gives a splendid bluesy  « Buttermilk blues »: really biting and agile guitar, backed by a solid piano, over a powerful voiced singer.

Buttermilk blues

download

 majestic 7581 J.B. Brinkley - buttermilk blues(FtWrth58)

Brinkley also had previously issues on Dot (# 15371 « Crazy crazy heart/Forces of evil » – both pop rockers) in March 1955, and Algonquin 712/3 (a New York label) (« Go slow baby », a fine bluesy rocker, with a thrilling guitar) in 1957, plus some instrumentals. first on Kliff 100 (1958) , the good « Guitar smoke » which reminds one of Bill Justis‘ monster « Raunchy » ; then on Roulette 4117 (« The creep/Rock and roll rhumba »).

Go slow baby

download

Guitar smoke

download

alconquin 712 go slow babyklliff 100 jay brinkley guitar smoke


Brinkley had actually begun his career as singer/guitarist fronting the Crystal Springs Ramblers in 1937 for « Tell me pretty mama », Vocalion 03707) with Link Davis on fiddle/sax, and a full Western swing combo. More with the Light Crust Doughboys in 1941, or backing (electric guitar) Patsy Montana for her 1941 Decca sessions. He even cut at a Al Dexter session in 1941. Seems he was in great demand..He was part of recordings in the Dallas/Fort Worth area by the number of litterally hundreds during the ’50s and ’60s. Just an example : Andy Starr on his Kapp sides (« Do it right know ») from 1957. The perfect replica to Houston’s Hal Harris !
vocalion 03707 crystal spring ramblers - tell me pretty mama

Tell me pretty mama

download(addition on Jan. 19th, 207. Thanks to Pierre Monnery)

DAYTON HARP cut records as soon as 1952: his « Foot loose and fancy free » (Gilt-Edge 5038) is a good dayton harp bopper with excellent mandolin over a really ‘hillbilly’ vocal. He hailed from Florida, and he recorded there a duet (with Dot Anderson who gives Harp the replica) in 1958 for the Star label (# 695) « Man crazy woman » : a nimble guitar and a too short steel solo. A really good record. The flipside sees Harp alone : « You’re One in a million » is a fine uptempo ballad with the same instrumentation (really good guitar!). Both these tracks were issued as Starday customs.

Foot loose and fancy free

download

Man crazy woman

download

You’re one in a million

download

 

 

gilt-edge 5038 dayton harp- foot loose and fancy free(51)

 

star 695a dayton harp (dot anderson) man crazy woman(58,Fla)star 695-B dayton harp - you're one in a million (58)

 

Sources : the Capitol label discogaphy (Michel Ruppli a.o.) ; 45rpmrecords.com ; YouTube ; Terence Gordon’s Rockin’ Country Style ; 45-cat ; rocky52.net ; Tony Russell’s « Country music » (1921-1945) ; Bruce Elder’s Lou Graham biography on Allmusic.com.

Early May 2016 bopping fortnight’s favorites

Howdy friends from all around the world ! This new batch will return to a more conventional time for Hillbilly bop, the years 1950-1960. Lack of time and inspiration I’m afraid. So commentaries will be short ! First we can listen to JOHNNY GITTAR, a.k.a. Johnny Henderson (I posted two tracks under this name recently, fortnight early April) in the famous « San Antonio boogie » (High Time 173). A call-and-response format, the steel guitar well to the fore, a touch of piano : it’s a shuffler, the sort of hard-rock tunes we can hear on the Houston Freedom label (I recently told the story of this important altho’ short-lived label).  “San Antonio boogiedownloadNine o’clockdownload

Is there no love for me, Lovedownload

high time 173 johnny gittar - san antonio boogie

Two medium-paced numbers, back-to-back of the Bennie Hess Spade # 1929 label, and they both are close to Rockabilly,    «Nine o’clock » and « Is there no love for me, Love » are light, cool sung. A minimum instrumentation and a gliding guitar. They appear to have been issued in Autumn 1956 by JOHNNY McADAMS.

spade 1927B johnny mcadams - nine o'clock

Next LITTLE MIKE MORTON offers a jumping spade 1929 johnny mcadams - is there no love for me loveHillbilly bop        « Midnight hoe-down » on Esta H-9592 from 1955. The location of Esta is Hamilton, OH. And the youthfullness of the voice immediately reminds that of Little Doug [Sahm] on Sarg, or on Westport that of Cowboy Bobby.

Midnight hoe-downdownload

esta h80-9592 little mike morton - midnight hoe-down

Why did you go awaydownload

seven star 5511B art rodgers - why did you go away

From 1957 on the Cincinnati, OH Seven Star label (# 2511B) let’s listen to « Why did you go away » by ART RODGERS (without any doubt no connection with Jimmie or Jesse). Nevertheless Rodgers has a hillbilly pronunciation, and a strong rhythm guitar, backed by the K.C. Ramblers.

CUZIN ROSCOE next on the Avery, TX Cowtown label (# 803A) delivers the fast « Sing me a song », accompanied by a sawing fiddle (1960, according to the YouTube uploader).

A baritone vocal, strongly a la Johnny Cash, that of RAY PRIDIE for « Lonesome broken hearted me » on the C.A.R.  label # 102A, from Bellingram, Washington. Steel guitar plus echo.

cowtown 803A cuzin roscoe - sing me a songc.a.r. 102A ray pridie - lonesome broken hearted mecooper H802059 gene stacks - I know (my babt loves me)Sing me a songdownload

Lonesome broken hearted medownload

 

 

I know (my baby loves me)download

A fast Rockabilly by GENE STACKS on the Cooper label (Pine Bluff, AR) # 2059, from 1957. « I know (My baby loves me ) » is fast and has an intriguing guitar, very reminiscent of Scotty Moore.

Finally RAY WILSON on the Hidus label # 2006 (Springfield, TN) does the fast « Heart stealer » – fiddle to the fore, a short piano solo. Hidus also had Jimmy Simpson (« Honky tonk spree »). 

Heart stealerdownload
hidus 2006 ray wilson - heart stealer

Starday custom 626-650 (April-July 1957), part 6 of this serie

STARDAY RECORDS 626                                BILLIE and GORDON HAMRICK with the Low County Gospel Band April 1957

45-626-A – Gonna See My Lord Someday626A (Starday) billie & gordon hamrick gonna see my lord someday

(Nell Palmer)   (Starrite BMI)

45-626-B – Jesus Is The Name

(Nell Palmer)   (Starrite BMI)

Another slice of Gospel heaven from the talented Billie & Gordon Hamrick.

A side is a torrid Blue Grass / Gospel number with nice harmonies. Very nice banjo solos, accompanied by a fiddle player. B side is slower with a Dobro more to the fore. Perhaps this is my favourite 45 by the artists so far. Almost makes me want to go to church! (except, in England, we’d have no music like this being performed.)

STARDAY RECORDS 627                                BOB and CINDY DEAN627-A (starday) Bob & cindy dean I'm knocking at the door

May 1957

45-627-A – I’m Knocking On The Door (To Your Heart)

(Garland Cline)   (Starrite BMI)

45-627-B – One Life To Live

(Garland Cline)   (Starrite BMI)

I never managed to get the Cattle LP (#87) entitled “The Sweethearts Of The Air Sing Hillbilly Music”, so if there’s any sleeve notes, I’ve obviously missed them. The duo appeared on the fliside of a KAY EP, with the other side being two great mumbling rockers from Link Wray.

A side of this disc is a fast hillbilly number with threads of bluegrass influence (probably because of the banjo solo). Nice harmonies from Bob and Cindy. B side is much slower and again has nice harmonies from the duo.

They’ll appear later in this series (Starday 688) (MC)

Bob and Cindy Dean were a popular Country and Western team who were based in Elkton, VA and made some stunning records throughout their musical career. Bob was born on the 26th October 1919 in Elkton (Cindy Morris was born December 24th 1924).

Bob’s musical career started in 1956/7 after he found a lead guitar picker, Leon Baxter, with whom he formed a band. Their first job was just a plain beer joint in NW Washington, DC, where they picked their music three nights a week. Through their popular live performances, Bob got a recording deal with DC Records. He remembered that in Virginia there was a good fiddle player, so he got in touch with him and talked over their would-be music venture. His name was Hank Dean and he also sang tenor. (Hank was no relation to Bob). Bob hired Hank and along with Leon, the three of them recorded “Maple On The Hill” and “I’m Sheddin’ Tears Over You” on DC 8049. The sessions took place at the Paragon Studios in Washington, DC.

DC Records were interested in releasing two more sides, as 8049 was selling well locally, thanks in part to Connie B Gay’s radio program “Town And Country Time”, and Bob’s personal appearances. Their next recordings were “Back To Old Smoky Mountain” and “I’ll take Her From The Valley” (DC 4101). By this time, Bob was opening up for acts at the Constitution Hall for Connie, being followed by the likes of T. Texas Tyler and the Sons Of The Pioneers.

627-B (Starday) bob & cindy dean One life to live

In 1948, after the death of his father, Bob (and Cindy, who was his wife – the sleeve notes don’t mention how they met) moved to McGaheysville, VA to be with his mother. Bob worked for a while at a chemical plant, but once he was laid off, he decided to get into the music business full time. By now, Cindy was singing along side him. They formed a new band featuring his old school friend Eddie Michael on fiddle and Cindy learned how to play the stand-up bass. Carroll Ray was on electric guitar.

By 1955, Bob and Cindy Dean were winning first prize on a Connie B Gay show with a song entitled “Walk, Walk, Walking Blues”. This track, along with “When You Cross Your Heart” were eventually issued on Ben Aldeman’s KAY label from Washington, DC, with the flip side of the EP being taken up by two manic vocal recordings from Link Wray (“I Sez Baby” / “Johnny Bon Bonny”). According to the sleeve notes, these tracks were recorded in 1955.

How Bob and Cindy found themselves on Starday is a bit of a mystery as it’s not really explained in the sleeve notes. According to the session details listed on the LP, these were recorded in 1958 and their next Starday release (#688) was recorded in December 57. It mentions that a Frank Merica was on banjo at the session and Carroll Ray was still on guitar.

WILLIE NELSON RECORDS 628 WILLIE NELSON628-A 'Willie nelson) willie nelson no place for me628-B (willie nelson) willie nelson lumberjack

Vancouver, WA May 1957

45-628-A – No Place For Me

(Willie Nelson)   (Starrite BMI)

45-628-B – Lumberjack

(Leon Payne)   (Hill and Range BMI)

Willie Nelson was born 30th April 1933 and is by far, one of the most well known artists to cut a disc for the Starday Custom series. After studying music at home, he joined the Bohemian Fiddlers as their singer and guitar player. After graduating from high School in 1950, he joined the Air Force where he was eventually discharged for having back problems. After stints as a musician (he played bass for Ray Price) and as a DJ, he signed a contract with Pamper Music as a songwriter. He wrote some of the best known country classics, such as “Funny How Times Slips Away“, “Hello Walls“, and “Crazy“.

But back to this little gem. Both sides are dominated by an acoustic guitar (presumably by the man himself) and the vocals have a fair slab of echo added to it, giving it a slight haunting feel. There is a steel guitar nestled in the background – well, almost in the next room to be honest. The flip is okay; a nicely sung cover of a Leon Payne song. But it’s the A side that really sticks out.

FAITH RECORDS 629 THE RELATIVE QUARTET

Conover, NC May 1957629-A (faith) the relative quartet A home for my soul

45-629-A – A Home For My Soul

(J Q Deal Jr. / Rheda L Strickland)   (Starrite BMI)

45-629-B – Heavenly City

(Rheda L Strickland)   (Starrite BMI)

Lovely far-back-in-the-hills Gospel from what sounds like a white quartet. I can only hear an accoustic guitar being played, no other instruments and no solos. No personnel details, except perhaps the names listed as song writers.

The FAITH label turns up a fair bit later in the series with various addresses. I’ve wondered if FAITH was the gospel version of the DIXIE label. Can’t be sure.

DALE RECORDS 630                                                    DARNELL MILLER

Bluefield, VA May 1957630-A (Dale) darnell miller waiting game for love630-B (dale) darnellmiller gettin' out of the woods

45-630-A – Waiting Game For Love

(D Miller) (Starrite BMI)

45-630-B – Gettin’ Out Of The Woods

(Cecil Surrat)    (Starrite BMI)

I’m assuming this is the same Darnell Miller who recorded for Starday Records (# 349, « She’s gone/Cardboard Sweetheart », 1958 and “Royal Flush“, # 422, 1960), as they sure sound similar. A side is a slow weeping hillbilly song; probably not one for the memory banks, but Darnell sings with feeling. Flipside is a medium tempo ditty with fine vocals from Darnell, ably backed by some fine fiddle playing.

STARDAY RECORDS 631                                              KEN CLARK and his Merry Mountain Boys

May 1957

631-A(starday) ken clark ho! ho! love 'em Joe631-B (Starday) ken clark quit fool45-631-A – Ho! Ho! Love ‘Em Joe (Clark)   (Starrite BMI)

45-631-B – Quit Fool (Mama’s Lookin’) (Clark)   (Starrite BMI)

Okay, so I know darn all about Clark, except he recorded for Starday main series (« Buckskin Coat/Pretty Love », # 442, 1959), and for the Nashville label (assoc. with Starday) : « Truck Driving Joe » (# 5009).

A side is a nice uptempo number with fiddles, steel guitar, dobro and lead guitar and some lovely Starday sounding echo. Some call it country, some call it Rock-A-Billy. Whatever the musical tag, it’s a lovely record. B side is more country/hillbilly and there’s a little less echo. Another uptempo side and very nice it is too. Cowboy Copas recorded at least one song of Clark’s.

KENTUCKY records 632                                               MAC O’DELL

Garrard, KY                                                        May 1957

45-632-A – It Was Springtime (When I Met You) (Walter Brock) (Starrite, BMI)

45-632-B – When I Was Young (Dewey Brock) (Starrite, BMI)

Untraced. O’Dell recorded prolifically, e.g. on King (« Penicillin »), Intro (« Diesel Smoke ») and Exclusive.

GULF Records 633                                                        TRICE GARNER

Route 4, Tupelo, MS                                            May 1957633-b (gulf) trice garner lover's hill

45-633–A – Tombigbee (Garner) (Starrite, BMI)

45-633-B – Lover’s Hill (Garner) (Starrite, BMI)

Artist already unknown. The A side has yet to be heard. B side is a very fast Bopper, some could say Rock’n’Roll, but it has no drums, only two very effective guitars (no solo). Vocal is very impressive, fine Southern accent, words almost impossible to understand for me, French speaking !

ROBIN Records 634                                                       ZEKE WILSON & the Prairie Playboys

Macon, GA                                                         May 1957

634-A – My Heart Needs A Vacation (F J Beskidniak)(Starrite, BMI)

634-B – I’ve Just Said Goodbye (F J Beskidniak)

Vocal on A side is by Zeke Wilson and Lenn Dries ; on B side, Zeke Wilson solo.

Untraced record.

NIGHTHAWK Records 635 JIMMY STEWART & The Nighthawks

Argo, IL                                                            May 1957

635-A (night hawk) jimmy stewart dream world45-635-A – Dream World (J Stewart) (Starrite, BMI)635B (night Hawk) jimmy stewart nuthin' but a nuthin'

45-635-B – Nuthin’ But A Nuthin’ (J Stewart) (Starrite, BMI)

A side has yet to be heard, while the B side is one of the greatest Rock-a-billies ever comitted to wax. Cool vocal, some growling, a very nice lead guitar and sparse backing of acoustic and bass. Stewart also had another slab of Rock’n’Roll with « Rock On The Moon » in 1959 on the Eko label.

OLD DOMINION RECORDS 636                               SLIM and ORNA BALL

June 1957

45-636-A – Mother’s Prayers (Were Not In Vain) (No info)

45-636-B – When I Get Home (I’m Gonna Be Satisfied) (No info)

STARDAY RECORDS 637                                         MEL PRICE & his Santa Fe Rangers

June 1957

45-637-A – I Miss You So637A (starday) mel price I miss you so637b (starday) mel price midnight whistle blues

(John Suite / Mel Price)   (Starrite BMI)

45-637-B – Midnight Whistle Blues

(Mel Price)   (Starrite BMI)

Mel (or Melvin) Price had only fine records on Blue Hen (“Nothing Seems To Go Right Anymore” and “I Ain’t Got Time“), regular Starday (#186 and 226, respectively “The Pace That Kills” and “Gonna See My Baby“), Dixie (“Until” and “Little Dog Blues“) and Regal (“For You My Love“). His story is intended for a future issue. The record although here is unheard.

DEL-MAR RECORDS 638                               DELMAR WILLIAMS SINGERS

Dayton, OH                                                          June 1957

638-A – Lonely Tomorrow

(D Williams)   (Starrite BMI)

638-B – I’m Not Angry Now

(D Williams)   (Starrite BMI)

RALPH JOHNSON RECORDS 639                                   RALPH JOHNSON & the Hillbilly Show Boys

Box 4, Minden, WV                                                June 1957

45-639-A – Reality639-b (ralph johnson) ralph johnson henpecked daddyralph johnson

(M Pack) (Starrite BMI)

45-639-B – Henpecked Daddy

(M Pack) (Starrite BMI)

Ralph Johnson was born in the Clinch Mountains of south West Virginia.  He began developing his musical career at the age of six, after receiving his first guitar.  At the age of fifteen, his singing and musical talent had developed enough to enable him to put together his own band.  Ralph and his band auditioned for a radio show in Richlands, VA. They landed the job on WRIC radio.  During this time, his band played schools, halls and theatres in the area.  They later auditioned for a spot on a new TV station in Bluefield, WV.  Some time later, they had earned the privilege of performing two shows on WOAY in Twin Oak Hill, WV.  It was here that he recorded his first record, “Henpecked Daddy“.  After appearing on different radio and TV stations throughout the country, he moved his operation to Baltimore. MD.  While in Baltimore, he launched Wedge Records, Dome Records and Fleet Records.  Along with all of his record labels, he opened his own publishing company, Big Wedge Music.  He released all types of music from the Washington and Baltimore areas.  He later moved his operation to Vineland, NJ where he became the co-owner of WDVL Radio.  As a DJ, he played country music five hours a day, every day.  He went on to develop and book country music acts from Nashville, TN into Palentein Park every Sunday.  In 1976, he decided to move to Nashville, TN, where he proceeded to record and promote records on his Wedge Entertainment record label.  He used songs from his own publishing company, Big Wedge Music.

MISSOURI RECORDS 640                                        ERNIE NOWLIN and Blue Shadow Boys

5508 Wells Ave, St Louis, MO                           June 1957

E Nowlin45-640-A – Tally Ho640A (missouri) ernie nowlin tally ho

(Nowlin) (Starrite BMI)

45-640-B – Tell Me Why

(Nowlin) (Starrite BMI)

A fine Hillbilly bop, in the average category. Duet vocal at times, a borderline rockabilly with fine inventive guitar on a solid beat (snare drum). Flip unheard.

BLUE GRASS RECORDS 641                                         BOB VARNEY and Stone Mt Boys

31 Pine St, Logan, WV                                         June 1957

45-641-A I Hear You Calling

(No info) (No info)

45-641-B Stoney Mt. Boogie641b (blue grass) bob varney stoney mt. boogie

(B Varney)   (Starrite)

B-side : good boogie guitar instro, fine southern vocalizing from Varney. Whole thing is propelled by a strong rhythm guitar.

STARDAY RECORDS 642                                              BUDDY SHAW

June 1957

45-642-A – Don’t Sweep That Dirt On Me642a (starday) buddy shaw don't sweep that dirt on me

(Ruth Snider / Buddy Shaw) (Starrite BMI)

45-642-B – Second Place

(Ruth Snider / Buddy Shaw) (Starrite BMI)

Fast Hillbilly bop, again bordering on Rockabilly. Welcome tinkling piano (fine solo), urgent lead guitar (two solos). A classic ! Shaw had “No More“, a fine CountryBilly on Starday 618 (see elsewhere in the site for this number)

LINCOLN RECORDS 643                                            CARL TRANTHAM and the Rythm All Stars (sic)

Peoria, IL                                                        June 1957

45-643-A – Where There’s A Will (There’s A Way)643A (lincoln) carl trantham where there's a will

(Trantham)   (Starrite BMI)

45-643-B – After I Go Away

(Trantham)   (Starrite BMI)

A side : Hillbilly bop/rockabilly. This is where Hillbilly boys were doing Rock’n’Roll, nice guitar licks a la Scotty Moore, cool vocal (some hiccups), fine bass, and an almost unheard drum kit. Another classic ! For the B side, the boys return to a more Hillbilly approach, this time with a good steel. Vocal changes too, in a more rural way of phrasing. Again that fine lead guitar. Trantham also had “Deedle Deedle Dum” on Starday 336 (1958), a very fine Country rocker.

CRESTWOOD RECORDS 644                                      MARVIN JACKSON

Box 49 Route 1, Cadet, MO                                 July 1957644A (crestwood) marvin jackson someday you'll be sorry

45-644-A – Someday You’ll Be Sorry

(Jackson) (Starrite BMI)

45-644-B – My Crying Heart

(Jackson) (Starrite BMI)

Unheard record. Jackson had “Gee Whiz, Miz Liz“, a good rocker, on Crestwood 200 (backed by Ozark Toppers). Collector records issued a full CD of Rock’n’Roll sides of his, fine although average rockers.

STARDAY RECORDS 645                                     FRANK EVANS and his Top Notchers

(Artist based in Tampa, FL)                           July 1957

45-645-A – Pull The Shades Down Ma645A (starday) frank evans put the shades down ma

(Jimmy Dunklin)   (Starrite BMI)

45-645-B – Would You Believe Me

(Owen Wilson)   (Starrite BMI)

« Pull The Shades Down Ma » is Fifties country music of the sheerest excellence. « Now this city’s dwellin’ just ain’t cut out for me… » sings Frank in his most exuberant vocal on record and the band lays down an infectious rhythm that complements the lyrics perfectly. The song is reminiscent of the cool stuff Little Jimmy Dickens was cutting at the time: fun, full-blooded country that was uncompromisingly rural sounding.

COWTOWN RECORDS 646                                           GENE RAY

Fort Worth, TX                                                    July 1957

45-646-A – I Didn’t Mean (To Fall In Love)

(No info)

646B (cowtown) gene ray I lost my head45-646-B – I Lost My Head

(Miller)

B side is a fine shuffling Hillbilly with stop-starts, steel, guitar (uninspired solo) and fiddle. Singer is in fine voice however. Ray had an EP on Cowtown 677 (moreover in the serie) with « Rock’n’Roll Fever ».

UNKNOWN RECORD LABEL 647 (UNKNOWN ARTIST)

July 1957

UNKNOWN RECORD LABEL 648 (UNKNOWN ARTIST)

July 19 57

KHOURY’S RECORDS 649                                     NATHAN ABSHIRE and his Pine Grove Boys

Lake Charles, LA                                           July 1957

45-649-A – Boora Rhumba

(None)   (None)

45-649-B – Carolina Blues649A (khoury's) nathan abshire boora rhumba649B (khoury's) nathan abshire carolina blues

(None)   (None)

Unheard record.

STARDAY RECORDS 650                                       CLARENCE BAKER

July 1957

650-? – Hear My Plea

(No info)   (No info)

650-? – Soon I’ll Hear My Saviour Calling

(No info)   (No info)

Unheard record.

As usual for these series, many details do come from Malcolm Chapman’s site devoted to Starday Customs. This time, label pictures were easier to find than music: actually this serie does not contain, but exceptions, rockabilly classics, so many records escaped to reissue programs. Note a good percentage of sacred recordings.

Starday custom series: # 601-625 (December 1956 to March 1957) – Gospel-, Hill-, Rocka-…. -billies

CIMMARON RECORDS 601 FRANK BOWEN and Dave Warren and the Ark. Valley Wranglers

Lamarr, CO                             December 1956

45-601-A – A Broken Heart45-601-B (Cimarron) Frank Bowen rock & roll blues45-601-A (Cimarron) Frank Bowen A broken heart

(Bowen/Warren)   (Starrite BMI)

45-601-B – Rock And Roll Blues

(Bowen/Warren)   (Starrite BMI)

The story starts with Gene Clay, founder of the Ark. Valley Wranglers, which was the most popular country band in Lamar, CO. Between 1949 and 1955, they were playing over KLMR (Lamar, CO) and performing at many local watering holes,(Spot 50 Tavern in La Junta and the Eagles Club in Lamar to name just two),  high school dances, American Legion halls etc. But in 1955 two members of the band joined the US Army and one moved to Pueblo to attend college, so the band took a break.

Meanwhile, another local band, The Rhythm Ranch Boys were performing locally and gravitating towards the Rock & Roll end of the music market. Wanting to make a record but not knowing where to start, Frank and Dave approached Gene for advice. As he had some influence at KLMR, he arranged a recording session there, but on the condition he was allowed to use his own band’s name on the record. So the Rhythm Ranch Boys became part of the Ark. Valley Wranglers.

Recorded in the fall of 1956, they recorded two of Frank and Dave’s compositions and despatched the tracks to Starday Records for pressing on their Cimmaron label (after nabbing the publishing on both sides). Boxes of records came back with postcards to be sent to radio stations that they sent to DJ’s with the hope of some airplay.

The A side is a pleasant enough country/hillbilly weeper with lovely harmony vocals on the chorus.  The B side is a nice relaxed rocker in the style of “Heartbreak Hotel“, but with a more “countryish” musical leanings and again features some nice harmonies. The band, compared to other Starday Customs, sounds very tight and professional.

After spending another year with the Wranglers, Frank moved to Denver and started another band, called the “String-A-Longs”. Later, moving to North Carolina, he worked in the insurance industry before retiring. Dave worked for the Denver police before setting in retirement in Missouri.

Huge thanks to Lisa Wheeler who kindly allowed me to plunder her excellent blogspot for the info above. For the full story of Gene Clay and the Ark. Valley Wranglers (plus two short sound clips of  the record above), visit the link below.

Pueblo City Limits

STARDAY RECORDS 602 FRANK EVANS and his Top Notchersfrank evans

December 1956

(J Dunklin / J Rowell)   (Starrite BMI)

45-602-B – If You Knew

(Bonnie Burke)   (Starrite BMI)

Recorded at WHBO with Arnold Newman (Ld Gtr), Roland Newman (fiddle), Colin Thomas (Steel Gtr), Walter Studenberg (bass) and Frank on Vocals and rhythm guitar. Although neither side stands out, they are pleasant enough to listen to more than once, but sound musically inferior to their other offerings. As the Billboard advert below shows, they were performing over WHBO 5 days a week and performing live frequently.

TREND RECORDS 603 KEN PATRICK with Chet Tant on Steel Guitar

Grand Canyon, AZ December 1956

45-603-A – Snow Flake45-603-A (Trend) Ken Patrick Snowflake

(No info)   (Starrite BMI)

45-603-B – Do You Love Me

(No info)   (Starrite BMI)

No info. Never actually seen or heard this record. Oct. 16th, 2012. Thanks HillbilyBoogie1, who posted the record on YouTube. I’ve heard it: a very fine fast number; the steel guitar is astonishing! The artist has another entry on Maken 9962, “Night Train“, a strong ditty from the late ’50s (see podcasts below)

MOVIECRAFT RECORDS 604 ROD BURTON

930 West 7th Place, Los Angeles, CA December 1956

45-604-A – Wedding Bells Are Ringing For The Bride

(No info)   (No info)

45-604-B – My New Sensation

(No info)   (No info)

Another musical bank. Missed a copy on a set sale list about 10 years ago and seen sight or sound of it since. The label had moved by 1957 and was located at 6766 Hawthorn Ave, Los Angeles and any correspondence was care of Gerard Enterprises.

Confusingly, I have also seen listed another disc (Drake Morgan – My Heart Believes / Are You The One – Movie Craft 605) which may or may not be a Starday Custom, or perhaps 604 isn’t one after all. Only actually seeing a copy is going to sort this one out.

COWTOWN RECORDS 605 GENE HARRELL

PO Box 1694, Fort Worth, TX January 1957

45-605-a (cowtown) gene harrell I won't be back no more45-605-A – I Won’t Be Back No More45-605-b (cowtown) Gene Harrell Mumbles

(Mary L Miller)   (Starrite BMI)

45-605-B – Mumbles

(Daphine Orme)   (Starrite BMI)

Label owned by John W Stephenson. More of a vanity / Custom Press label than a song poem concern, he did manage to release quite a few great records in amongst the dross. The label was still going through the 70’s. As for Gene, he was performing at the time at Chaylor’s Night Club in Texarkana, TX at the time of this release. For some reason, there seems to be two pressings of this disc.

STARDAY RECORDS 606HOYT SCOGGINS and the Georgia Boys

(Artist based in Rome, GA at time of recording)

January 1957

45-606-A – What’s The Price (To Set Me Free)45-606-a (starday) hoyt scoggins what's the price45-606-b (starday) hoyt scoggins the old chain gang

(J Rackey / H Scoggins)   (Starrite BMI)

45-606-B – The Old Chain GangHoytsScogginsBand

(H Stillwell / H Scoggins)   (Starrite BMI)

More jolly hillbilly from Scoggins. Both are nicely sung, nicely played. The A side sets a terrific pace, whilst the flip is more akin to a medium tempo’d blues ditty, albeit sung in a hollerin’ country manner. Hoyt was performing over WROM (TV Channel 9) and was the band leader of the Saturday Night Jamboree (Rome, GA??). In any case, it’s not “Tennessee Rock“, but it’s a mighty fine accompaniment.

STARDAY RECORDS 607             45-607-a (starday) don owens last chanceDON OWENS and the Circle “O” RanchboysJanvier 1957

45-607-A – Last Chance

(Owens)   (Starrite BMI)

45-607-B – A Thief (In The Heart Of A Rose)

(Owens)   (Hank Snow Music)

A pleasantly sung country/hillbilly song. The A side has a bit of, perhaps, “rhumba” influence. Taken at a brisk tempo, it has nice accoustic guitar accompaniment with sawing fiddles and steel guitar sharing the solo. I can hear Hank Snow singing this. Odd to mention Snow as he’s the writer of the B side. This is a ballad sung with feeling. There’s a small bio on Don on his previous Starday Custom Release (#559, see earlier entry of « Starday custom serie », # 551-575).

STARDAY RECORDS 608 LUCKY WRAY with Link and Doug Wray

January 1957

45-608-a (starday) lucky wray teenage cutie45-608-A – Teenage Cutie45-608-b (starday) lucky wray you're my song

(H Albert / C Davis / L Wray)   (Starrite BMI)

45-608-B – You’re My Song

(B Baker / J Williams / L Wray / C Davis)   (Starrite BMI)

Killer Rock-A-Billy and classy ballad from Lucky and Link. A side is fast, mean and moody with Lucky’s understated vocals threatened by Link who threatens to steal the proceedings with a flick of his pick up switch. The ballad side is a dreamy affair with Link almost sounding like a steel guitar in parts. Sadly this was their last appearance on a Starday-Custom pressed disc . Both Link and Lucky went on to bigger and better things.

STARDAY RECORDS 609 BUDDY SHAW

January 1957

45-609-A – Just Like A Fool609-A - BB Rev 9 Mar 57Buddy Shaw pic

(Ruth Snider / B Shaw)   (Starrite BMI)

45-609-B – I Belong To You

(Ruth Snider / B Shaw)   (Starrite BMI)

Two ballads from Buddy. Both are pleasant without being exceptional. Nice snippet of overloaded each just as he starts singing on the A side. I especially like Buddy’s “hick” Vocals. Band lend fair support with steel guitar being the prominent lead instrument. The artist was possibly from Kentucky. Both sides are co written with Ruth Snider – a name seen before on writers credits but can’t place where.

TARHEEL RECORDS 610      LEVON McCALL

January 1957

45-610-A – I Lose Again

(No info)   (No Info)

45-610-B – If I Don’t Change My Mind

(No Info)   (No Info)

Nothing on the above artist or label.

UNKNOWN RECORD LABEL 611          UNKNOWN ARTIST

January 1957

“All I Do Is Cry Over You”

“One Dark Sunday Night”

This is a blank acetate, supplied by Dave Sax. It has no artist, label or song credits. In fact, it’s totally blank. The only info is in the dead wax which has the issue number and A/B designations. As there are no titles, the ones listed here are what a few of us “think” they are – we could very well be barking up the wrong tree with these.

MARYLAND RECORDS 612 THE GOSPEL TROUBADORS  Gospel Vocal by Henry NoeFebruary 1957

45-612-A – Cry Aloud And Spare Not45-612-a (maryland) gospel troubadors Cry aloud and spare not45-612-B (maryland) gospel troubadors Ananias

(Noe)   (Starrite BMI)

45-612-B – Ananias

(Noe)   (Starrite BMI)

Record unheard

STARDAY RECORDS 613ART RODGERS with the Texas Top Hands

February 1957

45-613-A – Our anniversary

(Rodgers)   (Starrite BMI)

45-613-b (starday) art rodgers Ten thousand miles45-613-a (starday) art rodgers Our anniversary45-613-B – Ten Thousand Miles

(Rodgers)   (Starrite BMI)

Another slightly blurred label shot from another unknown artist. I found an Art Rodgers on Seven Stars Label from Cincinnati, OH from 1957, and it’s possibly the same artist, but not 100% certain. The A side is a nice mid-tempo honky-tonk song. He sounds to be about 30-40 years old. Flip side is mid tempo but more in the hillbilly vein. Nice fiddles and steel guitar. B side has some nice harmonies as well.

VAN RECORDS 614 CAMPBELL TRIO with Jerry Tuttle, Hawaian Acc.

614 North Kimball, Malden, MO February 1957

45-614-A – Satan Lost A Sinner

(Jack and Billy Campbell)   (Starrite BMI)45-614-a (Van) campbell trio Satan lost a sinner

45-614-B – God Can Do Without Your Service

(Jack and Billy Campbell)   (Starrite BMI)

Nice, delicate white gospel (with a hillbilly flavour)  from the Campbell Trio. It’s the harmonies that win me over here. A side is taken at a faster clip than the B side, but it’s the B side I prefer. Jerry Tuttle, the steel guitarist appears on a Rite Pressing from 62 (King Tutt – “Twisting At The Little Big Horn” / “Shorter Hours In School” – Starline 1001 (Flint, MI), and he had at least one release on Dot Records (“Tweedle-O-Twill” / “Bop Goes The Weasel” – Dot 16093).

NO NAME LABEL 615 HOYT SULLIVAN

Phoenix Street, Greenwood, SC February 1957615-Hoyt Sullivan Advert

45-615-A – Hoyt Sullivan’s Drug Products 1 and 2

(No info)   (No info)

45-615-B – Hoyt Sullivan’s Drug Products 3 and 4

(No info)   (No info)

Cut in records with R and B hits of the day. Hoyt ran a reasonably successful beauty products company. He later owned HSE Records (amongst others) where he recorded Gospel Music. I’m figured Hoyt was (is) black, but according to Alistair Blazaar, he was white.

HUFF RECORDS 616COWBOY HUFF

18 Southwest 27th, Oklahoma City, OK February 1957

45-616-a (huff) cowboy huff No two timin' me45-616-A – No Two Timing Me45-616-b (huff) cowboy huff what's gonna happen to me

(Huff / Raines)   (Starrite BMI)

45-616-B – What’s Gonna Happen To Me

Very little is known on this artist. Informed that Cowboy Huff is Charlie Huff, a singer, songwriter and record label owner from Oklahoma;as Charlie Huff, he cut at least one good rocker on Arlo Records (which he may have owned) {She’s My baby / Hiding My Tears – Arlo 100} which also appeared on Huff Records (#100) (both labels carry the same Oklahoma City, OK address). There’s also a Cowboy Charlie Huff LP on Northstar 1001, which may be the same guy. Also Billboard magazine mentions (25th Mar 1967) that ….”Charles “Cowboy” Huff is trying to sell all of part of his publishing firm, Record Masters“.

Also found two 4-Star Releases {4-Star 1190 “Conversations With A Mule / Sad Sack“} and {4-Star 1191 “Maybe Next Week Sometime / High Hat Blues“}, plus a couple of 45’s on North Star (727 & 729), plus a couple of later Huff Records (722 & 723).

As for this record, the A side is a fast(ish) hillbilly number with fiddles taking the solo and what sounds like an accoustic guitar taking the place of a stand-up bass. B side is more of the same really. Huff’s vocals has got that Texas/West Coast drawl to his voice.

HUFF RECORDS 617 COWBOY HUFF

18 Southwest 27th, Oklahoma City, OK February 1957

45-617-A – Lover’s Waltz45-617-a (huff) cowboy huff lover's waltz

(Huff / Raines) (Starrite BMI)

45-617-B – Patonia (Pride Of The Plains)

(Arr: Huff) (Starrite BMI)

More of the same here from Huff. A side is indeed a waltz with fiddles taking the lead. Flip is faster and more like the previous two sides.

STARDAY RECORDS 618BUDDY SHAW

March 1957

45-618-a (starday) buddy shaw no more45-618-A – No More

(Ruth Snider / B Shaw)   (Starrite BMI)

45-618-B – The Breath Of Life To Me

(Ruth Snider / B Shaw)   (Starrite BMI)

Buddy’s back with another offering by him and Ruth Snider. “No More” is ALMOST rockabilly. In fact, if you cut out the steel and added a guitar, it’d be darn close to being really good. But as it is, it’s darn fine hillbilly. Flip is a ballad which, apart from the fine vocals by Buddy, is a little pedestrian for my tastes.

CRESTWOOD RECORDS 619 MARVIN JACKSON with the Battreal Boys

Cadet, MO

March 1957

45-619-A – Honey, If You Love Me

(M Jackson) (Starrite BMI)

45-619-B – World Of Make Believe

(M Jackson)   (Starrite BMI)

Here’s Marvin Jackson’s first record. Now, Marvin may not be household name around these parts, but thanks to White Label / Collector Records, there’s a whole CD of his stuff floating around out there. He cut some rough and ready rockabilly tracks (“Gee Whiz, Miss Liz” on Crestwood 200), a few instrumentals (Marvin plays lead guitar) and some nice country stuff (“Dippin’ Snuff” on Mar-Lee). Marvin got this and his follow up disc pressed by Starday – 300 hundred copies and perhaps some promotional material (which was either post cards to send to DJ’s or – in Red Moore‘s case (# 840 « Crawdad Song ») – a stamper which you could stamp “Play This – It’s Hot” on the paper sleeves.) His third disc was pressed by King who only pressed 200 copies. The artist was based out of Cadet, MO at the time of these recordings., and Crestwood was his own label.

A side is pretty much country, but Marvin’s got that voice that easily skips the fence of Country into the green fields that is rockabilly, so it’s an early example of what he’s gonna sound like later on. B side is a ballad. Quite nice steel guitar featured on both sides. I’ll have some more info on him by the time we reach his next release (#644, in the next « Starday customs serie)

CAROLINA RECORDS 620              RENE McCALL and her Candy Ranch Boys

Rt 7 – Box 474, Charlotte, NC March 1957

45-620-A – We’re Strangers Now

(C Johnson / R McCall)   (Starrite BMI)

45-620-B – The Waltz In The Rain

(Preston Miller)   (American Music Inc)

Another record I haven’t seen or heard.

JAMBOREE RECORDS 621               BILL and BOB // BILL BOLAN and the Country Melody Boys

4213 Rose Ave, Lyons, IL March 1957

45-621-A – Falling Apart At The Seams

(No info)   (Starrite BMI)

45-621-B – Country Music

(No info)   (Starrite BMI)

No info on the artists. Musically, the A side is a weepy country ballad with that sad steel guitar sound throughout. There’s a fiddle player in the background who takes a brief solo. The B side is a faster, fiddle & steel guitar led hillbilly song. Bill sounds like a real southerner when he sings, despite the label location of IL.

STARDAY RECORDS 622LUCKY HILL

March 1957

45-622-A – Fickle Baby45-622-a (starday) lucky hill fickle baby45-622-b (starday) lucky hill It's comin' home to you

(Lucky Hill)   (Starrite BMI)

45-622-B – It’s Comin’ Home To You

(Lucky Hill)   (Starrite BMI)

Billboard review on 29th April 1957.

A side is a hillbilly song, kinda like an early Lattie Moore King 45. Fiddles are the main instrument here. B side is slower and more bluesy (in a typical hillbilly sort of way). More of a Hank Williams type song, and the tune bears a passing resemblance to “You’re Gonna Change Or I’m Gonna Leave“.

As for Lucky himself, he appeared on the Jimmie Rodgers Memorial celebration in Meridian, MS, held over May 21st-22nd in 1957. He wrote in Billboard advertising this disc can be acquired from him from an address in Tiffin, OH. By July 57, having come back from an Armed forces tour of North Africa, Lucky could be found as a staff announcer over KDRO-TV, Sedalia, MO. In December 1957, Billboard also announced that his piano player (Denny Bolin) had broken his neck in a car accident near Joplin, MO.

There was a Lucky Hill who recorded for TNT. Andrew Brown confirmed that the Lucky Hill on TNT is the same artist as the Starday Artist.

JAY RECORDS 623 BOB COLE

New Orleans, LA April 1957

45-623-A – Face To Face

(B.Cole)    (Starrite BMI)

45-623-B – You Lied

(B.Cole) (Starrite BMI)

Bob had his own radio show broadcast over WARB, Covington, LA and appeared as the MC and a singer on the “Old Country Barn Dance », which was held at the Ann Theatre, Baton Rouge, LA. (He was still appearing at the Ann Theatre in 1958, but after that I have no idea.)

A side is a slowish country ditty; a little like an early Hank Williams. (To be honest, most songs of this type always remind me of Williams). Nice dreamy steel guitar and tic-tac guitar. Guitar solo is a simple run around on the melody. The B side is faster and has a nice catchy melody. Again the guitarist skips along with the melody in the solo. If anybody has this 45, label shots would be most welcome.

DIXIE RECORDS 624 TOM CROOK and the Rock And Roll Four

Rome, GA April 1957

45-624-a (dixie) tom crook my heart don't lie45-624-A – My Heart Don’t Lie45-624-b (dixie) tom crook weekend boogie

(Crook)   (Starrite BMI)

45-624-B – Weekend Boogie

(Crook)   (Starrite BMI)

A side is a slow number, sung with a hillbilly flavour. Tom has that great “hillbilly twang” to his voice. There’s some nice guitar gently supporting Tom whilst he’s crooning his love song.

Flip the disc over and you get a great relaxed Rock-A-Billy/Hillbilly/Country hybrid ditty with an accoustic guitar taking the lead with fine support from a steel guitarist. Oh, the joys of the weekend (unless, of course, you’re unemployed – in which case, to quote Morrisey,  “every day is like Sunday”).

According to Terry Gordon (Rockin’ Country Style), the artist was from Rome, GA.

COOSA RECORDS 625            ERNEST PAINTER

Shannon, GA April 1957

45-625-A – No One But You

(Painter)   (Starrite)

45-625-B – Whispering Heart

(Painter)   (Starrite)

Sadly, no info on the artist. Nor have I heard either side. Oct. 16th, 2012. Thanks HillbillyBoogie1 (YouTube), I’ve heard “No One But You“, a rather slowish honky tonker. Nice but average one.

As for the previous Starday custom series, a generous use has been made of Malcolm Chapman’s excellent blogsite “Starday customs” (just do search through google). My thanks to him, reprinted with permission. All label scans were taken from his site, except # 601 (Frank Bowen), which was provided by John Burton, thanks a lot, john.

Ken Patrick”Do you love me” (Trend 603)download