End of 2020 – last December bopping fortnight’s favorites – odds & ends

Rhythm Harmoneers

RHYTHM HARMONEERS on the Jamboree label (not Nashville, but Shreveport, La.) # 2800. Leader was Tom Bearden. « Women Drivers » is the Bill Carlisle song (Mercury). Harmony vocals and a fine guitar on this utptempo. The Harmoneers went also in 1953 on the Flair 1003 (subsidiary label to Modern) with « Good Old Chlororophyll ».

PAUL WILSON on another Louisiana label, Picture # 1001, released 1962 or ’63. « The Blues You Gave Me » is a steel led uptempo (plus solo) with piano, a really moving track. The record was produced by one M. F. Machart, who also produced Sleepy LaBeff « Ride on Josephine » (Picture 1937) Anothee Wilson record was « You Don’t Love Me » (Pcture 1002) – untraced.

Johnny Henderson

The 3 following songs are by JOHNNY HENDERSON, a West coast artist who cut for High Time in 1956-57. Backed by The Texas Hired Hands, he released « The Girl I Love Is n Okie » (# 117), a medium uptempo bopper, lovely rhythm, although no fiddle. B-side is similar in style : « Down Beside The Rio Grande » High Time 118). « Any Old Port In A torm » (High Time 177) is easily found on compilations, not its flipside , a bluesy item with lively vocal « Rocket In My Pocket ».

John R. McKearn

On the Hi-Lite label (Alabama 1959) the team led by JOHN R. McKEARN (backed on side A by Billy Stockstill) offers « All Because Of You » (# 510) : forceful rural vocal, a mid-tempo track, great guitar. The B-side has « The Tug Boast Song » backed by Luden R. Gouedy is uptempo Rockabilly. Same good guitar and piano in the background. This disc is valued at $ 200-300 in Lincoln book.

Hank Dalton

On the (U.S.) London label # 16032 from 1950, on to HANK DALTON & the Brakemen. He was actually Alton Delmore with Ray Smith . Here they do a great train song « Hummingbird Special », same style of the Delmore Brothers.

A nice mid-tempo Rockabilly with Country overtones by the PILGRIM BROTHERS on their own Pilgrim label (# 2001) : « (Slow) Cold Rain ».

Pilgrim Brothers>/span>

Victor Freese

An Hillbilly boppper from North Hollywood : « Let’s Pitch Little Woo » by VICTOR FREESE on the Coin 105 label,1957.

A nice ballad bopper- fiddle – bass chords guitar, then an average solo. It’s KIRMET PHILIPS on Dub 2841 and « Walking Alone Tonight »

From San Antonio, Tx, in August 1960, JOE B. & CHARLIE DAVIS release « Shut Your Big Mouth » on TNT 9033. Good guitar. Flip is a train song, « Mississipi Central ».

Joe B. & Charlie Davis

sources: Gripsweat (Johnny Henderson); Bert Martins’ 1970s’ tapes (Hank Dalton); YouTube (Victor Freese, Rhythm Harmoneers); my own archives.

Made
On a MAC

Early September 2019 bopping fortnight’s favorites

I don’t know where DON WINTERS hailed from, probably Nashville. He has during the mid-’50s several good discs.

On RCA-Victor 47-6154 first he asked his Lady « Forgive My Mistakes » : a nice shuffler – piano, steel solo and an extrovert, really sincere vocal.
A later side (RCA 6348) « One Way Is Bound To Be Right » finds him, in a faster rhythm. A pleasant side.

Finally he embarked Rockabilly bandwagon with a release on Coin # 102 : « Be My Baby, Baby » is still Hillbilly Bop, but almost Rockabilly. The collectors couldn’t be mistaken. The Coin issue is valued at $ 150-200. Flipside « Pretty Moon » is pure heaven Rockabilly with its urgent vocal.

A typical Honky tonker from 1956 comes next with BILL WIMBERLY and his Country Rhythm Boys : « You Can’t Lean On Me » has a good steel (solo) and fiddle. A pretty nice record for the era. Mercury 70900. Just a few months earlier (February) Wimbery had released (Mercury 70815) « Ole Mister Cottontail » and on the flipside a lively instrumental « Country Rhythm ». Later on he was on Starday (« Back Street »).

Is it useful to develop on AL TERRY ? He’s already known since 1953 for his first sides on Feature and Champion. Here he is in July 1956 on the Hickory (# 1056) label out of Nashville for a typical mid-tempo Honky tonk bordering Rockabilly, « Roughneck Blues ». A lazy vocal and the lead guitar played by none other than Grady Martin.

Casho Box, Nov. 10, 1956

We jump back in May 1954 for a real ‘tour-de-force’ by the Father of Bluegrass, BILL MONROE : here it’s his « Whitehouse Blues » (Decca 29141). It’s the FASTEST Bluegrass tune ever.

Cash Box, June 5 , 1954

Finally from Texas in 1956 a jumping little Rockabilly bopper with “Dig Them Squeaky Shoes » by FRANK STARR on the Lin label # 1009.

Sources : my own archives ; YouTube ; various compilations.

Charline Arthur: That Hillbilly Bop Gal!

THAT KITTY THAT WANTED TO BE AN ORIGINAL   TEALBLUE costume

Not many gals could have made such statement in the conservative country music world of the 50’s but Charline Arthur did it. That Texas gal was stylistically far ahead of her times and was rollin’ on stage floor wearing pants when other women were still in dress playin’ rhythm guitar on family band. She was a kind of “Maverick”, and an hot item to handle, just like Elvis Presley. She brings something new on female country music and opened the way for rockin’ boppin’ teenage Janis Martin, cute Brenda Lee or for glamorous Wanda Jackson. That girl was not there to stand by her man and weep about her unfaithful honky tonkin’ husband. She sings about parties, fancy clothes, women dreams and wanted to enjoy life. If you ain’t treated her right or if you ain’t nothing but a “Hound Dog”, you can move away, wag your tail and goin’ cryin’ in your beer somewhere. Move away, skinny dog! (more…)