Early April 2015 fortnight’s favorites

En route for this new April batch of Hillbillies and Country rockers. First from Louisiana, the fiddler LARRY BAMBERG (rn Bamburg) does the fine relaxed medium bopper « Cheating on me » from 1956 on the Mira Lewis’ Shreveport, La. Ram (Royal American Music) label # 104. It has a very young James Burton, quite unusually, on the steel guitar and Leon Smith at the piano. Bamberg, whose name was not easy to pronounce, changed it to Lincoln for the bluesy (with sax) equally fine « My baby went away », cut at Ram, but issued on his own Fido 011 label (not posted here).



ram 104 larry bamberg

Cheating on me download


Next three tracks do come from Laeger W.Va. (at least the label) as late as 1969 by the one FLOYD FLETCHER on the F.A.F. label. « Daddy sings the blues » (# 26252) is a fast bluesy track with urgent vocal. « Move on down the track » does fetch to Rockabilly, while its flipside « You’re telling me goodby » [sic] is more in a sort of garage Honky-tonk vein (# 26282).

f.a.f. 26282 floyd fletcher daddy sing the bluesDaddy sings the bluesdownload
Move on down the trackdownload
F.A.F. 26253 floyd fletcher move

f.a.f. 28281 fletcher you're telling me goodby
You’re telling me goodbydownload




RILEY WALKER next is no newcomer, as his « Uranium miner’s boogie » from 1955 is already a minor Hillbilly bop classic from Salt Lake City, Utah. See elsewhere in this site at the entry of his name. « It’s a little late (to come knocking on my door » goes by the same vein : a relaxed rural vocal, a nice steel throughout and a romping piano (# 703).

It’s a little latedownload

atomic 703 walker it's a little late

Next and last tracks of this fortnight do come from the B-W label, presumably a Nashville one, in 1961. PHIL BEASLEY and « Itchin’ to love you » (# 624) : a nice crisp guitar over a decent country rocker. KENNY BIGGS and « There’s no excuse » (# 615) has a mellow steel, an harmonica and some chorus and sounds a bit poppish.
Itchin’ to love youdownload b-w 624 phil beasley

There’s no excusedownload
b-w 615 kenny biggs %22there's no excuse%22

b-w 615 kenny biggs there's no excuse

That’s all for this time, folks. Comments as usual are welcome.

late April 2011 fortnight’s favorites

Hi there. First the state of Utah is not well known among Hillbilly lovers. Sole artist I know from this state is RILEY WALKER. I already posted in a past “fortnight’s favorites” his great “Uranium Miner’s Boogie” (Atomic label – 1951? 1955? Impossible to date this, as it is so crude and primitive). Here I’ve chosen a second offering from Walker, less impressive, although almost equally good, on Atomic (# 703) , the amusing “It’s A Little Late“. Solid backing from his band, the Rocking-R-Rangers.

atomic 703 riley walkerroto 10006-2 norman sullivan

Let’s get back to the mid-sixties and NORMAN SULLIVAN (With The Country Rhythm Boys) on th ROTO label (unknown location), and a fine rendition of the Johnny Cash’s classic “Folsom Prison”, given a Country-rock treatment. Could mid-sixties.

Sarg 109 Dave Isbell Let's do it up brownP.R.C. Paul Carnes "I'm a mean mean daddy"country records 1500B Country cousins My heart's huntin' a new home

Then, from a definitely not as known as he deserves – I’ve named SARG records, out of Luling, Texas. This label issued many a fine Hillbilly/Rockabilly/Rock’n’Roll. You name? DAVE ISBELL, Neal Merritt, Herby Shozel, Eddy Dugosh, The Moods, Chester McIntyre, just a few of artitts on the Sarg label between 1954 and 1964. I’ve chosen the great DAVE ISBELL‘s “Let’s Do It Up Brown” (45-109), which has nothing to do with the Memphis’ Bud Deckleman song of the same name. More on SARG records on the pipeline!

Completely unknown to me, this PAUL CARNES, who apparently cut the record at his own expense on the  P.R.C. (penned by Paul R. Carnes) label. I cannot suspect any location, neither date: 1957-1958, I’d assume, for the fabulous “I’m A Mean Mean Daddy“. Very crude vocal, sparse backing. That’s HOW a true rural Hillbilly should be sung and played!

A little more light shed on the COUNTRY COUSINS (Denny Buck and Harold Weaver), who cut the B-side (A- unknown to me) for the very rare Country Records out of Oklahoma City, apparently only on 78rpm. Hence his rarity. This could be from 1955.

Finally, back to Rocking Blues for a change. The nickname “Sonny Boy” was adopted by two big figures in Blues, the first (prewar harmonica artist) was from Chicago, and died in 1948; the second (rn Rice Miller, hailed from Mississipi)  came North in 1954 to cut for Chess as “Sonny Boy  Williamson“. A third, far less known, without douby capitalizing on the popularity of the others, called himself only “Sonny Boy Williams“. He came from Florida, and cut in Nashville for the Duplex label, late ’50s, this little opus, “Alice Mae Blues“. It rocks!

duplex 9005 sonny boy williams alice mae blues

As always, envoy the selections, as I did preparing this feature. Don’t forget to go to “Contact Me” section: some records/books I am selling could be of interest to you. Till then, bye-bye!